The League of Extraordinary Gentlemen: Century 2009

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The League of Extraordinary Gentlemen: Century 2009 (The League of Extraordinary Gentlemen #3.3)

by Alan Moore, Kevin O'Neill (Illustrator)

3.56 of 5 stars 3.56 · rating details · 761 ratings · 105 reviews

In Chapter Three, the narrative draws to its cataclysmic close in London 2008. The magical child whose ominous coming has been foretold for the past hundred years has now been born and has grown up to claim his dreadful heritage. His promised aeon of unending terror can commence, the world can now be ended starting with North London, and there is no League, extraordinary o...more

Paperback, 80 pages

Published July 10th 2012 by Top Shelf Productions, Knockabout (first published June 1st 2012)

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Feb 24, 2013 Helmut Barro rated it 3 of 5 stars

Shelves: comics

Harry Poppins und der Gefangene von Ardistan

Der dritte (und letzte) Teil des dritten Bands der "Liga der außergewöhnlichen Gentlemen" erreicht sein Finale. Was 1910 an den Londoner Docks begann und 1969 im Hyde Park fortgesetzt wurde, findet hier auf den Straßen Londons sein Ende. Oliver Haddos geplante Apokalypse hatte zwar 1969 einen Rückschlag erlitten, doch inzwischen hat er ein besseres Mondenkind gefunden, das seine Pläne verwirklichen soll. Gleichzeitig ist die ehemalige Liga nur noch ein...more Harry Poppins und der Gefangene von Ardistan

Der dritte (und letzte) Teil des dritten Bands der "Liga der außergewöhnlichen Gentlemen" erreicht sein Finale. Was 1910 an den Londoner Docks begann und 1969 im Hyde Park fortgesetzt wurde, findet hier auf den Straßen Londons sein Ende. Oliver Haddos geplante Apokalypse hatte zwar 1969 einen Rückschlag erlitten, doch inzwischen hat er ein besseres Mondenkind gefunden, das seine Pläne verwirklichen soll. Gleichzeitig ist die ehemalige Liga nur noch ein Schatten ihrer selbst, voll kaputter unsterblicher Existenzen, kann sie diese Herausforderung überhaupt noch stemmen?

Interessant, dass es bei amazon.de nur die iPad- und Android-Version zu kaufen gibt - bei amazon.com auch die Cloudreader-Fassung, die ich hier bewerte. Neben dem einmaligen Preis-Leistungsverhältnis dieser Fassung (etwas über 1/3 des Preises der Papierfassung, daran sollten sich deutsche Verlage ein Beispiel nehmen) glänzt sie auch durch die Möglichkeit, einzelne Panels durch Doppelklick zu vergrößern. Sehr gelungen, gerade, wenn man versucht, eines der erneut zuhauf vorhandenen moore'schen Details auszumachen, hilft das sehr.

Auch wenn die Identität des neuen Mondenkinds wirklich eine sehr gelungene, und auch gut umgesetzte Idee ist - für mehr als ein "nicht schlecht" reicht es in der Bewertung einfach nicht aus, und ganz besonders nicht, wenn man es mit dem so übermäßig herausragenden Band 1 vergleicht. Die "versteckten" Details, die diese Reihe so einzigartig machen, scheinen mir dieses mal hauptsächlich in den Personen verborgen zu sein, die immer wieder halbprominent platziert zu sehen sind (wie die Bonds, alle Schauspieler von Craig bis Connery). Ohne Jess Nevins' Kommentare hätte ich aber erneut dreiviertel der Referenzen nicht erkannt. Insgesamt muss man aber Moore zugute halten, dass es heutzutage kaum Comickünstler gibt wie ihn, die so ein komplexes Thema über so lange Zeiträume hin konsequent und immer wieder überraschend durchhalten - doch inzwischen ist die Grundidee des Comics einfach ausgereizt.

Trotzdem werde ich, obwohl die Reihe inzwischen mehr Schulterzucken hervorruft als begeistert, auch einen eventuellen Nachfolger, falls er denn dann irgendwann kommen sollte, gewiss lesen. (less)

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Feb 21, 2013 William rated it 2 of 5 stars

Alan Moore has proven that he's just plain more talented and creative than thousands of artists. And 2009 isn't terrible, but it's self-indulgent and will likely appeal only to his die-hard fans, the curious, the compulsive reference-spotters...

Basically, I bought it because I love the universe and I think Moore is brilliant, but I will never recommend it because I can't guarantee any type of emotional resonance. I flip through the first two volumes of LoEG and I feel so much. Loathing, admirati...more

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Sep 22, 2012 Cale rated it 2 of 5 stars

This review has been hidden because it contains spoilers. To view it, click here. This is a review for all three Century books, as they're all one series, basically.
The series starts out interestingly, with the child of Nemo, but that turns out to be a fairly unimportant side-story, at least through the Century books; it looks like it may finally pan out in a later story. Century 1969 is an interesting brush with London hippies, with some amazing visuals. But the climax in 2009 is a huge let-down. I mean come on - Harry Potter is the antichrist, and he's defeated by Mary Pop...more

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Sep 16, 2012 Richard Barnes rated it 3 of 5 stars

BIG SPOILERS IN THIS REVIEW - DON'T READ IF YOU HAVEN'T READ THE BOOK.

This is merely a good comic - it is not a good Alan Moore comic. Sadly a weak ending to the "Century" trilogy. It has its moments because it's Alan Moore, but usually there's a bunch of moments crammed into every panel. It's fun to see each of the Avengers girls together (with a passing gag about one of them being Eddi from AbFab), fun to see the different iterations of Bond.

But, the cliffhanger ending of 1969 is resolved with...more

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Sep 12, 2012 Daniel Etherington rated it 4 of 5 stars

Shelves: fantasy, grotesque, apocalyptic, comic

'Century: 2009', aka Let It Come Down, aka The League of Extraordinary Gentlemen, Volume III: Century chapter 3, is a strong conclusion to the saga. I found chapter 2, 1969, aka Paint it Black, was weighed down by bleakness and cynicism, but Moore brings it back here, with a better balance between social analysis, action and the rich metafiction that defines the LOEG comics.

Moore and O'Neill's vision of a version of contemporary Britain is heady stuff, but the comic's biggest coup, arguable, is...more

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Jul 23, 2012 John Kirk rated it 2 of 5 stars

I think that Alan Moore has done some great work in the past, but I have to accept that I'm not the target audience for LoEG. These books seem to be increasingly the literary equivalent of films like "Date Movie" and "Epic Movie", i.e. they rely on the reader/viewer saying "Hey, I recognise that reference and therefore I like it!" I want more than that, e.g. a proper story. Looking back at this book after I read it, and asking myself "What actually happened?", there's only about 2 sentences wort...more

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Jul 17, 2012 Dickon Edwards rated it 5 of 5 stars

This review has been hidden because it contains spoilers. To view it, click here. Here, Moore & O'Neill manage to not just have their cake and eat it, but throw a colourful cake-eating and cake-having party for everyone.

By this opening of this latest chapter, set once again in a patchwork world made up of other people's published fictions (including TV characters), the now-immortal Mina Murray (from 'Dracula') and Alan Quartermain (from 'King Solomon's Mines') have gone AWOL. It is left to Orlando (from Virginia Woolf's novel) to try to reassemble the team in time to pre...more Here, Moore & O'Neill manage to not just have their cake and eat it, but throw a colourful cake-eating and cake-having party for everyone.

By this opening of this latest chapter, set once again in a patchwork world made up of other people's published fictions (including TV characters), the now-immortal Mina Murray (from 'Dracula') and Alan Quartermain (from 'King Solomon's Mines') have gone AWOL. It is left to Orlando (from Virginia Woolf's novel) to try to reassemble the team in time to prevent an Antichrist from bringing on Armageddon - or at least, one form of Armageddon...

One of the pleasures of the LOEG books is spotting the various characters and references, most of which have to be alluded to namelessly, to avoid breaching copyright law. Hence the cheeky fun of making the Antichrist into what is clearly a highly traumatised Harry Potter, and God into Mary Poppins, and have them face each other off.

On top of that, there's plenty of faces tucked away in the panels, which readers can argue about: O'Neill's likenesses aren't exactly photographic. I highly recommend leafing through Jess Nevins's annotations at http://jessnevins.com/annotations/200..., which include theories and conflicting arguments from other readers.

But on top of his love of cramming in references and roasting sacred cows, Moore is ultimately a great storyteller who knows how to grip the reader, excite them, move them, provoke them, and indeed appall them - he still knows how to pull off a Gone Too Far moment, even after decades of comic writing. Real life events are now breaking into the fiction, according to one character, and to prove it there's a Kings Cross station sequence which features Matt Smith's Doctor Who and John Barrowman's Captain Jack at one point, then the casualties of the 7/7/2005 terrorist attack at another.

I was particularly impressed by the use of topical talking points, eg high school massacres blamed on Point Of View shoot-em-up computer games. Moore transposes this issue on top of his Harry Potter Goes Evil story, and somehow it all comes together perfectly.

Finally, away from all the cheekiness and mayhem, Moore is making a serious point about the state of popular fiction in the early 21st century; that ideas are getting worn out and imagination is becoming eclipsed by nostalgia. He seems to be making digs at JK Rowling recycling a 1940s-style cosiness in her Harry Potter books, while elsewhere a homeless Martin Clunes (!) is seen wearing a filthy 'Sunshine Desserts' t-shirt, being a reference to his role in a recent, utterly pointless TV remake of 'Reginald Perrin'.

Is culture being remade to death? Is innovation dead? Are there no new ideas? Will we see a world where the most popular novels are, say, Twilight fan fiction rewritten as kinky S&M sex fantasies?

Yes, obviously. But at least this LOEG story is trying to comment on culture, both celebrating and criticising, while having one hell of a ball in the process. AND you get kinky sex scenes here too, so everyone's happy. (less)

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Jul 14, 2012 James Taintor rated it 5 of 5 stars

I'm not going to lie; the simple narrative structure and relative deficit in meaningful character development makes this my least favorite of the "Century" trilogy. Important threads from the earlier volumes are wrapped up in a manner that seems more de rigueur than passionate. Important characters receive short shrift. The rhythm lacks the sort of intense, psychedelic montage that made Century 1969 so satisfying.

It's still a spellbinding book, full of subtle humor and allusions that would make...more

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Jul 13, 2012 Andy rated it 3 of 5 stars

Shelves: comics

This is getting 3 stars rather than 2 for old times sake more than anything. I generally preferred this to the second part, maintaining a clearer structure and more simple story but it ultimately felt a let down. Spoilers ahoy.

The League has changed so much from the first two volumes that I really loved. Alan is barely in it, Mina is absent for the first half and we are left with Orlando, mostly in the female form (which I prefer). The current ancestor of Nemo is occasionally mentioned and brief...more

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Jul 08, 2012 Charles Hatfield rated it 3 of 5 stars

More smart but acrid anti-pop from Moore and O'Neill, carrying on the mood of gloom and alienation evident in the previous two LOEG: Century volumes. In this one, the youthful Antichrist, implicitly Harry Potter, goes mano a mano with God, implicitly Mary Poppins, while the surviving agents of the League, Mina, Allan, and Orlando, look on, dazed and confused. The reigning mood is despairing; the lunges toward satirizing J.K. Rowling's Potter feel like just that; and the plot crumbles into deus e...more

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Jul 01, 2012 Mel rated it 5 of 5 stars · review of another edition

Shelves: 21st-century-fiction, graphic-novel, queer

I read this through very quickly the first time as I had spent the past year quite worried about what had happened to Mina. I loved that Harry Potter was the anti-christ. I can't believe that I didn't see that coming. Given the literary basis for this series it really was so obvious I feel almost ashamed for not figuring that out! Orlando was a much better character in this. She kinda had to pull everyone together and was much less frivilous. Mina did seem quite broken which was such a shame aft...more

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Jul 01, 2012 Steven rated it 3 of 5 stars

Shelves: science-fiction, fantasy, comics, alternate-worlds

I'm still trying to process this concluding episode of Century, as it's perhaps to most overt in terms of the things Alan Moore's on about in terms of modern pop culture and storytelling, yet at times there's also a feeling of it including a sledgehammered level of meta to get the point across, particularly with the unnerving idea that Prospero is now just Alan Moore in 3D glasses. Too, the expected references and easter eggs are more overt, clumsier, as though the more modern items aren't reall...more

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Jun 28, 2012 Robert Browning rated it 5 of 5 stars

Harry Potter? Meet Mr. Alan Moore...This book gives the distinct impression that Moore is of the opinion that the world of recent literary endeavors has gone quite downhill. Still, as with all of the "League" books, the sheer fun of this series for me is trying to stump my Lit-Major brain trying to puzzle out what other fictional works he's alluding to. This series rewards the avid bibliophile with a sharp eye.

The League books have always highlighted the primary British literary figures of the...more

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Jun 27, 2012 Dan Trudeau rated it 3 of 5 stars

Shelves: graphic-novels, superheroes

While I've enjoyed the post-Black Dossier LoEG work more than others I speak to, I still find myself disappointed by its conclusion. I respect Moore and O'Neil's changing of the tone from adventure to meditation on fiction and have been happy to flow with the change as it happened. I've always enjoyed walking through the world, fictional and real, from Moore's perspective.

This latest book, however, reveals his Achilles heel: satirizing modern culture despite his shallow experience in it. I under...more

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Jun 25, 2012 J.M.R. Higgs rated it 4 of 5 stars

With the LoEG, the sum is greater than the parts. The cumulative effect of Moore and O'Neill's borderline insane attempt to merge the entire history of fiction into one narrative becomes increasingly mindboggling with each release. Taken on their own, however, each individual part can seem less impressive, with many of the character details, subplots or background images seemingly needing further explanation.

What's interesting about Century, however, is its theme that our imagination has become...more

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Jan 06, 2013 Chris rated it 3 of 5 stars

Has any comic been more negatively affected by an absolutely awful film? Every time I insist to friends that The League of Extraordinary Gentlemen is one of my all-time favorites, it's always accompanied by an eye roll thanks to that famously terrible movie. Volume I of the series (which came out in 2000) is truly worth your time...great execution of a really fun concept (famous literary characters all co-exist in 1898 England and fight organized crime and aliens in the name of the British gover...more Has any comic been more negatively affected by an absolutely awful film? Every time I insist to friends that The League of Extraordinary Gentlemen is one of my all-time favorites, it's always accompanied by an eye roll thanks to that famously terrible movie. Volume I of the series (which came out in 2000) is truly worth your time...great execution of a really fun concept (famous literary characters all co-exist in 1898 England and fight organized crime and aliens in the name of the British government).

That being said...the unfortunate truth is that the series has seen diminishing returns ever since: Volume II's retelling of The War of the Worlds is not as tightly plotted and suffers for it (although still worth a read), and Black Dossier is an ill-advised throwaway side story. The third volume (entitled "Century"), is Moore's attempt to breathe some new life into the franchise by taking it out of the Victorian era and telling a story that spans three time periods (1910, 1969, and 2009). The LXG has been pared down to three members: Bram Stoker's Wilhelmina Murray, Allan Quartermain from King Solomon's Mines, and a gender-oscillating immortal being called Orlando. Their mission? Stop a practitioner of black magic from bringing about the apocalypse through the birth of the Antichrist.

While Volume III has some disappointing aspects (the trimming down of the LXG to a mere 3 of its less interesting characters, going down the ever-deepening rabbit hole of Moore's weird sexual predilections, a kind of dull first part in 1910) - it really redeems itself once the story hits its stride in 1969. That volume is one of the most fun reads I've had all year, culminating in a sequence where Mina trips on a psychedelic drug while fighting in the astral plane, all set to Moore's reinterpretation of the song "Sympathy for the Devil". The final section, set in 2009, throws out the cultural references fast and furious, and without spoiling the ending - the conclusion involves a showdown between Harry Potter and Mary Poppins. I'm not sure if the three part series holds together as a coherent whole, but the last two thirds are a hell of a lot of fun. (less)

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Aug 06, 2012 Eric rated it 2 of 5 stars Recommends it for: No one

Shelves: graphic-novels

While this was not as bad as the previous volume, The League of Extraordinary Gentlemen: Century 1969, it was a long way off from Alan Moore's best work. Worse yet, for a man that is constantly lauded for his originality, this book is incredibly derivative of the Harry Potter series -- I could be kind and say it was inspired, I suppose, but it felt derivative. Anyway, after a few dozen pages of meandering pretext, the remaining league faces down the anti-christ, the aforementioned Harry Potter c...more

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Jul 07, 2012 Nick Marsh rated it 3 of 5 stars

Much as I've felt with recent volumes of the league, the storytelling is waylaid by the attempts to cram as many references in as possible. I enjoyed it, of course, but Moore is especially harsh on JK Rowling in this volume, seemingly holding Harry Potter up as a symbol for all that is wrong with modern culture - as well as blaming the perceived paucity of our culture for the way society is heading, rather than just being a reflection on it. I might be over-reading, but I don't think The Boy Who...more

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Jul 03, 2012 Joanna rated it 3 of 5 stars

Shelves: anglophilia, comix, 2010s

So you know Harry Potter is the Antichrist in this right? oops sorry spoilers. Anyway, what I had liked in previous installments of League of Extraordinary Gentlemen was all the pop culture stuff he crams in there. So 2009 pop culture stuff? This should be interesting!

But it's just like, "OMG, i HATE harry potter. Stupid harry potter!" ect. which is fine, that was actually pretty cool. But instead of a story being really wide and shallow (like lots of pop culture references, fast moving enterta...more

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Jul 01, 2012 Joseph rated it 4 of 5 stars · review of another edition

Shelves: fiction, graphic-novel

This review has been hidden because it contains spoilers. To view it, click here.

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Jul 15, 2012 Wesley rated it 3 of 5 stars

Shelves: comics

The third and last part of Century, 2009, opens with Orlando losing him(her)self in combat in the Middle East. On returning to London he is tasked with finding Mina and Allan by Prospero and then tracking down the Moonchild that they were supposed to have prevented being born. She finds Allan living on the streets a hopeless junkie who refuses to have anything to do with her or tracking down Mina. Turning to MI6 for help, Orlando inds that Mina has been in a mental institution since the aftermat...more

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Aug 01, 2012 Guy rated it 3 of 5 stars

A bit skimpy on plot with more pop ephemera than lit-cult references, this League installment seems to lack stamina as much as substance. Still, it is a story of exhaustion, of a dried up and deadlocked world, and so it can be forgiven for reflecting this at the narrative level. Mina and Orlando marshal onward, and Alan returns when needed. But the League universe has become one that doesn't really need its heroes, doesn't reflect the grandiosity of those earlier and more epic days. Of course, t...more

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Aug 08, 2012 Riju Ganguly rated it 3 of 5 stars

After the first 2 volumes, that had really revolutionised and re-invigorated the dated concepts of Wold-Newton universe or 'Steampunk' Victoriana, this series began its descent into chaos. The well-structured world slowly became a post-modern whirlpool where literary references and in-jokes grew at the expense of the narrative tautness. Now, it seems, that the saga is finally over. We have death of an iconic character, and frustration & devastation (along-with some stuff that would really en...more

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Jul 21, 2012 Shawn rated it 4 of 5 stars

Shelves: read-comics

Well, I liked it very much - and I have to say I wasn't sure what to expect, given the super-downer ending of the previous issue and the "League reduced to one" expectations of this - I was worried it would be grim and spare and not very "adventurely", if you get my drift.

But I liked it very much. I generally avoid commenting on others' "critical" complaints (in quotes because - just because you're on the web, or even being paid, doesn't make you a critic, just critical) - but I will say that th...more

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Jul 12, 2012 Jacob rated it 2 of 5 stars

While I still have much appreciation and affection for the many wonderful works of Alan Moore, I don't think I can say too many good things about this particular effort. There are plenty of "Easter eggs" (ie., actor cameos, naughty bits, and music lyrics) hidden (much of it escaping or lost to me or over my head) within the story via text and pictures, but Alan Moore has possibly become the perverted Woody Alan of comics now.

It's only a so-so story but I don't think Alan Moore was trying too har...more

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Jul 11, 2012 Grant Piercy rated it 5 of 5 stars

After letting this one gestate a bit, I had to change my rating. This will probably end up being my favorite book of the year, a fitting end to the Century saga. League books are always fun to read, and their density and perversity have only grown since volume 2. It's more than just Allan Quatermain and Mina Murray, more than just spot the reference, and more than just seeing what fucked up kinds of things Alan Moore has to say about Harry Potter and modern pop culture. This book has stuck with...more

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Jul 21, 2012 Dawn rated it 3 of 5 stars

OK, I've been a fan of this series since the beginning (but don't get me started on the movie, please! :( ) Not sure if this the real final ending or not, but it got a lower rating because I was much more confused with this one. I promise, no spoilers!

Immortality doesn't really suit most people, and this is true for Mina & Allen. Orlando points out he/she is pretty shallow and thus gets by. There's something to this, I think. Anyway, the anti-Christ finally arrives, there's a big "ew" fight...more

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Jul 08, 2012 Alan rated it 4 of 5 stars

While I consider Alan Moore one of the most overrated graphic storytellers of today, I admit that LEOG is one of my guilty pleasures. Part of the guilt comes from how much I enjoy metafiction, and especially this volume of LEOG reads as if Moore had sat at the late Phillip Jose Farmer's knee as Farmer read Wold Newton stories to him.

I'm almost willing to forgive Moore for the way he has Harold Potter (the anitchrist) kill off one of main cast members. Look for references to past LEOG tales, and...more

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Jul 17, 2012 Ian rated it 3 of 5 stars · review of another edition

The central conceit to this series was really cool: a bunch of Victorian literary characters acting as unofficial troubleshooters for the British Empire. And the literary pastiche was done extremely well. But somewhere around The Black Dossier, it began to disappear up its own fundament - one of them, I forget which, quoted extensively from Brecht's Threepenny Opera, for example. This final installment in the Century is better than previous in that it drags the story back front and centre, but h...more

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Aug 19, 2012 Jake Kilroy rated it 3 of 5 stars

Shelves: fantasy, graphic-novel, satire, adapted

I don't know what the hell is happening in anything Alan Moore is doing these days. It's interesting engaging, but it's so far out from my realm of comprehension. Also, after a three-book build, I thought the ending (which includes the Anti-Christ) would be earth-shattering nuts. It wasn't. The martian invasion from the second volume was harsher. This was over in a heartbeat. Also, how it happened, I still don't get. I didn't understand the second or third chapters of Century. But it was so fasc...more

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Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces)...more

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