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  <title><![CDATA[One Big Self]]></title>
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  <description><![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]></description>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
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  <date_updated>Wed Feb 11 11:12:15 -0800 2009</date_updated>
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    <body><![CDATA[Witness. Wright allows the reader to witness these convicts, these Louisiana jails, the experience of entering and being able to leave them, and feel the confusion and strength of such witnessing. She refrains from moralizing, instead giving the fragments. Arranging the fragments in such a way as to...<a href="http://www.goodreads.com/review/show/46042921">more...</a>]]></body>
    
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Aug 14 08:05:49 -0700 2007</date_added>
  <date_updated>Thu Dec 17 05:08:44 -0800 2009</date_updated>
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    <body><![CDATA[I've always loved C.D. Wright. She writes in a way that is emotional and experimental at the same time. She uses a lot of space in this book of poems and that works well with the subject matter. Repetition, heat, and the constant question about the worth of prisoners returns throughout each section....<a href="http://www.goodreads.com/review/show/4527989">more...</a>]]></body>
    
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      <review>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <date_updated>Sun Jan 18 13:21:43 -0800 2009</date_updated>
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    <body><![CDATA[A book that takes a snapshot look at the Louisiana prison system and the faces that comprise this system. The book portrays the complexity of situations that exist. What to think of a person, and a society, that imprisons more people of one person's immediate family then live outside the prison comp...<a href="http://www.goodreads.com/review/show/42457399">more...</a>]]></body>
    
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      <review>
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    <![CDATA[One Big Self]]>
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  <average_rating>4.05</average_rating>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <date_added>Wed Sep 24 08:40:22 -0700 2008</date_added>
  <date_updated>Tue Nov 18 08:39:13 -0800 2008</date_updated>
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    <body><![CDATA[This was an interesting book -- the poem that originally accompanied photographs by Deborah Luster of prison inmates in Louisiana.  It ranges and returns, a thing I love about her -- she’s got this ability to traverse vast distances in her images/metaphor, yet still maintain a thread through repet...<a href="http://www.goodreads.com/review/show/33714297">more...</a>]]></body>
    
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      <review>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <read_at>Tue Jul 01 00:00:00 -0700 2008</read_at>
  <date_added>Wed Jul 02 15:05:31 -0700 2008</date_added>
  <date_updated>Wed Jul 02 15:12:02 -0700 2008</date_updated>
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    <body><![CDATA[Typically, fragmented work washes over me; I enjoy the sensation but leave the book dazed, unable to recall the details of any single poem. Not the case here: the clarity of thought, deliberate repetition of key motifs, and the music of it all make for not just a memorable read but a truly meditativ...<a href="http://www.goodreads.com/review/show/26152601">more...</a>]]></body>
    
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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            <shelf name="poetry" />
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  <read_at></read_at>
  <date_added>Mon Aug 03 15:03:00 -0700 2009</date_added>
  <date_updated>Tue Aug 04 17:53:00 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Some good honey, but the comb is a shambles.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66047586]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/66047586]]></link>
</review>
      <review>
  <id>2254213</id>
    <user>
    <id>128478</id>
    <name><![CDATA[Esabetta]]></name>
    <location><![CDATA[Afton, VA]]></location>
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  <isbn>1556592582</isbn>
  <isbn13>9781556592584</isbn13>
  <text_reviews_count type="integer">15</text_reviews_count>
  <title>
    <![CDATA[One Big Self]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113710m/139881.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172113710s/139881.jpg</small_image_url>
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  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
  <description>
    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Fri Jun 22 09:39:09 -0700 2007</date_added>
  <date_updated>Wed Dec 16 22:21:02 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[written in a similar style to deepstep come shining.  that headless floating voice feeling.  quotes from prisoners, sign posts,  posters.  lousiana heavy as a bell in the heat and driving around the backroads with the windows down.  what i found most interesting is thinking about when something clic...<a href="http://www.goodreads.com/review/show/2254213">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2254213]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/2254213]]></link>
</review>
      <review>
  <id>17464929</id>
    <user>
    <id>845910</id>
    <name><![CDATA[Leslie]]></name>
    <location><![CDATA[Providence, RI]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/845910-leslie]]></link>
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  <text_reviews_count type="integer">15</text_reviews_count>
  <title>
    <![CDATA[One Big Self]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1172113710s/139881.jpg</small_image_url>
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  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
  <description>
    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Mar 15 00:00:00 -0700 2008</read_at>
  <date_added>Mon Mar 10 16:18:03 -0700 2008</date_added>
  <date_updated>Fri Jul 11 11:06:24 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[what i love most about this book is the collage of actual voices, sign quotes and thoughts from the speaker/interviewer. this choice has heft; it really goes for the gut and i love that. i listened to a (fascinating!) interview with C.D. Wright about her process and it reminded me so much of the soc...<a href="http://www.goodreads.com/review/show/17464929">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17464929]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17464929]]></link>
</review>
      <review>
  <id>12456470</id>
    <user>
    <id>635700</id>
    <name><![CDATA[Paul]]></name>
    <location><![CDATA[Mill Valley, CA]]></location>
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  <title>
    <![CDATA[One Big Self]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113710m/139881.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172113710s/139881.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/139881.One_Big_Self</link>
  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
  <description>
    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Sun Jan 13 22:48:00 -0800 2008</date_added>
  <date_updated>Sun Jan 13 23:11:41 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book-length poem is based on CD Wright's visits to prisons in the South.  There's a lot of discussion of the desire for more objectivity in poetry, or less self. That's exactly what this book brings about, a sense of being immersed in an almost authorless, yet beautifully voiced  reality.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/12456470]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/12456470]]></link>
</review>
      <review>
  <id>19200605</id>
    <user>
    <id>159828</id>
    <name><![CDATA[Jessie]]></name>
    <location><![CDATA[Seattle, WA]]></location>
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  <title>
    <![CDATA[One Big Self]]>
  </title>
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  <link>http://www.goodreads.com/book/show/139881.One_Big_Self</link>
  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
  <description>
    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Tue Apr 01 09:39:31 -0700 2008</date_added>
  <date_updated>Tue Apr 01 09:42:52 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A total immersion into the idiom/grit/ache of Louisiana prisons; the photo edition by Deborah Luster is an overwhelming compilation of inmate portraits; I taught the poems in my intro class--50% loved it, 50% hated it--no doubt this book is about encounter.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19200605]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19200605]]></link>
</review>
      <review>
  <id>24538178</id>
    <user>
    <id>1003155</id>
    <name><![CDATA[Lynnell]]></name>
    <location><![CDATA[Louisville, KY]]></location>
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  <text_reviews_count type="integer">15</text_reviews_count>
  <title>
    <![CDATA[One Big Self]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113710m/139881.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172113710s/139881.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/139881.One_Big_Self</link>
  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
  <description>
    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Jun 15 07:20:36 -0700 2008</date_added>
  <date_updated>Sun Jun 15 07:21:33 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was incredibly compelling and needs to be read in one sitting.  I'm still puzzling through the method of it, how it works as dependent on so much pastiche...but it's finally very moving in its documentary effect.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/24538178]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/24538178]]></link>
</review>
      <review>
  <id>23446082</id>
    <user>
    <id>358337</id>
    <name><![CDATA[Ann-marie]]></name>
    <location><![CDATA[Austin, TX]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/358337-ann-marie]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1212340742p3/358337.jpg]]></image_url>
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  <isbn>1556592582</isbn>
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  <text_reviews_count type="integer">15</text_reviews_count>
  <title>
    <![CDATA[One Big Self]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113710m/139881.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172113710s/139881.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/139881.One_Big_Self</link>
  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
  <description>
    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Jun 01 10:54:27 -0700 2008</date_added>
  <date_updated>Sun Jun 01 10:59:51 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I love this book. The language and images fall into me, disturbing and wondrous.  I'd love to own the volume that is both the photos and poetry.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23446082]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23446082]]></link>
</review>
      <review>
  <id>5150202</id>
    <user>
    <id>311514</id>
    <name><![CDATA[Michael]]></name>
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  <title>
    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <read_at>Fri Jun 01 00:00:00 -0700 2007</read_at>
  <date_added>Sun Aug 26 20:14:19 -0700 2007</date_added>
  <date_updated>Thu Dec 17 07:11:19 -0800 2009</date_updated>
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    <body><![CDATA[a story from southern jails written as abstracted poetry and found words. i read it for the love of something new. i found something new.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/5150202]]></url>
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    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <date_added>Tue Aug 12 15:47:57 -0700 2008</date_added>
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    <body><![CDATA[I'd like to re-read this with the pictures, but it's about as good as &quot;elliptical poetry&quot; gets for me.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29977729]]></url>
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    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <date_added>Tue Oct 14 13:03:24 -0700 2008</date_added>
  <date_updated>Tue Oct 14 13:03:48 -0700 2008</date_updated>
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    <body><![CDATA[When I read poetry, it is to inhabit this place.  Where Wright lives always.]]></body>
    
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    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <date_added>Fri Dec 04 14:30:03 -0800 2009</date_added>
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    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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    <![CDATA[One Big Self]]>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <read_at>Mon Sep 01 00:00:00 -0700 2008</read_at>
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  <id type="integer">139881</id>
  <isbn>1556592582</isbn>
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  <title>
    <![CDATA[One Big Self]]>
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  <average_rating>4.05</average_rating>
  <ratings_count>96</ratings_count>
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    <![CDATA[<p>&quot;Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.&quot;-<em>The New Yorker</em></p> 		<p>Inspired by numerous visits inside Louisiana state prisons-where MacArthur Fellow C.D. Wright served as a &quot;factotum&quot; for a portrait photographer-<em>One Big Self</em> bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and &quot;counts&quot; of things-from baby's teeth to chigger bites: </p> 		<p> 				<em>Count your folding money</em> 				<br/> 				<em>Count the times you said you wouldn't go back</em> 				<br/> 				<em>Count your debts</em> 				<br/> 				<em>Count the roaches when the light comes on</em> 				<br/> 				<em>Count your kids after the housefire</em> 		</p> 		<p> 				<em>One Big Self</em>-originally published as a large-format limited edition that featured photographs and text-was selected by <em>The New York Times</em> and <em>The Village Voice</em> as a notable book of the year. This edition features the poem exclusively. </p> 		<p> 				<strong>C.D. Wright</strong> is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.</p>]]>
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  <published>2007</published>
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  <date_added>Fri Sep 11 20:38:13 -0700 2009</date_added>
  <date_updated>Fri Sep 11 20:38:14 -0700 2009</date_updated>
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