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  <title><![CDATA[Deepstep Come Shining]]></title>
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  <description><![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]></description>
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  <original_publication_month type="integer">9</original_publication_month>
  <original_publication_year type="integer">1998</original_publication_year>
  <original_title>Deepstep Come Shining</original_title>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <body><![CDATA[In C.D. Wright’s book-length poem <em>Deepstep Come Shining</em>, the eye and the ear are center. In the book, the result of a road trip taken with photographer Deborah Luster through Georgia and the Carolinas, the speaker of the poem is the “hand of the selenographer, mapper of lost roads.”  Wright’...<a href="http://www.goodreads.com/review/show/2742508">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2742508]]></url>
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      <review>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>5</rating>
  <votes>2</votes>
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  <read_at>Tue Jan 06 00:00:00 -0800 2009</read_at>
  <date_added>Sun Nov 30 18:51:10 -0800 2008</date_added>
  <date_updated>Thu Jan 08 05:03:23 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[When I started reading this I was immediately going to give it 4 stars because I knew it was great, but I (not the book) was obviously lacking something and therefore, couldn't give it a 5, because I didn't know what that something was.  However, this is a book-length poem broken into several parts....<a href="http://www.goodreads.com/review/show/38987483">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38987483]]></url>
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</review>
      <review>
  <id>39570197</id>
    <user>
    <id>726283</id>
    <name><![CDATA[Samia]]></name>
    <location><![CDATA[San Francisco, CA]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <link>http://www.goodreads.com/book/show/139878.Deepstep_Come_Shining</link>
  <average_rating>4.37</average_rating>
  <ratings_count>243</ratings_count>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>4</rating>
  <votes>1</votes>
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  <read_at>Fri Dec 12 00:00:00 -0800 2008</read_at>
  <date_added>Sun Dec 07 21:44:22 -0800 2008</date_added>
  <date_updated>Fri Dec 12 22:03:58 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I'd put this book beside C.S. Giscombe's &quot;Here&quot; as one of the great works of experimental pastoral.  A record of travels in the South, the poem operates through recurrence, digression, interruption, ultimately generating a roadtrip poetics.  I've read it at least three times now, and pick ...<a href="http://www.goodreads.com/review/show/39570197">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/39570197]]></url>
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</review>
      <review>
  <id>52371200</id>
    <user>
    <id>762683</id>
    <name><![CDATA[Donna]]></name>
    <location><![CDATA[Penfield, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/762683-donna]]></link>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>2</rating>
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  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Sun Apr 12 04:32:04 -0700 2009</date_added>
  <date_updated>Sun Apr 12 04:34:13 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book, although containing some wonderfully poetic lines and interesting ideas, just didn't &quot;grab&quot; me very much.  I have read much better work from C.D. Wright.  However, I do think she is a gutsy poet in trying something like this book-length imagistic poem.  Just not my &quot;thang&quot;...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/52371200]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/52371200]]></link>
</review>
      <review>
  <id>38903721</id>
    <user>
    <id>563762</id>
    <name><![CDATA[Charmi]]></name>
    <location><![CDATA[Osceola, IN]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>5</rating>
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  <recommended_by><![CDATA[Jake Adam]]></recommended_by>
  <read_at>Sun Nov 30 00:00:00 -0800 2008</read_at>
  <date_added>Sat Nov 29 18:21:55 -0800 2008</date_added>
  <date_updated>Mon Dec 01 04:36:22 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I need to go back now and re-read Tremble, which I just didn't connect with.  I found Deepstep amazing, the kind of book that stays with you after you've closed the cover.  It's much more apparant in this work the strong influence that Stanford had/has on Wright's writing.  Now I need to pick up som...<a href="http://www.goodreads.com/review/show/38903721">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38903721]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/38903721]]></link>
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      <review>
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    <name><![CDATA[Melissa]]></name>
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    <![CDATA[Deepstep Come Shining]]>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>5</rating>
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  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Sep 18 11:35:09 -0700 2007</date_added>
  <date_updated>Sat Sep 29 08:36:13 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Beautiful and intriguing, this book is so deftly braided, it opens up possibilities. I'm enamored.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/6389196]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/6389196]]></link>
</review>
      <review>
  <id>66070066</id>
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    <name><![CDATA[Sara]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>
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  <isbn>155659092X</isbn>
  <isbn13>9781556590924</isbn13>
  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113709m/139878.jpg</image_url>
  <link>http://www.goodreads.com/book/show/139878.Deepstep_Come_Shining</link>
  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <date_added>Mon Aug 03 17:55:19 -0700 2009</date_added>
  <date_updated>Mon Aug 03 17:57:11 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I haven't been so excited about a book of poetry in a while. I don't know why I never read C.D. Wright before this. What uniquely wrought concentrated and potent language. I love this book. Now I have to catch up and read all the others.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66070066]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/66070066]]></link>
</review>
      <review>
  <id>47677522</id>
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    <id>762524</id>
    <name><![CDATA[Claudia]]></name>
    <location><![CDATA[East Rochester, NY]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>2</rating>
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  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
  <date_added>Fri Feb 27 06:34:51 -0800 2009</date_added>
  <date_updated>Fri Feb 27 06:37:34 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I don't recall who recommended this book to me or why. There is some good imagery in the book. For me, the book's strength was in its last few pages. That's not enough to support an entire book, however. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47677522]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47677522]]></link>
</review>
      <review>
  <id>15188805</id>
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    <id>898933</id>
    <name><![CDATA[Caitlin]]></name>
    <location><![CDATA[Seattle, WA]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>3</rating>
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  <read_at>Wed Jan 02 00:00:00 -0800 2008</read_at>
  <date_added>Mon Feb 11 17:05:04 -0800 2008</date_added>
  <date_updated>Mon Feb 11 17:22:56 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Deepstep Come Shining by C.D. Wright<br/>3.5 out of 5<br/>A teacher of mine recommended this book of poetry to me as an example of poetry that is interested in accessing the wondrous through the commonplace.  I think, though, that this poetry is more interested in consuming the commonplace the way...<a href="http://www.goodreads.com/review/show/15188805">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/15188805]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/15188805]]></link>
</review>
      <review>
  <id>10079766</id>
    <user>
    <id>653409</id>
    <name><![CDATA[Becky]]></name>
    <location><![CDATA[Wilmington, NC]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/653409-becky-isett]]></link>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <link>http://www.goodreads.com/book/show/139878.Deepstep_Come_Shining</link>
  <average_rating>4.37</average_rating>
  <ratings_count>243</ratings_count>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>4</rating>
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  <recommended_for><![CDATA[poets, southerners, symbolists]]></recommended_for>
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  <read_at></read_at>
  <date_added>Fri Dec 07 05:21:31 -0800 2007</date_added>
  <date_updated>Fri Dec 07 05:32:44 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;Lead me, guide me to the light of your paper. Keep me in your arc of acuity. And when the ream is spent. Write a poem on my back. I'll never wash it off.&quot; I really love C.D. Wright, so I am probably biased. This is a story of a southern road trip and vaguely resembles that Kerouac <a href="http://www.goodreads.com/book/show/6288.The_Road" title="The Road by Cormac McCarthy">On The Road</a>...<a href="http://www.goodreads.com/review/show/10079766">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/10079766]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/10079766]]></link>
</review>
      <review>
  <id>56272995</id>
    <user>
    <id>836834</id>
    <name><![CDATA[Rachel]]></name>
    <location><![CDATA[North Salt Lake, UT]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/836834-rachel]]></link>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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  <link>http://www.goodreads.com/book/show/139878.Deepstep_Come_Shining</link>
  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <date_added>Sat May 16 07:36:20 -0700 2009</date_added>
  <date_updated>Sat May 16 07:38:41 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Wright weaves the strangest experiences into a book that feels like it has an abstract musical construction to it by the end.<br/>School.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56272995]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56272995]]></link>
</review>
      <review>
  <id>48942517</id>
    <user>
    <id>820928</id>
    <name><![CDATA[Melanie]]></name>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Wed Mar 11 12:26:02 -0700 2009</date_added>
  <date_updated>Wed Mar 11 12:26:49 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I admire the sense of place in this book, but the arrangement is not that inviting. However, there are some really nice moments.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/48942517]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/48942517]]></link>
</review>
      <review>
  <id>4512194</id>
    <user>
    <id>165636</id>
    <name><![CDATA[Gary]]></name>
    <location><![CDATA[Portage, MI]]></location>
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  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <average_rating>4.37</average_rating>
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  <description>
    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <date_added>Mon Aug 13 21:03:35 -0700 2007</date_added>
  <date_updated>Sun Sep 02 11:02:51 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Holy crap is this book amazing.  Been absolutely absorbed in it for the last couple days.  I met C.D. at AWP and she signed the book, and I meant to read it right away because of all the hype it has received from the likes of AC, TT, ZS, etc, but I never read it until now.<br/><br/>It will be a hu...<a href="http://www.goodreads.com/review/show/4512194">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/4512194]]></url>
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</review>
      <review>
  <id>23807948</id>
    <user>
    <id>1209957</id>
    <name><![CDATA[Dan]]></name>
    <location><![CDATA[Seattle, WA]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113709m/139878.jpg</image_url>
  <link>http://www.goodreads.com/book/show/139878.Deepstep_Come_Shining</link>
  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <recommended_for><![CDATA[a person that has read poetry for awhile.]]></recommended_for>
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  <read_at>Sun Jun 01 00:00:00 -0700 2008</read_at>
  <date_added>Thu Jun 05 16:27:17 -0700 2008</date_added>
  <date_updated>Thu Jun 05 16:36:07 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I bought and read this book since I would have the opportunity to attend a reading by the poet on Wednesday evening (060408). This was a book, rather a long poem, a review of southern culture, of people, places, and things. The name 'Deepstep' is the name of a town in Georgia, and she brings us thro...<a href="http://www.goodreads.com/review/show/23807948">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23807948]]></url>
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</review>
      <review>
  <id>32884861</id>
    <user>
    <id>556887</id>
    <name><![CDATA[Matt]]></name>
    <location><![CDATA[Columbia, MO]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <read_at>Mon Sep 01 00:00:00 -0700 2008</read_at>
  <date_added>Sun Sep 14 18:46:08 -0700 2008</date_added>
  <date_updated>Sun Sep 14 18:48:28 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Really, an amazing book, an amazing experience reading it.<br/><br/>Something of a travelogue about small towns in Georgia, it feels equally indebted to the Odyssey and HD's _Helen in Egypt_ (which of course is Homeric, too). It weaves together several different voices and stories to create a cras...<a href="http://www.goodreads.com/review/show/32884861">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/32884861]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/32884861]]></link>
</review>
      <review>
  <id>32206425</id>
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    <id>113754</id>
    <name><![CDATA[Tamera]]></name>
    <location><![CDATA[Athens, GA]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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  <average_rating>4.37</average_rating>
  <ratings_count>243</ratings_count>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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    <rating>5</rating>
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  <recommended_for><![CDATA[Anyone who likes to analyze visual poetry.]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Sep 12 00:00:00 -0700 2008</read_at>
  <date_added>Sat Sep 06 16:52:09 -0700 2008</date_added>
  <date_updated>Sat Sep 13 21:23:30 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book is completely fantastic. It is so fluid, a complete journey through visuals and abstract imagery. Don't expect to see this story with your eyes, but rather feel it out with your senses. It may seem very free form at times but if you follow the repeated imagery carefully and pay close atten...<a href="http://www.goodreads.com/review/show/32206425">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/32206425]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/32206425]]></link>
</review>
      <review>
  <id>11611859</id>
    <user>
    <id>545392</id>
    <name><![CDATA[W.]]></name>
    <location><![CDATA[Harrisburg, PA]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172113709m/139878.jpg</image_url>
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  <average_rating>4.37</average_rating>
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  <description>
    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <date_added>Fri Jan 04 05:09:20 -0800 2008</date_added>
  <date_updated>Fri Jan 04 05:11:32 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved this book, especially the way she infuses it with Southern (U.S.) culture and language, and the language is shot with dark beauty, strange glints. At times it reads like ancient Greek poetry transposed to modern day. Rhapsodic and enrapturing. The rhabdos continues on down the line.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/11611859]]></url>
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</review>
      <review>
  <id>27970780</id>
    <user>
    <id>1183321</id>
    <name><![CDATA[Megan]]></name>
    <location><![CDATA[New Orleans, LA]]></location>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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  <link>http://www.goodreads.com/book/show/139878.Deepstep_Come_Shining</link>
  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <read_at>Mon Jul 21 00:00:00 -0700 2008</read_at>
  <date_added>Tue Jul 22 12:28:20 -0700 2008</date_added>
  <date_updated>Tue Jul 22 12:30:42 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I always forget I live in the south until I read a book about the south. Reminds me of Notley's In the Pines with less narrative structure and more southern vernacular. Even has a line about &quot;riding the pines.&quot; ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/27970780]]></url>
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</review>
      <review>
  <id>45324386</id>
    <user>
    <id>745699</id>
    <name><![CDATA[Rebecca]]></name>
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  <title>
    <![CDATA[Deepstep Come Shining]]>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <read_at>Sun Apr 05 00:00:00 -0700 2009</read_at>
  <date_added>Tue Feb 03 20:31:29 -0800 2009</date_added>
  <date_updated>Sun Apr 05 11:33:17 -0700 2009</date_updated>
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    <body><![CDATA[I loved this. I was completely absorbed in this world. In some ways it reads like the inside of a dream, in others like a novel. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/45324386]]></url>
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    <name><![CDATA[Nick]]></name>
    <location><![CDATA[San Francisco, CA]]></location>
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  <id type="integer">139878</id>
  <isbn>155659092X</isbn>
  <isbn13>9781556590924</isbn13>
  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[Deepstep Come Shining]]>
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  <image_url>http://photo.goodreads.com/books/1172113709m/139878.jpg</image_url>
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  <average_rating>4.37</average_rating>
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    <![CDATA[Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. &quot;In my book,&quot; she writes, &quot;poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so.&quot;<br/><br/><strong>C.D. Wright</strong> was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island.<br/><br/>&quot;Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical 'goblets of magnolialight,' and recurrent, mysterious, semi-allegorical figures like 'the snakeman' and 'the boneman' share space with place names, lexicographies, exhortations and wacky graffiti ('God is Louise').â&#128;¦ cherish Wright's latest 'once-and-for-all thing, opaque and revelatory, ceaselessly burning.'&quot;-<em>Publishers Weekly</em><br/><br/>&quot;For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers-still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything-human and angry and beautiful.&quot;-Michael Ondaatje<br/><br/>&quot;C.D. Wright is entirely her own poet, a true original.&quot;-<em>The Gettysburg Review</em>]]>
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  <date_added>Tue Nov 18 01:22:02 -0800 2008</date_added>
  <date_updated>Tue Nov 18 01:23:09 -0800 2008</date_updated>
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    <body><![CDATA[It's a book of poetry. You know how I feel about poetry. Some images are beyond amazing, but overall, it's poetry.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38019962]]></url>
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