Walking on Water: Reflections on Faith and Art

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Walking on Water: Reflections on Faith and Art

4.35 of 5 stars 4.35 · rating details · 2,648 ratings · 257 reviews

In this classic book, Madeleine L'Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L'Engle's beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to cr...more

Hardcover, 256 pages

Published April 17th 2001 by WaterBrook Press (first published 1980)

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Aug 05, 2011 Anna added it

Trying to encompass all my thoughts and feelings about this book would take...well, a book. Or some approximation thereof. This is my second time reading it and I find that once again it reaches and touches me on so many levels. I find joy here, and inspiration; the book *makes* me want to write. It gives me fuel, or refuels me, if you will. I am reminded of the adventures that unfold in both life and art when we take the time to simply *listen* to the story, to the vision, the photograph, the a...more

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May 09, 2013 D.M. Dutcher rated it 2 of 5 stars

This book is like listening to your erudite upper-class grandmother wax poetic about faith in relatively bland, indefinite terms while she sips chamomile tea on a rattan chair in an immaculately kept garden. This means some of you absolutely will love this book, and others will squirm and fidget because they hate tea. I'm the latter.

It isn't a bad book by any means, and it's good to see L'Engle engage faith, albeit elliptically. It's more about intuition and sentiment than a hard look at the Chr...more

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Jun 22, 2012 Brittney Weber rated it 3 of 5 stars · review of another edition

"Walking on Water" is a lighthearted read in the most literal sense of the term. L'Engle writes about the relationship between Christianity and art, and she describes how this has pertained to her life. However, her blanket statements about "Christian art" are dogmatic, though politely so. She seems to assume that everyone, artists especially, should rely as heavily on faith as she does. Certainly there is nothing wrong with her or with others doing this, if they find that this is the method tha...more

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Apr 17, 2011 Adrienna rated it 4 of 5 stars · review of another edition

Shelves: spiritual-nonfiction

This author had many valid points and able to reflect on Christianity and art. I loved some of the statements in the book as an artists/creativity with writing.

‎"If a reader cannot create a book along with the writer, the book will never come to life. He must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words (L'Engle, Madeline,...more

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Aug 05, 2009 Teresa Shen rated it 4 of 5 stars

This book changed the way I view myself as a writer, and strengthened my commitment to the practice of art. In this book, L'Engle offers meditations on what it takes to create art. Unlike other writing advice books, she focuses on some of the more spiritual aspects of leading a writing life.

There are three things that really stood out to me. First, she talks about writing as obedience and about being a servant to the art. She believes all great works of art are divinely inspired, and it is our...more

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Mar 11, 2010 Laura Baugh rated it 5 of 5 stars

Recommended to Laura by: Kelly Baugh

Shelves: non-fiction-reference

This book was recommended to me and I ordered it from the library promptly; I'd liked reading Madeleine L'Engle, and I've often discoursed on the relation of faith and art.

I was a bit disconcerted when the book arrived, however; it was a smaller volume than I'd expected, and when I started reading, it seemed rambling, disorganized, and not terribly helpful. Had I found the low point of L'Engle's work?

As a writer and a Christian, I have of course been challenged -- internally and externally -- by...more This book was recommended to me and I ordered it from the library promptly; I'd liked reading Madeleine L'Engle, and I've often discoursed on the relation of faith and art.

I was a bit disconcerted when the book arrived, however; it was a smaller volume than I'd expected, and when I started reading, it seemed rambling, disorganized, and not terribly helpful. Had I found the low point of L'Engle's work?

As a writer and a Christian, I have of course been challenged -- internally and externally -- by the unfortunately common, "But you should do Christian art!" Trouble is, I really dislike most modern "Christian art," which is almost entirely knock-off sellout schlock. (The art of previous eras has been filtered by time so that better examples are preserved, which helps.) My own arguments that all Truth is of God, and real art is Christian, even if it shows only a part of the story, were valid to me but incomplete.

As I got further into this book, however, I began to find it more and more relevant. L'Engle takes risks in telling us of her own journey in discovering truths of art, and she takes some potentially unpopular stands on the nature of art and its audiences. She defends "art" as something just as vital or more so than science (while simultaneously emphasizing the glorious art and truth of science), she points out the differences between fact and truth, she talks about the artist's experience of losing control of both oneself and one's story, including the (oh so familiar!) disconcerting sensation of having the characters take over and do something wholly unplanned and incontrovertible.

She also challenges both artists of all varieties and the complacent Christian community in fulfilling our roles as co-creators in the image of God, honoring truth and story, and allowing ourselves to serve the story.

I found myself pausing at periods to ruminate on what I'd just read, and I suspect I'll be buying a copy of this to keep for myself. It's for Christian artists, yes, but it's also for Christians, for artists, for anyone who enjoys art of any form, and for any open-minded person seeking truth in the world.(less)

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Jul 15, 2012 Malia rated it 5 of 5 stars

Shelves: christian, nonfiction

The humble artist will find this book a beautiful affirmation of his role in presenting truth to a world twisted by the lack of two things: imagination and vulnerability. I say "humble" because L'Engle emphasizes how the artist is serving the work, how truth emerges and the artist must write/paint/sculpt it.

L'Engle says, "The artist is someone who is full of questions, who cries them out in great angst, who discovers rainbow answers in the darkness and then rushes to canvas or paper. An artist...more

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Nov 17, 2009 Jaci rated it 5 of 5 stars · review of another edition

Madeleine L'Engle writes about her art and the art of being a "Christian" writer. I took my 4th-8th grade students to hear her speak in 1988 (St. Andrews Episcopal School) and have been a life-long fan. She was forceful, opinionated, not patient with these kids and absolutely compelling.
It was interesting to read that she kept working notebooks of quotes from authors, words, ideas, etc., and revisted them frequently. She also rewrote her books and believed that discipline was a large part of the...more

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May 28, 2011 Tanya rated it 5 of 5 stars

Shelves: art, philosophy, religious-literature, books-on-writing

This has to be one of the best books on the creative process that I've ever read. Every page has at least one phrase or passage that is memorable or quotable. Whether she's talking about motivation or differentiating between Christian art (which she calls true art and which does not have to have been created by someone of the Christian faith) and a false kind of art, L'Engle shows that there is much more to being a writer than a compulsion to write (though that's certainly indicative of the gift...more

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Sep 27, 2010 Brian Maurice rated it 3 of 5 stars

Shelves: owned

My interaction with Madeleine L'Engle's Walking on Water is likely very different from the majority of people who read it. L'Engle has a very specific audience in mind for this book, and I am not part of it. L'Engle is writing for Christians about Christian art, and Water is peppered with quotations from theologians, which, as a non-Christian, are mostly lost on me. I am further alienated from her writing by the fact that I have little experience with her other writing, so the insights into her...more My interaction with Madeleine L'Engle's Walking on Water is likely very different from the majority of people who read it. L'Engle has a very specific audience in mind for this book, and I am not part of it. L'Engle is writing for Christians about Christian art, and Water is peppered with quotations from theologians, which, as a non-Christian, are mostly lost on me. I am further alienated from her writing by the fact that I have little experience with her other writing, so the insights into her creative process do not mean as much to me as they might if I had read even A Wrinkle in Time, which I once started but quickly gave up on (although I now would like to read some of her fiction). Nevertheless, these ramblings on the process of writing do contain a lot of truth and good advice for an aspiring writer like myself.

The loss of childhood innocence is something that I've thought a lot about during the last few years, so I find it very easy to appreciate what L'Engle has to say about relearning to think and feel with the abandon of a child and to channel that energy into our art. As happens to many children, I learned to become cold and detached from my emotions, and while it helped me get through a tortured adolescence, it was also the impetus that led to me becoming a very confused young adult that was out of touch with himself and others. During the time that I have been at college I have been slowly trying to regain the ability to trust in myself and others, and this has been reflected in my art and in my artistic rituals.

As a freshman, I had so little confidence in my work that I wouldn't dare show it to even my closest friends. I was uncomfortable with my work, and not just because of my doubts about the quality of it, but also because I knew that it really wasn't me. And while I was sure that it wasn't me, I simply didn't know what would be the true work of me as I did not know myself. Over the years, my identity has become more clear, and I am working on regaining the naivety and pure self that I had as a child and incorporating that into my work. Just as I can't say that I am completely the little boy I once was, my art doesn't always reflect the real me, but life is a work in progress. Since I have been working on finding the old undesensitized Brian, L'Engle's idea of becoming more childlike is not new to me, but it's always nice to find kindred qualities and to be affirmed in a belief about one's self-improvement.

Another lesson I am reminded of by reading Walking on Water is the one of work, work, work. This is, to say, that as I have become more intent on creating as an occupation, I have realized that in order to be an artist, one must devote time to their craft. This seems very intuitive, but often I find myself frustrated by having too many ideas and an unwillingness to develop any of them. Paradoxically, many writer friends express jealousy at this saying that they have the exact opposite problem, but what I have taken away from this is that I do not spend nearly enough time writing, and that simply won't do. If truly want to be serious about writing and to be taken seriously as a writer, then avoiding the writing process is silly. Furthermore, I find writing to be a spiritually cleansing experience that is as strong a panacea as any activity can be. Again this is nothing that L'Engle has revealed to me, as I have thought about it anyway, but it does serve as a good nagging reminder that writing takes time, and even though I may not always have the energy or ambition for it, writing is life affirming and worthwhile.

Apart from the focus on the interaction between Christianity and art, there is one other large disconnect between me and L'Engle. L'Engle makes it clear from the word go and throughout the book that she disparages modern, realistic sorts of stories, because they provide no hope for the world and deny the beauty of life. Perhaps this old fashioned view is still the prevalent one, but frankly, I can't stand it. At one point she unironically refers to such work as pornographic. I suppose I can understand where she's coming from. It doesn't feel good to be disappointed by characters and their outcomes, but at the same time that is reality. Not everyone we meet in real life is going to be likable, and life is not always fair or just. For some people, art is a form of escapism, and perhaps L'Engle sees things very differently because of her strong faith in Christianity, but it seems as if she cannot at all grasp the point of unpleasant, but realistic stories. They may not have a morality that is spelled out, but there are still lessons to be gained from them (I wish I could go into more detail about what “them” is, but I can only guess, as she never names specifics). Her overriding principle of “Do we want the children to see it?” may be intended to protect, and perhaps this is is the jaded Brian that I am trying to lose coming out, but there are many things that we may not want to see that should be seen. Something may be extremely unpleasant but at the same time beautiful and truthful, and for me, exposing beauty and truth however painful is one of the key functions of art.

I do not want to end this essay on such a note of contention, because while I have very different philosophies and beliefs from Mrs. L'Engle, I found Walking on Water to be a captivating read, as much for the beauty of L'Engle's soul poured out on these pages as for the ideas that she has. Most people who read Walking on Water will likely focus on the Christian aspects of the book, and while I have said little about it in my reflection, it is a credit to L'Engle that I never felt ostracized by her outspoken beliefs and still found a great deal with which to connect. I don't know if I would recommend Walking on Water to other non-Christians, but of the many religious texts that I have had to read for classes over the years, this was a joy and not a burden.(less)

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Dec 21, 2011 Arti rated it 5 of 5 stars · review of another edition

It's that time of the year when a quiet respite is probably the most precious gift. For the past four years since I started blogging, amidst the cacophony of December festivities, I would pick something to read that anchors me to the spiritual meaning of the occasion. I call these attempts "Reading The Season". This year, I took down from the shelf a long-time TBR, Walking On Water: Reflection On Faith And Art by Madeleine L'Engle.

After reading it, I went straight to her Newbery Award novel A Wr...more

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May 08, 2007 Ashley rated it 5 of 5 stars

Shelves: nonfiction, spiritual

If you are a person of faith interested in creating--writing, music, painting, sculpting, any form of creation--this book will change the way you view not only your craft, but you God and the purpose of art in the world. L'Engle is a master as delving into our souls to see why and how we create.

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Jul 19, 2011 Faith Hough rated it 5 of 5 stars · review of another edition

Shelves: books-about-writing

Madeleine L'Engle was not only a brilliant story teller, she was a humble, beautiful and insightful woman who, in this book, wrote many of the wisest words I have ever read--about being a writer, and artist, a woman...a human being and child of God.
I couldn't stop quoting passages to my husband, family--okay, anyone who would listen--but this was a book that was best read slowly, page by page, with time for reflection. (So the constant pausing to quote ended up being a benefit for me!) It is cer...more

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Oct 29, 2012 Jane Meyer rated it 4 of 5 stars Recommends it for: for artists in general

Shelves: memoir, books-for-writers

I really should read this book regularly. L'Engle offers so many lovely words of inspiration and advice. I think I'll pop it on my to -read list, just to remind myself to float through it again.

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May 28, 2012 Jenny rated it 3 of 5 stars · review of another edition

This book contained some interesting insights into the relationship between art/creativity and spirituality, but it got repetetive at times and many of the insights came from quotes from other people. That was okay with me in that it exposed me to new writers to check out and elaborated on my knowledge of writers I already knew, but I did sometimes think that more of the juicy stuff should be coming from L'Engle herself. Often she would bring up an interesting idea and then not develop it fully,...more

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Aug 24, 2012 Kristina rated it 4 of 5 stars

This was a graduation present from my youth leader Midge. It was such a perfect gift because it talks about what it means to be a christian, an artist, and a christian artist. I still struggle with how to leave my mark on this planet. But I don't struggle with the title "Christian Artist." This book helped release that. "you don't have to write about God to be a Christian Writer" L'Engle says in this book, "In fact there are many books with God in it that aren't Christian Literature at all." the...more

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Apr 27, 2011 Lon rated it 5 of 5 stars · review of another edition

I don't know if I enjoyed this lovely book more for L'Engle's insights into faith and Christian discipleship, or for her musings on the writerly life. Maybe the gift of this book is that she combines the two. This passage is just one of the dozens I found myself underlining:

"To paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birthgiver. In a very real sense, the artist should be like Mary who, when the angel to...more

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Oct 30, 2012 Cindy rated it 5 of 5 stars

Shelves: favorites, finished

Wordless, Wonderment, and Wisdom beyond imagination; Madeleine shows herself truly humbled and artistic in this book of faith and art. There are many quotes and highlights in this book that have searched me and known me. There are many stories and insights to help anyone with the gift of Art expressions. Madeleine is not only creative in her insights and works of fiction but she is also able to extend that information with clarity to her students in the arts. It is said, to truly know the art yo...more

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Mar 01, 2012 Kelly Belvis rated it 4 of 5 stars · review of another edition

One of my favorite quotes from L'Engle's book: "A sad fact which nevertheless needs to be faced is that a deeply committed Christian who wants to write stories or paint pictures or compose music to the glory of God simply may not have been given the talent, the gift, which a non-Christian,or even an atheist, may have in abundance. God is no respecter of persons, and this is something we are reluctant to face".

This courageous insight lends great credibility to every other observation in Walking o...more

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Sep 27, 2012 Shauna rated it 4 of 5 stars · review of another edition

I love Madeleine L'Engle's fiction books and I fondly remember her speaking at a forum at my college in the mid-1980's, so I picked up this book with high expecations. I read it slowly, savoring her observations and marking some insightful passages. Did I agree with everything 100%? No, not at all. Our religious backgrounds are a bit different. But there was much here that transcends individual religions and encompasses a thoughtful, spiritual awareness in literature, art and life that I found v...more

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Aug 10, 2009 Laura rated it 5 of 5 stars

The pleasure of this book is not just L'Engle's style, which is warm and inviting. The ideas here are big. In the past, creativity may have been easily dismissed, or thought of as something I do when I have time. This book challenges me and this notion. This book, along with "Imagine: A Vision for Christians in the Arts", answers many of the questions and struggles that I have had as an 'artist' who became a Christian.

This book is *double bonus awesome* if, besides being a writer, you are a wom...more

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Feb 26, 2009 Poiema rated it 4 of 5 stars

I've read at least one book by Madeleine L'Engle every decade of my life, starting with _A Wrinkle in Time_ when I was a child. Madeleine's theology does not always match my own, but I deeply respect her thoughtfulness and depth. This book is about the arts. I love that Madeleine does not encourage Christians to stay with "safe" art (Thomas Kinkade comes to mind). Truth can be captured by some very unlikely artists and humanity is the richer for it. Come to think of it, I believe Madeleine L'Eng...more

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Aug 02, 2011 Amberlee Bixler rated it 5 of 5 stars

Is there a 5 star plus I can offer for a review? I ask, because this is the one book to warrant it. Ms. L'Engle beautifully presents several arguments for re-uniting the theological with the artistic, and how an artist (writer, performer, dancer, etc.) can not only bridge the gap between the two, but also clearly defines the reasons why one must. The quotes and arguments are simply stated, and honestly reasoned. This is the book I read when I question whether the pain is worth the thunder, and a...more

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Sep 16, 2012 Joi Weaver rated it 5 of 5 stars · review of another edition

Shelves: art-culture, faith

This book helped my faith survive high school. L'Engle was the first author I read who left any room for mystery, and who showed me that art and faith could work together easily instead of battling each other.

This book will *not* be to everyone's taste. It is, as the subtitle indicates, a set of reflections: not arguments, debates, or systematic thoughts. Take it for what it is.

One note: do not buy this edition if you can avoid it. The binding comes apart during the first reading. Sad, because...more

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Apr 02, 2013 Joy rated it 4 of 5 stars

Thoughtful devotion by someone who writes rather eloquently. She expresses truths in an easy manner. There are numerous references to 'being' and the need for a slower pace for contemplation. "Creative involvement: that's the basic difference between reading a book and watching television." "When we read, we read. We were capable of absorbing far more vocabulary when we read straight on than when we stopped to look up every word." This I've found to be true. I now only mark the words I don't kno...more

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Feb 27, 2013 Lyndie Blevins rated it 5 of 5 stars Recommends it for: writers, people interested in writing

Book Title Walking on Water
Reflections of Faith and Art

Book Author Madeleine L’Engle

Publisher Waterbrook Press
Pub. Year 1980
Pages 240
Genre Non-Fiction Writing
My Rating
Ease of Read The words flowed off the page
ISBN 978-0-87788-918-2
I was attracted to this book because...
This book sits at the top of my list of all time favorite writing books. Even though I owe Stephen King’s On Writing a re-read, he is now firmly on line two. I connect with her writing in ways that influence my life. It w...more

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Jul 15, 2012 Alison rated it 5 of 5 stars

Some quotes that resonated with me:

"In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words." -34

"Hamlet is. When the play has been read, when the curtain goes down on the performance, Hamlet still is. H...more

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Jun 30, 2012 Julie Davis rated it 5 of 5 stars

I could have sworn I'd read this before as I remember reading quite a few of L'Engle's nonfiction books before. But it doesn't ring a bell when I flip through it. Regardless, L'Engle has a beautifully reflective style that melds faith, art, and life even when it is simply her journals. I'm looking forward to this book, which has been on my "to read" stack for much too long.

UPDATE
Wow. This is good. So much so that I find myself marking passage after passage, only to realize that I would be excerp...more

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Nov 12, 2011 CandyceDeal rated it 4 of 5 stars

In an age bloated with information but starved for wisdom, this slim volume overflows with the voice of wisdom. I discovered four themes woven throughout L'Engle's work.

Become Childlike
First and foremost, we must return to our childhood qualities, L'Engle argues, to the openness that comes naturally when we are children. We need to live with a state of expectation, to be able to imagine the possibilities. Here's a sad truth: At the age of five, 90% of our population measures "high creativity." B...more In an age bloated with information but starved for wisdom, this slim volume overflows with the voice of wisdom. I discovered four themes woven throughout L'Engle's work.

Become Childlike
First and foremost, we must return to our childhood qualities, L'Engle argues, to the openness that comes naturally when we are children. We need to live with a state of expectation, to be able to imagine the possibilities. Here's a sad truth: At the age of five, 90% of our population measures "high creativity." By the age of seven, the figure has dropped to 10%. And the percentage of adults with high creativity in only two percent! As adults, we have to constantly unlearn what the world teaches us -- it's not easy to keep a child's high creativity, but the following advice will help us along the way.

Surrender Control
We must let go our adult intellectual control. If we abandon control, give in to the notion that our writing might take us places we aren't ready to go, say things that someone else doesn't want to hear, and write from a place that's real and painful, then something is likely to happen that will startle us during the act of creating. But we are often afraid of that which we cannot control, says L'Engle, so we continue to draw the boundaries around us, to limit ourselves to what we can know and understand. We do not dare to be creators, co-creators with God. To be an artist means to allow our whole selves to be placed with absolute faith in that which is greater than we are. The novel we sit down to write and the one we end up writing may be very different, just as the Jesus we grasp and the Jesus who grasps us may also differ.

Listen to the Silence
We must slow down and listen. Seek silence in our noisy world. L"Engle believes the act of listening in prayer is the same act as listening in writing. We have to take our self out of the way in order to hear. Stay open to the voice of the Spirit. "In prayer, in the creative process, these two parts of ourselves, the mind and the heart, the intellect and the intuition, the conscious and the subconscious mind, stop fighting each other and collaborate."

Keep the Clock Wound
Before the artist can listen, he must work. The gift to the artist is free, yet we have to pay for it through daily practice, the writer's equivalent to finger exercises for a pianist. According to L'Engle, "the paradox is that the creative process is incomplete unless the artist is in the best sense and most proper sense of the word, a technician, one who knows the tools of the trade, and studies his techniques, is disciplined." She goes on to quote a writing friend, "If I leave my work for a day, it leaves me for three."(less)

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Apr 05, 2013 Blake rated it 5 of 5 stars

Walking on Water: Reflections on Faith and Art is as old as I am, and I’m saddened to know that I could have read this book years ago. I may be reading the wrong books, but few have ever arrested me as quickly or as deeply as this work has. Maybe it’s more about fortuitous timing, where L'Engle's words hesitantly written decades ago ring true to where I now find myself. Regardless, it’s a stunning work on art and Christianity that I highly recommend for anyone endeavoring to use their creative g...more

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About Madeleine L'Engle

Madeleine L'Engle was an American writer best known for her Young Adult fiction, particularly the Newbery Medal-winning A Wrinkle in Time and its sequels A Wind in the Door, A Swiftly Tilting Planet, and Many Waters. Her works reflect her strong interest in modern science: tesseracts, for example, are featured prominently in A Wrinkle in Time, mitochondrial DNA in A Wind in the Door, organ regener...more Madeleine L'Engle was an American writer best known for her Young Adult fiction, particularly the Newbery Medal-winning A Wrinkle in Time and its sequels A Wind in the Door, A Swiftly Tilting Planet, and Many Waters. Her works reflect her strong interest in modern science: tesseracts, for example, are featured prominently in A Wrinkle in Time, mitochondrial DNA in A Wind in the Door, organ regeneration in The Arm of the Starfish, and so forth.

"Madeleine was born on November 29th, 1918, and spent her formative years in New York City. Instead of her school work, she found that she would much rather be writing stories, poems and journals for herself, which was reflected in her grades (not the best). However, she was not discouraged.

At age 12, she moved to the French Alps with her parents and went to an English boarding school where, thankfully, her passion for writing continued to grow. She flourished during her high school years back in the United States at Ashley Hall in Charleston, South Carolina, vacationing with her mother in a rambling old beach cottage on a beautiful stretch of Florida Beach.

She went to Smith College and studied English with some wonderful teachers as she read the classics and continued her own creative writing. She graduated with honors and moved into a Greenwich Village apartment in New York. She worked in the theater, where Equity union pay and a flexible schedule afforded her the time to write! She published her first two novels during these years--A Small Rain and Ilsa--before meeting Hugh Franklin, her future husband, when she was an understudy in Anton Chekov's The Cherry Orchard. They married during The Joyous Season.

She had a baby girl and kept on writing, eventually moving to Connecticut to raise the family away from the city in a small dairy farm village with more cows than people. They bought a dead general store, and brought it to life for 9 years. They moved back to the city with three children, and Hugh revitalized his professional acting career. The family has kept the country house, Crosswicks, and continues to spend summers there.

As the years passed and the children grew, Madeleine continued to write and Hugh to act, and they to enjoy each other and life. Madeleine began her association with the Cathedral Church of St. John the Divine, where she has been the librarian and maintained an office for more than thirty years. After Hugh's death in 1986, it was her writing and lecturing that kept her going. She has now lived through the 20th century and into the 21st and has written over 60 books and keeps writing. She enjoys being with her friends, her children, her grandchildren, and her great grandchildren."

http://us.macmillan.com/author/madele...

Copyright © 2007 Crosswicks, Ltd. (Madeleine L'Engle, President)(less)

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Quotes from Walking on Water: Refl...

“I love, therefore I am vulnerable.” — 183 people liked it

“But unless we are creators we are not fully alive. What do I mean by creators? Not only artists, whose acts of creation are the obvious ones of working with paint of clay or words. Creativity is a way of living life, no matter our vocation or how we earn our living. Creativity is not limited to the arts, or having some kind of important career.” — 141 people liked it

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title link	preview: Walking on Water: Reflections on Faith and Art
avg rating	preview: Walking on Water: Reflections on Faith and Art Goodreads rating: 4.35 (2648 ratings)
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BBCode	[url=http://www.goodreads.com/book/show/136814.Walking_on_Water?utm_medium=api&utm_source=blog_book][img]http://d.gr-assets.com/books/1320404692l/136814.jpg[/img][/url] [url=http://www.goodreads.com/book/show/136814.Walking_on_Water?utm_medium=api&utm_source=blog_book]Walking on Water: Reflections on Faith and Art by Madeleine L'Engle[/url]

Walking on Water: Reflections on Faith and Art

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