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When We Were Orphans

3.43 of 5 stars 3.43  ·  rating details  ·  11,571 ratings  ·  1,112 reviews
From the Booker Prize-winning, bestselling author of Remains of the Day comes this stunning work of soaring imagination.

Born in early-twentieth-century Shanghai, Banks was orphaned at the age of nine after the separate disappearances of his parents. Now, more than twenty years later, he is a celebrated figure in London society; yet the investigative expertise that has garn
Paperback, 336 pages
Published October 30th 2001 by Vintage (first published 2000)
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Second reading. Ishiguro's novels are nothing if not enigmatic. There's disorientation; the reader is never quite sure where he stands. When We Were Orphans is a quasi-Bildungsroman or coming of age story. It is set over a period of fifty years or so in London, Shanghai and then back in London again.

Narrator Christopher Banks is born of English parents with whom he lives in the International Concession in Shanghai. Around 1915 or so they disappear, when he is about nine, and are believed victims
Many reviews here have commented on Ishiguro's unreliable narrators (let's let that classification stand, whether or not it is entirely valid or really applies to all of his work), as if this aspect of his fiction is so obvious, or that it has been so exhaustively mined, that there is little to nothing left to say about such a narrative strategy.

Christopher Banks, When We Were Orphans' narrator, is certainly unreliable, yes. But our relationship to him as an unreliable narrator is a strange one,
K.D. Absolutely
Aug 13, 2012 K.D. Absolutely rated it 3 of 5 stars  ·  review of another edition
Recommended to K.D. by: Booker Shortlist 2000
This is my 7th Ishiguro and I am happy for two reasons: (1) I am now an Ishiguro completist and (2) unlike a couple of his earlier books, I actually liked this one. I almost rated this with 4 stars but I could not do that because I found the first half of the book unbelievably boring. However, Ishiguro managed to make the book’s last 50-70 pages truly engaging that I thought I was able to squirt some tears from my eyes when the boyhood friends were back together. It was one of the most poignant ...more
This review has been hidden because it contains spoilers. To view it, click here.
Seth Hahne
When We Were Orphans was, for me, a pretty fascinating exploration of the difficulties typical to the lens of overgrown sentimentailty through which one approaches the vaguely remembered past. As the narration continues, one wonders just how ephemerally Christopher Banks, the narrator, holds his grasp on reality. Quite clearly his recollections of the distant past are modified to fit his circumstances and the man he's become—and paradoxically, the man he's become is a debt owed to these remember ...more
The first thing I noticed about this book was that the narrative voice - belonging to Christopher Banks, a successful detective in 1930s England - is remarkably similar to that of Stevens, the protagonist of Ishiguro's The Remains of the Day. While at first this drew me in (I loved The Remains of the Day), I soon began to find it offputting. I had assumed Stevens' voice was unique, so it was a bit of a disappointment to find that what I assumed were facets of that character are actually features ...more
I've been putting off this review for a few weeks, hoping that something inchoate in me would gell, which would make me happier than it being something incoherent in Ishiguro's writing that didn't gell.

Nothing gelled.

I'll try not to write spoilers, although as I have no idea what the denouement of this book is (let alone what it might 'mean') it would be hard difficult for me to know if I did - however, the strands of the story are:

- that the narrator is an expatriate of Shanghai, both of whose
I'm happy to say that I've only been disappointed once by a Kazuo Ishiguro book. "Never Let Me Go" is one of the best things I've ever read, and "When We Were Orphans" isn't far behind.

Christopher Banks overcomes a tragic childhood, it seems, to become the preeiminent detective in Great Britain. This allows him access to the country's elite social circles, but it's clear there are precious few people around whom Christopher is really comfortable. As a child, these people were his parents, famil
This is my second book by Kazuo Ishiguro (The first being Never Let Me Go) Once again, I love his writing style and his incredibly complex and flawed characters. In When We Were Orphans, Ishiguro presented a narrator who while reliable, apparently views events and situations (especially those close to him) quite differently than others. The writing and character development are undoubtedly Ishiguro’s strengths in this novel.

Protagonist Christopher Banks is a wonderfully flawed and curious man w
I listened to audio version of this book and kept thinking I was missing chapters or I had somehow obtained the abridged version because the plot wasn't making any sense. So mid-way through the audio, I got the book and read it, and then started reading it again, NOT because I liked it, but because I have never read such a strangely constructed work of fiction.

I am still at a loss. Was this a satire on British Imperialism? Was it meant to be a fantasy? I kept thinking there was going to be one
4.5 stars, and I would have loved to give it a full, loving, fat 5, but I couldn't.

I loved this book. First thing that attracted me to it was the title. For me it has a special resonance and I really longed to see what could be between the pages of such a greatly named book. I realized from the first page it wouldn't be what I expected (I'm not sure why I thought it would be about a girl), but as I flipped through it I got more and more sucked in its world. It is stunning.

Let me make it clear
I'm not sure what to say about this book. It read like a well-written parody of a children's detective story, but, for me, ultimately failed to climb high enough above that to let me take it seriously. Since we are never sure how much we can believe our narrator, it is difficult to know how to feel. ANd we are presented with an awful lot of material that can invoke strong feeling.

The very notion that Christopher Banks is searching for his long lost parents so many years later i
I keep starting Ishiguro's books not being quite sure about them -- with people telling me that I won't like them for x and y reasons, or with trepidation born from the wide spread of reviews they get. But there's something about Ishiguro's measured, calm prose that always draws me in. It gives a similarity to all his narrators, but it usually works well with the character he chooses to narrate.

(You may consider the rest of this review spoilery, because while I don't reveal major plot twists, I
Wonderful novel set in Shanghai between the world wars. Kind of got lost in the shuffle amidst the acknowledged classic The Remains of the Day, the great psycho monolith The Unconsoled, and the mildly overrated science fiction Never Let Me Go. Ishiguro is the contemporary master of the unreliable narrator and this is his darkest and most relevant novel.

William has written a brilliant (in my opinion) and appreciative review of this book here:

I agree with much of it - including William's statement that "the detective work he does is like a child’s game carried out in a friend’s backyard".

That said -- and though I adored the other Ishiguro I've read (including Never Let Me Go, written after Orphans) -- this book does not work (for me), and I can fully understand why some of my GR 'friends' gave this a mere
This review has been hidden because it contains spoilers. To view it, click here.

I have only read one other Ishiguro novel before: Never Let Me Go. I once saw him speak about that book at a reading and learned that he is rather obsessed with memory and how it is related to sense of self. On the experience of reading two of his six novels, I would call him difficult to read but emotionally deep.

The emotional depth is not in the writing which is almost without emotion. By some alchemy though, I felt or maybe even contributed emotion while reading. Was I trying to add it in bec
This was absolutely fantastic. Ostensibly this is a detective story, one of my favorite kinds, atmospheric and lyrical in its own way, about a man searching for answers as to his parents' disappearance during his childhood in Shanghai. But as the book progresses the genre becomes as unreliable as the narrator (another thing I love, unreliable narrators). Throughout the novel for me there was a building sense of anxiety as I kept thinking, this can't be right, there's something missing in this st ...more
Daniel Clausen
The novel takes place in perhaps one of the most romantic of times: the interwar period. The author paints it perfectly as a place full of hope, dread, hypocrisy, and sentimentality. I read this book right after reading Charles Dickens’ A Tale of Two Cities. Both books have fantastic scenery and contrasts. Like Dickens’ work, the book can slip into the melodramatic at times.

For all that goes right with the book—its romantic scenery, its dialogue, plot twists that excite—I also feel that it suffe
كريستوفر بانكس، ذلك الموهوم المسكين.

لقد توهم طفولة رائعة وصحبة أروع، توهم والدين مثاليين (أو أحدهما على الأقل) وتوهم مهمة مصيرية لا يستطيع غيره الضلوع بها، ليصدم في النهاية.

يأخذنا إيشيجورو في روايته هذه لنبحر في عقل كريستوفر بانكس، المفتش السري الإنجليزي، المعقد والملئ بذكريات مشوشة، لا تستطيع تبين أيها حقيقي وأيها تم تحريفه ليصبح متسق مع كيف كان يرغب في أن يتذكر حياته. كريستوفر، هو محقق أمضى طفولته في شانغهاي مع والديه قبل أن يختفي كلاهما بطريقة غريبة ليعود بعدها إلى إنجلترا ويقرر أنذاك أن يصب
Jennifer (aka EM)
Ishiguro creates characters who think intensely about what they think and feel, but never seem to really know themselves. That, plus the dreamy, almost surreal plotting, where you never quite know what's real, and what's a dream, a fantasy, a hallucination, an alternate reality (like Murakami, only ... you know ... written well) is what keeps me coming back. I've now read the grand total of three, and I think I'm finally starting to 'get' him.

This one goes along all nice and conventional (or so
Me gusta mucho como escribe Ishiguro. Quizá por sus orígenes asiáticos y su formación anglosajona, su escritura es peculiar. Me gusta porque transmite placidez, y al mismo tiempo, escribiendo sobre cosas que en un principio no me tendrían porqué interesar demasiado, me engancha totalmente. Este libro tiene partes muy buenas, y me ha gustado mucho conocer la evolución en la vida de Shangai en los años de la guerra del opio y posteriores. La vida de la alta sociedad británica no me interesa en abs ...more
Such a wonderful read! I'll surely read more of Ishiguro's works in the future.
I was extremely pleased both with the story and the way it was told. Everything was just... exceptional. It also had that exquisite British way of writing, I don't know how else to call it. This book was so good! I just loved it.
I feel very conflicted about this novel. I was completely absorbed while reading it, though annoyed by an overly dramatic section 4/5th through and unsettled by the ending, but I think it may be a book I'll grow to be fonder of, once my uneasiness wears off. It certainly makes me wish to try another work of his. I suppose it succeeded in that regard. Bravo? I don't think I was as disappointed with it as I felt last night, certainly. 3.5 stars it is. . . Wait,no, it's gone up to five stars. I fee ...more
Aaaargh this book was so hard to read! It just didn't hold my attention at all and despite trying very hard on 3 separate occassions I just could not finish it. So i gave up. And yes on this occassion i don't mind being a quitter. It wasn't worth the boredom i would endure trying to complete it. Christopher Banks is the most sinfully dull character ever.
Upoznala sam i njegov svijet. I svidio mi se. Jako.
Iako je ovo prvi roman iz njegova opusa kojeg sam pročitala, mogu tvrditi da mi je Ishiguro jedan od dražih pisaca. Roman poetskog naslova definitivno je ostavio dubok dojam na mene. Dugo sam tražila ovakovo djelo koje će me samo "usisati" u radnju gdje ću biti više od promatrača. U ovom ludom svijetu gdje golotinje ima posvuda, u kojem vlada pretjerivanje, gdje nas bombardiraju sa svih strana površnim glupostima jedan Kazuo Ishiguro je bio više
I really loved this book.

As with the last Ishiguro book I read, there is a fascinating relationship between the reader and the narrator, an unreliable voice of a someone wrestling with his past and his memories. I cared deeply about Christopher and his quest to solve the mystery of his parents' disappearance, even though I came to question the way he saw and recalled his story - for example as it emerged that his view of himself as a schoolboy was so clearly at odds with the reality of how othe
Maybe not his best work, but reading his prose is always a treat, it's smooth like velvet.
Then, I loved the characters, Mr. Banks, the haunted detective searching for his lost parents in Shangai (he is a bit lost and weak sometimes, okay I admit it), but then, Sarah Hemmings ! Wow, what a heroine, she was really the best, the ambitious woman, the one everybody desires, mysterious, interesting, smart...and a bit sneaky. The perfect character for a gangsterish plot like this one.
Of course, the bo
David Goode
Kazuo is a great writer. He can string some pretty impressive sentences together and is very "English" in the sense that all his writing (at least what I have read) sounds like some well educated british guy sitting in a museum musing over a Von Gogh with his wife. Nevertheless, this book was frustrating to read and I was never really able to engage with it. The books protagonist, Christopher Banks, grows up in the international settlement of China and forms bonds with his neighbourhood Japanese ...more
Bobbi Woods
This is the story of Christopher Banks, a "popular" British detective in the 1930's who is recalling his childhood in Shanghai, China, where his father worked for a company that was involved with the opium trade. Somehow, his parents mysteriously disappear and he is shipped off to England to live with his aunt.

During the first half of the book, Christopher is trying to piece together events in his mind from the past and during the second half, he actually goes to Shanghai to do some investigatin
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Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄) is a British novelist of Japanese origin. His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.
His first novel, A Pale View of Hills won the 1982 Winifred Holtby
More about Kazuo Ishiguro...
Never Let Me Go The Remains of the Day An Artist of the Floating World A Pale View of Hills Nocturnes: Five Stories of Music and Nightfall

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“All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.” 191 likes
“Perhaps there are those who are able to go about their lives unfettered by such concerns. But for those like us, our fate is to face the world as orphans, chasing through long years the shadows of vanished parents. There is nothing for it but to try and see through our missions to the end, as best we can, for until we do so, we will be permitted no calm.” 27 likes
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