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An Extraordinary Theory of Objects: A Memoir of an Outsider in Paris
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An Extraordinary Theory of Objects: A Memoir of an Outsider in Paris

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3.17 of 5 stars 3.17  ·  rating details  ·  602 ratings  ·  103 reviews
A haunting and moving collection of original narratives that reveals an expatriate's coming-of-age in Paris and the magic she finds in ordinary objects

An awkward, curious girl growing up in a foreign country, Stephanie LaCava finds solace and security in strange yet beautiful objects.

When her father's mysterious job transports her and her family to the quaint Parisian subu
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Hardcover, 224 pages
Published December 4th 2012 by Harper
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Grace by Grace Coddington#GIRLBOSS by Sophia AmorusoD.V. by Diana VreelandAn Extraordinary Theory of Objects by Stephanie LaCavaBorn to Be Brad by Brad Goreski
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Community Reviews

(showing 1-30 of 2,901)
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Kaylyssa Hughes
The two stars are for the look and feel of the book itself and for Matthew Nelson's lovely drawings.

I found this book impossible to relate to. The obsession with objects and the book-report-like footnotes served no purpose but to keep the reader at a distance by avoiding human emotion. There is no humor in the book; instead, LaCava takes herself and her experience so seriously that it's confusing. I wanted to laugh when she walked out of the dance and threw herself face-down into the dirt with
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Janiece
Awful. Irritating self-indulgent author, and it needed much tighter editing. Its title was misleading. Only good thing was the content of the footnotes, but with the way the book was designed, these broke up the reading experience and were an irritation. it's a shame you can't jusge a book by its cover, as it's a gorgeous looking book. Fail.
Dana
A book more concept than content; more mood than meaning, and ultimately, as ephemeral and snooty as the fashion mags the author refers to repeatedly. Two stars to honor the interesting concept and lovely drawings; other than that, this book taught me little about LaCava's life or her obsession with things.

What seems like it began as a promising personal essay for a CNF class became a strangely elided memoir. Although some scenes from LaCava's life are clearly drawn, others are simply confusing
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Anna
I bought this in Paris at the Bookmarc store as I'm a sucker for a nicely produced hardback and it was set in Paris. I'm sure if she weren't known for writing in fashion this would not have got published. Much as I liked sections of it, I felt uncomfortable after I finished it. She writes about her depression but doesn't account for how she got through it. I really think she glamorises anorexia. She takes the narrative to a point where she collapses after not eating for several days and talks ab ...more
Erin
Woof. A very dear friend sent this to me knowing my affinity for all things Paris. But this book was just narcissistic and pointless, and she isn't actually in Paris for the majority of the book, but the banlieue/suburbs (nitpicking, but valid). The author tries so hard to be deep and eloquent and falls embarrassingly short. The prose reeks of desperation (her depression is kicked off because no boys want to dance with her at a school dance, so she goes into the forest and lays facedown in the d ...more
Jessica
I really wanted to this book to be so much more. As an Interior Designer, the premise was intriguing as I, too, was one of those girls who believes in creating one's own world and I am drawn to and hold dear special objects. While I think Ms LaCava's book aimed for quirky this book was awkward and disjointed and also a little whiny. I imagine it can be hard to be whisked away to France during one's tween years, however, it's hard to sympathize with the author. I do empathize with her struggle ov ...more
Oriana
Have I mentioned that I will do anything Flavorpill tells me to?

Here's what they say about this one, which is on their "10 New Must-Reads for December" list:

A collector to her bones, Stephanie LaCava’s first book is a series of wistfully illustrated essays that lead us through her youth growing up in a foreign land, dropping precious objects like breadcrumbs. “I was obsessed with cabinets of curiosities, historical efforts to catalog and control nature’s oddities,” she writes. By the end of thi
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Petya
Complete review + Interview with Stephanie LaCava on my blog here: http://www.themigrantbookclub.com/201...

The book took my breath away.

Precocious children frequently find a way of growing up to be good tellers of their own stories. But this book is different because its power lies not so much in the odd childhood details it gives but in the emotional depth that it shares. The chronology surprised me but I most enjoyed it when it made me feel lost. The book is beautifully bound and features orig
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Audra (Unabridged Chick)
I didn't know what to expect with this book. While the blurb tells me something ('A haunting and moving collection of original narratives that reveals an expatriate’s coming-of-age in Paris and the magic she finds in ordinary objects.') it didn't convey, I think, the real personality LaCava brings to her book. In further crankiness, I thought the subtitle ('A Memoir of an Outsider in Paris') as off-the-mark as the blurb. I found this book to be a memoir of depression, portrayed in a series of pl ...more
Diane S.
This book is a differently and originally written type of memoir. Moving to Paris as a child, Stephanie feels a strong disconnect to her own life and emotions. Objects, which had always been important to her, become even more so as she uses them to feel a connection to life. She collects archaic facts and figures about people and objects and these also help to fill in the void. Quite a different and inventive way to deal with her loneliness and subsequent depression. I love trivia, and O found t ...more
Jennifer
This was an interesting little book. A memoir about the author's time that she lived in France with her family as an early adolescent. She struggles with depression and she collects objects that she finds interesting and surrounds herself with these objects as well as facts, lists, etc. in an effort to make sense of her life and the people in it.

I think there is a heavier message than this book was able to convey and it did not appear to me that the author learned all that much about herself (as
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anexactinglife
This review has been hidden because it contains spoilers. To view it, click here.
Gail
I sympathized with the author as a child who feels detached from the world around her, but the book really reads like a long essay. Nothing is resolved, no conclusions are neatly pulled together, which I found a bit disappointing. There is no ending, and I have questions. Does the author suffer from another breakdown? Has she sought help for her depression? There is a sense of sweetness to the story, but overall I found it just a little too vague.
Veronika Kaufmann
The subheader "Memoir of an outsider in Paris" got me since I grew up in somewhat similar circumstances (moving to Europe at a similar age, feeling like a weirdo). So I read it. I really like the first half of the book and found the writing rather lyrical. But it went downhill from there. I found Stephanie Lacava completely self-obsessed and the way she describes herself 'elfish, tall, skinny' totally off-putting. I mean, c'mon. If you want your readers to connect, relate with you, you don't go ...more
Sian Lile-Pastore
I liked this. I liked the mix of 90s memoir and the footnotes about different objects (although sometimes they were a little jarring). I liked and really understood her fetishisation of objects - I too like to collect little things and also work in a museum where the stories behind the objects are part of the objects themselves. I also really enjoy hearing about rich bohemian family's lives - those people like LaCava who you see on the pages of vogue who write interesting articles and have great ...more
Katie
In Stephanie LaCava's An Extraordinary Theory of Objects, a young Stephie details her family's move to Le Vesinet, France and her feelings at being separated from friends and life in the United States. Always (by her own accounts) a little odd, Stephie continues her habit of collecting objects that bring her meaning. As her account details her coming of age, a generally carefree Stephie becomes increasingly troubled, and her interactions with intriguing boys and reigning "mean girls" at her inte ...more
bonnie
A very lovely memoir through objects & curiosities, Stephanie LaCava takes her vulnerabilities & inner wonder, performs alchemy & creates a wonderous tale of whimsy that is relatable to any whom have also felt this same disconnectedness from the rest of the world. A fragile work of inner strength & imagination.
Brandy Shark
If only we could give half stars, I want to rate this as a 3.5.

LaCava reminded me of myself a bit as a child and teen. Being a bit odd, the fascination with collecting things. The writing style is beautiful, but for a memoir, it's very disjointed. It starts strong, but there isn't a rhyme or reason to the massive time jumps. There are certain areas that I think she should have expanded upon (like her treatment after her mental breakdown) and towards the end, she's not very clear why she is going
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Maddy
I was originally drawn to the gorgeous presentation including footnotes, illustrations, and even the fragmented essay structure. Also, many of us can relate with assigning almost sacred meaning to objects in our adolescence as a way to construct our own context and place ourselves inside it. The theme and structure were both very appealing to me. My issue with this text is that the author insists on her "strangeness" and "uniqueness" (as if we didn't all experience depression and loneliness in o ...more
Meaghan Steeves
This was truly fascinating as well as unique and one of my favourite memoirs of its kind. I have read too many books written by women about their experiences in Paris where they devoured pastries and fell in love with a frenchman. In this case we go through periods of this woman's life beginning from her pre-teen years to get an understanding of her character. While I feel like we could have delved more into her actual depression she was apparently afraid to get to personal about it, which is wh ...more
Marcia
Not extraordinary. Not a theory. Not all that much about Paris: Teenaged Stephanie lives in a suburb and attends an American school. Interesting idea, but it goes no further than the title. There are few, if any, meaningful connections made between the objects and life being explicated. The descriptions of teen angst read as if written by a teenager, as if the author hasn't gained any distance or perspective on her adolescent emotions and still takes them oh-so-seriously. I probably would not ha ...more
Mason Jones
This is a peculiar little book. It is a memoir of sorts, documenting the author's traumatic transition at age 12 when her family moves to the Parisian suburb of Le Vésinet. It's also a story of privilege, selfishness, and mental instability, but those are almost subcurrents that thread among the disparate memories that make up the book's chapters. Each chapter is a bit like a disassociative memory as the book proceeds bit by bit through the months and then years, skipping a decade ahead towards ...more
Vanessa Crooks
I decided to read this book precisely because of an interview the author, Stephanie LaCava, did in Vogue (the magazine for which she actually writes frequently) regarding the release of her book. It had only been out for a little while, and it didn't occur to me to look up reviews. The theme of the book interested me because I thought I would be able to identify with it. And in a way I did, but not as much as I would've hoped.
The book is Stephanie's retelling of a time in which she was forced to
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Leigh
I found this book so boring that I took nearly a month to read a short 224 pages. I was reading it electronically while devouring more interesting tales in tangible hardback, and perhaps that made a difference as I have read other reviewers comment on the quality of the physical book itself, its beautiful illustrations, and covering. The story, however, was terribly mundane and uninteresting.

Other than the fact that Stephanie was involuntarily relocated to Paris during her turbulent pre-teen yea
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Amle
Stephanie Lacava describes herself as being different. Different from everyone in her family, in her school, everyone in Paris. She obsesses about objects and trinkets, uses them as talismans and collects precious items that helps her cope with the world around her.
Stephanie is a preadolescent when, thanks to her father's secretive and oftentimes mysterious profession, gets uprooted from her friends and her childhood home in America and travel across the Atlantic to reside in a Parisian suburb.

L
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nomadreader (Carrie D-L)
(originally published at http://nomadreader.blogspot.com)

The basics: An Extraordinary Theory of Objects: A Memoir of an Outsider in Parisis more about the objects than it is in Paris. In truth, Stephanie LaCava considers herself an outsider whether or not she's in Paris and traces her emotional history through objects.

My thoughts: An Extraordinary Theory of Objectsis a unique memoir. It's told in vignettes of memories and objects. Drawings are paired with lengthy footnotes in the midst of the
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Ethel Rohan
What is most exceptional about Stephanie LaCava’s memoir The Extraordinary Theory of Objects is that it contains little of Stephanie LaCava. Through story, footnotes, and illustrations by Matthew Nelson, the book chronicles a wide range of people and, most brilliantly, objects. In the first sentence of her introduction, LaCava declares, “I was always strange.” What follows in this brief but gripping memoir is the chronicling of her desire, separateness, depression, loneliness, and her inability ...more
Anika
"An Extraordinary Theory of Objects" is a very different book, in a wonderful way.
It tells the story of a young girl moving with her parents to France.
Due to her loneliness and difficulty meeting new friends she falls into depression and develops an unusual attachment to objects which seem to give her the stability in life she missed.
Her unique view of objects and their detailed description fascinated me. Through the information she gives in the references, she portrays objects in a completely
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Maureen Stanton
A thin narrative strand about an alienating adolescent period in Paris is thickened with factoid-laden research on objects. This could be promising, as I love material culture and the stories in objects, but the two strands are most often disconnected. The mere mention of a chair or camera becomes cause for a longish footnote with historic tidbits, but this replaces reflection rather than augments our understanding of the narrator's sensibility or psyche. In other words, what do those particular ...more
Phoebe
In ye days of olde before tumblr, Special Snowflakes collected quirky regalia, tragedy, and an inflated sense of ~uniqueness~. You'd think adult retrospect would fix this, but no, this particular adult is even more convinced of her teen precocity. You liked Bonjour Tristesse??? Lady Brett Ashley??? So acutely aware, so ~special. Three stars simply because the author and I share interests, not indicative of an objective appraisal.
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Stephanie LaCava is a journalist and writer working in New York City and Paris. She began her career at Vogue, in fashion and later in features, where she assisted the European Editor-at-Large of the magazine. Her writing has appeared in print and online publications such as Vogue, The Paris Review, T: The New York Times Style Magazine, Interview, and Garage. She also works in translation, in part ...more
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“I had a game where I liked to imagine what sort of pyjamas each passerby might wear. This came from a belief that the more I know about the inner lives of others, the more I might understand the world.” 0 likes
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