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Nagamandala: Play With A Cobra
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Nagamandala: Play With A Cobra

3.88  ·  Rating Details  ·  216 Ratings  ·  7 Reviews
The multi-ethnic and multi-caste communities of the Himalayan regionare today witnessing the revival of ethnic and religious consciousness leading to widespread social and political upheaval. This collection engages with the rapid social change and acute religious and identity crises that have emerged in an area extending from Gilgit to Eastern Nepal.
Paperback, 46 pages
Published 1990 by Oxford University Press (first published 1988)
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Anuron Mitra
I believe the description given here for the play is total bullshit . The story is set in the south of India and not in the Himalayan region as it says here. Moreover the geographical context is of special import since the play and movie deals with the customs and superstitions of Karnataka . So not only is the description a crass racist bigoted generalisation but also a half assed bullshit attempt to portray some sort of cultural diversity.
Pure magic.
Shivangi Shah
Aug 02, 2014 Shivangi Shah marked it as to-read
Suhasini Srihari
Dec 03, 2012 Suhasini Srihari rated it really liked it
A very quick read it was! Thoroughly enjoyed visualizing the characters as the story read. The play of cobra in humans' lives marks a good theme to the play. The play has in it the sense of the local flavour and serves well to the connection between the readers and the region portrayed in the play.
Manish Goel
Writing style was engaging but core story is grandmother's tale, repetitive and read/seen several places earlier.
Jun 18, 2013 Mausam rated it really liked it
Very nicely written. The personification of the snake with love and adultery is just awesome. Very meaningful.
Parag Kale
Jan 02, 2015 Parag Kale rated it really liked it  ·  review of another edition
I read the Marathi version of this.
Its an amazing script/play to read.
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Girish Raghunath Karnad (Konkani : गिरीश रघुनाथ कारनाड, Kannada : ಗಿರೀಶ ರಘುನಾಥ ಕಾರನಾಡ) (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a prominent playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did it in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh ...more
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