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A Delicate Balance

3.89  ·  Rating Details  ·  1,592 Ratings  ·  56 Reviews
One of Edward Albee's most celebrated works, A Delicate Balance premiered on Broadway in 1966 and won the Pulitzer Prize for Drama in 1967, the first of three he has received for his work.

The play revolves around wealthy middle-aged couple Agnes and Tobias, who have their complacency shattered when their longtime friends Harry and Edna appear at their doorstep. Claiming a
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Paperback, 192 pages
Published January 1st 1997 by Plume (first published January 1st 1966)
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A Streetcar Named Desire by Tennessee WilliamsDeath of a Salesman by Arthur MillerThe Crucible by Arthur MillerThe Glass Menagerie by Tennessee WilliamsWho's Afraid of Virginia Woolf? by Edward Albee
Best American Plays
88th out of 196 books — 289 voters
Hamlet by William ShakespeareMacbeth by William ShakespeareThe Importance of Being Earnest by Oscar WildeRomeo and Juliet by William ShakespeareWaiting for Godot by Samuel Beckett
Best Plays Ever
221st out of 659 books — 837 voters


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Community Reviews

(showing 1-30 of 2,687)
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Jason
Oct 01, 2014 Jason rated it really liked it
Shelves: reviewed, 2014
This play reminded me of Who’s Afraid of Virginia Woolf for all the obvious reasons—the biting sarcasm, the viciousness lying just below the surface of the faux pleasantries. The scope of the discomfort is a bit broader in this Albee play, though. Instead of the focus being solely on the married couple, other bystanders get sucked into the fray. There’s even a slap across the face in one scene, which is something I always get a kick out of. Face-slapping scenes are the best, aren’t they? Sometim ...more
Sketchbook
Nov 22, 2014 Sketchbook rated it it was ok
Inspired by Albee's memories of his grotesque parents and drunken aunt, living in suburban luxury, he becomes stylized with a hint of Pinter and introduces a neighbor couple who seek refuge because of an unknown "threat." In this play about Nothing, Albee punctuates his themes of loneliness & refined confinement with savage talk. A lot of brandy in a dribble glass.
Paul
Mar 31, 2014 Paul rated it it was ok
Very good writing. I disliked all the characters. I didn't know what the play was about, which is OK, but a critic's blurb on the cover stated it was about the nothingness in our lives. It did have that 60's, nihilistic, hopelessness feel to it, which I often like (Heller, Vonnegut), but these characters annoyed the crap out of me and made me want to suggest they get hobbies or go for a bike ride. Something.
K
Oct 07, 2013 K rated it it was amazing
"We do what we can...we keep it from falling apart"

Honestly, I could write essays and essays about this play and I've spent probably too much time trying to figure out how to write this review. I first saw a production of it about six months ago and I've been preoccupied with it since then - running so many of the lines through my mind so regularly. I've only recently purchased and read it, but having it in print has only made my attachment more intense. It's been a long time since I've come acr
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Steven
Apr 16, 2016 Steven rated it liked it
If you like your plays full of self-obsessed, pitiful drunks, whining about the nothing was of existence and tearing each other apart with sarcasm, then you'll love this play.
John
Jun 24, 2009 John rated it really liked it
I liked this more than I thought I would, you can really see a shift between the slightly more realistic 'virginia woolf' stuff and the weird later 'seascape' stuff. I really like that the plot is set in motion by the couple arriving simply because they are 'afraid'. That he doesn't feel the need to explain this. It's an important thing to realize, that you can just include a plot development like that and it doesn't require an explanation.
Tung
Jan 09, 2008 Tung rated it it was ok
Shelves: drama
According to the cover quotes, many consider this Albee’s finest work, but I prefer Zoo Story and Who’s Afraid of Virginia Woolf far more than this one. This play focuses on a upper middle class couple (Agnes and Tobias), their alcoholic sister (Claire), their daughter Julia (a serial divorcee), and their best friends Harry and Edna. The play unfolds over a three-day period where they trade barbs with each other about their dysfunctional lives, and the stifled existences each of them have been l ...more
Ryan
Aug 12, 2014 Ryan rated it it was amazing
CLAIRE: Is Julia having another divorce?

TOBIAS: Hell, I don't know.

CLAIRE: (Takes the glass.) It's only your daughter. Thank you. I should imagine--from all that I have...watched, that it is come-home time. (Offhand.) Why don't you kill Agnes?

TOBIAS: (Very offhand.) Oh, no, I couldn't do that.

CLAIRE: Better still, why don't you wait till Julia separates and comes back here, all sullen and confused, and take a gun and blow all our heads off? Agnes first--through respect, of course, then poor Juli
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John
Feb 08, 2013 John rated it liked it
Shelves: drama
Alluding to it's timelessness Albee is said to have changed only 2 lines before the 1996 revival. Though well struck, the play, as a whole, is dead; a post War, WASPy, booze-soaked relic of the past. A cocktail period piece that barely has the legs of a good chapter or two of Updike or Cheever; though Parker Posie was born to be cast as Julia and Shirley Maclaine would be a pitch perfect Claire.

If it's an untimely guest you're after, stick to Godot. Otherwise, Journey remains the singular Americ
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Lauren
Dec 27, 2014 Lauren rated it liked it  ·  review of another edition
A brief history of the Pulitzer Prize for Drama: No award was given in 1963 or 1964. In 1965, Frank Gilroy’s The Subject was Roses won the prize. In 1966, no award was given. In 1967, Edward Albee’s A Delicate Balance won the prize. In 1968, again no award was given.

Which is all to say: In the 1960s, only six plays were honored with Pulitzers, and the two honored during the “drought” both feature dysfunctional families. The Subject was Roses focuses on a lower-class family, A Delicate Balance on
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Realini
Sep 22, 2014 Realini rated it really liked it
A Delicate Balance by Edward Albee
Oh! What Lovely Guests!

This is an intriguing, dramatic and funny play. There is a word for that- tragicomedy.
On the surface, we have some fierce fighting, after all, there is even a pistol pulled out.
But underneath, together with the undertone of desperation, we could laugh at some of the things these people do.
First of all, we have a family, with Tobias and Agnes the father and mother of Julia. In the same household lives Claire, Agnes’ alcoholic sister.
At the
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Rachelle Urist
Oct 09, 2014 Rachelle Urist rated it really liked it
A wonderful play. It's long but gripping. We read it in our playreading group. Despite the length (the play is "talky", and despite our readers who are hardly real actors, attention was rapt throughout. This play deserved the Pulitzer that it won in 1967. (In my book, not every Pulitzer prize winning play merited that honor.) These points notwithstanding, I gave the play 4, not 5 stars, because its literary merits, which deserve 5 stars, appeal predominantly to the intellectual.

Interesting that
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Rasheed
May 25, 2013 Rasheed rated it really liked it
Albee is a brilliant playwright with a theatrical mastery and talent that resonates with Samuel Beckett. The play is charged with malice and characters on the verge of nervous breakdowns. Their sanity is sustained by a delicate balance they try to keep as they face the madness of daily living, their haunting pasts and monotonous futures. That delicate balance is something we all try to manage subconsciously; keeping us just a few blocks away from the dark side.
Elaine
Apr 25, 2009 Elaine rated it it was amazing
Albee is one of the best contemporary playwrights out there, if not THE best, and this is the best of the best. You should absolutely read or see Who's Afraid of Virginia Woolf, since that is known as his magnum opus, but I think this is actually a better play. It's beautiful and haunting and thought-provoking and touches on grand, universal themes yet holds Albee's originality.
Alexandra
Jul 28, 2012 Alexandra rated it liked it
Shelves: american, plays, 2012
More marital madness. Greater nuance than Who's Afraid of Virginia Wolf? but not nearly as dementedly entertaining.
Rachel
Jul 22, 2015 Rachel rated it liked it  ·  review of another edition
This makes for a pretty horrible reading experience with so many stage & character directions, but it's a potent, and masterfully written, play. There's a lot to unpack. I like the underlying thread, which to me is: what are the invisible boundaries in all of our relationships? what happens when we push past them, past comfort? what does it mean to be comfortable? what is hospitality? and what is owed?

I can't say I found the play particularly moving, or that I'd recommend it, but I'm glad to
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Tony
Mar 23, 2013 Tony rated it it was amazing
Shelves: drama
A DELICATE BALANCE. (1966). Edward Albee. *****.
This was a Pulitzer Prize winning play from this playwright that manages to explore the stresses and strains within family life, and the forces that are applied to keep things in balance – necessary for survival. Agnes and Tobias are a married couple in their late 50s. They have reached a point in their lives where they have lived more in the past than remains to them in the future. Agnes’ sister, Claire, lives with them. She avers that she is not
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Joy H.
Added 5/8/13.

Last week I watched the film adaptation of the play, A Delicate Balance, by Edward Albee. I found the film to be very boring, despite the great cast.
Cast: Cast: Katharine Hepburn, Paul Scofield, Lee Remick, Kate Reid, Joseph Cotten, Betsy Blair
http://www.imdb.com/title/tt0069958/?...

NETFLIX DESCRIPTION: "Part of the American Film Theatre series, Edward Albee's Pulitzer Prize-winning play gets the star treatment with Katharine Hepburn and Paul Scofield playing a long-married couple w
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Rebecca
Oct 29, 2014 Rebecca rated it it was amazing
An incredible play that now makes me want to read the entire Albee canon. So many layers to the play and characters that I'm still thinking about, the writing is astonishing, the play itself is a gut punch. I sat down on night late prepared to read ten pages and instead read the first two acts---that's how good it is! I guess I see why it won a Pulitzer.
Adrija Ghosh
May 13, 2013 Adrija Ghosh rated it really liked it
I came across this play in my Theater course in college this semester. The one thing that struck me throughout the play is the uneasiness between Tobias and Claire. A critical reading of the play and after much discussion with my professor, the scenario was clear- Claire is a rape victim and the "common" aspect between Tobias and Harry that Claire tried to point out is is practically this. The phrase "hot and wet July" made me think constantly about it and gradually the horrific aspect underlyin ...more
Jane Mcneil
Apr 20, 2015 Jane Mcneil rated it really liked it  ·  review of another edition
By the time I reached the climax, I wanted something more than a weirdly strewn paraded syntax of confusing metaphors as a denouement. Nothing is monumentally said by any of these broken characters even in the face of grief. Albee defines dysfunction, I gather, with only hints of common decency.
Moose
May 13, 2015 Moose rated it it was amazing
This was my first introduction to Albee and I can instantly understand why this play won the Pulitzer. There are so many layers to this play with the real action happening underneath the surface.
Matthew
Jan 23, 2016 Matthew rated it really liked it  ·  review of another edition
One of my favorite plays. So many interesting themes; sibling relationships, parent/child relationships, friendship, alcoholism, loyalty, marriage, aging. Great economy of language.
Terence Carlisle
Albee’s first Pulitzer Prize. Some argued at the time that the play was “Who’s Afraid of Virginia Woolf” unsexed and with its mouth washed out with soap in order to win over the Pulitzer committee (which shockingly passed over “Virginia Woolf” a few years before) and there are certainly elements of the plays that call each to each, but this is a much more ambitious, philosophical, even metaphysical work. Absurdist drama of the highest order, a black comedy sparkling with stinging wit, gorgeous f ...more
Eileen
Far more nuanced and complex than "Who's Afraid.." and I adore "Who's Afraid." This is one of those rare books that could be read over and over again for a lifetime.
Charles Berman
Dec 20, 2014 Charles Berman rated it it was amazing
Emotionally harrowing, exhausting, and revealing -- and violently funny. Old themes of love, fear, and obligation made violently immediate.
Carol
Jun 24, 2014 Carol rated it really liked it  ·  review of another edition
Shelves: playfull
Dark touching.

Scenes:
For groups and men and women older woman
Very powerful

Fantastic male monologue

Dreary warning
Tara
Apr 04, 2008 Tara added it
Shelves: plays, own
bleak. depressing. I ran lights for a production of this play and halfway through the run one of the actors mentioned how draining it was to play, night after night, such an unhappy character in a play that is so tense from beginning to end.

excerpt:

“Time.

Time happens, I suppose.

To people. Everything becomes…too late, finally. You know it’s going on…up on the hill; you can see the dust, and hear the cries, and the steel…but you wait; and time happens. When you do go, sword, shield…finally…there’s
...more
Sarah
Nov 15, 2014 Sarah rated it really liked it
I would like to see this performed now. I didn't find any of the characters likable, and yet I sympathized with all of them at some point.
Michael
Nov 24, 2014 Michael rated it it was amazing  ·  review of another edition
Albee’s first Pulitzer Prize winning masterpiece. The themes of Loss, Fear, and Escape from Reality are so present that they are almost additional characters in Agnes and Tobias’s dilemma of what to do with Harry and Edna.
Can’t wait to see the Broadway revival tomorrow night with Glenn Close, John Lithgow, Martha Plimpton, Lindsay Duncan, Clare Higgins and Bob Balaban.
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Edward Franklin Albee III is an American playwright known for works including Who's Afraid of Virginia Woolf?, The Zoo Story, The Sandbox and The American Dream. His works are considered well-crafted and often unsympathetic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights su ...more
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“Everything becomes... too late, finally. You know it's going on... up on the hill; you can see the dust, and hear the cries, and the steel... but you wait; and time happens. When you do go, sword, shield... finally... there's nothing there... save rust; bones; and the wind.” 5 likes
“It's sad to know you've gone through it all, or most of it, without… that the one body you'v wrapped your arms around, the only skin you've ever known, is your own… and that's it's dry, and not warm.” 2 likes
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