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One Day I Will Write About This Place: A Memoir
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One Day I Will Write About This Place: A Memoir

3.72 of 5 stars 3.72  ·  rating details  ·  654 ratings  ·  137 reviews
“A Kenyan Portrait of the Artist as a Young Man . . . suffused by a love affair with language.”—Publishers Weekly, Top Ten Books of 2011


In this vivid and compelling memoir, Binyavanga Wainaina tumbles through his middle-class Kenyan childhood out of kilter with the world around him. In One Day I Will Write About This Place, named a 2011 New York Times notable book, Wainain
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Paperback, 272 pages
Published September 4th 2012 by Graywolf Press (first published 2011)
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Zanna
This is the memoir of a book addict, and Wainaina's savour for language glows from the first. His descriptions dance, they sing, they jump, syncopated, a lively, twisting flow like swift water, throwing rainbows of unexpected images into the air. In a pressing, urgent present tense at all times, his tale is vibrant and always fresh, even when he describes lethargy and depression.

Language itself is his subject at times, as he shares how Kenyan people, with their many mother tongues, use Kiswahili
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Abdulkadir Noormohamed
A masterpiece. As a fellow Kenyan I can relate to every detail in Wainaina's story. At times I wondered how non-Kenyan readers would appreciate his humour or witty comments that seemed so personal, so warm and so....Kenyan. I smiled, laughed and even had my eyes well up through the story, because I grew up around the same time as Wainaina, and my childhood has more or less the same images (the trauma of the Moi years, will we ever recover?)The prose was exquisite, the imagery sublime. His story ...more
Piperitapitta
La sua Africa.

Raccontando e colorando le profonde differenze esistenti fra ugandesi e kenioti, kenioti e sudafricani, sudafricani e ivoriani, ivoriani e ghanesi, e via dicendo, in quel meltin pot di lingue, dialetti, suoni, colori, odori e usanza che è quel continente che noi occidentali, senza saperne e capirne nulla, riduciamo a un'unità che non esiste che sulla carta, chiamando tutto Africa, Binyavanga Wainaina ci descrive la sua Africa.
Lo fa a partire dall'età di sette anni, quando attravers
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Cheryl
I like books written with an eccentric style. This would be one. Wainaina does a few things I really liked: give great information in the voice of a child narrator, then switch to that of an adult's, showcase character flaw, give poetic expose. So different. So appealing. I liked also hearing of his struggles as a writer in Kenya, his mention of being friends with Chimamanda Adichie when she was trying to get published, his experience in applying for the Caine prize, etc.

I assume that some of t
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Eric
This review has been hidden because it contains spoilers. To view it, click here.
Susanna
It took me a while to get into this book. For the first seventy-five pages, I just could not make myself care about Wainaina's life. Fortunately, my interest in the book improved the further I read. Wainaina's young adult years provide the forefront for most of his memoir, with the movements and events in Africa during the 1970s and '80s being a fascinating backdrop. The author provides readers with a younger voice's view of the post-colonial continent and all of its competing elements: pop cult ...more
Joanna
First, a complaint about the recording of the audiobook version. The narrator does a fine job of rendering the accents of different people. But throughout the recording, the narrator spoke so quietly that even with the volume cranked way up on my player, I often felt like I could barely hear him. Combine his low speech level with his African-accented reading and I found it really hard to listen to this. I wish I'd read the book instead.

That said, I really enjoyed the book. The writing felt alive
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Kate Savage
A miracle. Chapter 18 is the best of anything ever created. How does Wainaina remain completely and utterly within both his tender internal life and the buzzing-about world?

Delicious anti-racist rejection of most writing 'about Africa.' (For something more direct, see Wainaina's famous rant: http://www.granta.com/Archive/92/How-...) Also, this book is one of the best memoirs on the writing life:

"I am afraid. If I write, and fail at it, I cannot see what else I can do. Maybe I will write and peop
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Peggy
It took me awhile to start enjoying Wainaina's memoir. For one thing, I thought that it was a novel and I kept waiting for the plot to start. This was my error, since "a memoir" is noted in the right corner of the book’s cover.

Wainaina grew up in Nairobi, Kenya. Both his parents have college educations. After independence, the country invested heavily in education and built schools all over the country, making higher education accessible to masses of young people who were previously shut out of
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Siria
Really wonderful, absorbing memoir about growing up in Kenya in the 70s and 80s, being part of the first generation to be born after independence from British rule. Wainaina's prose is the real joy here, riffing on language, meandering but never rambling, often suggestive rather than direct, and only rarely getting away from itself. (This seems to happen more at the beginning of the book than later on.) I did want this to cohere a little more—it's not quite a memoir proper, but more than a serie ...more
Doreen
Outstanding evocation of living in (primarily) East Africa. This was so much better than 'Looking for Transwonderland'. Moving, gripping, even though you know, because it is an autobiography, how it will turn out. A real insider's view. I'm sure I missed a lot and it took me a few pages to get into it but I heartily recommend it.
Maxwell
The beginning of the book follows a young Wainaina as he realizes his quirks, his uniqueness, his awareness that he is somehow different from his older brother, Jimmy, and younger sister, Ciru. As he moves through life as an observant young man, noticing the details often overlooked in everyday life, reminiscent of Joyce's Stephen Dedalus in 'A Portrait...' Wainaina struggles to reconcile his identity with nationhood. We learn a lot about Kenyan history, the tensions between the Gikuyu people, o ...more
ashok
What Binyavanga has done is taken "Discovering Home" (Discovering Home) and added a back-story and follow-on material. The unique thing about this book and one of the main reasons to read it is the authors perspective on other African countries (and Kenya itself) - the style is that of a travel novel, but with a personal story.

I found the first 25% of the book where he talks about his childhood unreadable and almost did not go on. The problem is in the detail and there is far too much of it (of
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Rachel
Aug 21, 2011 Rachel rated it 3 of 5 stars  ·  review of another edition
Recommends it for: Anyone interested in contemporary Africa
I wish I could give this book 3 1/2 stars. I really liked most of it, but the childhood portions with Wainaina going on about the sun splintering into thousands of suns that breathe and dim and cool... It just seemed like he was trying too hard.

The success of this book, for me, was the author's unique take on what it is to be a Kenyan, an African, a tourist in his own country many times. How to navigate in a country with so many languages and traditions. How the tribalism creeps into politics a
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Beverly
My thoughts:
• At first it took me a while to get into the flow of the book but for me this book was a series of vignettes/thoughts – some very brief and some a little longer. There were times when I was fully engaged and others that I was not quite sure what was going on.
• For the book is divided into the three stages of the author’s life – coming-of-age (childhood into adolescence as become more aware of the influences outside of family) – college years/young adult – adulthood and each part had
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Mom
Wow. Wow. And wow. From the cover and promotional blurb, I didn't expect to be really impressed with "One Day I Will Write About This Place." I was so wrong.

First, there's the story. Wainaina tells the story of his growing up in Kenya and reaching his dream of becoming a writer. What he includes of the turbulence of the times in Africa (from the 1970's to the present) is a reflection of his own uncertainty and feelings of not belonging. As a youngster Wainaina feels safer and more comfortable "f
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Dylan Armes
The only thing that is important for you take out of this review is that you should read this book if:

1) You like autobiographies
2) You are interested in Kenya OR
3) You like books that are so well-written and so emotionally stirring that you will likely find yourself on the brink of tears.

If for some reason you haven't already ordered this book (I can only assume that you exclusively read Laurel K. Hamilton and her ilk, you sad human, you) I will expound on my review:

This book, by Binyavanga Wai
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Millicent
I highly recommend Binyavanga Wainaina’s 2011 memoir, especially if you are Kenyan. It’s refreshing to read literature from the neurotic mind of a thoroughly postmodern Kenyan. Ngugi wa Thiong’o’s generation couldn’t afford to focus on the individual when Africa was at an important crossroad that demanded its intellectuals accept the burden to be griots of the dissapearing past, and architects for a future emancipated and fully realized Africa. We are not as confident as Thiong’o or Chinua Ache ...more
windy
Impressionistic account of the author growing up in a middle class Kenyan family, with a lot of self-deprecating humor. Towards the end, things get more serious as the author struggles with depression as a student, and ethnic tensions surface in Kenya.

I liked the observations of how multilingual people construct different 'selves' for different languages (a recurring theme throughout the book):
I switch to Swahili, and she pours herself into another person, talkative, aggressive. A person who mu
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Laura
I loved the experimental style, reminded me of Apollinaire's poems at times, sounds and words on the written page. It strikes me that this book has quite a few different sections where language changes. First, his childhood, subsequently university, becoming a conscious writer, and last political analyst and African observer. It doesn't feel disjointed but there are some sections that have clearly been written as self-standing articles and have been inserted in the book - e.g the last chapter? A ...more
Amari
To savor.

Early on, like Joyce that one could understand. More coherent later, mirroring (as I see it) Binyavanga's integration into the World and his growing ability to exist within it and merge its "patterns" a bit with his dreaminess.

Along with The Grapes of Wrath and Bhabra's Gestures, one of my very obvious top 3 of 2011. Humane, individual, important, Real. Subtle, good-naturedly ironic, jarring, hot-African-summer sweaty.
Moses Kilolo
I love Binyavanga. I love his writing. This book is in many ways great. And it brings tears at times to see yourself, your particular struggles, your home ground, your dreams and desires, through the life of another. Indeed the labyrinth is well known; and we have only to follow the thread of the hero path.
Alice
Silly, stream-of-consciousness, educational, and awesome. I love the way he writes, love how the narrator grows up but stays consistently quirky, and feel like many of his experiences are also my own. Some quotes:

I will take Gikuyu classes, when I am done with diversiddy and advertising, when I am driving a good car. I will go to the village and make plays in Gikuyu, in my good new car. I will make very good decolonized advertisements for Coca-Cola. I will be cool and decolonized. An internation
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Biblioteka
Binyavanga stated that he spent about 10 years writing his memoir. Perhaps it wasn't time well spent.

The experimental style is certainly intriguing at times, but when it's not intriguing it annoys a great deal. Binyavanga sounds like a college professor when he explains about the towns, lakes and roads in his memoir.

Binyavanga should also have known better than to use contrived gimmicks rather than just telling the story. The word play made it difficult for me to get fully immersed into the nov
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Marieke
i'm not ready to write a review yet. phew. whoa. i got really caught up in it and i am not quite sure i really understand that i finished...well: i finished reading, but i have a lot of thinking to do. this book is quite something.
Veronica
Its opening pages leave no room for doubt that Mr. Wainaina was truly born to write.

This memoir takes the reader through Wainaina’s growing up Kenyan through his years emerging as a world-renowned author. He does so with unintended humor and billowing descriptives.

Binyavanga, a self-doubting boy and young man sees the world through his own unique lenses. He seems most at ease when alone, realizes he is not like most others yet feels neither shame or pride because of it. While I wanted to take hi
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Brenda Kodawa
Had a problem finishing this book. It took me a while but all in all, it does not hold back and puts all its cards on the table.
Laura
Nov 11, 2011 Laura rated it 2 of 5 stars  ·  review of another edition
Recommends it for: Bettie
Not so good as I expected even if the subject is quite interesting.
Ale
When I first started reading this book, I was a little bit unsure about whether or not I would enjoy it. I am normally a bit lukewarm on memoirs in general, as I do feel that sometimes they require me to know a lot of background that the author isn't that interested in detailing too much. But I was so very, very wrong about One Day I Will Write About This Place and I am so very happy to say it. To an extent, it cemented my decision to read only Black authors during February, for Black History Mo ...more
Laura
You can't speed read this book, and that's a wonderful thing. Wainaina's writing is like poetry as he "writes about this place" from his childhood to present day, detailing memories with vibrancy and clarity. He plays with words and breaks the boundaries that words usually inhabit, inviting them to stretch their sounds and their musical effect to capture the full dimensions of the world around him. I really loved this book and there are chapters, especially the part about his family's reunion in ...more
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Binyavanga Wainaina is a short story writer, essayist, and journalist.

He is the founding editor of Kwani?, a leading African literary magazine based in Kenya, and he directs the Chinua Achebe Center for African Writers and Artists at Bard College.

He won the 2002 Caine Prize for African Writing, and has written for many journals, including Vanity Fair, National Geographic, One Story, Tin House, Vir
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More about Binyavanga Wainaina...
How to Write about Africa Discovering Home Beyond the River Yei: Life in the Land Where Sleeping Is a Disease Kwani? 03 Kwani? 04

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“International correspondents with their long dictaphones, and dirty jeans, and five hundred words before whiskey, are slouched over the red velvet chairs, in the VIP section in the front, looking for the Story: the Most Macheteing Deathest, Most Treasury Corruptest, Most Entrail-Eating Civil Warest, Most Crocodile-Grinning Dictatorest, MOst Heart-Wrenching and Genociding Pulitzerest, Most Black Big-Eyed Oxfam Child Starvingest, Most Wild African Savages Having AIDS-Ridden Sexest with Genetically Mutilatedest Girls...The Most Authentic Real Black Africanest story they can find...” 4 likes
“It is an aspect of Kenya I am always acutely aware of - and crave, because I don't have it all. My third language, Gikuyu, is nearly non-existent; I can't speak it. It is a phantom limb...” 2 likes
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