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The Success and Failure of Picasso

3.93  ·  Rating Details  ·  230 Ratings  ·  17 Reviews
At the height of his powers, Pablo Picasso was the artist as revolutionary, breaking through the niceties of form in order to mount a direct challenge to the values of his time. At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolizedand wholly isolated.
In this stunning critical assessment, John Bergerone of this century's most in
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ebook, 240 pages
Published December 21st 2011 by Vintage (first published 1965)
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Paul Bryant
Dec 07, 2007 Paul Bryant rated it really liked it  ·  review of another edition
Classic comment that I remember from this book was where Berger pointed out that after a certain point in Picasso's life, if he wanted anything all he had to do was draw it.
Nick Ziegler
Mar 16, 2013 Nick Ziegler rated it it was amazing  ·  review of another edition
One of the most enjoyable reading experiences I've had in a while. Berger's erudition and analytic acumen are sharp and wide-ranging, but the book is presented more as the notes of a learned man than a rigorous academic work. And this is good, because Berger manages to give us an entirely new appreciation of a familiar forest by presenting us with a provocative account of several of its most significant trees. That is to say, the book is not comprehensive; it is guided by its argument, not by an ...more
Ahmad Badghaish
Jun 19, 2016 Ahmad Badghaish rated it really liked it  ·  review of another edition
كتاب جميل .. الأسلوب الذي أفضله في عرض حياة وأعمال أحدهم، فقد تطرق إلى أعماله الفنية، والفترات المؤثرة من حياته عليه كفنان، بل ووصف الحقبة التاريخية التي أثرت على أفكار وأعمال بيكاسو. جميل جدًا، وأنصح به للمهتمين بأعمال بيكاسو، فنان العصر الحالي الأكثر بروزًا.
hope mohammed
Nov 09, 2014 hope mohammed rated it it was amazing  ·  review of another edition
هذا الكتاب ....أقول هذا الكتاب من أجمل التجارب القرائية التي مرت تحت نظري وفوق كفي لهذا العام ..
سحرني المحتوى والاسلوب والشمولية واتصال النقاط والترجمة وكل شي ..
هو كما مكتوب على الغلاف بيكاسو ولكن القارئ سيعرف بعد عدة صفحات ان الموضوع اكبر واعم أحببته كثيرا وممتنه بكبر لايحد للمنظمة العربية للترجمة لترجمة موضوع عميق كهذا .
_حسنا وانا أقرا طرحت فكرة ان هذا الكتاب كنز ومن المفترض ان يقرؤه الجميع وبم أجبت طبعا الاجابة لم تأتني من قارئ _لندرتهم حولي _ لحسن الحظ ان هذا الموضوع لايفترض ان يعجب الاغلبية
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Leonardo
Aug 23, 2016 Leonardo marked it as to-keep-ref  ·  review of another edition
Shelves: arte
La oposición «arquitectónicamente correcta» entre la auténtica función y la exteriorización vulgar puede ilustrarse por el contraste entre una simple bomba de agua y un grifo de oro: la primera como un simple objeto que satisface una necesidad vital y el segundo como una excesiva exteriorización de la riqueza. Sin embargo, en estos casos siempre hay que tener cuidado para evitar la trampa que señala John Berger en Success and Failure of Picasso; Berger observa mordazmente que el periodo azul de ...more
Ensiform
Dec 06, 2011 Ensiform rated it liked it  ·  review of another edition
Shelves: non-fiction
This 1989 edition of the book includes a brief intro by the author explaining the book's initial reception in 1965 when its subject was still living; and a third chapter written in the '80s, after Picasso's death. In a way a response to the ineffectual hagiography that surrounded Picasso, Berger, a Marxist, attempts to explain the artist as a product of his place (feudal, anarchistic Spain), his time, his personal isolation as an exile and deified celebrity. Berger shows how Picasso's style was ...more
Laura
Oct 30, 2012 Laura rated it it was amazing  ·  review of another edition
Shelves: art
Berger presents a fair analysis that blasts blind adoration of Picasso. I understand this artist better that I would have predicted. His mindset was removed mostly from the social mechanisms of his time. His Spanish roots, particularly about duende (macabre look about spiritualism), cast him as a charmer, yet he stayed away from his homeland soon after his youth. A child prodigy, Picasso's father vowed never to paint again when viewing his 14 year old son's works. Pablo became an island. Only in ...more
Eddie
Oct 21, 2010 Eddie rated it it was amazing  ·  review of another edition
John Berger presents a profound analysis of Picasso's paintings. He shows how Picasso's exile from Spain had a great influence on his painting. The major analysis by Berger is that Picasso was unlike most of his contemporaries. Whereas many painters view their lives through the works they created, Picasso was Picasso. He was viewed through a different prism. All his works were considered masterpieces because he was Picasso. People were afraid to criticize his paintings. Not so Berger. Picasso's ...more
Jennifer
Berger's aim in this book is to find where and how Picasso has succeeded in his art, and how he also has not. His is not as much the individual events of Picasso's life, but the evolution of his life and the effect of it and its developments on Picasso's art. I particularly liked that he gives background, history, and context to different periods, giving the information a richness and better understanding of Picasso's surroundings.

I would recommend this to anyone interested in having a better un
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Melanie Faith
There is no doubt that this book is well-written and thoughtful. Yet, the prose is dense and sometimes felt like reading an extended term paper or thesis. Parts of this book were fascinating while others, I felt, got bogged down in analysis unrelated to Picasso's life. For readers who are interested just in learning more about Picasso, it might be a slog of a read; I'd recommend a biography instead. For readers who delight in art historian and social criticism vocabulary, then it might be an ide ...more
Pablo Prefix
Dec 09, 2014 Pablo Prefix rated it really liked it  ·  review of another edition
Yine bir ressam olan John Berger tarafından Picasso'nun sağlığında yazılan eser Picasso'nun hayatını, büyük bir oranda da politik etkileriyle ele alıyor. En iyi eserlerinin yorumlamaları kitabın güzel yanlarından biri. Oldukça akıcı olan kitap çok vurucu bir şekilde sonlanıyor.

"Daha önce kimse boyayla küfretmemişti!.."
Hang
Jun 10, 2008 Hang rated it really liked it  ·  review of another edition
. . . still mulling it over . . .

It took me a long time to get through this book, even though Berger is one of my favorite writers. What Berger writes about Picasso is enlightening, perplexing, thought-provoking, annoying, spot-on, dead-wrong.

This is an incredible piece of work for anyone interested in Picasso, or more widely, what "makes" an artist.

I will likely read it again.
Janie
Berger delves into the variety of influences on Picasso's life and work, from the history of Spanish feudalism, bourgeois Europe, WWI &II, anarchy, physics, the rise of European industrialism, American capitalism, Communism, Cubism, the birth of Surrealism, and other fun-filled topics. He even gets around to Picasso's mistresses, too.
Alejo
Apr 21, 2013 Alejo rated it really liked it  ·  review of another edition
Shelves: art, biopic, brit-lit
Excelente aproximación objetiva a un personaje paradigmático del siglo XX como Pablo Picasso. Con un fino y preciso análisis de sus obras. Polémico y muy recomendable
Loren
Eye opening view of Picasso situated in social-cultural historical account that will allow you to reconsider Picasso and Cubism in particular.
Kenneth Smith
Aug 20, 2010 Kenneth Smith rated it it was amazing  ·  review of another edition
Berger wrote this while Picasso was still alive. Quite interesting to read why this Marxist critic thinks the communist artist failed.
Conrad frankel
Oct 28, 2007 Conrad frankel rated it really liked it  ·  review of another edition
a good book, worth the read, helps demistify this popular yet misty artist
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John Peter Berger is an English art critic, novelist, painter and author. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a college text.

Later he was self exiled to continental Europe, living between the french Alps in summer and the suburbs of Paris in winter. Since then, his production has increa
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“ما من رسام آخر تمتع بذيوع الصيت هذا بين مثل هذا العدد الكبير من الناس.
إن التفسير التقني لذلك إنما يكمن في وسائط الإعلام الجماهيرية. فما أن يتم انتقاء شخص ما. لسبب أو لآخر، حتى تقوم هذه الوسائط بمضاعفة جمهوره من الألوف إلى الملايين. وفي حالة بيكاسو، عمل هذا التحول على تغيير ثقل شهرته. فهي ليست كشهرة ميليه في فرنسا أو ميليز في إنجلترا قبل ثمانين عاماً. فقد اشتهر هذان لأن لوحتين أو ثلاثًا من أعمالهما نالت حظوة سريعة لدى الجمهور، فاستنسخت عنها الصور وزينت بها ملايين البيوت. إن عنواني اللوحتين كرز الناضخ والملاك كانا أكثر ذيوعًا من اسم الرسام. أما إذا نظرنا إلى الموضوع على صعيد عالمي اليوم فإننا لا نجد أكثر من واحد في المئة ممن يعرفون اسم بيكاسو يستطيع أن يميز لوحة واحدة من لوحاته.”
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“The Cubists’ belief in progress was by no means complacent. They saw the new products, the new inventions, the new forms of energy, as weapons with which to demolish the old order. Yet at the same time their interest was profound and not simply declamatory. In this they differed fundamentally from the Futurists. The Futurists saw the machine as a savage god with which they identified themselves. Ideologically they were precursors of fascism: artistically they produced a vulgar form of animated naturalism, which was itself only a gloss on what had already been done in films. 35 Carlo Carra. The Funeral of the Anarchist Galli. 1911 The Cubists felt their way, picture by picture, towards a new synthesis which, in terms of painting, was the philosophical equivalent of the revolution that was taking place in scientific thinking: a revolution which was also dependent on the new materials and the new means of production.” 0 likes
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