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Locke and Key, Vol. 5: Clockworks (Locke & Key #5)

by Joe Hill, Gabriel Rodriguez (Illustrator)

4.57 of 5 stars 4.57 · rating details · 2,701 ratings · 234 reviews

Colonel Adam Crais's minutemen are literally trapped between a rock and a hard place; in the first days of the Revolutionary War, they find themselves hiding beneath 120 feet of New England stone, with a full regiment of redcoats waiting for them in the daylight... and a door into hell in the cavern below. The black door is open, and it's up to a 16-year-old smith named Be...more

Hardcover, 152 pages

Published June 26th 2012 by IDW Publishing (first published June 2011)

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Dec 16, 2012 mark monday rated it 4 of 5 stars

Shelves: comikon

oooooo..... eerie backstory time! and the infernal force behind it all is... and this is no spoiler because hey check out the title of the first volume... CTHULHU! of course. i've been waiting for that title to have real relevance. ah, Cthulhu. ::happy sigh::

well, it's not exactly Cthulhu himself, but it is one of the lovecraftian god-beings - that crazy lady slash sentient swamp of bubbling un-life known as Shub-Niggurath. more on her later.

this is another superb volume in the superb series. a...more

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Jan 18, 2013 Randolph Carter rated it 4 of 5 stars

Shelves: fiction, graphic-novel, horror

I wasn't very intrigued by the whole back story thing for an entire book, but once the thing got rolling it really hooked me. The story is really pretty tight and Hill has definitely thought this whole thing through. He isn't just free associating the whole thing. Even though this is almost all back story it does advance the main present day story line and ends up being pretty critical to it.

Deserves two reads unless you can really keep track of what each key and artifact is doing and who is usi...more

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May 15, 2013 Carl Ingebretsen rated it 4 of 5 stars

The weakest volume yet, but not by any means bad. It's just that after the insanity and awesomeness of "The Keys to the Kingdom", "Clockworks" is that necessary "calm before the storm" - the past catches up with the present and the pieces are all moved to their place, as we see what lead to all this.

It's the sort of volume where you learn a lot of facts, but these are all new characters and I don't feel for them quite as much as I do for Tyler, Kinsey, Bode, Nina and Duncan, which definitely mad...more

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May 02, 2013 Kayla rated it 5 of 5 stars

Shelves: favorites

I basically wrote out an entire review of this out last night, but my Back button ate it when I wasn't paying attention on my pretty little Asus. Which sucks, but I'll try to remember what I mentioned last night...

I really think that vol. 5 came at the perfect time in the overall storyline - a time when it feels as though things are about to really get intense, and a retrospective look at what has lead up to these turn of events is a necessity at this point.

The two oldest Locke children get a c...more

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Feb 25, 2013 Ottery StCatchpole rated it 5 of 5 stars

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Feb 01, 2013 Jules rated it 2 of 5 stars

Shelves: comix, passes-bechdel-test

And the series gets less good again. Half of this volume is "stuff that happened in the past" and the other half is "I case you missed it in the first FOUR books, shall we point out how cool this evil guy is again?".

I really feel this series is overly impressed with their own bad guy and I'm not sure why. Sure, series about good or ambigious people who do bad things are really interesting (not to mention hot these days: think BSG or The Walking Dead), but *evil* people doing bad things gets bor...more

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Jan 01, 2013 Eric rated it 5 of 5 stars

Volume 4 of the Locke and Key series (reviewed elsewhere on this site) ended in such a terrible, shocking way that I couldn’t wait to pick up Locke & Key, Volume 5: Clockworks, written by Joe Hill and illustrated by Gabriel Rodriguez. And it certainly didn’t disappoint. I’ll try to keep this spoiler-free, so I apologize if some of my comments are vague.

When Volume 4 ended, I couldn’t wait to see what would happen next. The thing is, after readers get a glimpse of how Tyler Locke isn’t keepin...more Volume 4 of the Locke and Key series (reviewed elsewhere on this site) ended in such a terrible, shocking way that I couldn’t wait to pick up Locke & Key, Volume 5: Clockworks, written by Joe Hill and illustrated by Gabriel Rodriguez. And it certainly didn’t disappoint. I’ll try to keep this spoiler-free, so I apologize if some of my comments are vague.

When Volume 4 ended, I couldn’t wait to see what would happen next. The thing is, after readers get a glimpse of how Tyler Locke isn’t keeping it together as well as we thought, Volume 5 is almost entirely about what has happened before: during the Revolutionary War and the story of Rendell Locke and his friends. Throughout Volumes 1-4, I thought Hill and Rodriguez had seeded enough clues about these two time periods (e.g., the snippets of diaries in the back of the books about the creation of the keys) that I knew enough. Turns out, I knew only the broad strokes. But it’s the fine details of the stories that really let this volume soar.

There’s a sense of dread about this volume that is unlike any of the others. In fact, I had the hardest time reading this one because I knew it would end very badly. I watched so many characters commit mistake after mistake after mistake. Yet, these mistakes seem inevitable given the characters’ motivations. Clockworks is a fantastic example of how powerful a tragedy can be.

And although I’ve focused the majority of my review on Hill’s storytelling, I have to remind everyone how much I’m enjoying Rodriguez’s artwork. In particular, the glimpses inside Tyler’s and Dodge’s heads are fantastic, but for very different reasons. Rodriguez perfectly captures a teenage boy’s mind, and his version of Dodge’s head is, well, hellish. And I’m so glad that this Volume has several one- and two-page panels. I find myself staring at them for long periods, struck by the tremendous amount of information and beauty they convey.

I’m almost sad to see that the Locke & Key series is ending. But it should be one helluva climax. It’s as if all the pieces have been set in place, and the plot is switching to the endgame. Things are about to get bloody, I’m sure. But one way or another, it will be over. Perhaps that’s why the next (and final) volume is titled Omega. I’ve said it before, and I’ll say it again. I can’t wait. This is truly one of the most incredible series I’ve read, comics or otherwise.(less)

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Dec 05, 2012 Michael Larson rated it 5 of 5 stars

Look, I try to be conservative in giving out five stars, but this is just phenomenal storytelling, with writer and artist working together in perfect synchronization to create a beautiful, strange and scary world. When people talk about comics being the mythology of our times, this is what they're talking about.

The entire back story of the Keyhouse is presented within these pages. Events that have only previously been hinted at play out in all their bloody, full-color glory, and unlike so many s...more

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Nov 03, 2012 Stephanie rated it 5 of 5 stars

Shelves: graphic-novels, supernat-paranorm

(Originally posted on my blog, Misprinted Pages.)

Why is Locke & Key one of the most successful comics out there? The answer has something to do with the strength of writer Joe Hill and artist Gabriel Rodriguez’s partnership. Hill introduced an original idea in 2008 with a strong follow-through — every issue pushes the story forward and keeps readers begging for more. Then, there are the gothic illustrations, which give the main estate, Keyhouse, that dark and foreboding mood we need to wonde...more (Originally posted on my blog, Misprinted Pages.)

Why is Locke & Key one of the most successful comics out there? The answer has something to do with the strength of writer Joe Hill and artist Gabriel Rodriguez’s partnership. Hill introduced an original idea in 2008 with a strong follow-through — every issue pushes the story forward and keeps readers begging for more. Then, there are the gothic illustrations, which give the main estate, Keyhouse, that dark and foreboding mood we need to wonder what secrets are hiding inside. The monsters look real, the people are visibly distressed and haunted by their past and present lives, and shadows are everywhere. When you can’t see them, you can feel them in between the pages.

Locke & Key is rich with history and a growing darkness that’s unlocked with every finding of every key. We know there’s evil among the good guys, and it’s masquerading as one of them, listening to their conversations and manipulating them. When’s the last time a comic both shook you to your core with authentic, human feeling and messed with your head as much as it did the characters’?

They have dimension, as big as the house. They mourn. They repress. They wonder. They bottle their emotions away or pour them out uncontrollably. These are characters in suffering, desperately clawing at whatever can set things right. Unfortunately, that counts for their enemies as well, and each side wants to win just as bad.

Clockworks prepares readers for the final chapter by bringing together all those secrets and knowledge and giving it to the Locke children — and to us. That’s power they can use. This volume is more about the people who came before than its main cast, but Hill still manages to prepare them for the battle ahead. Issues need resolving before Tyler, Kinsey, and Bode can move on and take back Keyhouse. It’s about the struggle of putting their lives back together, of confronting the grief within themselves.

Locke & Key always contains as many surprises as it does secrets, and each cliffhanger is more intense than the last. Only now, the stakes are higher than ever.(less)

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Oct 31, 2012 Julie Hayes rated it 5 of 5 stars

George Sanyana said, “Those who cannot remember the past are condemned to repeat it.”

The fifth volume of Locke & Key begins in 1775 Massachusetts Bay as Tyler and Kinsey look-alikes Ben and Miranda watch while their parents are hung by the British, who think to oust them from their home and claim it as their own. Their plans are thwarted when they realize that the house is owned by another, so for now the teenagers are allowed to stay. Sneaking out from under their keepers’ watchful eyes, th...more George Sanyana said, “Those who cannot remember the past are condemned to repeat it.”

The fifth volume of Locke & Key begins in 1775 Massachusetts Bay as Tyler and Kinsey look-alikes Ben and Miranda watch while their parents are hung by the British, who think to oust them from their home and claim it as their own. Their plans are thwarted when they realize that the house is owned by another, so for now the teenagers are allowed to stay. Sneaking out from under their keepers’ watchful eyes, they head to the caves, where a group of patriots awaits, only to learn that their brother Joshua has fallen victim to something most foul indeed.

One of Bode’s little friends unwisely lets Luke/Bode know that he realizes he isn’t Bode, and suffers the consequences. Bode is determined to find the omega key, but having little luck. While rooting around in Kinsey’s room, he accidentally smashes the bottle containing her tears and fears. They get inside Tyler’s head and mess with him severely. When Bodes confesses to what happened, Kinsey uses the head key to see what’s going on inside Tyler’s head (a very scary place) and removes Ugly and Gloomy, but in the process also reveals valuable information to Bode.

Tyler and Kinsey use a key and the grandfather clock to travel to 1775, where the events of the past unfold before them, including the flooding of the cave. After their return, Kinsey asks what he’d like to see next, and Tyler doesn’t hesitate. He wants to see their father. So it’s off to 1988 they go, to Lovecraft Academy. After the play, everyone is anxious to hear what Mark Cho’s movie-agent uncle thought of the production. Disappointment wells when they learn he never showed up, having skipped out to see The Naked Gun instead. Kim is especially ticked off and makes some very nasty comments before storming off. A distraught Rendell agrees to do what he vowed he’d never do—let a demon through the black door.

Can this possibly end well?

Time is certainly fluid in this volume of Locke & Key, as we move between the far past, the past and the present, watching as the forces that shaped what is came to be, including the forging of the keys. Talk about the sins of the fathers…

We see a lot of Rendell and his group of friends, including the treacherous Luke, and the dynamics of the group, which can be turbulent at times. Who likes who, who loves who, who’s a bitch and who’s just lovesick. There is no doubt that Luke is evil, even if they don’t realize to what extent. I don’t like Kim at all, either. Not sure what Rendell sees in her. I love seeing Duncan as a little boy as his personality traits are being formed.

I love the ways the characters are drawn, so realistic, so much like people anyone might known, drawn into strange situations and doing their best to handle them. The writing and the drawing of this book work in perfect harmony, one with the other. This one’s definitely a keeper.
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Oct 16, 2012 Brandon rated it 5 of 5 stars Recommends it for: Everyone. Seriously, this series is awesome.

Shelves: comix, fiction, 2012, favorites

When I finished Clockworks, there was a note at the end of the book indicating that the story would be concluded with Book 6. I think this is a mistake. I think Joe Hill and Gabriel Rodriguez should continue to work within the Lovecraft universe until the end of time.

All joking aside, these two are like the peanut butter and chocolate of comic books. Two great tastes that taste great together! Honestly, this series just keeps getting better as the dynamic duo keep pumping out a stream of greatne...more

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May 21, 2012 Jacquelyn rated it 5 of 5 stars

I think at this point, if people are already getting it in ARC, I've read all the floppies that are included in this volume.

The last time I was this enthralled by any kind of story was while watching the TV show Lost. Locke & Key is a complex story with a definite arc (even if I can't see the end of it myself), complex and driven characters, really freaking scary villains, mystery, magic, time-travel...with beautiful and sometimes terrifying artwork. And really, what more can you ask for, t...more

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Mar 29, 2012 Elia rated it 5 of 5 stars

I just finished an Advanced Reader Copy of this. Once again Joe Hill had created an absorbing and visually stunning story. In this volume of Locke and Key we finally begin to learn the history of the keys, Lovecraft and the wellhouse.
Hill takes us back to the Revolutionary war, in the Lovecraft of the 1700's, where the ancestors of our now familiar modern day Lockes are in hiding from the British Army who has just executed their parents as tritors to the crown. While in hiding, the Lockes and a...more

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Oct 15, 2012 Chris rated it 3 of 5 stars

I love this series as a whole. And much as it pains me that the next volume will be the last, it's understandable. It's never good to carry something past its expiration date, and It has surprised me that Hill has been able to sustain us for so long.

That being said, this--for me--is one of the weakest of the series. I don't know if it's just how I was feeling while I read it, or what, but I didn't feel like my mind was completely blown as the other volumes have left me.

This one works very much a...more

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Jul 26, 2012 Emily Jo rated it 5 of 5 stars

Shelves: graphic-novels

This review has been hidden because it contains spoilers. To view it, click here.

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Jan 14, 2013 Eric rated it 5 of 5 stars

First, respect goes out to Sock Monkey Sounds podcast, Weekly Readers for shedding some light on this series. Second, this review may have some spoilers contained within. Third, I'm too lazy to review all five books (thus far) in the series, so this will have to suffice for all of them. Not surprisingly, the Locke and Key series centers around a family whose last name is Locke. Rendell Locke, the father, is brutally murdered in CA in the first few pages of volume 1 while the rest of the family o...more

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Sep 08, 2012 Catherine rated it 5 of 5 stars

Shelves: horror, spec-fic, graphic-novels

This review has been hidden because it contains spoilers. To view it, click here. Previously published in slightly lengthier format at http://www.fallintofiction.blogspot.c...:

Having relocated to Keyhouse after the murder of their father at the outset of "Welcome to Lovecraft", "Clockworks" sees the Locke family brought full circle, back to the events which precede their arrival at the Keyhouse premises in Massachussetts and which have shaped their nemesis, Lucas “Dodge” Caravaggio prior to his descent into the merciless killer the children are faced with in the present day....more Previously published in slightly lengthier format at http://www.fallintofiction.blogspot.c...:

Having relocated to Keyhouse after the murder of their father at the outset of "Welcome to Lovecraft", "Clockworks" sees the Locke family brought full circle, back to the events which precede their arrival at the Keyhouse premises in Massachussetts and which have shaped their nemesis, Lucas “Dodge” Caravaggio prior to his descent into the merciless killer the children are faced with in the present day. Harking back to past events is of course a pattern which has been seen on a number of occasions throughout the course of the narrative arc. "Clockworks", however, is an opportunity for this aspect to be explored in detail prior to the denouement we are already aware will follow within the forthcoming "Omega".

The instalment is timely, given the reader is fully invested within the fate of the Locke children by this stage - and the stakes are high. Dodge already has control of the youngest Locke sibling Bode's body; something neither Tyler nor Kinsey, his elder brother and sister are aware of. This grants him unrestricted access to Keyhouse in his search to find the Omega key which will allow him to open the Black Door and release what is contained beyond it.

The timing of "Clockworks"' explanations is clever. By holding back on the action and presenting us with an explanation as to how the characters have found themselves in the present position, the conclusion itself is guaranteed additional impact and resonance. Having already seen the children in the aftermath of their father's death and the manner in which they are forced to cope with it, whilst simultaneously finding their feet at a new school and establishing new social circles, we now see the manner in which the death itself will come to pass, given we are privy to Dodge's transformation from friend to foe. Thus pre-prepared for the way in which the death will ultimately affect the children, the foreshadowing of it via flashback hits home more sharply than if the chronology had been reversed.

Further, the exploration of the relationship between Rendell, the Locke children's father, and the boy who will subsequently become Dodge renders the character much more than simply a cardboard cut-out villain bound upon a course of evil from which he cannot deviate simply for plot purposes.

Sacrifice and the extent to which this is necessary for Dodge to be successfully defeated is a key theme (no pun intended) within "Clockworks". This applies not only to Rendell, the children's father but also a number of the members of his original band of friends. Thus, there are echoes of the Spiderman motto concerning the great power accompanying great responsibility here. Ultimately, this is shadowed by regret at its misuse by the time we have explored the manner in which Dodge becomes evil and origins of the keys we have seen the children utilise throughout the story arc.

In amongst the question answering we also see exactly how Erin lost her memories, what lies behind the door Dodge seeks to open and even how Dodge became the girl first encountered in "Welcome to Lovecraft", all of which is dealt with in a suitably satisfying manner, as opposed to simply feeling like loose ends being tied with haste. Again, this is another example of the manner in which the narrative has come full circle for the purposes of the present volume.

Neither narrative nor illustrations pull any punches and Dodge's anticipation of his first killing spree is provided in a gory two page spread towards the conclusion of the volume well deserving of its multiple Eisner nominations. Both are equally apt (if not for the faint hearted) and provide a clear example of the extent to which the storytelling abilities of both writer and illustrator mesh so successfully throughout "Locke and Key". Possibly, therefore, the only negative aspect of "Locke and Key" is that "Omega" marks the final chronological volume of our journey within the original world of Keyhouse and its inhabitants.
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Nov 15, 2012 Bean rated it 5 of 5 stars

This review has been hidden because it contains spoilers. To view it, click here.

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Jan 14, 2013 Paul rated it 5 of 5 stars

Shelves: graphic-novels, reviewed

oooo... so we now know who the big bad villain is...

(view spoiler)...more

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Aug 21, 2012 Karissa rated it 5 of 5 stars

Clockworks is the 5th book in the Locke and Key series. It was an absolutely wonderful installment in this series. We finally start to learn the history of the Locke house and the mysterious keys that it hides.

The book starts by going back in time to when a door of evil was discovered and the first of the Locke Keys was made. We then jump back to the current story where things are dire indeed. The characters have found the key that lets them travel back to the past and there they uncover even mo...more

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May 22, 2012 Sara Thompson rated it 5 of 5 stars

Shelves: netgalley

The first issue of volume 5 of the Locke and Key series proves that Joe Hill is still the master. I’ve read one full volume and have some understanding of the world of Lockcraft so this was not a difficult story to follow. I don’t think it’s be really difficult for anyone, except for the last panel which stumped me. This volume is set during the time just before the Revolutionary War. Two siblings have lost their family and are losing their home. Their family has been supporters of those who cho...more

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Mar 04, 2013 Lani rated it 4 of 5 stars

Shelves: comicsandgraphics, historicalfiction, fantasy

I should have gone back and re-read at least the last book of Locke and Key, because I was pretty lost when I read this one. But the story is great and you don't want to stop and go back, so... I think I maybe missed some important plot points here.

But this book starts to give more information about the creation of the keys and the beginning of this generation's problems. Flashbacks to the Locke kids' father and his friends introduces newly demon-possessed Dodge.

I miss the one-offs where the ki...more

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Aug 25, 2012 Jack rated it 5 of 5 stars

Most of this volume takes place in the past, but we are finally getting answers to some very major questions that were raised throughout the first four volumes. I loved this book, as I have loved the others. My only problem is that I discovered these books late and read all of them within about a month.

The next installment is to be the final volume. I wonder how long I will have to wait.

I've rated all of these books very high. While they aren't perfect, they are an exceptional example of how th...more

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Aug 06, 2012 Maika rated it 5 of 5 stars

From the first pages of the very first issue it was apparent that Locke and Key is not only an incredible story, it is a tale ideally suited to be told via the comic book medium. Comics have been around and thriving for a long time, but this one feels like reason alone for the medium to exist. The pairing of writer and artist is nothing short of phenomenal. Joe Hill and Gabriel Rodriguez have combined their talents and creativity to create a vivid, enthralling, and frightening world where fantas...more

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Aug 12, 2012 VanHalen rated it 4 of 5 stars

Shelves: comics

An excellent penultimate entry in the story that is the Keyhouse and the story of the Locke family.

Joe Hill continues to provide great work, aided by the wonderful artwork of Gabriel Rodriguez, while weaving an intriguing story.

This collection is most of the history that you want about Dodge, Rendell Locke and the keys.

A solid set of flashbacks with enough pride, lust & anger to set up the original story.
But, some things feel too pat and seem to be too easy in their answers to make me happy...more

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Aug 02, 2012 Kayleen rated it 4 of 5 stars Recommends it for: Joe Hill Fans.

Shelves: graphic-novels-read

Devoured it all in one night. It felt like I haven't read any Locke and Key books in months. The last book ended in such a major cliffhanger I couldn't stop myself from reading this as soon as I got it from my library. I was hoping that they were going to discover what happened to Bode, and fight the evil fucker! and get their real Bode back, but this one actually was mostly in the past, which was ok, it was very much needed. The key that they find in this one brings them into the past, so they...more

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Nov 18, 2012 Greg rated it 5 of 5 stars

Clockworks delivers on all the promises of the previous volumes building on the wonder Joe Hill built his Lovecraft fuelled fantasy world where mystical keys can unlock the wonder and horror of imagination and invention. This is the buildup of the tension in a story approaching it's climax and reveals the world building in Joe Hill's marvellous creation. This is gonzo storytelling that only the child of Stephen King, the craziness of the seventies and eighties and a diet of marvel, DC, Lovecraft...more

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Feb 10, 2013 Jason rated it 5 of 5 stars

Wow, this series is just getting better and better. I think the time it takes me to read each subsequent volume is half of what it took me to read the last one. Great story, fantastic characters with depth, and outstanding art.

Now that I've reached the end of the available trade paperbacks, I'm jumping over to Comixology to get the couple of single issues that have been released so that I can see what happens next. It is EXTREMELY rare that I can't wait for the tpb to be released when going thr...more

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Jul 28, 2012 Tamahome rated it 5 of 5 stars

Head Games volume 2 is still my favorite, but this was a very strong volume in the series. I blew right threw it in a few hours. (Soo much more compelling than the beginning of Cloud Atlas, which everyone is buying up.) Only one more volume to go. I think Joe Hill's daddy Pappa King taught him all his writing secrets. Plus that's only the half of it; the art is gorgeous. This is horror though and there will be blood, but also inventive fantasy and very human characters and dialog. Warning, some...more

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Jul 29, 2012 Lord Humungus rated it 3 of 5 stars

Hill & Co. continue to write the great stuff. Not much is explored with the modern era characters, but we see a lot of backstory and history regarding the keys and their various “masters”. My favorite story thread concerns the actual origin of the keys and the history of the underwater cave. I felt the mystery and horror parts have diminished and we're now approaching the final good vs. evil battles. These stories are still interesting thanks to the creators, but I feel a little of the magic...more

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About Joe Hill

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.

Joseph Hillstrom King (born 1972) is an American writer of fiction, writing under the pen name of Joe Hill.

Hill is the the second child of authors Stephen King and Tabitha King. His younger brother Owen King is also a writer. He has three children.

Hill's first book, the lim...more

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Books by Joe Hill

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