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L’impiccato di Saint-Pholien (Maigret #4)

3.75 of 5 stars 3.75  ·  rating details  ·  361 ratings  ·  39 reviews
Cinque giorni di novembre, fra Brema, Reims, Parigi, Liegi, Maigret indaga su uno strano suicidio, a cui corrisponde un suicidio di dieci anni prima: un impiccato al portale della chiesa di Saint-Pholien a Liegi. Cosi scoprira le tracce di una societa segreta: la Confraternita dell'Apocalisse.
Paperback, Il Sole 24 Ore Economia & Cultura - Le Inchieste di Maigret #5, 139 pages
Published February 15th 2012 by Il Sole 24 Ore (first published 1931)
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(showing 1-30 of 628)
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Ivonne Rovira
Mar 28, 2014 Ivonne Rovira rated it 5 of 5 stars  ·  review of another edition
Recommends it for: thoughtful mystery lovers
The Hanged Man of Saint-Pholien (also published as Maigret and the Hundred Gibbets ) begins with Detective Chief Inspector Jules Maigret following a French suspect in Germany, one who commits suicide within the first few pages. Maigret immediately realizes that, without meaning to, he has caused a certain Louis Genet to shoot himself in the mouth.

This terrible turn of event leads Maigret to try to discover more about this Louis Genet — who turns out to be traveling under an assumed name. As Ma
Georges Simenon is the antidote to all those fussy little mysteries where everything is so clear-cut, and all the detective has to do is waltz between a few suspects until he or she finds the guilty party in a final dash of brilliance. No, there is a kind of Gallic fog about Simenon's Inspector Maigret. Maigret is French to a fault. We start out Maigret and the Hundred Gibbets with a few very discordant facts, and very little idea of whether a crime was committed or, if so, the nature of that cr ...more
An early Maigret that doesn't disappoint. Simenon himself was a bit of an enigma and the way he writes Maigret in these early books probably tells you a lot more about how Simenon saw himself than it does about the man who would go on to star in over 70 detective novels. And no more so than this highly enjoyable read.

This is probably as much of a psychological study as Simenon could make his Maigret novels; unlike his other work, his roman durs, Jules Maigret inhabits the lighter side of Simenon
Nick Jones
I like the Maigret stories. I like Maigret: he has none of the annoying eccentricities of many literary detectives: he is just a cop going about his business in a thoughtful and conscientious way. I’m not sure that he is a more complex character than, for instance, Sherlock Holmes, and, perhaps, like Holmes, he is no more than an accumulation of clear but simple characteristics (his physical bulk, the pipe, etc), but, at least for me, these characteristics come together to form a more realistic ...more
This is a story of a crime committed by a group of students some 10 before; their individual responses in what was joint enterprise means they struggle to get on with their lives. Some have prospered but all carry the guilt and when a man down on his luck kills himself it acts as a new threat to uncover the past. Especially as in the next room was Maigret, who had been observing the man and witnessed his suicide but now has material evidence to solve the crime just weeks before the statute of li ...more
Tim Diggles
Simenon's second Maigret novel. Quite a strange dark story with a surprising end, or maybe not so. Maigret is working outside his own patch and most of the story takes place in Bremen and Liege, following a chance encounter with a man who is posting a huge amount of cash to Paris and yet looks like a tramp. Simenon was such a great writer it still stands up 80 years after it was written, please penguin or someone lets have some of his 400+ novels published!
Erwin Maack
O autor consegue trazer seus personagens para uma distância tão pequena de nós, que acabamos por perceber que todos poderíamos agir daquela maneira, pressionado por aquelas circunstâncias, por aquelas pessoas. Enfim, a diferença entre o crime e a virtude se esfarela quase sem surpresa alguma.
Jim Coughenour
A solid three stars for stolid Gallic pleasure. First published in France in 1931, newly translated for Penguin's spectacular Maigret series* (this is #3), another quick fix for fans of Maigret. The plot is, as usual, at an angle from the strict formulae of detective fiction, as embedded in the desperation of ordinary human lives as it is in the hard regimen of suspense. These books are short enough to be read in a lazy evening, and they deliver their drug. This translation by Linda Coverdale is ...more
Filippo Bossolino
Il commissario Maigret, vedendo in un bar un ragazzo impacchettare dei contanti e spedirli per posta, decide di seguirlo. Fra treni, frontiere e albergo, assiste al suo suicidio - tra l'altro provocato da Maigret. A questo punto decide di far luce sul gesto e sulla vita di questo ragazzo.

Fra Parigi, Reims, Liegi e Brema si imbatte quindi in alcuni personaggi; uno, poi, è sempre sulla sua strada, qualche minuto prima di lui.

Trama molto particolare, ampio risalto alla psicologia dei vari protagon
Simenon packs an amazingly diverse number of characters and settings into this story that begins with Maigret noticing the strange behaviour of another man in a cafe. The rest of the book follows Maigret’s attempts to understand this man’s actions. The writing of many authors have, by the fourth book in a series, already begun to show evidence of falling into a rut. With Simenon, however, one sees how a writer can return to the same character time and again without having the stories themselves ...more
Phillip Kay
Maigret and the Hundred Gibbets was first published as Le Pendu de Saint-Pholien in 1931 , and was translated into English by Tony White. This is the second Maigret, and one of the best. It begins when Maigret commits a murder by following a man travelling from Holland to Germany and stealing his suitcase, switching it with another one he has containing old newspapers. Just why he has this suitcase and swaps it with the other is not very clear. When he follows the man to a seedy hotel room, from ...more
After reading this book it is clear to me that I am fated to become an enormous Simenon fan. It's not so much the storytelling as the atmosphere and background details and the sympathy for the poor and downtrodden that the author displays. Almost indirectly, the social messages are worthy of Brecht; and the intensity of the writing is equal to Celine or Genet. All this from someone who never intended to write literature but only light entertainment!
Neogotico vallone

Secondo caso per il Commissario Maigret, nato da un'osservazione casuale (un poveraccio che spedisce per posta un fascio di banconote), causa un suicidio e porta alla luce un vecchio delitto.
Se la trama ha alcuni passaggi apparentemente poco plausibili (come fa un poliziotto francese degli anni 30 a scorazzare tra Francia, Belgio e Germania, partecipando a indagini e ottenendo prove e documenti, cose che �� tuttora arduo fare in tempi di Interpol, UE e internet?), avvincente e i
Neogotico vallone

Secondo caso per il Commissario Maigret, nato da un'osservazione casuale (un poveraccio che spedisce per posta un fascio di banconote), causa un suicidio e porta alla luce un vecchio delitto.
Se la trama ha alcuni passaggi apparentemente poco plausibili (come fa un poliziotto francese degli anni 30 a scorazzare tra Francia, Belgio e Germania, partecipando a indagini e ottenendo prove e documenti, cose che è tuttora arduo fare in tempi di Interpol, UE e internet?), avvincente e in
Adam Moss
An intriguing and beguiling mystery delivered with panache and no small measure of insight into the darkest of human emotions. Simenon is like no other. His writing brims with texture and draws you in, making even the seemingly insignificant details monstrously large and atmospheric. A fascinating moral tale told as only Simenon can.
This is definitely the best Maigret I've read, but it loses something towards the end. For the first 90 pages or so, it's the ultimate French mystery--you have no idea where all of this leads, but the characters and situations are so fascinating and odd--the little man who carries around a cheap suit stained with blood, the artist who paints picture after picture of a man hanging outside a church--that you keep reading. The end ties it all together relatively clearly, but so quickly and so clums ...more
I read this as "The Hanged Man of Saint-Pholien". I am a mystery fan and this one was great. I'm working my way up to reading Simenon in French!
Seth Lynch
In this book I suspect Maigret was investigating an alternative version of Simenon's own life.
I like the ending, which bumped the rating up a star.
Georges Simenon said that "every criminal case has a feature of its own, one that you can identify sooner or later and it often provides the key to the mystery." At the center of Simenon's fourth Maigret mystery, The Hanged Man of Saint-Pholien, is a haunting series of drawings depicting men hanging from gallows, tree branches, and a church steeple. The pulpy page turner begins with the suicide of a man traveling from Holland to Germany under an assumed name, and then leads Maigret to the discov ...more
Francesca Tessari
Maigret si limita a fare da spettatore: solo con la sua presenza riesce a far crollare i colpevoli.
Christopher Roden
Maigret with an interesting twist. Very enjoyable.
Very early Maigret and pretty rough.
Masterclass in crime fiction.
A fascinating early Maigret, squalid and boozy and satisfying.
Unwahrscheinlicher Fall, unwahrscheinlicher Kommissar.
Justin  K. Rivers
One of the best Maigrets I've read. It starts simple, and then suddenly punches you in the face. The mystery is gripping and powerful, and the haunted world inhabited by the characters is Simenon at his psychological best. Throughout it all, Maigret himself, the beefy, good-natured chief inspector, is funny, empathetic, and smart. A warm spot of decency in a murky and sadistic world.
Perhaps my favorite Maigret so far.
alessandra falca
Ambientato a Liegi, nella Vallonia, in Belgio questo piccolo giallo di Maigret è tra i primi cinque che Simenon scrive. Si rifà ad un fatto vero capitato allo scrittore in gioventù e forse proprio per questo si sofferma emozionalmente più del solito. Si attarda e non capisce. E' anche il suo bello però. Meno stelle ma da leggere comunque.
Great start: "Chapter 1: Inspector Maigret Commits a Crime"

Entertaining to watch Maigret create a problem and uncover a case that isn't really an official case (for him). Equal parts guilt and curiosity compel and propel his need to understand the facts beneath the events that he forced into the open.
This book was a little disappointing. Something horrible happens because of Maigret's meddling and he never shows remorse. He proceeds with his investigation (of something not a crime), uncovering the usually well-described personalities. The ending is okay but it all never should have happened.
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Simenon was one of the most prolific writers of the twentieth century, capable of writing 60 to 80 pages per day. His oeuvre includes nearly 200 novels, over 150 novellas, several autobiographical works, numerous articles, and scores of pulp novels written under more than two dozen pseudonyms. Altogether, about 550 million copies of his works have been printed.

He is best known, however, for his 75
More about Georges Simenon...
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“The poor are used to stifling any expression of their despair, because they must get on with life, with work, with the demands made of them day after day, hour after hour.” 0 likes
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