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  <id>1348998</id>
  <title><![CDATA[Somersault]]></title>
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  <isbn13><![CDATA[9781843540816]]></isbn13>
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  <description><![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]></description>
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  <original_publication_year type="integer">1999</original_publication_year>
  <original_title>Somersault</original_title>
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  <authors>
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    <id>14162</id>
        <name><![CDATA[Kenzaburo Oë]]></name>
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    <average_rating>3.87</average_rating>
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      <review>
  <id>3715561</id>
    <user>
    <id>198358</id>
    <name><![CDATA[Andrew]]></name>
    <location><![CDATA[Oakland, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/198358-andrew]]></link>
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  <title>
    <![CDATA[Somersault]]>
  </title>
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  <average_rating>3.12</average_rating>
  <ratings_count>8</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
  <published>1999</published>
</book>

    <rating>5</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Nov 19 21:41:18 -0800 2007</read_at>
  <date_added>Sat Jul 28 15:20:59 -0700 2007</date_added>
  <date_updated>Thu Dec 17 02:37:04 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I’m having a very hard time with this review and it should not be reviewed dryly.  Who Oe is doesn’t matter, or where he’s from or where this lies beside his previous works, or who the autistic musician or self terrified surgeon with the suicidal mother is.  This is not a book to review from h...<a href="http://www.goodreads.com/review/show/3715561">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3715561]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/3715561]]></link>
</review>
      <review>
  <id>37987747</id>
    <user>
    <id>1561740</id>
    <name><![CDATA[Lisa]]></name>
    <location><![CDATA[San Francisco, CA]]></location>
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  <title>
    <![CDATA[Somersault]]>
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  <average_rating>3.29</average_rating>
  <ratings_count>56</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
  <published>1999</published>
</book>

    <rating>1</rating>
  <votes>1</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Nov 10 00:00:00 -0800 2008</read_at>
  <date_added>Mon Nov 17 16:38:26 -0800 2008</date_added>
  <date_updated>Mon Nov 17 16:39:23 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I really liked <em>A Personal Matter</em>, but I couldn't read more than about 20 pages of this.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/37987747]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/37987747]]></link>
</review>
      <review>
  <id>61506524</id>
    <user>
    <id>901248</id>
    <name><![CDATA[Isabell]]></name>
    <location><![CDATA[Finland]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/901248-isabell]]></link>
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  <isbn>0802140459</isbn>
  <isbn13>9780802140456</isbn13>
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  <title>
    <![CDATA[Somersault]]>
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  <average_rating>3.23</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
  <published>1999</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Aug 02 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jun 29 09:33:45 -0700 2009</date_added>
  <date_updated>Sun Aug 02 10:06:46 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book took me a loooong time to read. The language is dense and beautiful, but it never goes anywhere. It is one of the most &quot;post-modern&quot; books I've come across recently, and I get what the author is doing. So, if giving stars on goodreads were about rating writing ability or mastery ...<a href="http://www.goodreads.com/review/show/61506524">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61506524]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/61506524]]></link>
</review>
      <review>
  <id>2897056</id>
    <user>
    <id>175164</id>
    <name><![CDATA[Andrew]]></name>
    <location><![CDATA[Ann Arbor, MI]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/175164-andrew]]></link>
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    <book>
  <id type="integer">1348997</id>
  <isbn>0802117384</isbn>
  <isbn13>9780802117380</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Somersault]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1182912860m/1348997.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1182912860s/1348997.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1348997.Somersault</link>
  <average_rating>3.23</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
  <published>1999</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="japanese" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Tue Jul 10 07:15:53 -0700 2007</date_added>
  <date_updated>Tue Jul 10 07:15:57 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of the more frustrating books I've ever read. This is hardly a story of a cult, hardly a story of &quot;the human spirit&quot; nor of repentance. There's bits of those things in there, but nothing stuck out in this book of interest to me. Dialogue, which is almost the entire book, is non-realist...<a href="http://www.goodreads.com/review/show/2897056">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2897056]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/2897056]]></link>
</review>
      <review>
  <id>58784010</id>
    <user>
    <id>1677089</id>
    <name><![CDATA[Cliff]]></name>
    <location><![CDATA[Boise, ID]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1677089-cliff]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1230967630p3/1677089.jpg]]></image_url>
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    <book>
  <id type="integer">251160</id>
  <isbn>0802140459</isbn>
  <isbn13>9780802140456</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[Somersault]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173146149m/251160.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173146149s/251160.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/251160.Somersault</link>
  <average_rating>3.23</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
  <published>1999</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jun 07 15:42:48 -0700 2009</date_added>
  <date_updated>Sun Jun 07 16:32:55 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Oe, in his breadth of ideas, and in the way he develops character, is in league with the likes of Dostoevsky and Thomas Mann. His clear, mature intelligence is suitable for this story of how people frame their lives in relation to each other, to notions of love and memory, and to a disquiet pursuit ...<a href="http://www.goodreads.com/review/show/58784010">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/58784010]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/58784010]]></link>
</review>
      <review>
  <id>11519325</id>
    <user>
    <id>259401</id>
    <name><![CDATA[Nora]]></name>
    <location><![CDATA[Chicago, IL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/259401-nora]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1189289049p3/259401.jpg]]></image_url>
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    <book>
  <id type="integer">251160</id>
  <isbn>0802140459</isbn>
  <isbn13>9780802140456</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[Somersault]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173146149m/251160.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173146149s/251160.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/251160.Somersault</link>
  <average_rating>3.23</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
  <published>1999</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="never-finished-reading-it" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Aug 01 00:00:00 -0700 2008</read_at>
  <date_added>Thu Jan 03 06:51:22 -0800 2008</date_added>
  <date_updated>Sat Aug 09 20:49:31 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Reluctantly moving this to the never-finished shelf. Enjoying it, but a combination of its occasional tediousness and my overwhelming reading list for the upcoming school year make it necessary.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/11519325]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/11519325]]></link>
</review>
      <review>
  <id>1534598</id>
    <user>
    <id>99145</id>
    <name><![CDATA[Alise]]></name>
    <location><![CDATA[Portland, OR]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/99145-alise-scheeler]]></link>
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  <isbn>0802140459</isbn>
  <isbn13>9780802140456</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[Somersault]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173146149m/251160.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173146149s/251160.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/251160.Somersault</link>
  <average_rating>3.23</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
  </description>
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  <date_added>Wed May 30 00:55:18 -0700 2007</date_added>
  <date_updated>Wed Dec 16 20:21:37 -0800 2009</date_updated>
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    <body><![CDATA[Man, it must suck to win the Nobel Prize.  Because then you write a novel like this--which is by any other standard, pretty good--and people are like, &quot;Eh...&quot;]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1534598]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1534598]]></link>
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      <review>
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    <![CDATA[Somersault]]>
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    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
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  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Sun Nov 04 17:45:45 -0800 2007</date_added>
  <date_updated>Sun Nov 04 17:47:14 -0800 2007</date_updated>
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    <body><![CDATA[Extremely slow read, but worthwhile if you're at all interested in the Aum Shinrikyo incident or new religion movements in Japan. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8669035]]></url>
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      <review>
  <id>1968912</id>
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    <id>131794</id>
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    <![CDATA[Somersault]]>
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    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
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    <body><![CDATA[Kenzarburo Oe, a Pulitzer prize winning author, has a knack for terse, precise language.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1968912]]></url>
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      <review>
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    <![CDATA[Somersault]]>
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    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Sun Feb 17 22:10:07 -0800 2008</date_added>
  <date_updated>Sun Feb 17 22:11:10 -0800 2008</date_updated>
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    <body><![CDATA[That patience is a virtue - and on long trips even big novels can get boring....<br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/15673273]]></url>
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    <![CDATA[Somersault]]>
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    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
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  <date_added>Fri Nov 30 17:36:57 -0800 2007</date_added>
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    <body><![CDATA[pas fini]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/9783811]]></url>
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    <![CDATA[Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut.  In <em>Somersault</em> (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (<em>A Personal Matter</em>) and toward this lengthy, involved account of a Japanese religious movement.  Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, <em>Somersault</em> is no laugh riot.  Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation.  His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter.  <em>--Regina Marler</em> ]]>
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