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Oma huone

4.05 of 5 stars 4.05  ·  rating details  ·  49,874 ratings  ·  2,006 reviews
"Naisella pitää olla omaa rahaa ja oma huone, jos hän aikoo kirjoittaa", kuuluu tämän 70 vuotta sitten julkaistun kirjan suora ja provosoiva perusväite. Oma huone ja oma raha kuvastavat ajatuksen vapautta ja oikeutta olla oma itsensä, etuja joita hankkiakseen nainen on joutunut kaikkina aikoina ponnistelemaan enemmän kuin mies.

Virginia Woolf on tämän vuosisadan anglosaksis
Paperback, 156 pages
Published 1999 by Tammi (first published 1929)
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(showing 1-30 of 3,000)
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Every woman should read this. Yes, everyone who told me that, you were absolutely right. It is a little book, but it's quite likely to revitalize you. How many 113 page books and/or hour long lectures (the original format of this text) can say that?

This is Woolf's Damn The Man book. It is of course done in an overtly polite British way... until she brings up her fountain pen and stabs them right between the eyes. She manages to make this a work of Romantic sensibility, and yet modern, piercing,
Steve Sckenda
By a riverbank she sits, surrounded by drooping willows and the bushes of autumn, “golden and crimson, glowed with color, burnt with fire.” The narrator asks why, as of 1928, there was no woman writer as brilliant as Shakespeare. Her subject is that of women in literature, but she speaks to all of us, and for all of us, and summons us all to greater humanity.

In a gentle voice and without scolding, the narrator proposes that only those who are free in mind and spirit produce great art. Great wri
Words fail me as I seek to express what I think of Virginia Woolf. Or to sum up in a few measly paragraphs, a book that may just have shattered into a million pieces all my illusions about the art of writing and reshaped my whole perspective.

Have you ever imagined a disembodied voice whispering into your ears, the wisdom of the ages as you flipped through the pages of a book? how often have you conjured up the vision of the writer talking to you, teaching you, humoring you and coaxing you to ope
There are so many books that one ‘just knows’ what they are going to be about. I have always ‘known’ about this book and ‘knew’ what it would be about. Feminist rant, right? Oh, these people do so preach to the choir, don’t they? Why do they hate men so much? In the end they are no different to the male chauvinists they are attacking. Why can’t they just be more even handed?

That none of this is the case, of course, does not matter at all, because reiterating received wisdom seems to be all that
Riku Sayuj

A World Of Her Own

“Here then I was (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please – it is not a matter of importance) sitting on the banks of a river a week or two ago in fine October weather, lost in thought.”

And they all do appear, as fictional novelists. Avatars of the Gauri.

Of course, I didn’t know they were so, and I didn't want to find out. I knew Woolf was perfectly capable of inventing novelists and novels inside this small thought-world she was spinning.

Jan 27, 2014 Dolors rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Readers and writers regardless of their gender
"A woman must have money and a room of her own if she is to write fiction.” exposes Woolf and her multiple fictional narrators, Mary Beton, Mary Seton and Mary Carmichael, embodying the universal voices of female writers that once were and the ones that never came to be, while relentlessly beguiling the reader, sinuously spiralling him down with evocative prose, genial dexterity with words and an unapologetic tone dripping with irony, righteousness and lyricism.

Sitting on the riverside in fro
Rakhi Dalal
Feb 06, 2014 Rakhi Dalal rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Those aspiring to be writers
The distant orange sky seems to merge into a violet-grey as a thin isolating streak rebels against their integration. She sits by the window, her gaze fixed at the thin streak, waiting unconsciously for it to reach the ubiquitous vast blackness of the sky. On the table, in her front, the pages of the open book ruffle whenever a whiff of air passes through the window into her room. Her ears, accustomed to the soundless sound of the pages, hear a symphony of the words played upon the notes of the ...more

It's is 7:45 and Im already waiting dressed as best as I can with my dark suit and white/blue collar shirt outside the office for a meeting I've been expecting over a month. A meeting that perhaps will lead me get closer to accomplish a goal I've been working nonstop for years, just waiting for an opportunity to be given. After fifteen minutes, the secretary arrives and nicely welcomes me. She tells me that the meeting was arranged to be held at 2:00p.m. I don't show her the email and the alarm
I hadn't really made up my mind about how I feel about Virginia Woolf, until now, that is. This book definitely showed her genius and I loved it. I enjoyed reading about the history of women writers including one of my favourites, George Eliot, and how they have been suppressed systematically by patriarchy. I filed this book under "feminism" but in no way does it ridicule men or say women are better than men, it simply states that women have not been given adequate chances in literature in the p ...more
Ian Klappenskoff
Virginia Plain Live

Virginia Woolf constantly defies my expectations, always for the better.

Nothing I had read prepared me for the light and comic touch of this short work (which is not to deny the lasting significance of its subject matter).

The essay grew out of a talk she gave to the female students at two Cambridge Colleges in 1928. She edited and added to it afterwards.

However, it still bears the traces of a live performance. It must have been inspiring to hear it in person.

The Four Marys


Many, many years ago, back in the mid 1970s when I was a freshly-minted law student a few months out of high school, I went to a party. There I met a sophisticated man, probably in his forties. He was a lawyer. I started telling him about my studies. When I look back on it now, I realise that I may have been overly enthusiastic, a bore even. However, for years I was enraged by his reaction. "Why do you want to study law? You'll get married one day and you'll need to help your husband. It would b

This is a lovely, lovely introduction to feminism, full of wit and insight and the incomparable prose of the inimitable Woolf. Not perfect, and indeed there are a few bones I'd have loved to pick with her, but even with those this book is a boon to humanity.

Between bouts of beauteous imagery and fantastic meanderings of thought and form, we have many a discussion on the different subtleties by which the patriarchy in England inherited a history, controlled the present, and in Woolf's time i
A standard must read text based on Woolf’s lectures to the two Cambridge colleges which admitted women in 1928. It expresses a clear truth and clear injustice in very inventive ways. She describes her trials and tribulations in writing and researching the lectures using a skilfully woven skein of history, fiction, opinion and musings on the outrageousness of the place of women. The part about Shakespeare’s sister is brilliant.
Woolf is pointing out the importance of space and opportunity that hav
Cheryl Kennedy
What insights and truths has Woolf confirmed in this slim text of 125 pages? Most importantly, conditions necessary for the creation of works of art are a room with a lock and the luxury of money. "By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream."

Woolf encourages women not to limit themselves
This is only the second Virginia Woolf book I have read (shocking, right?). Like the first one (Mrs. Dalloway), I find it a bit difficult to express how I feel about this book.

Though this has been described as a feminist classic, I think this can be read (in fact must be read) by anyone interested in women writers in history. The author offers some excellent insights on the role of women and the reasons they weren't active in the literary world. She never claims that one sex is better than the o
راستش این همه کتاب نوشته ی نویسندگان زن خونده بودم و هرگز به قضیه اینطوری نگاه نکرده بودم. ویرجینیا وولف در قالبی جدید (داستان گونه) مقاله ای دررابطه با داستان نویسی زنان ارائه میکنه. مثلن همین طور که در کتابخانه ای قدم میزنه کتابهایی رو از قفسه بیرون میکشه قسمتهایی از این کتابها رو روایت میکنه، با ریزبینی و ظرافتی مثال زدنی نقد میکنه بررسی میکنه و با آثار نویسنده های مرد مقایسه میکنه و ان گاه گریزی به موقعیت و شرایط زمانه ی نویسنده میزنه...و کمکتون میکنه تا به خوبی درک کنید که برونته ها، جورج ا ...more
I wouldn't have gotten much out of this book if I hadn't gone to graduate school -- not because the book is difficult or obtuse, but for the entirely personal reason that graduate school in the Midwest was my first real encounter with the persistence of the sexist views Woolf describes. Growing up in San Francisco, I had almost no experience with sexism. No one ever told me or my friends that women were not as good at anything, that we shouldn't write, have whatever jobs we wanted, be independen ...more
Only once has anyone gifted me a book. I was 13. And the book was ‘Pride and Prejudice’.
I killed that book – with Love.
Although the Love never manifested itself as anything lyrical. Just pickle covered hands and a desperate sort of manhandling. Stained pages and a fractured spine.
It was Love because until then, I had never been Spoken to. Told things, yes; but not Spoken to.

Woolf (I want to call her Virginia - VERY BADLY) talks of this here, among many other things. Austen (Jane??) Spoke to m
Is it possible to imagine the reception of this book 86 years ago?
Did it spark minds, light a fire, or at least prime them for further explosive thoughts?
The era seems so very long ago, and yet what she writes remains true today. Women, 'gender', sex, power...much has changed yet much has not changed.
It all seems quite self evident, yet it all still needs to be explained, again and again. Why is that?
Very slowly though, there has been progress. More of us have our rooms and our five hundred p
Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.
Is it strange that I want to fist bump Virginia Woolf whenever I read this iconic line from A Room of One's Own?

Woolf wrote this essay in October 1928 for an Oxbridge lecture on the topic of Women and Fiction. It was published a year later, as the Jazz Age came to a skidding halt and the Great Depression fell like a heavy curtain across the world's stage. But on this glorious
Con tutto il rispetto per gli editori, che svolgono un mestiere davvero importantissimo, io sempre più spesso mi trovo a domandarmi: ma che libro avranno letto? La quarta di copertina di questa edizione delle conferenze che Virginia Woolf tenne a Cambridge sul tema “le donne e il romanzo”, si apre con le parole: «Illustre capostipite dei manifesti femminili del Novecento europeo.» Una definizione che mi contorce le budella. Ma Virginia Woolf mi ha appena insegnato che sotto la spinta di budella ...more
Dhanaraj Rajan
Feb 17, 2015 Dhanaraj Rajan rated it 5 of 5 stars  ·  review of another edition
Recommends it for: To everyone and specially to the fans of Jane Austen.
A small book of 130 pages; but a precious gem.

When Virginia Woolf was asked to give a lecture on Women and Fiction she developed a literary criticism and an essay which has become a trailblazer study in feminism. This is, in short a re-reading of English history as presented in the history books, biographies and fictions written till the time of Virginia Woolf. And this has many interesting elements. For instance, She compares Jane Austen to William Shakespeare and she has her own reasons.

She wr
Among the many things about this book that continue to blow my mind, there's the fact that Virginia Woolf manages to fit more information and beautiful writing into 114 pages than most writers can get in 500. This is such a small book, but it's so much more substantial than it appears.

The book is a combination of papers Virgina Woolf wrote when she was asked to speak on "Women and Fiction." She starts out by telling us about this assignment and what she thinks it means. Woolf muses on the subje
Review of 'A Room of One's Own' by Virginia Woolf
Shelf: Essays,lit-crit,female writer,feminism.
Recommended for: Virginia Woolf fans,serious readers (Actually both are usually the same!).

This slim little book is so like its author: delicate,fragile-looking yet brimming with intellectual vigour & a whimsical feminine charm!
Jam-packed with quotable lines, it'll make anyone look intelligent & at 112 pages,it is a boon for slow readers like me,only the catch is; once you finish it,you want to
Once, I loved Virginia Woolf. She gets two stars here because of that former devotion, and because of the quality of her prose. But this is a toxic book.

Be very clear what Woolf means: to be a writer, one needs to be isolated from life. Art is for the elite of the bourgeois. It is not for your housekeeper. It is not for the janitor at the school where you learned to appreciate the subtleties of verse. It is not for the chef who provides you the lush meals you and your female colleagues mull over
Words I've lived by long before reading this book: Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.

Oh, Virginia Woolf. A Room of One's Own is a masterpiece of argument and persuasion and feminism. Her ideas about women serving as the looking glass, her solid support of women having a fixed income and a room of their own, her refusal to care about anyone's perception of her, her references to Charlotte Bronte and Jane Austen,
'Why did men drink wine and women water? Why was one sex so prosperous and the other so poor? What effect has poverty on fiction? What conditions are necessary for the creation of works of art? - a thousand questions at once suggested themselves. '

Virginia Woolf ensnares us in prosaic prostration through this book which tells women that the only way for them to write fiction is when they have a bolt on their door and money in hand. The topic in hand is women and fiction and as she compiles a mo
A seminal portrayal of the predicament of the veritably distinct entities, almost always negatively skewed, which are nevertheless offshoots of the same whole. A theoretically simple realization stilted by the darkness of the behemoths of patriarchy and eons of egotistic chauvinism. The very need for this book and the concomitant detracting chants replete with insecurity in reality directed at a challenge inflicted upon the citadels and bastions that entrenched themselves over the centuries, ref ...more
I read this book one summer when I was living in an apartment, on my own, and though it didn't do much to inspire skilled writing from me, it made me appreciate that time and space that I was inhabiting, to cherish the solitude. Simultaneously, this book has had a huge impact on my personal ideas and philosophy. The whole premise is that we cannot measure the abilities of women based on their current status. It's because we were silenced for so many years, left out of histories because we were t ...more
Alice Poon

This short book resonates with me personally because I am an aspiring writer in my retirement! For exactly the reason elaborated by Woolf in the book - financial security being a prerequisite to the dream of authorship - I shelved my writing plan as common sense told me long ago that it was best to keep that dream dormant until I could secure a room of my own!

I like the way Woolf tried to engage her audience by painting a vivid picture in their mind through the narrator, using her beautiful poet
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(Adeline) Virginia Woolf was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century.

During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length es
More about Virginia Woolf...
Mrs. Dalloway To the Lighthouse Orlando The Waves The Voyage Out

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“Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.” 8597 likes
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