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  <title><![CDATA[Our Vampires, Ourselves]]></title>
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  <description><![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]></description>
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        <name><![CDATA[Nina Auerbach]]></name>
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  <title>
    <![CDATA[Our Vampires, Ourselves]]>
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    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
  </description>
  <published>1995</published>
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  <read_at>Tue Aug 18 00:00:00 -0700 2009</read_at>
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  <date_updated>Thu Aug 20 11:37:14 -0700 2009</date_updated>
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    <body><![CDATA[This is nonfiction at its best; thoughtful, well-supported, well-organized, and written in a personal and entertaining way that does not condescend to the reader. Auerbach gives a thorough survey of literary vampires, touching on their folklore origins, but really focusing on popular literary and ci...<a href="http://www.goodreads.com/review/show/66963977">more...</a>]]></body>
    
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      <review>
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    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
  </description>
  <published>1995</published>
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    <rating>2</rating>
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  <date_added>Mon Dec 14 11:22:06 -0800 2009</date_added>
  <date_updated>Mon Dec 14 11:41:13 -0800 2009</date_updated>
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    <body><![CDATA[Focus on the vampires, not the ourselves.  Auerbach's book is heavy on the literature review and lacking historical connections and clarity. Especially in the second half of the book, Auerbach assumes that the reader shares the author's personal experience of the United States &quot;mood&quot; in th...<a href="http://www.goodreads.com/review/show/80983158">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Our Vampires, Ourselves]]>
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  <average_rating>3.05</average_rating>
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    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
  </description>
  <published>1995</published>
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    <rating>3</rating>
  <votes>1</votes>
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  <read_at>Fri May 22 00:00:00 -0700 2009</read_at>
  <date_added>Wed May 27 07:21:53 -0700 2009</date_added>
  <date_updated>Wed May 27 07:27:35 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Helpful synopsis of vampire literature and film, from the early 19th century to 1995. One of the first scholars to take the vampire seriously.<br/><br/>The first part of the book, focusing on the 19th century, was the most interesting to me, being the most unfamiliar; Auerbach's contention that pr...<a href="http://www.goodreads.com/review/show/57482856">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Our Vampires, Ourselves]]>
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  <average_rating>3.05</average_rating>
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  <description>
    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
  </description>
  <published>1995</published>
</book>

    <rating>1</rating>
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  <read_at>Tue Dec 29 00:00:00 -0800 2009</read_at>
  <date_added>Mon Dec 07 20:47:13 -0800 2009</date_added>
  <date_updated>Tue Dec 29 15:22:54 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book assumed that I had a tremendous amount of prior knowledge about vampires, maybe this was my bad but I thought the author would catch me up.  The writing style is hard to follow and I felt as though I was reading a pretentious college essay. <br/><br/>The author also seems to be a rabid f...<a href="http://www.goodreads.com/review/show/80250753">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Sandra]]></name>
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  <average_rating>3.05</average_rating>
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    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
  </description>
  <published>1995</published>
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    <rating>5</rating>
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  <read_at>Sat Jan 01 00:00:00 -0800 2000</read_at>
  <date_added>Thu Jan 15 12:28:35 -0800 2009</date_added>
  <date_updated>Thu Jan 15 13:17:19 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I adore this book - it's such an excellent theory about what drives the vampire myth.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/43150257]]></url>
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      <review>
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  <average_rating>3.05</average_rating>
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    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
  </description>
  <published>1995</published>
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  <date_added>Wed Dec 02 17:41:20 -0800 2009</date_added>
  <date_updated>Wed Dec 02 17:41:26 -0800 2009</date_updated>
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    <![CDATA[&quot;My central idea: that vampirism springs not only from paranoia, xenophobia, or immortal longings, but from generosity and shared enthusiasm. This strange taste cannot be separated from the expansive impulses that make us human.&quot; <em>Our Vampires, Ourselves</em> is not your ordinary work of literary criticism, but rather an entertaining, thought-provoking tour of the history of vampires in Western civilization. The vampires and works discussed include Lord Ruthven, Varney, Carmilla, Dracula, Fritz Leiber's &quot;The Girl,&quot; famous film Draculas, Fred Saberhagen's Dracula, Chelsea Quinn Yarbro's Saint-Germain, Anne Rice's Louis and Lestat, Stephen King's Barlow, films such as <em>The Lost Boys</em> and <em>Near Dark,</em> and countless books. As the <em>New York Times</em> writes, &quot;Ms. Auerbach presents her arguments with wit and clarity ... Ms. Auerbach implicitly rejects the Freudian and Jungian interpretations of these figures as either psychosexual metaphors or archetypes, preferring to see them in sociopolitical terms. But such interpretations need not be mutually exclusive. There is, after all, more in vampire metaphors than meets any one mind's eye.&quot; ]]>
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