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A Beautiful Marsupial Afternoon: New (Soma)tics
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A Beautiful Marsupial Afternoon: New (Soma)tics

4.32 of 5 stars 4.32  ·  rating details  ·  183 ratings  ·  26 reviews
"He's a poet for our time like Ginsberg was for his."—Eileen Myles

"Conrad's work shows us that the body itself is the first source of alienation and estrangement from the self, and is thus the true subject of poetry. Only by engaging this body . . . can we achieve transport."—Bookforum

What is the best Love you've ever had in this world? Be quiet while thinking about that L
Paperback, 240 pages
Published April 3rd 2012 by Wave Books
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Cassandra Gillig
"notes on '(Soma)tic 5' by CACONRAD"; my notebook, 27 Mar. 2012:

"CACONRAD said to go outside during heavy rainfall and make 'storm bread,' so i took a piece of the loaf sitting on our counter and went out into the rain. there is a fountain on the patio near where i was sitting. my parents used to be 'wealthy'; they live in a half-a-million dollar house in the Chicago suburbs but cannot afford to pay for life essentials. my dad declared bankruptcy when i was 15 and has not received a paycheck sin
"Alice Notley was/not married to/Ted Hughes stop/talking like/that around me"

"what I really want/is to scatter/my own/ashes"

We can become poetry and CAConrad offers procedures to wear poems as skin. Much of the book expands beyond the poems into descriptions of exercises that generated the poems, such as cooking and eating a Jim Brody poem or rubbing dirt from outside Emily Dickinson's house all over your body. The poems, socially activated and wisely enraged, constantly find joy in language and
Apr 03, 2012 Brian rated it 5 of 5 stars
Shelves: own
i have finished reading this book but i don't want to take it off my currently-reading shelf. it's one of those books that when you finish, it's still not finished with you. more than any other book i've read, it is about process. it contains photocopies of CAConrad's notes, the germs of exercises he poses for finding new ways into poetry. the base matter has always been there, but Conrad draws new maps to access them. he shows us what the poetry landscape looked like when he was there but that ...more
"DO NOT HESITATE to write the most brutal things that come to mind, HESITATE at nothing for that matter."

"I'm tired of poetry not saving the world"

Me too. I love this book.

not sure what I just read but I dig it
This book is like seeing inside of Conrad's poetry, the guts, the inner workings, the immense luxury of being told where a poem began, how exactly its seed was birthed into lines, and then fast-forwarding to the fully realized version, the poem proper. If poetics had a womb with a translucent facade, and we could look in uninhibited, it would be this book.
Heather Moss
Brilliant. Not sure how I lived without it.
Write and read with our bodies
loving you always CA.
I picked up this book because the idea of which sounded experimental and interesting to me. CAConrad (against Descartes?) included a number of somatic experiences to inspire himself, hence the collection of (soma)tic poems in this beautifully bound and designed book published by Wave. I will leave other interested readers to find out how each experiment has engaged the poet. What I would like to point out is that, and perhaps the fun part of this book, it is sometimes to hard to judge whether th ...more
Nov 24, 2012 Joe added it
Shelves: poetry, textbooks
As a natural contrarian to general consensus, I should probably slam this book. But fuck no. It's a thunderclap that lives up to the exceptional treatment WAVE has given it and which announces CA as someone we need to listen to in ways that his previous two books just couldn't.

Reading and evaluating this book just by the lineated poems is an insanity as the book puts forward so many times in the poems themselves, the exercise descriptions and larger, generous syntax of the book itself the idea t
cras culture
4 and one half stars for the ideas behind and explanation of the somatic exercises. 3 and a half stars for the poems themselves. Too scattered and strewn about but some fantastic one liners and interesting and unexpected line break moments. Four and a half stars for the typography and layout. CA Conrad is charismatic and has piqued my interest, despite still not believing in crystals etc... I don't like war either though...
I love everything this somatic genius comes out with, and though I think of a crystal as just a shiny rock, perhaps there's something to be said for the embrace of weirdness and magic that permeates this how-to for aspiring know-it-somes. Should be (non)required reading for students of the Advanced Elvis Course, the civics refresher we didn't even know we needed.
Chris Schaeffer
I had the fun opportunity of contributing to an interview with CAConrad about this book, which isn't out yet (the, uh, interview I mean), but still gave me a good opportunity to read it closely on a very busy weekend. There's a lot to consider here about this book AS a book-qua-book, and there are a lot of ways in which it's a lot brasher and louder about itself in that regard than most contemporary poetry-- see for example the interview in the back or the appendix of reviews Conrad has done. Bu ...more
I want wrap myself in this book and never leave.

Some of the somatic engagements ask too much (never tell a woman to insert anything inside herself for the sake of art, just saying) but the outcomes of these engagements are...glorious. Poems that FEEL. Poems that LIVE. Bodies as poetry. Yes. So much yes.
Jill Alexander Essbaum
This book is beautifully nuts-- a manual for creativity at its heart-- but not for everyone. Can you step outside the room of your skin? Go for it.
The poetry itself is OK--not as strong as The Book of Frank--but the writing exercises are ridiculous and they trivialize poetry. I.e., "Tie a white helium balloon with a red string around your penis. If you don't have a penis, stick a dildo in your vagina and tie the balloon to it. Walk around the room, taking notes on your thoughts. Take lots of notes." Or the ritual in which he doesn't bathe for three days, then rubs his body in dirt (taken from Emily Dickinson's home), and walks around town- ...more
Lazy Seagull
3.5 stars

Weird but good. liked the book of frank better though.
Samantha Siciliano
Oh goodness. I have never read anything so delicious.
Well that was disturbing...
Amrit Khalsa
Strange, but great
This was an alight read. It was so-so. There were some particular lines that stood out to me; but overall, I did not like the style of the poetry. I view this sort of poetry to be performed rather than read. CA Conrad will make an appearance at a reading at my campus, and he's also visiting one of my classes. we'll see if my opinion of him changes tomorrow.
Cassandra Troyan
There were points where I felt torn between the poem and its exercise, and often finding the directive the more intriguing part of the pair. BUT, CA CONRAD, you are queer and political and alive and to see that recognized in an embodied form is something much to be desired and should occur more often in such nascent ways.
great as to be expected from C.A. Conrad. Generative and like all great work closes the gap between art and life.

Conrad's The Book of Frank is still my favourite though.
I have already given away four copies of this book, which is my placeholder review.
Tylar Hansen
Tylar Hansen marked it as to-read
Mar 30, 2015
Niya B
Niya B marked it as to-read
Mar 29, 2015
Emoke Czako
Emoke Czako marked it as to-read
Mar 28, 2015
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CAConrad is the author of TRANSLUCENT SALAMANDER (TROLL THREAD, 2013), A BEAUTIFUL MARSUPIAL AFTERNOON: New (Soma)tics (WAVE, 2012), The Book of Frank (WAVE, 2010), Advanced Elvis Course (Soft Skull, 2009), Deviant Propulsion (Soft Skull, 2006), and a collaboration with poet Frank Sherlock titled The City Real & Imagined (Factory School, 2010). He is a 2011 PEW Fellow, a 2012 UCROSS Fellow, an ...more
More about CA Conrad...
The Book of Frank Deviant Propulsion Advanced Elvis Course (Soma)tic Midge The Frank Poems

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