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  <id>1337075</id>
  <title><![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]></title>
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  <description><![CDATA[<strong>The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world</strong><br/> <br/>Her father, Colley Cibber, was one of the eighteenth century's great actor/playwrights-the toast of the British aristocracy, a favorite of the king. When his high-spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent-she was gifted, particularly at comedy. Troublesome, however, was her habit of dressing in men's clothes-a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved. <br/><br/>Kathryn Shevelow, an expert on the sophisticated world of eighteenth-century London (the setting for classics such as <em>Tom Jones </em>and <em>Moll Flanders</em>), re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.<br/>]]></description>
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  <title>
    <![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]>
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    <![CDATA[Charlotte Charke's father, Colley Cibber, was one of the eighteenth-century's great actor/playwrights, and it was thought that the comedically gifted young Charlotte would follow in his footsteps at the legendary Drury Lane. However, Charlotte's habit of wearing men's clothes off stage as well as on, proved an obstacle to her career. Kathryn Shevelow re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.]]>
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  <read_at>Tue Apr 21 00:00:00 -0700 2009</read_at>
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  <date_updated>Tue Apr 21 11:26:56 -0700 2009</date_updated>
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    <body><![CDATA[A woman of rare talents and high spirits, Charlotte Charke (1713-1760) was an actress who delighted in scandalizing proper society — whenever she could. Her London was a stage writ large where bejeweled ladies rode in carriages past prostitutes and pickpockets, crowds munched on ginger-bread while...<a href="http://www.goodreads.com/review/show/53481930">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]>
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    <![CDATA[Charlotte Charke's father, Colley Cibber, was one of the eighteenth-century's great actor/playwrights, and it was thought that the comedically gifted young Charlotte would follow in his footsteps at the legendary Drury Lane. However, Charlotte's habit of wearing men's clothes off stage as well as on, proved an obstacle to her career. Kathryn Shevelow re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.]]>
  </description>
  <published>2005</published>
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    <rating>4</rating>
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  <read_at>Fri Feb 27 00:00:00 -0800 2009</read_at>
  <date_added>Tue Jan 13 20:06:54 -0800 2009</date_added>
  <date_updated>Wed Mar 04 16:04:05 -0800 2009</date_updated>
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    <body><![CDATA[Before picking up this book, I knew nothing about Charlotte Charke, but I'm really glad I read this because now she ranks right up with Aphra Behn as one of my favourite ladies involved in the theatre.  Born into a prominent theatrical family, the Cibbers (her father was the famous comedic actor, pl...<a href="http://www.goodreads.com/review/show/42978890">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]>
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    <![CDATA[<strong>The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world</strong><br/> <br/>Her father, Colley Cibber, was one of the eighteenth century's great actor/playwrights-the toast of the British aristocracy, a favorite of the king. When his high-spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent-she was gifted, particularly at comedy. Troublesome, however, was her habit of dressing in men's clothes-a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved. <br/><br/>Kathryn Shevelow, an expert on the sophisticated world of eighteenth-century London (the setting for classics such as <em>Tom Jones </em>and <em>Moll Flanders</em>), re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.<br/>]]>
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  <published>2005</published>
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  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
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    <body><![CDATA[Kathryn Shevelow was my favorite professors at UCSD.  She sparked my love of all things 18th century.  While I found the narrative difficult to follow at times, I loved the fact that my favorite professor is still bringing that time period to life.]]></body>
    
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      <review>
  <id>13308487</id>
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    <![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]>
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  <average_rating>3.38</average_rating>
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  <description>
    <![CDATA[<strong>The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world</strong><br/> <br/>Her father, Colley Cibber, was one of the eighteenth century's great actor/playwrights-the toast of the British aristocracy, a favorite of the king. When his high-spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent-she was gifted, particularly at comedy. Troublesome, however, was her habit of dressing in men's clothes-a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved. <br/><br/>Kathryn Shevelow, an expert on the sophisticated world of eighteenth-century London (the setting for classics such as <em>Tom Jones </em>and <em>Moll Flanders</em>), re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.<br/>]]>
  </description>
  <published>2005</published>
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  <date_added>Wed Jan 23 14:06:21 -0800 2008</date_added>
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    <body><![CDATA[I wasn't able to get far.  It sounded like something I would love, but I hated that it wasn't written from the main character's point of view.  It didn't feel like the reader would ever get a chance to know Charlotte.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/13308487]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/13308487]]></link>
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    <![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]>
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    <![CDATA[<strong>The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world</strong><br/> <br/>Her father, Colley Cibber, was one of the eighteenth century's great actor/playwrights-the toast of the British aristocracy, a favorite of the king. When his high-spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent-she was gifted, particularly at comedy. Troublesome, however, was her habit of dressing in men's clothes-a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved. <br/><br/>Kathryn Shevelow, an expert on the sophisticated world of eighteenth-century London (the setting for classics such as <em>Tom Jones </em>and <em>Moll Flanders</em>), re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.<br/>]]>
  </description>
  <published>2005</published>
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    <![CDATA[Charlotte: Being a True Account of an Actress's Flamboyant Adventures in Eighteenth-Century London's Wild and Wicked Theatrical World]]>
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