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  <title><![CDATA[Deed (Kuhl House Poets)]]></title>
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  <description><![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]></description>
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    <name><![CDATA[CAConrad]]></name>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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  <date_added>Thu May 08 07:34:51 -0700 2008</date_added>
  <date_updated>Thu May 08 07:37:40 -0700 2008</date_updated>
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    <body><![CDATA[FIRST, here's a sample of his Spider Poems: <a rel="nofollow" target="_blank" href="http://www.idiolexicon.com/archive/howe2.html" title="http://www.idiolexicon.com/archive/howe2.html">http://www.idiolexicon.com/archive/howe2...</a> (which also contains a link to the text)<br/><br/>&quot;Spiders are very interesting folks. Most of them are thieves <br/>who do not want anything. If you are thief who does not <br/>want anything this does n...<a href="http://www.goodreads.com/review/show/21848567">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Deed]]>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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  <date_added>Sun Dec 16 18:48:56 -0800 2007</date_added>
  <date_updated>Tue Nov 25 11:49:18 -0800 2008</date_updated>
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    <body><![CDATA[Identity Is the Cause of Wart is my favorite poem in this collection. Smith mixes politics, philosophy, social commentary, pop culture. it's out there on the edge.]]></body>
    
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      <review>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Nov 06 13:13:16 -0800 2007</date_added>
  <date_updated>Mon Nov 26 20:49:03 -0800 2007</date_updated>
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    <body><![CDATA[Splendid. The opening long poem, The Good House, kicks serious butt and everything else coalesces around it. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8757260]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/8757260]]></link>
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      <review>
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    <name><![CDATA[matt]]></name>
    <location><![CDATA[Newtonville, MA]]></location>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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  <date_added>Wed Jul 02 22:52:07 -0700 2008</date_added>
  <date_updated>Wed Jul 02 22:52:07 -0700 2008</date_updated>
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    <body><![CDATA[<br/>'Ted's Head' is a certified masterpiece.....]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/26185732]]></url>
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      <review>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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  <read_at>Mon Oct 26 00:00:00 -0700 2009</read_at>
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    <![CDATA[&lt;div&gt;A deed is a governmental conveyance, a power asserted by the written, for, as William Carlos Williams wrote to Robert Creeley: “the government can never be more than the government of the words.” The question of ownership, of the words with which we define ourselves and each other, and of whose and what claims are legitimate is much at issue in Rod Smith&rsquo;s <em>Deed,</em> a lyric, ambitious, rebellious work thoroughly grounded in the New American tradition of poets such as John Ashbery, Allen Ginsberg, and Charles Olson.&lt;/div&gt;]]>
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  <read_at>Mon Nov 02 19:52:50 -0800 2009</read_at>
  <date_added>Tue Aug 18 09:35:22 -0700 2009</date_added>
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