false 131105 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 131105 2 3253681 1998 A Wanderer in the Perfect City: Selected Passion Pieces total:34|5:16|4:15|3:2|2:1|1:0| 34 148 67 5 8896 4.24 1184 197 9204957 580565 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.33 30
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 2 0 false Sun Jan 01 00:00:00 -0800 2006 Fri Nov 16 13:07:46 -0800 2007 Fri Nov 16 13:13:04 -0800 2007 more...]]> 66744483 304352 3219681 1886913250 9781886913257 1 http://www.goodreads.com/images/nocover-111x148.jpg http://www.goodreads.com/images/nocover-60x80.jpg http://www.goodreads.com/book/show/3219681.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.50 4 A few months ago, a friend I was talking with began to tell me about a friend of his named Gary Isaacs, who was working at the downtown headquarters of one of the city's top investment houses as an executive in the division monitoring the savings-and-loan crisis. Though Isaacs was just thirty-two years old, my friend recounted, he had previously worked on the Street in several other capacities as well, and before that he'd had a notably successful career in an entirely different field; what's more, it seemed he was about to quit this one, too, and to head off in yet another direction. When I asked my friend what the previous career had been, and, for that matter, what the new one was going to be, he replied that it would be far more entertaining for me to hear the whole story from the man himself, which is how, a few days later, I came to find myself in the sleek elevator of one of downtown's better-known headquarters zooming up towards I didn't have the faintest idea what. Lawrence Weschler is, simply put, one of the best journalists ever to have written for the New Yorker--of an equal rank to masters like Joseph Mitchell, Philip Hamburger, and John McPhee. Most of the articles in this volume were first published in 1988 as Shapinsky's Karma, Boggs's Bills, and Other True-Life Tales (the story of Boggs has been extracted and expanded into its own book); each of them profiles a creative individual who "works and works at something, which then happens of its own accord: it would not have happened without all the prior work, true, but its happening cannot be said to have resulted from all that work, the way effects are said to result from a series of causes." For republication, Weschler has provided updates on each of his subjects, from Maus creator Art Spiegelman to the now-deceased musical lexicographer Nicolas Slonimsky (whom Weschler profiled at the age of 92, and arguably at the peak of his career). He's also added two new "passion pieces," including a profile of comic artist Ben Katchor. A Wanderer in the Perfect City is as close to perfect as books get, and my advice to you is to get a copy, read it, and then reread it whenever your faith in literature needs restoring. If at all possible, get two copies, so you can share this graceful anthology yet never have to part with it. (Oh, and in case you were wondering, Gary Isaacs was a former rocket scientist who ran away from Wall Street to join the circus.) --Ron Hogan]]> 1998 4 0 false Sat Aug 01 00:00:00 -0700 2009 Sun Aug 09 10:19:15 -0700 2009 Sun Aug 09 10:24:08 -0700 2009 51272584 1788708 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 4 0 false Thu Apr 02 00:00:00 -0700 2009 Thu Apr 02 11:11:21 -0700 2009 Thu Apr 02 11:12:15 -0700 2009 49206419 22676 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Fri Mar 13 19:26:21 -0700 2009 Fri Mar 13 19:26:50 -0700 2009 37095724 1166499 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 5 1 false Fri Nov 07 01:52:15 -0800 2008 Fri Dec 12 02:27:36 -0800 2008 80620904 2684322 3219681 1886913250 9781886913257 1 http://www.goodreads.com/images/nocover-111x148.jpg http://www.goodreads.com/images/nocover-60x80.jpg http://www.goodreads.com/book/show/3219681.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34 A few months ago, a friend I was talking with began to tell me about a friend of his named Gary Isaacs, who was working at the downtown headquarters of one of the city's top investment houses as an executive in the division monitoring the savings-and-loan crisis. Though Isaacs was just thirty-two years old, my friend recounted, he had previously worked on the Street in several other capacities as well, and before that he'd had a notably successful career in an entirely different field; what's more, it seemed he was about to quit this one, too, and to head off in yet another direction. When I asked my friend what the previous career had been, and, for that matter, what the new one was going to be, he replied that it would be far more entertaining for me to hear the whole story from the man himself, which is how, a few days later, I came to find myself in the sleek elevator of one of downtown's better-known headquarters zooming up towards I didn't have the faintest idea what. Lawrence Weschler is, simply put, one of the best journalists ever to have written for the New Yorker--of an equal rank to masters like Joseph Mitchell, Philip Hamburger, and John McPhee. Most of the articles in this volume were first published in 1988 as Shapinsky's Karma, Boggs's Bills, and Other True-Life Tales (the story of Boggs has been extracted and expanded into its own book); each of them profiles a creative individual who "works and works at something, which then happens of its own accord: it would not have happened without all the prior work, true, but its happening cannot be said to have resulted from all that work, the way effects are said to result from a series of causes." For republication, Weschler has provided updates on each of his subjects, from Maus creator Art Spiegelman to the now-deceased musical lexicographer Nicolas Slonimsky (whom Weschler profiled at the age of 92, and arguably at the peak of his career). He's also added two new "passion pieces," including a profile of comic artist Ben Katchor. A Wanderer in the Perfect City is as close to perfect as books get, and my advice to you is to get a copy, read it, and then reread it whenever your faith in literature needs restoring. If at all possible, get two copies, so you can share this graceful anthology yet never have to part with it. (Oh, and in case you were wondering, Gary Isaacs was a former rocket scientist who ran away from Wall Street to join the circus.) --Ron Hogan]]> 1998 5 0 false Thu Dec 10 20:37:30 -0800 2009 Thu Dec 10 20:37:30 -0800 2009 80271037 1005542 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Tue Dec 08 02:48:48 -0800 2009 Tue Dec 08 02:48:48 -0800 2009 76260728 179792 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Fri Oct 30 18:54:06 -0700 2009 Fri Oct 30 18:54:08 -0700 2009 69726440 30814 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Tue Sep 01 15:16:05 -0700 2009 Sun Dec 06 14:23:46 -0800 2009 66741111 300430 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 5 0 false Sun Aug 09 09:32:25 -0700 2009 Sun Aug 09 09:32:25 -0700 2009 65854051 2577674 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 3 0 false Mon Jan 01 00:00:00 -0800 2001 Sun Aug 02 06:49:20 -0700 2009 Sun Aug 02 06:49:30 -0700 2009 65612180 674068 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 4 0 false Thu Jul 30 20:46:00 -0700 2009 Thu Jul 30 20:46:00 -0700 2009 65258292 50656 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Tue Jul 28 08:03:52 -0700 2009 Tue Jul 28 08:03:52 -0700 2009 64664130 2339085 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Thu Jul 23 11:08:43 -0700 2009 Thu Jul 23 11:08:43 -0700 2009 57667431 2361140 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 5 0 false Thu May 28 17:18:23 -0700 2009 Thu May 28 17:18:23 -0700 2009 56514119 2051172 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Mon May 18 13:24:25 -0700 2009 Mon May 18 13:24:25 -0700 2009 56355188 139251 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 3 0 false Tue May 19 06:45:58 -0700 2009 Sun May 17 04:58:41 -0700 2009 Tue May 19 06:45:58 -0700 2009 53956423 2256877 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 4 0 false Sat Apr 25 16:26:25 -0700 2009 Sat Apr 25 16:26:25 -0700 2009 51260698 2174116 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Thu Apr 02 09:25:34 -0700 2009 Thu Apr 02 09:25:34 -0700 2009 49782664 1686531 131105 0226893901 9780226893907 4 http://photo.goodreads.com/books/1171998930m/131105.jpg http://photo.goodreads.com/books/1171998930s/131105.jpg http://www.goodreads.com/book/show/131105.A_Wanderer_in_the_Perfect_City_Selected_Passion_Pieces 4.35 34
Indeed, the eight essays collected in A Wanderer in the Perfect City do soar into the realm of passion as Weschler profiles people who “were just moseying down the street one day, minding their own business, when suddenly and almost spontaneously, they caught fire, they became obsessed, they became intensely focused and intensely alive.” With keen observations and graceful prose, Weschler carries us along as a teacher  of rudimentary English from India decides that his destiny is to promote the paintings of an obscure American abstract expressionist; a gifted poker player invents a more exciting version of chess; an avant-garde Russian émigré conductor speaks Latin, exclusively, to his infant daughter; and Art Spiegelman composes Maus. But simple summaries can’t do these stories justice: like music, they derive their character from digressions and details, cadence and tone. And like the upwelling of passion Weschler’s characters feel, they are better experienced than explained.  

“Weschler seems so hungry for life that the rest of us become hungry for him . . . a magician, a performer, and a scholar. All in one.”—from the Foreword by Pico Iyer 

“Weschler’s essays are exquisitely written—so perfectly and unobtrusively organized that one can’t imagine telling them a better way.” —New York Times Book Review
“Weschler is the owner of a large dose of novelistic vision, and a particularly poetic set of ears, but . . . as important an endowment as a novelist’s eye or a poet’s ear is still the journalistic nose which led him down the proverbial alley.”—National Post (Canada) 

“Weschler is a thoughtful observer and a superb storyteller.”—Minneapolis Star Tribune

</DIV>]]> 1998 0 0 false Thu Mar 19 11:38:55 -0700 2009 Thu Mar 19 11:38:55 -0700 2009 8 http://www.goodreads.com/book_link/follow/8?book_id=131105