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The Big Clock
 
by
Kenneth Fearing
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The Big Clock

3.78 of 5 stars 3.78  ·  rating details  ·  1,102 ratings  ·  113 reviews
George Stroud is a hard-drinking, tough-talking, none-too-scrupulous writer for a New York media conglomerate that bears a striking resemblance to Time, Inc. in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Paul ...more
Hardcover, 188 pages
Published 1947 by The Bodley Head (first published 1946)
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Glenn Russell

Oh, yes, how the clock still goes on humming. Kenneth Fearing heard its mechanical heartbeat, saw its two giant claws scrapping around and around the numerals – twelve on top, six on bottom, nine on the right and three on the left, back in the 1940s as he wrote his novel, ‘The Big Clock’ – a story about the work-a-day world filled with people willing to conform, no matter what the price: high blood pressure, cerebral hemorrhages, ulcers eating out the lining of their stomach, moral decay eating
...more
Steve
Noir classic that deserves its reputation. This is the kind of book the Coen brothers would love to film, but probably won't, since a fine movie -- perfectly cast w/ Milland, Laughton, Elsa Lancaster -- has already been made. (The story/movie must be Holy Ground for them.) But the Big Clock has the kind of blackness that the Coen brothers excel at it (The Man Who Wasn't There, Blood Simple). One of the nice things about this book is that no one is nice. It's a win-win as to who eventually goes d ...more
Richard Vialet
Due to it's awesome concept, I had great expectations for this short novel. The plot is tailor-made for a great noir. After George Shroud, a crime magazine editor, has a night-long fling with the bosses girlfriend, she ends up with her skull bashed in. His boss is determined to find the man she was with that night and gives the assignment to the very man he's searching for, George himself. Now George must try to steer the investigation away from himself and towards the person he truly believes k ...more
Maureen
i have admired the john farrow film adaptation of this book for a long time, and i have to say it probably clouded my enjoyment of the novel though i love the conceit of george stroud's dilemma his story, above all. the big clock is an extended metaphor throughout the novel, of business and society controlling and overwhelming independent spirit which is reduced to a reality in the film: there actually *is* a big clock, and instead of ruminating on the big clock as it hustles people along, atten ...more
Josh
"I told myself it was just a tool, a vast machine, and the machine was blind. But I had not fully realized its crushing weight and power. That was insane. The machine cannot be challenged. It both creates and blots out, doing each with glacial impersonality. It measures people in the same life-span of mosquitoes and morals, the advance of time. And when the hour strikes, on the big clock, that is indeed the hour, the day, the correct time. When it says a man is right, he is right, and when it fi ...more
Adam
It took me about 40 or 50 pages to warm up to Kenneth Fearing's suspense classic The Big Clock, which is a fair amount of time considering the edition I read was less than 150 pages.

It's written in a breezy, faux-sophisticated style that really rubbed me the wrong way, but once the main conceit of the novel kicks in, it's a hard book to put down. In brief, a man named George Stroud, who works for an enormous publishing syndicate, cheats on his wife for the umpteenth time ... but this time it's w
...more
Matthew
What, exactly, is a mystery novel? From a distance the genre seems like an obvious one: it's about Sam Spade tracking down a murderer, or Phillip Marlowe lurking in the foggy shadows with a pistol in hand.

Examined more closely though, most of the obvious elements that seem to define a mystery fall away. There are mysteries that don't involve murders (a number of Sherlock Holmes stories come to mind), that don't feature detectives as protagonists (like most of Jim Thompson's novels), and that don
...more
Franky
Kenneth Fearing’s The Big Clock is an atypical noir that puts us square inside of the big corporation, in this case Janeth Enterprises, run by the big man, Earl Janeth. George Stroud, an editor of Crimeways, is a mechanism to this daily grind, often referred to as the “big clock.”

Trouble finds George after his night out with Pauline, one of the girls who works at Janeth Enterprises. When Pauline winds up dead, things really get complicated for George, especially since Pauline was Earl’s girlfri
...more
Jim
Sometimes, it is possible for an excellent novel to be overshadowed by an excellent film based on it. Kenneth Fearing's The Big Clock is probably better known as the original source for John Farrow's film of the same name, with Ray Milland and Charles Laughton. In many ways, the film was slightly better, though it could not hope to replicate the novel's multiple narrators: The film is entirely from the character of George Stroud, played by the underrated Milland. Also, the metaphorical title ass ...more
Caitlin Hill
I didn't dislike this book the way most of my fellow classmates seemed to. I think I have an easier time reading books and appreciating them for what they are, rather than what I want them to be. The ending was a bit rushed, but I think that was on purpose. The book was written to make a point about attempting to maintain your individuality and keep your head above water in the face of an emergingly powerful force - corporate america - and its takeover of the media. What I think it did, rather s ...more
lisa_emily
Have you ever started a book and wondered, how can this possibly end. The Big Clock ticks and the noose gets tighter, and the reader wonders, how will it end? I it read a number of months ago, but I still can recall the feeling of its grip. Truly great post WWII noir, although it only captures that aspect of America in subtle details. Odd nights passed in strange bars, drinks with shady women. Bad decisions based on desire. Main characters whom you want to win despite that he embodies so many mo ...more
Alex
If you're going to write a piece of pulp Noir you should have the decency not to have an ordinary name like Kenneth. Dashiel Hammet, Mickey Spillane, Raymond Chandler, Damon Runyan ... they all have down and dirty, rugged, whiskey-swilling, cigarette chewing kinda names. Kenneth Fearing sounds like a perfectly ordinary guy who just couldn't cut it in a bar brawl or take care of his dame. Perhaps that's why this novel ultimately didn't cut it?

Or perhaps it's because he completely bungled the god
...more
Eden Sharp
The big clock of the title is our seemingly inevitable fate; time marching on relentlessly towards our end, and this also sums up the predicament the protagonist feels in this story of a man investigating himself for a murder he didn’t commit.

The lovely Pauline Delos has been murdered by her boyfriend, a magazine publisher, and this becomes obvious to one of his employees, standing in the shadows, having been almost caught in flagrante delicto mid-affair. The big boss, aware of another man’s pre
...more
Adam
Short, solid little crime thriller with Something to Say. Fearing was supposedly a worthy poet but the prose style here is only occasionally very interesting, mostly staying in the category of hardboiled stuff that's worth reading for the content more than the style. Some really interesting ideas, often not brought to life ideally. Themes of the corporate machine's dominance and an air of fatalism reign with little if any relief. No Raymond Chandler romanticism here.

As with several fine-but-not
...more
Steven
I was a bit surprised at how slow this novel started: there’s nothing in the first thirty pages to indicate the page turning tension that is to follow. And even the next thrity pages are still setup. But the slow start does serve the strategic purpose of establishing George Stroud’s “normal world” before events threaten to undue it all. The final hundred pages, however, are page turning suspense as the noose around George’s neck gets tighter and tighter. Great stuff.

The multiple first person nar
...more
Troy
It took me awhile to get into this. I've been in a reading malaise this summer, and I nearly put the book down while reading the first quarter. It's straight Mad Man territory, full of delusional drunk sexist assholes who aren't nearly as self-aware as they think they are. The main protagonist is a philandering salaryman with an outsized sense of self-worth.

But then there's a death. And an investigation. And our asshole salaryman protagonist is now heading up a sham investigation whose prime pur
...more
Perry Whitford
George Stroud is the executive editor for a widely distributed magazine called 'Crimewaves', which acted as a 'weather bureau for the national health'. Married to Georgette, with a six year old daughter Georgia, George was on the up, living very much in step with the Big Clock.

Then he met 'ice-blond' Pauline Delos. She was like 'the white flash of a thrown switch when a new circuit is formed'. She was also the bosses girl.

I wasn't aware that The Big Clock was such a recognized noir classic when
...more
Rhonda
I read this book because I heard that it was the basis of the movie No Way Out which I adored, even with all its logical problems. It wasn't a popular book and so I had to order it, but at least it was still in print, perhaps receiving a resurgence in interest. It is certainly a delightful depiction of a very different era.

However, this book stands on its own as a gritty kind of dark venture into the underworld, thankfully coming out the other side in better shape. I was somewhat surprised to fi
...more
Ben
Noir City Sentinel
A Publication of the Film Noir Foundation
Vol. 5, No.1
Winter 2010

Kenneth Fearing
The Poet of Noir
by Ben Terrall


The writer Kenneth Fearing is best known to fans of film noir and crime fiction for his novel The Big Clock. The 1948 film version, scripted by Jonathan Latimer and directed by John Farrow, is a classic of paranoid, walls-closing-in storytelling which Paul Shrader included in a list of pictures exemplifying what he called the second phase of the classic film noir cycle,
...more
Sun
A unique presentation gives an old story a new twist. Told in first-person from the view of main character George Stroud with additional chapters by peripheral players, the thriller (unusually) does not start until half way through. The first half is full of allusions to the big clock of time and to impending danger associated with Pauline Delos, i.e. the femme fatale.

Stroud, an editor, has an affair with Delos, who is actually the girlfriend of publishing magnate Earl Janoth or rather, Stroud'
...more
Matthew
When I read fiction, the last aspect I care about is plot, but I've been reading crime novels and mysteries to help me better teach plot to my students interested in writing genre and popular fiction. I tore through the book in less than 24-hours. I read very slowly and in spurts, so I suspect many would read the novel in one sitting. Although Fearing has some dynamic poems, he restrains himself from linguistic indulgences in his fiction. I would have tired of the story-line, despite its straigh ...more
Walter
Rashomon for America. Fearing is a rocking poet, too.

Did the guy writing the forward actually comprehend the book? What it was saying?



I’ve never read a forward that dissuades the reader to read a book as much as the one present in this book. The odd thing is the writer attacks Fearing in a manner of character assassination which is exactly what occurs in the coming pages when the main character tries to stand apart from conformity. So Fearing drank and wasn’t good with money? So what? The real m
...more
LaViejaPiragua
UNA TRAMA TAN PERFECTA QUE FUNCIONA CON LA PRECISIÓN DE LAS PIEZAS ENGRASADAS DE UN RELOJ SUIZO

Nada más empezar a leer esta novela descubrimos algo asombrados que el ambiente y los personajes de la serie “Mad men” ya estaban ahí en los años cuarenta, dos décadas antes de la época en que se desarrolla la mítica serie. Ya estaban las grandes empresas editoras de revistas, las de publicidad, la gran ciudad, los barrios residenciales, los ejecutivos, sus compañeros de oficina, sus amantes, sus fiele
...more
Maupassant
“El gran reloj corría en todas partes, no perdonaba a nadie, a nadie omitía, no olvidaba a nadie, nada sabía. No era nada, me habría gustado añadir, pero yo lo conocía un poco mejor. Era más o menos todas las cosas. Todo lo que existe.”

Kenneth Fearing no fue estrictamente un escritor de Novela negra, quiza el sea más conocido por ser uno de los más importantes poetas de USA en la época de la gran depresión pero el pelotazo lo dío con esta magnífica novela llamada "El gran reloj" (una de las cinc
...more
Caroline
"The awfulness of Monday morning is the world's great common denominator. To the millionaire and the coolie it is the same, because there can be nothing worse."

It is lines like these peppering The Big Clock, a noir classic, that make it so damn much fun. If you're a fan of the genre, read this book. If you aren't, read it anyway. Be a sport.

Andrew Maxwell
Terrific potboiler with a centripetal narrative, slow to unwind, and a sting at the end. Nice suggestive underweave about what it means to harbor art in quiet places.

Loved the setting in a 40s publishing brain trust, playing sleeper cell to social engineers and self-medicated, barely snookered legmen selling futurism a pulp prices.
Joshua Dykas
I couldn't really get into this book. I was interested for a little bit with the theme of time (i.e. the big clock), but it couldn't keep my interest beyond that. It's overdue at the library now, and I don't have the energy to press the button to renew it.
Justin Howe
Pulp noir thriller heavy on the existentialism.

Magazine editor George Stroud is having an affair with his boss’s mistress. The boss knows she’s seeing someone else but doesn’t know whom. One night he nearly catches them together. George recognizes his boss. The boss doesn’t recognize George. Later that night the boss murders his mistress. The only witness able to link him to the act being the man he saw on the street, the man he will mobilize his publishing empire to catch, and who better to he
...more
Larissa
"She was blond as hell, and she wore a lot of black."
Patrick
What a fun and interesting read! This noirish crime novel is set in New York City. George Stroud is a journalist working for a conglomerate that publishes a variety of magazines. His department is Crimeways Magazine. George has a past and it's never clear what he did to end up at a "reporter". He's married and is very good at his job. He is also a womanizer who has an affair with a mysterious woman (classically described in the opening paragraphs) who is also linked to the head of the publishing ...more
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NYRB Classics: The Big Clock, by Kenneth Fearing 1 6 Oct 18, 2013 03:24PM  
Pulp Fiction: The Big Clock (1948) 17 20 May 05, 2012 10:11PM  
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“The awfulness of Monday mornings is the world's greatest common denominator. To the millionaire and the coolie it is the same, because there can be nothing worse.” 4 likes
“She was blond as hell, wearing a lot of black.” 4 likes
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