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  <id>1274676</id>
  <title><![CDATA[No Real Light]]></title>
  <isbn><![CDATA[1933517220]]></isbn>
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  <description><![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]></description>
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        <name><![CDATA[Joe Wenderoth]]></name>
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    <![CDATA[No Real Light]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <rating>3</rating>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Wed Jan 09 15:21:24 -0800 2008</date_added>
  <date_updated>Wed Jun 18 05:59:00 -0700 2008</date_updated>
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    <body><![CDATA[First introduction to Wendroth.  During an insufferable lecture delivered after receiving the 2007 O.B. Hardison Jr. Poetry Prize, David Wojahn pointed to Wendroth's poetry as &quot;what is wrong with poetry and younger poets.&quot;  Wojahn pointed, specifically, to &quot;The Home of the Brave&quot;...<a href="http://www.goodreads.com/review/show/12095527">more...</a>]]></body>
    
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      <review>
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    <![CDATA[No Real Light]]>
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  <average_rating>3.50</average_rating>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
  </description>
  <published>2007</published>
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    <rating>5</rating>
  <votes>0</votes>
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  <read_at>Wed Mar 18 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jun 30 15:23:42 -0700 2008</date_added>
  <date_updated>Wed Mar 18 21:40:07 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Having learned so much already from Letters to Wendy, I then shamefully let this one languish in my non-dissertation pile for way too long. I am a fan of the brevity in this book, which often feels breathless. And then there's the epithalamion for Kevin and Britney. Now, how could you not love that....<a href="http://www.goodreads.com/review/show/25952109">more...</a>]]></body>
    
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      <review>
  <id>22507460</id>
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    <name><![CDATA[Alan]]></name>
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  <title>
    <![CDATA[No Real Light]]>
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  <average_rating>3.50</average_rating>
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  <description>
    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Mon Mar 02 00:00:00 -0800 2009</read_at>
  <date_added>Sun May 18 16:45:02 -0700 2008</date_added>
  <date_updated>Mon Mar 02 12:34:24 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Great book of poems. The disunity of styles is refreshing, and human, and creates a greater breadth of expectation. The book is larger than it would be were it to adhere to the straight-jacket of a given style.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22507460]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22507460]]></link>
</review>
      <review>
  <id>18454438</id>
    <user>
    <id>787522</id>
    <name><![CDATA[Paul]]></name>
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  <title>
    <![CDATA[No Real Light]]>
  </title>
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  <average_rating>3.50</average_rating>
  <ratings_count>50</ratings_count>
  <description>
    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Mar 23 00:00:00 -0700 2008</read_at>
  <date_added>Sun Mar 23 14:42:29 -0700 2008</date_added>
  <date_updated>Sun Mar 23 18:28:24 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[These poems were rad. I don't know much about poetry, but I liked most of them. This review is sort of worthless, but then, if you think about it, so are you.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18454438]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18454438]]></link>
</review>
      <review>
  <id>7663435</id>
    <user>
    <id>537249</id>
    <name><![CDATA[Brian]]></name>
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  <title>
    <![CDATA[No Real Light]]>
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  <average_rating>3.50</average_rating>
  <ratings_count>50</ratings_count>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
  </description>
  <published>2007</published>
</book>

    <rating>3</rating>
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  <date_added>Sat Oct 13 08:46:04 -0700 2007</date_added>
  <date_updated>Wed Oct 31 12:29:20 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I was expecting a few laughs, but this was much more somber and didactic than i thought it would be. I enjoyed it though and I will check into his back pages.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/7663435]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/7663435]]></link>
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    <![CDATA[No Real Light]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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    <![CDATA[No Real Light]]>
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    <![CDATA[<p>&quot;Joe Wenderoth is a brilliant writer, original and subversive, sensitive and strange. I read his work with awe and admiration.&quot;-Ben Marcus</p> 		<p>&quot;Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary-a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.&quot;-Cal Bedient</p> 		<p>This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth's determination in the face of harsh realities is what rescues us, and him, from hopelessness.</p> 		<p> 				<strong>&quot;Luck&quot;</strong> 		</p> 		<p> 				<em>So a screaming woke you</em> 				<br/> 				<em>just in time</em> 				<br/> 				<em>An animal's scream, or animals'.</em> 				<br/> 				<em>What kind of animal it was</em> 				<br/> 				<em>doesn't matter, and cannot,</em> 				<br/> 				<em>in any case, be determined.</em> 				<br/> 				<em>The point is you are saved.</em> 				<br/> 				<em>Your mouth has been opened.</em> 		</p> 		<p> 				<strong>Joe Wenderoth</strong> grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.</p>]]>
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