book data
1,885 ratings,
3.94
average rating, 141 reviews
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published
September 1989
by Demco Media
(first published 1988)
details
Unbound
isbn
0606128301
(isbn13: 9780606128308)
description
North Dakota Chippewas fight for survival in the early 20th century. "Even readers won over by Louise Erdrich's two earlier works may be surpris…more
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other reviews (showing 1-20 of 2,417)
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avg 3.94
editions: all | this edition
editions: all | this edition
Read in September, 1990
I loved reading William Faulkner in college, so when I discovered in Louise Erdrich a similar depth of voice, honest characters and a consistent imaginative setting, I fell in love with her writing, too. I know Love Medicine is her classic, but Tracks was the first novel of hers I ever read, and as the cliché goes, "You dance with the one who brung you," so Tracks stays alongside LM on my shelf.
In the interest of disclosing bias, I grew up in the farming town of Valley Cen...more
In the interest of disclosing bias, I grew up in the farming town of Valley Cen...more
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Read in March, 2010
Plot Summary: This story has different narrators for each chapter. Some chapters are told by Nanapush, the old Native American, and others are told by Pauline, a mixed blood member of the tribe. We see the view of Native Americans through the old, set in his ways Nanapush, and we see Pauline abandon the Native American ways. Throughout the story, we read about Fleur, a strange Native American with powers and we read about her experiences.
Nanapush - wants to keep Native American ways ...more
Nanapush - wants to keep Native American ways ...more
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Read in April, 2009
It's an adventure, reading books about one place and one set of people, but dependent on what's in the library, and what comes in on interlibrary loan. I've read about the Little No Horse rez back and forth, in all kinds of incarnations, but I'd missed Tracks until this weekend. And oh, what a beautiful book.
This is the missing link between much of what I've read before - the early stories of Nanapush, Margaret, Fleur, and Lulu; the backstory to Sister Leopolda's life; the roots of...more
This is the missing link between much of what I've read before - the early stories of Nanapush, Margaret, Fleur, and Lulu; the backstory to Sister Leopolda's life; the roots of...more
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Read in February, 2010
Haunting, unsettling depiction of the disintegration of Native American tribes in North Dakota circa 1912-1924.
There are two narrators, both unreliable. The first narrator is an elderly man of Pukwan origin named Nanapush, who wants to preserve the ways of Indians but is philosophical about knowing that assimilation is a given fact of the future.
The other narrator is a teenage Puyet girl named Pauline, who, after a difficult childhood, comes under the influence of nuns....more
There are two narrators, both unreliable. The first narrator is an elderly man of Pukwan origin named Nanapush, who wants to preserve the ways of Indians but is philosophical about knowing that assimilation is a given fact of the future.
The other narrator is a teenage Puyet girl named Pauline, who, after a difficult childhood, comes under the influence of nuns....more
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Read in February, 2010
Tracks is a very interesting and sometimes intense Native American novel. Told from the perspectives of two people throughout the book, Nanapush (the old and intelligent man who has had many wives and has lost many things along the way during the white man's take over) and Pauline (The young and misunderstood youth who turns into a lunatic by the end of the novel).
This book is filled with heaping amounts of passion and drama! IT is an excellent story about an Indian province that ha...more
This book is filled with heaping amounts of passion and drama! IT is an excellent story about an Indian province that ha...more
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"We started dying with the first snow, and like the snow, we continued to fall..." So begins Tracks by Louise Erdrich, my favorite book by the Minnesota-born, Anishinabe / Lakota Sioux author. Through the conflicting narratives of Nanapush and Pauline, we become woven into the story of Fleur Pillager, an orphaned Anishinabe woman whose life is as hard as the times she is born into, on her ancestral land at Matchimanitou. Throughout the story, she and the other characters use humor and ...more
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This is the first Erdrich novel I have read. I enjoyed the technique of using different narrators that tell variations of the same framestory, while providing their own insights and experiences.
Nanapush is my personal favorite on this first reading, but I found the insanity of Pauline to be really funny, which may or may not be due to my sick sense of humor.
I read an essay where Leslie Marmon Silko was dismissive of Erdrich's writing style in The Beet Queen, which I hav...more
Nanapush is my personal favorite on this first reading, but I found the insanity of Pauline to be really funny, which may or may not be due to my sick sense of humor.
I read an essay where Leslie Marmon Silko was dismissive of Erdrich's writing style in The Beet Queen, which I hav...more
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Read in February, 2009
I had forgotten that I had already read Tracks! Didn't matter, though, because it was still entirely absorbing. Erdrich makes her characters sad and humorous at the same time; she describes the porous curtain between this world and the next in a way that allows you to believe it completely -- a kind of Indian magic realism; she invokes Fleur Pillager's and Nanapush's powers as simply matters of fact; she allows the tragedy of the Indians' condition to set the stage for the story and dominate it...more
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Read in October, 2007
The story is told in two alternating narrating voices: Nanapush, a Chippewa elder, and Pauline, a Catholic converted mixed blood. The story spans twelve years, from 1912 to 1924. Nanapush is telling his story to Lulu, his social granddaughter, while Pauline seems to be talking to no one in particular. Both narrators cover the events in Fleur Pillager’s life: Nanapush saving her from sickness, her rape by Argus men, Eli Kashpaw’s romance with her, her two children, and the legends that sur...more
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Read in June, 2006
Tracks is one of those books which can easily be read in a day. It's short, and it's good. I originally read it for an undergraduate English course, but it was easy breezy enough for free reading. It does deal with some pretty heavy themes, and if you have any metaphysical guilt regarding our treatment of Native Americans, it might get a little uncomfortable at times. Yet, I think it's important to read a book like this because it examines the plight from a perspective you're not going to get...more
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Read in June, 2008
For a few years now I've heard my friend Judy say of this book, "that's my favorite Erdrich book" and now I think I understand why. It was wonderfully written, poetic and haunting. She's a little Toni Morrison-eque, only of the Native American world. I've heard her read and met her briefly back on the Turtle Mountain Indian reservation where she has familial ties. Even that binds me to this amazing author a bit more. I loved, loved, loved "The Master Butcher's Singing Club" a...more
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Read in May, 2008
After reading and teaching Love Medicine this spring, I felt a desire to return to Erdrich's work, which I had not read for some time.
Tracks is the third book in Erdrich's series of interrelated novels following a particular Indian reservation in North Dakota. Following after Love Medicine and The Beet Queen, this book moves backward in time to tell the stories of characters who, in the previous two books, were either in advanced age or dead.
The story is told through two...more
Tracks is the third book in Erdrich's series of interrelated novels following a particular Indian reservation in North Dakota. Following after Love Medicine and The Beet Queen, this book moves backward in time to tell the stories of characters who, in the previous two books, were either in advanced age or dead.
The story is told through two...more
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Read in June, 2009
My husband had to read this book for a history course on Native Americans several years ago. When his eyes were too tired to read, I often read sections out loud to him. Those small glimpses of the book were intriguing and I have long intended to read it fully.
It is the story of a people on the edge of cultural and physical extinction. The characters are so alive and the story, told in first person by two alternative narrators, is vivid, mystical and entrancing.
It is the story of a people on the edge of cultural and physical extinction. The characters are so alive and the story, told in first person by two alternative narrators, is vivid, mystical and entrancing.
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An incredible read. Chilling! Exceptional poetic writing, which weaves the multiple perspectives and offers a glimpse - or what feels like an immediate presence - in the lives of a struggling group - during land appropriation circa 1900. The characters are unforgettable, but I'll admit it was at time difficult to read, only because of the rich language. I will definitely read more of Louise Erdich, and be much more prepared!
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Read in June, 2009
Brilliant. The richness and complexity of the themes involved definitely made me feel like I was reading an Important Book, but it was also so beautifully written and so easy to read that I felt like its deeper meaning was effortlessly absorbed. It's one of those books I would have loved to study in school with some kind of guidance, but I'm also glad I read it for pleasure. Definitely on my list to re-read and pick apart in a new way.
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Read in January, 2003
I had a difficult time following this story. As a result, I would put it down and pick it up again a few months later. I never held the thread of the story. I was disappointed in myself, because I had heard enough to know that it was the type of story I would enjoy, if only I could get into it.
I hope to return to it again, maybe after I have read some of her other work.
I hope to return to it again, maybe after I have read some of her other work.
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Read in December, 2009
This is the first Louise Erdrich book I have read. I did find it entertaining, but sometimes it just seemed to jumble all together, the story that is. I did like and appreciate all the characters and the story. I hated weirdo Pauline. I think I may need to read it over again. But I will continue on to some more of LR’s other writings. Maybe things will make more sense later on.
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What a sad and painful read. However, the characters are strong willed and proud and refuse to allow discrimination/racism/hatred/prejudice/violent crimes to destroy them. Told in flashbacks in contemporary times, we see the lives of many Native Americans in the early 1900's. The purpose of the telling? A grandfather wants to impart wisdom to his granddaughter.
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Read in May, 2008
This is the best Erdrich I've read in a long time. I mean, really: it had Sister Leopolda as a viewpoint character. How can you go wrong there?
It was a lot more plotty and consistent than her books usually are (as much as I love them)--it stayed very tightly to the same core group of people, and its duration was, I'm pretty sure, less than 10 years.
It also tied a lot of threads that had previously been loose for me together--how Russell Kashpaw is related to Eli Kashpaw (...more
It was a lot more plotty and consistent than her books usually are (as much as I love them)--it stayed very tightly to the same core group of people, and its duration was, I'm pretty sure, less than 10 years.
It also tied a lot of threads that had previously been loose for me together--how Russell Kashpaw is related to Eli Kashpaw (...more
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2 comments
The three books in this series span generations and decades, and depict love, hatred, magic and sadness through one reservation's struggle to both retain its people's culture and adapt to the demands of American society. Beautifully written and very powerful. Tracks is my favorite of the three.
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