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  <id>127392</id>
  <title><![CDATA[Never Change]]></title>
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  <description><![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]></description>
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  <title>
    <![CDATA[Never Change]]>
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    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Thu Oct 01 00:00:00 -0700 2009</read_at>
  <date_added>Sat Nov 28 16:47:48 -0800 2009</date_added>
  <date_updated>Sat Nov 28 16:57:15 -0800 2009</date_updated>
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    <body><![CDATA[I like Elizabeth Berg books.  I read this one while I was at my daughter Dagny's house helping with her new baby and &quot;hanging out&quot;.  After I finished this one, I read &quot;The Dive from Clausen's Pier&quot; and now I have the 2 books interchanged.  Both address a woman staying single vs. ...<a href="http://www.goodreads.com/review/show/79239096">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/79239096]]></url>
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      <review>
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    <![CDATA[Never Change]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>7</ratings_count>
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    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
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    <rating>5</rating>
  <votes>0</votes>
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  <read_at>Thu May 06 00:00:00 -0700 2004</read_at>
  <date_added>Wed Aug 05 08:59:01 -0700 2009</date_added>
  <date_updated>Wed Aug 05 09:00:22 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[What a mixture of emotions I felt as this story ended. My heart broke and was uplifted at the same time. Berg translates the indescribable lessons one receives when attending the death of a loved one. So much sadness and letting go but such an uplifting experience and I really believe one that canâ€...<a href="http://www.goodreads.com/review/show/66293814">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66293814]]></url>
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      <review>
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    <name><![CDATA[Mary Anne]]></name>
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    <![CDATA[Never Change]]>
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  <average_rating>3.74</average_rating>
  <ratings_count>31</ratings_count>
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    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
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    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 12 00:00:00 -0800 2009</read_at>
  <date_added>Tue Nov 10 17:15:28 -0800 2009</date_added>
  <date_updated>Thu Nov 12 06:04:16 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Although the subject matter of this book could be very depressing, I did not find it to be so.  It was a wonderful story about Myra, a lonely, isolated spinster, and her caring about her patients as a visiting nurse.  Although the story centered around her evolving relationship with Chip, who she ad...<a href="http://www.goodreads.com/review/show/77376853">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77376853]]></url>
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      <review>
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    <name><![CDATA[Sarah]]></name>
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    <![CDATA[Never Change]]>
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  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
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    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
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    <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu May 01 00:00:00 -0700 2008</read_at>
  <date_added>Tue May 06 10:30:24 -0700 2008</date_added>
  <date_updated>Wed May 07 11:51:29 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Tearjerker. The grownup equivalent of Barbara Conklin's young adult classic <a href="http://www.goodreads.com/search/search?q= P.S. I Love You" title=" P.S. I Love You"> P.S. I Love You</a>.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/21706305]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/21706305]]></link>
</review>
      <review>
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    <name><![CDATA[Nickole]]></name>
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    <![CDATA[Never Change]]>
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    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
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    <rating>3</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[anyone wanting an easy read]]></recommended_for>
  <recommended_by><![CDATA[I got it at the used book store in Milwaukee airport]]></recommended_by>
  <read_at>Mon Jun 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 01 04:40:19 -0700 2009</date_added>
  <date_updated>Wed Jul 01 04:46:36 -0700 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[2001   Elizabeth Berg         214 pages<br/><br/><br/>Myra Lipinski - 51 year old spinster nurse - meets up with Chip Reardon, the golden boy she adored in high school  He has a brain tumor and comes home to his hometown to die.  She is his home health care nurse.  They fall in love and it is a t...<a href="http://www.goodreads.com/review/show/61737465">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61737465]]></url>
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      <review>
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    <![CDATA[Never Change]]>
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  <ratings_count>1156</ratings_count>
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    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Mar 02 00:00:00 -0800 2009</read_at>
  <date_added>Mon Mar 02 12:26:54 -0800 2009</date_added>
  <date_updated>Mon Mar 02 12:33:10 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Myra, a fifty-one year old spinster, has created a life of isolation.  All of this comes tumbling down, when as a registered nurse she is hired to care for her secret high school love, who is diagnosed with an untreatable brain tumor.  <br/><br/>This novel explores death, dying, and love.  I enjoy...<a href="http://www.goodreads.com/review/show/48020268">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/48020268]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/48020268]]></link>
</review>
      <review>
  <id>33416764</id>
    <user>
    <id>842772</id>
    <name><![CDATA[Kellie]]></name>
    <location><![CDATA[Charlotte, NC]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/842772-kellie]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1250816576p3/842772.jpg]]></image_url>
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    <book>
  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
            <shelf name="2007-reads" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Sep 21 05:44:58 -0700 2008</date_added>
  <date_updated>Sun Sep 21 05:45:44 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I put 3 authors in the same echelon, Tyler, Shreeve and Berg.  I think, Berg is my favorite.  I have read several of her books and the thing I recall the most about her books is her words.  I have written down several of her quotes from the various books I have read. She has a way of putting into wo...<a href="http://www.goodreads.com/review/show/33416764">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33416764]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33416764]]></link>
</review>
      <review>
  <id>66491993</id>
    <user>
    <id>739304</id>
    <name><![CDATA[Maria]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/739304-maria]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1207018071p3/739304.jpg]]></image_url>
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  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Aug 06 00:00:00 -0700 2009</read_at>
  <date_added>Thu Aug 06 19:28:00 -0700 2009</date_added>
  <date_updated>Thu Aug 06 19:32:07 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved this book. I really felt like I got a great glimpse into the life of a nurse and I really liked Myra. She is lonely and I think that is something that at one point in my life I could relate to and I now sympathize with. I did think that some of the things that happen are a bit too out there,...<a href="http://www.goodreads.com/review/show/66491993">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66491993]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/66491993]]></link>
</review>
      <review>
  <id>72309694</id>
    <user>
    <id>1328950</id>
    <name><![CDATA[Judy]]></name>
    <location><![CDATA[San Diego, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1328950-judy]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1259198360p3/1328950.jpg]]></image_url>
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    <book>
  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="female-author" />
        <shelf name="my-2009-books" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Oct 06 00:00:00 -0700 2009</read_at>
  <date_added>Wed Sep 23 22:11:36 -0700 2009</date_added>
  <date_updated>Tue Oct 06 14:36:30 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I listened to this book on audio.  It was the sad yet uplifting story of Myra, a woman in her early 50's, unmarried, a nurse doing home health.  She's always been a bit of a loner, never quite fit in or had large groups of friends.  She's always been insecure about her appearance and so not really p...<a href="http://www.goodreads.com/review/show/72309694">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/72309694]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/72309694]]></link>
</review>
      <review>
  <id>50124276</id>
    <user>
    <id>2143983</id>
    <name><![CDATA[Louise]]></name>
    <location><![CDATA[Ontario, ON, Canada]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2143983-louise]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1237504487p3/2143983.jpg]]></image_url>
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    <book>
  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="fiction" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jul 13 00:00:00 -0700 2003</read_at>
  <date_added>Sun Mar 22 19:26:38 -0700 2009</date_added>
  <date_updated>Mon Apr 06 03:16:42 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A fifty-one year old spinster named Myra Lipinsky has endured taunts, low self-esteem and lead a lonely solitary life. She is a visiting Home Nurse and becomes involved with a terminally ill man named Chip Reardon whom she used to attend high school with. Myra has always admired this fellow from afa...<a href="http://www.goodreads.com/review/show/50124276">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50124276]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/50124276]]></link>
</review>
      <review>
  <id>61234839</id>
    <user>
    <id>2378558</id>
    <name><![CDATA[Helen]]></name>
    <location><![CDATA[Houston, TX]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2378558-helen]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1244846483p3/2378558.jpg]]></image_url>
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    <book>
  <id type="integer">237229</id>
  <isbn>0743411331</isbn>
  <isbn13>9780743411332</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172990010m/237229.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172990010s/237229.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/237229.Never_Change</link>
  <average_rating>3.57</average_rating>
  <ratings_count>94</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="elizabeth-berg" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Jun 26 16:56:08 -0700 2009</date_added>
  <date_updated>Fri Jun 26 17:01:06 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A woman whose life has technically passed her by but content to be as she is.  A quiet life with her job as a visiting nurse, her dog, Frank.  Then the boy she adored in high schoool from afar returns to town.  He is assigned as her patient.  He has come back to his hometown to spend what time he ha...<a href="http://www.goodreads.com/review/show/61234839">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61234839]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/61234839]]></link>
</review>
      <review>
  <id>56738849</id>
    <user>
    <id>96892</id>
    <name><![CDATA[Jennifer]]></name>
    <location><![CDATA[Arlington, VA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/96892-jennifer]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
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    <book>
  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
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  <read_at></read_at>
  <date_added>Wed May 20 08:49:01 -0700 2009</date_added>
  <date_updated>Tue May 26 08:04:21 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a wonderful story of love. Myra is a nurse who travels to patients in their homes- she is single with no family of her own and her love and compassion for others is amazing. One of her patients turns out to be the golden boy of her high school and their reconnection changes her life. She fin...<a href="http://www.goodreads.com/review/show/56738849">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56738849]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56738849]]></link>
</review>
      <review>
  <id>79087476</id>
    <user>
    <id>885751</id>
    <name><![CDATA[Kathleen]]></name>
    <location><![CDATA[Appleton, WI]]></location>
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  <id type="integer">791254</id>
  <isbn>0743411323</isbn>
  <isbn13>9780743411325</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1178392656s/791254.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/791254.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Nov 28 00:00:00 -0800 2009</read_at>
  <date_added>Thu Nov 26 21:02:15 -0800 2009</date_added>
  <date_updated>Sat Nov 28 16:56:26 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Great story about a woman with very low self-esteem that works as a visiting nurse and ends up being assigned to work with an old high school crush who is now dying of a brain tumor. Myra is a very believable character that is so loving &amp; genuine and doesn't realize the positive impact she has on so...<a href="http://www.goodreads.com/review/show/79087476">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/79087476]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/79087476]]></link>
</review>
      <review>
  <id>49164157</id>
    <user>
    <id>1279767</id>
    <name><![CDATA[Nita]]></name>
    <location><![CDATA[Columbus, OH]]></location>
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  <id type="integer">246155</id>
  <isbn>1402534779</isbn>
  <isbn13>9781402534775</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1225289184m/246155.jpg</image_url>
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  <average_rating>3.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Mar 17 00:00:00 -0700 2009</read_at>
  <date_added>Fri Mar 13 11:41:35 -0700 2009</date_added>
  <date_updated>Tue Mar 17 16:32:56 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Okay. So it was predictable and not terribly challenging and perhaps not well written, but it still made me cry so it just can't have been all that awful bad. <br/><br/>Notes to self. 62,800 words. On the short side as most of Berg's books are. Simple plot - straight through with a few flash backs...<a href="http://www.goodreads.com/review/show/49164157">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/49164157]]></url>
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</review>
      <review>
  <id>81967376</id>
    <user>
    <id>3027237</id>
    <name><![CDATA[Jennifer]]></name>
    <location><![CDATA[Alexandria, VA]]></location>
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  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
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  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sat Dec 26 00:00:00 -0800 2009</read_at>
  <date_added>Thu Dec 24 14:17:12 -0800 2009</date_added>
  <date_updated>Sat Dec 26 12:02:49 -0800 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[I admit it.  I love Elizabeth Berg's books because they are so easy to read and the lead character is always a woman you relate to right away.<br/><br/>Never Change has wonderful characters, most of whom are Myra's patients.  DeWitt is my favorite - so real and funny.  And, well, I fell in love wi...<a href="http://www.goodreads.com/review/show/81967376">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/81967376]]></url>
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</review>
      <review>
  <id>77511971</id>
    <user>
    <id>1602708</id>
    <name><![CDATA[Alison]]></name>
    <location><![CDATA[Atlanta, GA]]></location>
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  <isbn>0099461277</isbn>
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  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Nov 09 00:00:00 -0800 2009</read_at>
  <date_added>Wed Nov 11 21:09:28 -0800 2009</date_added>
  <date_updated>Wed Nov 11 21:29:45 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Myra, the main character is irresistible! Her gentle sarcasm and self-deprecating wit are totally disarming. And her capacity for kindness is astounding.<br/><br/>But what I loved most about this book was the way the characters would surprise me. They defied my expectations, showed me they were ma...<a href="http://www.goodreads.com/review/show/77511971">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77511971]]></url>
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</review>
      <review>
  <id>50151712</id>
    <user>
    <id>728791</id>
    <name><![CDATA[Laura]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/728791-laura]]></link>
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  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Fri Apr 03 00:00:00 -0700 2009</read_at>
  <date_added>Mon Mar 23 04:23:06 -0700 2009</date_added>
  <date_updated>Fri Apr 03 14:39:22 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I really liked this book right from the beginning. I enjoyed Berg's style of writing and her ability to create empathy for characters. It was sad due to the subject matter but understandable.  I have to say this book made me cry and I have not read many that have done that to me in a while.  There i...<a href="http://www.goodreads.com/review/show/50151712">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50151712]]></url>
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</review>
      <review>
  <id>36469871</id>
    <user>
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    <name><![CDATA[Laura]]></name>
    <location><![CDATA[Chattanooga, TN]]></location>
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    <book>
  <id type="integer">246155</id>
  <isbn>1402534779</isbn>
  <isbn13>9781402534775</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1225289184m/246155.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1225289184s/246155.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/246155.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>true</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Nov 14 06:11:07 -0800 2008</read_at>
  <date_added>Wed Oct 29 07:02:39 -0700 2008</date_added>
  <date_updated>Fri Nov 14 06:11:07 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Not the best of Berg's work for sure, but an interesting book nonetheless.  I'm not in favor of suicide under any circumstances, so I had a problem with Chip choosing to end it that way, but I certainly understood (and agreed) with his declining to pursue further treatment when it was evident that h...<a href="http://www.goodreads.com/review/show/36469871">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/36469871]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/36469871]]></link>
</review>
      <review>
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    <name><![CDATA[Lauren]]></name>
    <location><![CDATA[Alexandria, VA]]></location>
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  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
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  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Sat Sep 12 00:00:00 -0700 2009</read_at>
  <date_added>Sun Sep 13 12:04:34 -0700 2009</date_added>
  <date_updated>Sun Sep 13 12:06:39 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is my new favorite Elizabeth Berg.  Sometimes I think she's overrated, but this was a really compelling, Picoult-esque story about a nurse and one of her patients, a terminally-ill middle-aged man.  I bawled at the end, so don't finish it in public.  <br/><br/>Very quick read - started it on ...<a href="http://www.goodreads.com/review/show/71076543">more...</a>]]></body>
    
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      <review>
  <id>67877034</id>
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    <name><![CDATA[Peggy]]></name>
    <location><![CDATA[Osseo, WI]]></location>
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  <id type="integer">127392</id>
  <isbn>0099461277</isbn>
  <isbn13>9780099461272</isbn13>
  <text_reviews_count type="integer">112</text_reviews_count>
  <title>
    <![CDATA[Never Change]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171934103m/127392.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171934103s/127392.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/127392.Never_Change</link>
  <average_rating>3.66</average_rating>
  <ratings_count>1156</ratings_count>
  <description>
    <![CDATA[Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, &quot;Pull yourself together!&quot; and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions.<p>  In <em>Never Change</em>, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as &quot;the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going.&quot; And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, &quot;rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance.&quot; Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. <em>--Claire Dederer</em></p>]]>
  </description>
  <published>2001</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
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  <read_at>Sat Aug 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Aug 18 07:58:25 -0700 2009</date_added>
  <date_updated>Tue Aug 18 08:00:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Single women, home health care nurse....end up taking care of terminally ill former classmate. She has always cared for him and they end up together. He plans to commit suicide when he gets very ill..........so does she. He does............she doesn't.<br/><br/>Not very exciting book nor a satisfy...<a href="http://www.goodreads.com/review/show/67877034">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/67877034]]></url>
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