book data
218 ratings, 3.72 average rating, 26 reviews
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published
January 1999
by Drawn & Quarterly
binding
Paperback, 178 pages
isbn
1896597068
(isbn13: 9781896597065)
description
An Acknowledged Classic returns gorgeously re-designed.
In his first graphic novel, It’s a Good Life, if You Don’t Weaken-...more
In his first graphic novel, It’s a Good Life, if You Don’t Weaken-...more
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other reviews (showing 1-20 of 268)
Has a copy to sell/swap
—
Read in September, 2008
recommended to Nan by:
Luke at Kilgore Books
Okay, don't ask me why I picked up the book in the first place. Because the new bookstore on the block specializes in comics? I suppose. I also suppose that I never gave graphic novels or comics a chance, and I'm willing to try. And the cover appealed to me. I liked the colors, the homesick feel of the grays and blues. The cartooning world has always seemed to me the narrow world of lonely men. There was some of that in this collection -- Seth's mother, his geeky brother, the used books...more
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I like how unabashedly self-centered this guy is.
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graffixxx
copied from my blog:
This was not a book that I was really wowed by, but it definitely kept my attention. Though the book is not plot driven, I wasn't thinking, "That was it?" when I was done. Seth's search for information on an obscure cartoonist Kalo from 1930s-1950s periodicals leads him to ultimately discover much about himself as he openly discusses his personal ticks along the way. The style was clearly heavily influenced by Seth's love of classic comic art; I enjoyed the clean, swooping lines even though the style is not my regular cuppa. The particular copy I have is horribly bound, with a quarter of the pages completely detached. Though annoying to sift through, the loose pages give way to an endearing set of personal neuroses and incessant fretting. I dislike self-conscious graphic novels (read: Craig Thompson and Jhonen Vasquez), but this self-consciousness differs from self-awareness (i.e. "Whoa, der, this drawing looks like crap" notes) which peeves me out! Though I do not always agree with Seth and though he seems debilitated at times by his depression or by his concern over whether or not he is depressed, the neurotic introspection resonated in me and I would occasionally put the book down and reflect on my own mental state. A quote from GoodReads.com member Cody was pretty spot on: "What saves this graphic novel from navel-gazing misanthropy is Seth's awareness that he is a navel-gazing misanthrope." One thing I am still sore about is that there was a Glossary and copies of the Kalo works Seth has collected in the back of the book! I sure wish I had known that while I was reading!!!! This graphic novel is Seth's first and I would be interested in reading another. Recommended for Woody Allen types, the old-fashioned, and Drawn and Quarterly readers....more
This was not a book that I was really wowed by, but it definitely kept my attention. Though the book is not plot driven, I wasn't thinking, "That was it?" when I was done. Seth's search for information on an obscure cartoonist Kalo from 1930s-1950s periodicals leads him to ultimately discover much about himself as he openly discusses his personal ticks along the way. The style was clearly heavily influenced by Seth's love of classic comic art; I enjoyed the clean, swooping lines even though the style is not my regular cuppa. The particular copy I have is horribly bound, with a quarter of the pages completely detached. Though annoying to sift through, the loose pages give way to an endearing set of personal neuroses and incessant fretting. I dislike self-conscious graphic novels (read: Craig Thompson and Jhonen Vasquez), but this self-consciousness differs from self-awareness (i.e. "Whoa, der, this drawing looks like crap" notes) which peeves me out! Though I do not always agree with Seth and though he seems debilitated at times by his depression or by his concern over whether or not he is depressed, the neurotic introspection resonated in me and I would occasionally put the book down and reflect on my own mental state. A quote from GoodReads.com member Cody was pretty spot on: "What saves this graphic novel from navel-gazing misanthropy is Seth's awareness that he is a navel-gazing misanthrope." One thing I am still sore about is that there was a Glossary and copies of the Kalo works Seth has collected in the back of the book! I sure wish I had known that while I was reading!!!! This graphic novel is Seth's first and I would be interested in reading another. Recommended for Woody Allen types, the old-fashioned, and Drawn and Quarterly readers....more
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There's little sense to make a big production about this book, but it was a yawner. The artwork was decent: Simple, round characters drawn with blue, black, grey and white and clearly affected how the piece was received. So good job for that. But I'm easy to please with art, I'm more interested in the writing.
The problem then is that the writing is trite. Coming of age itself is a difficult theme to address in a fresh way, and this book suffers from what I think of as forced epiphany seen in...more
The problem then is that the writing is trite. Coming of age itself is a difficult theme to address in a fresh way, and this book suffers from what I think of as forced epiphany seen in...more
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What saves this graphic novel from navel-gazing misanthropy is Seth's awareness that he is a navel-gazing misanthrope. That and his subtly beautiful artwork. It's a Good Life If You Don't Weaken is both a manifesto of sorts and a condensed autobiography. The simple story is framed by Seth's fascination with and search for an obscure cartoonist — likely a stand-in for every other cartoonist he has been interested in and a personification of the "good-old-days," which Seth admit...more
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I liked the art and design, but it was difficult for me to enjoy this book, as it's an autobiography of a rather repellant person. He's a 30 year old who has renamed himself "Seth" (no last name) and has contempt for modern pop culture and affectations while dressing like Clark Kent and obsessing over slightly older pop culture. He's vaguely depressed for no apparant reason, and starts and ends a relationship that has nothing to do with the story.
I want to reach into the frames and...more
I want to reach into the frames and...more
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3 comments
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comics,
memoir
I've always liked the look of Seth's comics, but this is the first book of his I've read. I don't think it's the best introduction. Seth spends a lot of time in this comic worrying about whether his navel-gazing, obsessive and misanthropic tendencies make him a terrible bore and I'd have to say he has good reason to worry. I'm not a big fan of autobiographical comics for exactly this kind of neurotic self-indulgence. The fact that he's aware of it doesn't make him any more interesting as a sub...more
Read in January, 2008
recommends it for:
nostalgia-stricken cartoon curmudgeons
I've always liked the look of Seth's comics, but this is the first book of his I've read. I don't think it's the best introduction. Seth spends a lot of time in this comic worrying about whether his navel-gazing, obsessive and misanthropic tendencies make him a terrible bore and I'd have to say he has good reason to worry. I'm not a big fan of autobiographical comics for exactly this kind of neurotic self-indulgence. The fact that he's aware of it doesn't make him any more interesting as a sub...more
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Read in May, 2008
In which the author, a cartoonist, becomes obsessed with an obscure cartoonist and tries to track him down. There's a metaphor in there somewhere, but I couldn't be bothered to figure it out as I wasn't as interested in the author as he was.
I get really tired of comics that are just insular brain-ramblings. I'm not sure that this would have been published it was a writey novel. The illustration wasn't to my taste either. I can imagine Daniel Clowes writing the very same g.novel and pulling i...more
I get really tired of comics that are just insular brain-ramblings. I'm not sure that this would have been published it was a writey novel. The illustration wasn't to my taste either. I can imagine Daniel Clowes writing the very same g.novel and pulling i...more
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Read in April, 2008
well i wanted to like this book a lot. the drawing, the pacing, all beautiful and lovely. but i dont get what the title has to do with anything and the protagonist is the most self-absorbed nostalgic whiny snot ever. kinda reminds me of myself at my worst. and b/c it does remind me of the me i don't want to know, i can't say it was enjoyable, but it was interesting in its own way. i'll give it a reread once i'm done being mad at it.
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I'm far from an expert on graphic novels, but I appreciated this book's quiet use of space, and the guilty lust with which the protagonist hunts (haunts) his craft. The cinematic expanses and characters made this a quick and lovely read. I agree with some of the other reviewers that there was a lack of substance and a somewhat forced ending, but this book made me smile with its artful design and slow progression through time.
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Read in August, 2004
EDIT: Reread the book again, and liked it much more this around, despite one of the most whiny, unappealing protagonists I've seen in print. The writer/artist has a fine command of timing and negative space, and never over-draws. Subtle and generally enjoyable.
ORIGINAL REVIEW: I like this more nuanced, less superhero-y approach to graphic novels, but this one didn't add up to much.
ORIGINAL REVIEW: I like this more nuanced, less superhero-y approach to graphic novels, but this one didn't add up to much.
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Read in August, 2007
I liked this a lot for one glaring reason: if you're a writer or a wannabe writer or whatever definition falls theirein, you'll understand how great it would be to have an homage to the lonely figure behind the stories. In many qays, Seth's book is like that - a picture of his own obsession and the weirdness that falls under the chain-smoking freak. Very cool, I definitely recommend.
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Read in April, 2008
Seth is not a comic writer; he is a thwarted novelist. The graphics in this 'graphic novel' are incidental, as most of it is people walking down the street and having long, rambling conversations.
At one point the protagonist says 'Why do I waste my energy on this self-pitying, maudlin crap?'. That is exactly how I felt reading this navel-gazing whine of a first novel.
At one point the protagonist says 'Why do I waste my energy on this self-pitying, maudlin crap?'. That is exactly how I felt reading this navel-gazing whine of a first novel.
Read in March, 2007
recommended to Rachel by:
the libraryrecommends it for: teens, adults
Graphic novels are no longer synonymous with comic books. Period. And I am very much enjoying my foray into this genre. Please read The Catcher in the Rye, then It's a Good Life, If You Don't Weaken. Enjoy the similarities and the differences. I believe Seth has a bit of Caulfield in him. (Warning: one or two nude drawings...oh my!)
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A fine graphic novel. The narrator becomes obsessed with the vintage New Yorker cartoons created by a man who signed his name Kalo. The book follows his quest to learn more about this underappreciated artist and tell his story. The book ends with a series of cartoons by Kalo. Is this a true story or the creation of a false document. Not sure but a good read.
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Read in June, 2006
recommends it for:
Idealists or people who like to make fun of idealists
Excellent mystery of sorts about a guy who wants to learn all he can about a cartoonist he saw in the New Yorker. When I read it, I assumed the story was autobiographical and am a bit let down that it's fiction, but still. Nice retro two-tone coloring with a realistic portrayal of how people constantly compare themselves to others. A very satisfying read.
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Read in April, 2008
Got to agree that this was one of the most unappealing protagonists I've read. His total self involvement, misanthropy, myopic nostalgia, and general whinyness left me without any real empathy for his situation and obsessions.
This gets an extra star for the art, which I did enjoy. I really had a hard time with this one though.
This gets an extra star for the art, which I did enjoy. I really had a hard time with this one though.
I had a friend who said that this was the best comic book ever. I'm not sure if I can agree with that, but I can definitely see why they'd say it. Self-contained and melancholy, funny and wry. The story follows the main character on his search for a little-known gag cartoonist.
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While in a lot of ways I didn't like the Seth character, the stories reminded me of others in my family that are mired in the past and in self-reflection, to the point of being deteriorating. Interesting look at older comics as well.
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This is one of the best graphic novels I have come across recently. This story felt timeless. Seth is one of the best writers and artists working in comics today and this is one of his best works.
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