In Amerika
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In Amerika

3.28 of 5 stars 3.28  ·  rating details  ·  1,013 ratings  ·  115 reviews
As an essayist, Susan Sontag has tended to stick pretty rigorously to the modern age, whether she's anatomizing the wild world of camp or roasting Leni Riefenstahl over the coals. But in her fiction--particularly in such fin-de-siècle productions as The Volcano Lover--she's clearly felt the allure of the past. And In America, which chronicles the travails of a late-19th-ce...more
Published (first published January 1st 2000)
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Eric
Let me be perfectly clear——I am a huge fan of Susan Sontag's criticism. "Against Interpretation and Other Essays", "On Photography", and "Regarding the Pain of Others" are books I go back to repeatedly for their ahead-of-their-time provocative points of view. After finishing "In America," I feel it's the critical side of Sontag that makes her fiction suffer. The writing is accomplished and refined, and, formally, the constantly shifting points of view rendered through various writing forms such...more
Meredith
Like Walking in Mud

I have always wanted to read this book so when I saw it at a school fair I was happy to buy it. On the cover it says it won the National Book Award of 2000 and awards mean a good read. The plot is great - a famous Polish actress decides to emigrate to America with her family and friends and start a community in southern California. The story follows their decision to move to America and the eventual failure of their community and the reinvention of self - a homage to the Ameri...more
Janet
A novel about the nineteeth century commune of the great Polish actress Helena Modjeska-- in the era of Bernhardt. It was located near Anaheim California. What an outrageous boatload of bohemians! The commune predated the progressive era's burgeoning of California cults and communes by thirty years. Susan Sontag only wrote two novels, both of them historical, and her sense of character, her ability to bring to life such a wacky crew of intelligentsia utopians, is to be treasured. That Sontag was...more
Ron Charles
Forget the old boys club: The most engaging historical fiction is being written by women. What's worse, they have the audacity to make it fun.

In Ahab's Wife, Sena Jeter Naslund dared to revise Melville's classic "Moby Dick." Anita Shreve re-created a tense custody battle at the turn of the 20th century in Fortune's Rocks. And Tracy Chevalier painted a stirring portrait of a maid in Johannes Vermeer's house.

These recent books share the same strengths: All of them are carefully researched, lavishl...more
Gina
Ugh, one of the most dismally boring books I have ever read! Why can I not just discard it? Somehow I always think it will get better and I drag myself through to the bitter end.
What is up with Susan Sontag here? This must be some secret passion she always had...telling the story of a Polish "theataaah" actress.
It's like Gus Van Sant's remake of Psycho...huh? What was he thinking!
Unless you are truly into "Theataaaah" and I mean in the WORST way, then this book is for you!
The main character is...more
Andrea Fortwendel
This book is so full of intelligence. Her literary and historic references enlighten. Her character's introspection gives the reader questions to ponder and profundities to wrestle with. I liked her different uses of voice and narrative style throughout the book. It distinguished quite a bit between characters and between acting and living. The book gave Shakespeare's "All the world's a stage" new meaning. I absolutely was enchanted by the first 3/4 of the novel. I wouldn't say that I was disapp...more
Andrew
Susan Sontag, in the tradition of Kafka and Pavese, wants to write a European book about American novelty, with the hitch that she's an American novelist.

This is the first time I've read any of her fiction, and it shows the same erudition and elegant style as her nonfiction. America is space and possibility and alienation from ritual and coarse capitalism and such. Old themes, for sure, but well-told. If you can get past the big/shitty hump that is the first chapter, a very worthy read.
James
In America is an historical novel, yet it is more. It is a novel about identity, about names and words and people who leave their homeland for a new unknown and undiscovered land called America. The novel is one where the stage and all that it represents mirrors life -- a story set near the end of the nineteenth century.
On the first page of the novel the motif of the stage is hinted at by how snow flakes seen through a window are described as a "scrim" for the moonlight in the background. The u...more
Natalie Crane
This might have been a worthwhile read if the book was primarily concerned with actual storytelling than an exploration of themes and ideas. Much was discussed (and none of it particularly insightfully) by the narrator, and what served as artificial dialogue between characters, on acting, writing, the arts, immigration/migration, Polishness, Americaness, and Jewishness. What then is lacking is a story where character and plot are central, and the themes are background and implicit. The story gli...more
Leigh Lyndon
sontag was so clearly present throughout - she wrote herself into the structure. i loved that she was there.
Svetlana Zakharova
lot's of pearls, really amazing even with my predictable admiration for the world of theater
Lorri
Sontag writes with vivid word visuals, and I felt as if I was right there in the midst of life during the late nineteenth century. In America is a long book, and isn’t a fast read, but fro me it was a satisfying novel. Sontag’s comprehension and mastery of details and history, even the most minute of them, is masterful.

The historical content within the pages of In America is valuable. Sontag not only gives the reader insight into the dynamics of political unrest in Poland, but also of American...more
Jaclyn Michelle
http://wineandabook.com/2012/10/01/re...

"Each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head." (page 27)

In America is such an expansive piece of fiction, in which Sontag takes on everything from immigration to life in the theatre (with the "re"), and from the nature of love to what it means to be American. And she takes it on wit...more
Peggy Bonnington
Jan 09, 2011 Peggy Bonnington rated it 4 of 5 stars  ·  review of another edition
Recommends it for: persistent, sophisticated readers into historical narrative & theatre & old world culture
I don't think this book would be everyone's cup of tea; it's long, dense and difficult to read in that Sontag's language is intricate and intellectually sophisticated, at least by my standards. I am very proud of myself for getting through it, and yes, I liked it! Part of the draw is that it is a very interesting story about a real and fascinating woman character in history; I love that sort of stuff! Also, I wanted SO badly to be able to say I had read a Susan Sontag, whose prose is not for the...more
Amanda
I can't tell how I feel about this book - I liked the way it was written more than the content. I dogeared a lot of my favorite passages:

(On being caught in an earthquake):
"I like the feeling of being reduced to my own resources. Of having to do nothing but cope." (17)

(On the decision to go to America):
" ' I think I will die very soon, if I don't do something reckless...grand. I thought I was dying last year, you know.'
'But you didn't.'
'Must one die to prove one's sincerity!' " (39)

" 'When I w...more
Harry Maier
I have read much Sontag's academic work for my research; this is the first time I've read her fiction. In America is a Pulitzer Prize winning account of a series of Polish aristocrats and family members who emigrate to California in the late 19th century to carry out an experiment in communal living. The result is a novelistic study of "democracy in America" (de Toqueville) to which Sontag refers often (usually ironically), albeit slightly under the radar. What happens when a bohemian desire for...more
Amy
I don't think anyone else has read this book, but I recommend that you do. Susan Sontag (who has my birthday) is known for her social commentary-type writing. This is a novel, a work of fiction and very enjoyable. I got it at the Fresh Meadows library book sale for $2. It's about a Polish actress who comes to America with her husband, young son, admirers, and entourage, to live on a farm in California. Just for the hell of it, basically. She is well respected and renound in Poland, but she is fu...more
Michelle
Jan 27, 2008 Michelle rated it 5 of 5 stars  ·  review of another edition
Recommends it for: people who are fond of the american west, yo!
In the 19th century, a Polish actress so brilliant and popular that she is an ersatz national hero, has a mid-career crisis.

?! I was expecting a book about America. Instead I let myself slide into Sontag's introduction in a glittery Krakow dinner party, a dreamy straddle before the story is fully formed. Quickly rewarded -- drawn into this world and this mind of the small band of Polish bourgeois who decide to move to the frontier town of Anaheim to try their hand at communal farming in the mod...more
علی
تصور می کنم سوزان سونتاگ تحت تاثیر عنوانی که به او دادند، رابط میان فرهنگ اروپایی و فرهنگ آمریکایی، این رمان را نوشته باشد. شخصیت زن لهستانی رمان دوست داشتنی ست اما برخی از عکس العمل ها و رفتارهایش فرمایشی بنظر می رسند. حس می کنی نویسنده خواسته این زن چنین رفتار یا عملی داشته باشد،...

اگرچه سوزان سونتاگ در ایران بیشتر به یک منتقد ادبی و اجتماعی نویس معروف است، و در این زمینه ها کارهای بزرگی تالیف کرده، اما رمان های سونتاگ کارهای زیبایی ست که ندیده یا نشنیده ام به فارسی ترجمه شده باشد. روشن نیست...more
Rita Halfscatch
Aug 21, 2007 Rita Halfscatch rated it 5 of 5 stars  ·  review of another edition
Recommends it for: all!
Hearty historical fiction with lots of great social commentary. What does it mean to be an American, a Pole, an actor, a woman? The main character Maryna is based on a real Polish actress who came to US in the post civil war period and conquered American theater. The story begins with a group of artists gathered around their diva, the national treasure of the Polish stage. The artists regularly escape to the Zakopane region in Poland to engage their flights of rural fantasy, and finally, carried...more
Kate
3.5 stars. This is a difficult book for me to judge - well, actually, it was a difficult book for me, period. No doubt I'd have appreciated it more if I were more interested in theater. While I was reading it, I found myself alternating between being very intrigued, then simply puzzled, and also a little bored. Her writing style is difficult, her sentences slippery, and the character development scenes shockingly short - but then there were words and ideas that came through all that, rather diml...more
Nicole
Jul 13, 2010 Nicole rated it 3 of 5 stars  ·  review of another edition
Recommends it for: someone what wants to brag about reading Sontag
My fist Sontag.

An ambitious read. I really had to hang in there for the first 50 pages, but in the end I'm glad that I did. I'm not likely to be introduced to characters in such a way ever again. I think all of my writer friends should read Chapter Zero and report back to me if that's how it really happens.

I just love the idea of moving to a new country, to a new LIFE and lifestyle with a group of friends. I'd do it in a heartbeat. And while that was only the first quarter of the book, it was fa...more
Sarah
In America was one of those books that bore nothing but unexpected surprises where I had assumed it would delineate a fairly standard tale of an immigrant claiming America. Not only did it feature wildly different narrators at key points (the omnipresent descendant of our famous actress, the husband's journals, God, and Edwin Booth, who pontificates in the last stunning pages, which are written as if a monologue from a play), but it took the main character on a wild journey through commune farmi...more
Kirsten
"Misery is always wrong."

Maybe a strange place to start with Sontag (found a beautiful hardback copy of this book for $1, so I couldn't help it), but it was an interesting journey. From the metafictional intro (Sontag writes herself as a cold stranger, warming herself by the fire where our characters all meet for a celebratory dinner - and as such, introduces us to them from the musing stance of vicarious outsider and creator), the frequent switches of point of view, to an adaptive style (lette...more
Jennifer
Sorry to say that I've basically given up on this book. It drags on too long, has too many characters, and is not intriguing whatsoever. I almost made it halfway through, but in all honesty know it will be a struggle for me to try and finish it. I don't give up on books usually but this one struck me as something very old school that feels there's a lot going on when there really isn't. People don't say how they feel and not enough action or interplay goes on between the characters to bring to f...more
Diane D.
An epic novel, which traces the journey of a group of Polish immigrants coming to America, and their lives when they arrive, set in the late 1800's. The group is enthralled with a great local Polish actress, Maryna, and she is the reason they are making their journey. The writing is so rich that I feel I know each of the characters intimately. In the beginning of the book, Susan Sontag says that the story was inspired by Poland's "most celebrated actress, Helena Modrzejewska". (so of course I ha...more
emi Bevacqua
I read a glowing review of this book and so I had high expectations, even recommended it to my book club to read. I liked it fine, I learned about the family of Lincoln assassin John Wilkes Booth, and about Polish aristocracy and celebrity, and a new aspect of American pioneering. There were parts I liked more than others, and literary gimmicks I appreciated and some that I didn't at all (I liked reading the list of everybody's reasons for setting off for America, and I like reading Maryna's hus...more
Alisa
The prologue (rather snootily named chapter "zero") takes an interesting intellectual approach to introducing a work of historical fiction. You are a fly on the wall, a ghost, observing the stories and/or creating the stories of the historical figures. Are they real people, observed, or the product of the fly's imagination? It was a question that left me somewhat distanced from the characters right at the start (although not so off-put as I was at the beginning of American Pastoral), then the wo...more
Maria
Maryna Zalenska, la más célebre de las actrices polacas, decide partir hacia América junto con su marido, su hijo, un joven escritor que la idolatra y varios amigos más, impulsados por la idea de construir una comunidad utópica. Pero allí descubrirán que la felicidad americana se construye de un modo distinto al esperado.

Susan Sontag ha escrito esta valiente novela por medio de unos personajes tan singulares --un conde, un escritor enamorado, una actriz famosa-- como sus propios destinos. A trav...more
Gemma
I really did not like Chapter Zero. More to the point, I didn't like that there was a Chapter Zero. However, after reading the whole book I appreciate more its presence: while the ensuing chapters are stylistically very different there is a return at the end of the novel to stylistic innovation, rather than focus on narrative.

I enjoyed this book thoroughly until about half-way through. I feel a pull towards immigrant literature, especially 19th Century "going to America" or Western pioneer novel...more
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Bella. Grande. Como América. 1 3 Mar 17, 2007 01:35PM  
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Jewish American literary theorist, novelist, filmmaker, and feminist activist.
More about Susan Sontag...
On Photography Against Interpretation and Other Essays Regarding the Pain of Others Illness as Metaphor & AIDS and Its Metaphors The Volcano Lover: A Romance

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“Each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head.” 14 likes
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