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  <id>126381</id>
  <title><![CDATA[Purple Hibiscus]]></title>
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  <description><![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]></description>
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        <name><![CDATA[Chimamanda Ngozi Adichie]]></name>
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    <![CDATA[Purple Hibiscus]]>
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    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
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    <rating>5</rating>
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  <read_at>Tue May 06 00:00:00 -0700 2008</read_at>
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    <body><![CDATA[Ben<br/>Ms. Houseman<br/>World Literature<br/>5/5/08<br/>Chimamanda Ngozi Adiche<br/>Purple Hibiscus<br/>New York: Anchor Books, 2003<br/>307 pp. $15<br/>1-4000-7694-3<br/>Book Review<br/><br/>	“Purple Hibiscus”, written by contemporary Nigerian author Chimamanda Ngozi Adichie, tells ...<a href="http://www.goodreads.com/review/show/20627755">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20627755]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20627755]]></link>
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      <review>
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    <name><![CDATA[Pam]]></name>
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  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>4</rating>
  <votes>2</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Apr 01 00:00:00 -0800 2006</read_at>
  <date_added>Thu May 17 15:18:09 -0700 2007</date_added>
  <date_updated>Wed Dec 16 19:38:09 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a fantastic debut novel by a young Nigerian-born writer.  This is a YA novel, but has very heavy material.  Kambili is a 15 year old Nigerian girl born into privelege in her war torn country; however, her life is not what it seems.  Her father, a wealthy business man and philanthropist, is a...<a href="http://www.goodreads.com/review/show/1279886">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1279886]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1279886]]></link>
</review>
      <review>
  <id>42497460</id>
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    <name><![CDATA[Carol]]></name>
    <location><![CDATA[Middleton, WI]]></location>
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  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <read_at>Sun Feb 15 00:00:00 -0800 2009</read_at>
  <date_added>Fri Jan 09 14:23:24 -0800 2009</date_added>
  <date_updated>Sun Feb 22 10:43:50 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Purple Hibiscus takes place in Nigeria, a country that I was unfamiliar with.  The story is told through an endearing character, Kimbilli, a teenage daughter in a prosperous Nigerian household.  Despite their apparent affluence, their life was anything but comfortable.  The father was a cruel and na...<a href="http://www.goodreads.com/review/show/42497460">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/42497460]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/42497460]]></link>
</review>
      <review>
  <id>29345822</id>
    <user>
    <id>1390765</id>
    <name><![CDATA[Diane]]></name>
    <location><![CDATA[Wakefield, RI]]></location>
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  <isbn>0007277458</isbn>
  <isbn13>9780007277452</isbn13>
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  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
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  <read_at>Wed Oct 15 00:00:00 -0700 2008</read_at>
  <date_added>Tue Aug 05 14:57:12 -0700 2008</date_added>
  <date_updated>Wed Oct 15 16:46:25 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Purple Hibiscus, is a wonderful piece of literary fiction. It is a coming of age story, a story of domestic violence, and a look at freedom. The characters are well-developed.<br/><br/>Fifteen year old Kambili, lives a life of privilege in with her parents, and her brother Jaja in Nigeria. The fat...<a href="http://www.goodreads.com/review/show/29345822">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29345822]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/29345822]]></link>
</review>
      <review>
  <id>17720212</id>
    <user>
    <id>58766</id>
    <name><![CDATA[mark]]></name>
    <location><![CDATA[Solon, IA]]></location>
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  <title>
    <![CDATA[Purple Hibiscus: A Novel]]>
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  <average_rating>3.91</average_rating>
  <ratings_count>146</ratings_count>
  <description>
    <![CDATA[Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.<br/><br/>When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. <br/>]]>
  </description>
  <published>2003</published>
</book>

    <rating>4</rating>
  <votes>2</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Thu Mar 13 21:37:19 -0700 2008</date_added>
  <date_updated>Thu Mar 13 21:38:45 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I have been interested in Nigerian popular cinema (Nollywood) for some time, so when I came across this book, written by Nigerian author Chimamanda Ngozi Adichie it immediately caught my attention. All in all it did not disappoint. There is a certain dispassionate tone about the narration, and the d...<a href="http://www.goodreads.com/review/show/17720212">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17720212]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17720212]]></link>
</review>
      <review>
  <id>17628013</id>
    <user>
    <id>205963</id>
    <name><![CDATA[Lindsay]]></name>
    <location><![CDATA[Saint Louis, MO]]></location>
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  <title>
    <![CDATA[Purple Hibiscus: A Novel]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.<br/><br/>When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. <br/>]]>
  </description>
  <published>2003</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[fans of African lit, abusive family issues (ok, &quot;fan&quot; isn't the right word)]]></recommended_for>
  <recommended_by><![CDATA[Vanity Fair (recommended the author)]]></recommended_by>
  <read_at>Mon Mar 24 08:30:33 -0700 2008</read_at>
  <date_added>Wed Mar 12 16:51:58 -0700 2008</date_added>
  <date_updated>Mon Mar 24 08:29:48 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Although this book was overall pretty enjoyable and a quick read, I kept feeling like there was something missing.  Some of the characters felt kind of &quot;flat&quot; to me--there were very few surprises in their reactions as new events arose.  Also, even though Nigerian social/political issues ra...<a href="http://www.goodreads.com/review/show/17628013">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17628013]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17628013]]></link>
</review>
      <review>
  <id>8780444</id>
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    <id>178279</id>
    <name><![CDATA[Lola]]></name>
    <location><![CDATA[Patchogue, NY]]></location>
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    <![CDATA[Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.<br/><br/>When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. <br/>]]>
  </description>
  <published>2003</published>
</book>

    <rating>3</rating>
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  <read_at>Wed May 28 00:00:00 -0700 2008</read_at>
  <date_added>Tue Nov 06 22:34:26 -0800 2007</date_added>
  <date_updated>Sat May 31 00:06:34 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[What a compelling character Adechie has created in Kambilli, i was pulled into her reclusive world, her shyness was so well illustrated it brought me back to my own adolescence when i so desperately wanted to comment on the world around me but my voice wouldn't come. Adechie's talent for using clear...<a href="http://www.goodreads.com/review/show/8780444">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8780444]]></url>
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      <review>
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  <title>
    <![CDATA[Purple Hibiscus: A Novel]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.<br/><br/>When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. <br/>]]>
  </description>
  <published>2003</published>
</book>

    <rating>4</rating>
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  <read_at>Fri Dec 01 00:00:00 -0800 2006</read_at>
  <date_added>Sat Sep 15 11:29:00 -0700 2007</date_added>
  <date_updated>Sat Sep 15 12:00:52 -0700 2007</date_updated>
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    <body><![CDATA[The book was fascinating because it depicted a Nigeria I’m not particularly familiar with, e.g., people who live in cities and have electricity (sort of) and running water (only a few). My relatives largely live in villages without those two conveniences of modern life and with a well and a genera...<a href="http://www.goodreads.com/review/show/6246296">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Purple Hibiscus]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
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    <rating>5</rating>
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  <date_added>Thu Nov 20 12:32:17 -0800 2008</date_added>
  <date_updated>Thu Nov 20 12:32:34 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Chimamanda Ngozi Adichie has really impressed me with her writing abilities.  Purple Hibiscus was Adichie’s first novel.  I read her second book, Half of a Yellow Sun, last year and it was in my Top 20 for 2007.  Although some have stated that Purple Hibiscus was not as good as Half of a Yellow Su...<a href="http://www.goodreads.com/review/show/38240456">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
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    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>2</rating>
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  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Mon Mar 17 04:08:29 -0700 2008</date_added>
  <date_updated>Mon Mar 17 04:14:14 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[First novel of C. N. Adichie, who grew up in Nigeria where she attended med school for two years at the University of Nigeria before coming to US. The book won the 2003 O. Henry prize and was short listed for the 2002 Caine Prize for African writing. <br/>Book well written and provided insight into ...<a href="http://www.goodreads.com/review/show/17920991">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17920991]]></url>
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      <review>
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    <name><![CDATA[Topher]]></name>
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  <title>
    <![CDATA[Purple Hibiscus]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

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  <read_at>Sat Aug 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Aug 04 13:05:59 -0700 2009</date_added>
  <date_updated>Tue Aug 04 13:20:00 -0700 2009</date_updated>
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    <body><![CDATA[When I learned that Adichie was on the list to be a PEN/Faulkner visitor, I immediately put her to the front of my reading list. I have wanted to read Half a Yellow Sun for a while, but just haven't got around to it. I went to the Chevy Chase library to pick up one of the only available DCPL copies,...<a href="http://www.goodreads.com/review/show/66182644">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66182644]]></url>
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      <review>
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    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
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    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>5</rating>
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  <read_at>Fri Sep 01 00:00:00 -0700 2006</read_at>
  <date_added>Fri Apr 24 03:58:42 -0700 2009</date_added>
  <date_updated>Fri Apr 24 03:59:39 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of best reads 2006<br/>Reading this book has been actually very hard because it was just as she described my country's recent past. I was there in every single sentence when she described situation on University; government's repression; political murders; corruption on every level of society; ...<a href="http://www.goodreads.com/review/show/53805269">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53805269]]></url>
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</review>
      <review>
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  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
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    <rating>3</rating>
  <votes>1</votes>
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  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Tue Apr 21 00:32:26 -0700 2009</date_added>
  <date_updated>Tue Apr 21 13:39:27 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[  While I really enjoyed this book I found myself constanly comparing it to the authors ladder novel, Half of a Yellow Sun, which I read prior to reading Purple Hibisicus. Like I said it was a great novel, but it didn't have the charachter development, the historical references or as good of a plot ...<a href="http://www.goodreads.com/review/show/53438069">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53438069]]></url>
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      <review>
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  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Kinga]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Aug 31 10:27:25 -0700 2009</date_added>
  <date_updated>Fri Sep 04 07:04:36 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[What a refreshing change after a run of really disappointing books.  “Purple Hibiscus” is an engaging novel about Kambili, a teenage girl growing up in Nigeria.  Her father, a longtime convert to Christianity, is staunchly religious and a pillar of the community, pious and generous to outsiders,...<a href="http://www.goodreads.com/review/show/69569127">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/69569127]]></url>
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      <review>
  <id>73831234</id>
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    <name><![CDATA[Sandhya]]></name>
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  <title>
    <![CDATA[Purple Hibiscus]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
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    <rating>2</rating>
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  <date_added>Wed Oct 07 23:57:33 -0700 2009</date_added>
  <date_updated>Tue Oct 13 11:23:01 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[<a rel="nofollow" target="_blank" href="http://sandyi.blogspot.com">http://sandyi.blogspot.com</a><br/><br/>The one thing I would recommend before reading Nigerian literature is to read what is by now considered the most definitive book on the country's culture and history, Chinua Achebe's Things Fall Apart. Prior to Achebe's book, there was no real documentation of N...<a href="http://www.goodreads.com/review/show/73831234">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73831234]]></url>
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</review>
      <review>
  <id>59745309</id>
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  <text_reviews_count type="integer">253</text_reviews_count>
  <title>
    <![CDATA[Purple Hibiscus]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>3</rating>
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  <date_added>Mon Jun 15 10:10:43 -0700 2009</date_added>
  <date_updated>Mon Jun 15 10:19:33 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I very much enjoyed <u>Half of a Yellow Sun</u> and was curious to read Adichie's first novel. Purple Hibiscus is a good book, but not a great one, like <u>HoaYS</u>. My library shelved it in the YA section, though I don't think Adichie intended this to be strictly for a YA audience. My guess is that, because it ...<a href="http://www.goodreads.com/review/show/59745309">more...</a>]]></body>
    
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</review>
      <review>
  <id>74229023</id>
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    <name><![CDATA[Tara]]></name>
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  <text_reviews_count type="integer">253</text_reviews_count>
  <title>
    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Sun Oct 11 20:15:34 -0700 2009</date_added>
  <date_updated>Sun Oct 11 20:15:34 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was well written and quick read, but not easy. Kambili is a fifteen year old girl in an extremely Catholic household in Nigeria. Her father expects only the very best out of her, her brother, and mother and beats it into them. Majority of people in this novel are religious zealots. Kambili is g...<a href="http://www.goodreads.com/review/show/74229023">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74229023]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/74229023]]></link>
</review>
      <review>
  <id>47362697</id>
    <user>
    <id>284553</id>
    <name><![CDATA[Sara]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>
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  <title>
    <![CDATA[Purple Hibiscus]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
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  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
  <date_added>Tue Feb 24 07:07:18 -0800 2009</date_added>
  <date_updated>Tue Feb 24 07:14:46 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I almost missed my stop on the subway a couple times while reading this, but I can't give it five stars. The symbolism of the purple hibiscus is so simplistic. With a lot of respect and admiration, I say I would have been blown away by this novel when I was 15 or 16.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47362697]]></url>
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</review>
      <review>
  <id>59036659</id>
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    <id>2185693</id>
    <name><![CDATA[Harvee]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[Purple Hibiscus: A Novel]]>
  </title>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.<br/><br/>When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. <br/>]]>
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  <published>2003</published>
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    <rating>4</rating>
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  <read_at>Tue Jun 09 00:00:00 -0700 2009</read_at>
  <date_added>Tue Jun 09 13:56:17 -0700 2009</date_added>
  <date_updated>Fri Jun 12 19:58:03 -0700 2009</date_updated>
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    <body><![CDATA[&quot;That's a hibiscus, isn't it, Aunty?&quot; Jaja asked, staring at a plant close to the barbed wire fencing. &quot;I didn't know there were purple hibiscuses.&quot; p. 128<br/><br/>from Purple Hibiscus by Chimamanda Ngozi Adichie, award-winning author.<br/><br/>Kambili, 15 years old, and her...<a href="http://www.goodreads.com/review/show/59036659">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/59036659]]></url>
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      <review>
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    <name><![CDATA[Dana]]></name>
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    <![CDATA[Purple Hibiscus]]>
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  <average_rating>3.90</average_rating>
  <ratings_count>1572</ratings_count>
  <description>
    <![CDATA[<em>Purple Hibiscus</em>, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled &quot;Omelora&quot; (One Who Does For the Community), knows why Kambili's brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. <em>--Regina Marler</em>]]>
  </description>
  <published>2003</published>
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  <date_updated>Fri Feb 01 13:07:02 -0800 2008</date_updated>
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    <body><![CDATA[Set in Nigeria, and similar in trajectory to the Half a Yellow Sun......but the turmoil is played out on the intimate family level.....a young girl with a very highly esteemed and horribly abusive father.  Parts of it were hard, but the style is excellent, and I couldn't put it down.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/14295432]]></url>
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