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El Rey Lear

3.88 of 5 stars 3.88  ·  rating details  ·  123,033 ratings  ·  2,244 reviews
One of Shakespeare's finest tragedies, the work displays a pessimism and nihilism that make it a 20th-century favorite. The aging King Lear decides to divide his kingdom among his three daughters, allotting each a portion in proportion to the eloquence of her declaration of love. The hypocritical Goneril and Regan make grand pronouncements and are rewarded; Cordelia, the y ...more
Paperback, 179 pages
Published July 1st 1999 by Edaf S.A. (first published 1607)
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Mar 08, 2015 Dolors rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Everybody with no exception
Recommended to Dolors by: Núria Espert
My first encounter with Shakespeare has totally swept me off my feet. As much as I had heard of the indisputable grandeur of the most famous playwright of all times I never expected to be so immersed in the swirling undercurrents of the incongruities of human nature that are so vividly portrayed in this tragedy. Even though my inexpensive Wordsworth edition wasn’t generous with annotations or academic essays, the universality of Shakespeare’s art, wrought in versed polyptotons, playful aphorisms ...more
Riku Sayuj

A Fairy Tale I Give Thee, A ‘True Chronicle History’

[Dramatis Personæ:

The Bard, as Himself

World, as Itself

You, as Fool, in the Bard’s service

Kings, Daughters, Sons, Knights, Fools, Gentlemen, Soldiers, Attendants, Messengers, Servants.]

Act 1.1

Sennet. Enter [The Bard, You]


Hark, A Fairy Tale I Give Thee, Fit for Today’s Times!

I have in my time, written many plays - tragedies, comedies, all - but reader beware: this might be my darkest vision yet.

I will exalt you; and in death’s throngs.

Bill  Kerwin

I've read Lear many times, and, although I didn't learn anything new about the play this reading, I did learn a little about how I have changed. I have always loved the play, but in the past I found its injustice and evil nigh overpowering, its victims pathetically guiltless, its perspective verging on the nihilistic. Now, though, I see goodness and grace everywhere: in Cordelia's plain-spoken honesty and love for Lear, in Kent and Gloster's loyalty, in Edgar's bizarre attempt to heal his father
Huda Yahya
با لعذابك يا لير
ويا لقسوة الدهر على شيخوختك

Blow, winds, and crack your cheeks! Rage! Blow!
You cataracts and hurricanoes, spout
Till you have drenched our teeples, drowned the cocks!
You sulphurour and thought-executing fires,
Vaunt-couriers to oak-cleaving thunderbolts,
Singe my white head! And thou, all-shaking thunder,
Strike flat the thick rotundity o' the world!
Crack nature's molds, all germens spill at once
That make ingrateful man!...

لا أظن ان هناك من استطاع تصوير الانحدار نحو الجنون كما
This is where Shakespeare takes off the gloves. He brings us right to the edge of the abyss, then kicks us over that edge. King Lear is the most devastating by far of the Shakespeare tragedies -- this is a play which leaves the reader shattered as the curtain falls.

The play has a kind of primal power, which I find hard to explain. The plot is fairly typically Shakespeare, perhaps a little more complicated than usual, mixing elements taken from legend and from the historical record. At the outse
In a world where every king must give up his crown, where tragedies end in death and all comes to dust, this is a hopeful tale. This hope won’t appear in a plot summary or in the morbid sum of deaths by play’s end, and yet there are key moments of reconciliation for both of the aged, long-suffering characters. After experiencing little but anguish for much of the play, Lear and Gloucester are granted a reprieve from the darkest of fates. Granted, these 11th hour reprieves are short-lived, but in ...more
Kat Stark

Let's take a jog through memory my high school years...when I fell in love with Shakespeare's work...(With some added dialogue and gifs of course, IOW = In Other Words)

We see in King Lear, that Shakespeare shows a contrast between the role a man plays in society and the role man plays for himself. Lear is, as known, a King and is supposed to be a man in control. A King of high status is loved by many and is in charge of everything that goes on in the Kingdom; overlooks others. Lear is
I was lucky enough to be living in Stockholm when Ingmar Bergman staged Lear at the Swedish National Theatre in the late 80s, and I saw it twice. Bergman's take on the play was very interesting and unusual; he interpreted it as fundamentally optimistic.

Obviously, you're wondering why, and in the hands of a lesser director it would probably just have been a piece of unnecessary perversity. Bergman's reasoning was, in fact, not bizarre. He saw the key scene of the play as the reconciliation betwee
As the bright red firament of stars above might give away, I really responded to this play. I may have done so in both negative and positive ways, but this story made a really lasting impression on me. It did for me what Macbeth could not- gave me genuinely tragic characters who earned the tears and compassion that I gave for them by the end of the journey.

Thinking about it in retrospect, a useful guide for King Lear is provided by another of Shakespeare's characters, Jacques, and his Ages of Ma
This is one of my favorite Shakespeare plays.

In college honors English at U. Tennessee Knoxville, I stumbled into a dissertation about a comparison of epic and tragic, using as templates Lear and Milton's Paradise Lost. In all of English class papers, there may never have been a more seasoned example of pure bull**** and left field logic. I think I got a B-, just because my instructor may have been worried about whether or not my meds had kicked in.

Still, in composing the literary testimony of
Nathan "N.R." Gaddis
2109 fellow Goodreaders [can’t be wrong] gave it 1 star. Many call it boring. Some even say it is predictable and has no moral lesson. That these people have the right to vote and to procreate is frightening to me.

I am NOT ranking the play itself here, only the Norton Critical Edition version (2007). Shakespeare’s Lear is, duh, one of western culture’s great achievements and personally I think it has become my favorite Shakespeare play.

I won't lie... I didn't even finish this one. All of the fa

He that has and a little tiny wit—
With heigh-ho, the wind and the rain—
Must make content with his fortunes fit,
For the rain it raineth every day.
A longer, less menacing variation on this song was sung by the Fool at the end of Twelfth Night, as the curtain set on its "happy ending" and I was left to ponder how easily those swiftly married and more swiftly avenging characters could turn on their comedy in an instant. The quoted occurs near the middle of King Lear within a hovel in the midst
His greatest work, in my opinion, which makes it one of the greatest works of art our species has produced. Its greatness lies not just in its language or in its analysis of power, but in the extraordinary structure of it, and its complete refusal to follow the usual dramatic arcs. How shocking must it have been for a Jacobean audience to see a god-chosen king reduced to scrabbling around in a hovel?

The heartbreaking irreversibility of mortality. Age and loss. The stripping away of self. Love.
I went to see Lear again last week. It must be the fifth time I have seen it performed and I’ve read it three or four times. It is a play that I can never become ‘familiar’ with. It is like no other play I know.

This time was the second time I have seen it performed by the Bell Shakespeare Company. This one was much better than the last – and I think I can say that because this time the performance brought out lots of the humour of the play. This is a play that is as dark as it is possible to mak
Amir Lewiz

بضدها تتميز الأشياء

هنا الشر و الخير في صراع قوي و عنيف

هنا الخيانة و العقوق و الأنانية و محبة المال و السلطة و الخداع و التملق

و هنا أيضا الوفاء و الحب الحقيقي و التضحية وانكار الذات

هنا تكريم الكاذب الخادع
و احتقار و نفي الصادق المخلص

و بناءً عليه فإن الأحداث كما يطلق علي هذه المرحلة من أدب شكسبير :


و كالعادة جمال الأسلوب و متعة الحوار بين الشخصيات ..بلا حشو أو ملل

حينما نري أسيادنا
يقاسون ما نقاسي
لا نشعر بمصائبنا
و من تألم وحده كان ألمه أشد علي النفس
حيت يولّي ظهره لمظاهر السعا
Here is Shakespeare's biggest bummer in a long career of bummers. In fact, in all of literature maybe only Jude the Obscure matches it for general depressivosity. Remember that catch phrase kids thought was clever in like 7th grade as they were discovering the joys of nihilism: "Life sucks, then you die"? That's the actual and entire message of King Lear. "Nothing will come of nothing," rages the doddering King, and there is nothing, and nothing comes of it.

And along the way, don't forget, we ge
On the Fool

The Fool’s presence in King Lear lasts for little more than two acts. While the fool provides some needed comic relief, more importantly, he serves as Lear’s moral guide, illuminating Lear’s faults and provoking Lear to action. The first references to the Fool serve to let us know that he’s not in Goneril’s camp, and he is sympathetic to Cordelia.

When the Fool does at last appear, Lear’s regard is apparent. The Fool, in conversation with Kent, refers to Lear obliquely as “this fellow”
Jennifer (aka EM)
I love this play. It is my favourite of all of 'em.

Upon re-reading, I'm struck by the observation that the King of France is the smartest man here. The only one whose actions show any kind of foresight. "She is herself a dowry...". Although he got sloppy seconds and his calculated risk didn't pay off, he saw the writing on the wall from Act 1, Scene 1. He knew them skanky beyotches, G & R, would do themselves in and that Lear would lose his shit when he realized what he'd done. And he'd have
Liza Miller
“Who is it that can tell me who I am?” asks the titular King Lear in one of Shakespeare’s most devastating tragedy. He asks in part because of an encroaching senility, but the other, darker reason he asks is that in his old age, he doesn’t recognize himself anymore. He’s achieved greatness, power and wealth, only to spend the end of his life cast out by his (admittedly awful) daughters, wandering the heath trying to make sense of a life that no longer feels like the one he’s built for himself.

Gideon Burton
I named one of my children "Lear" due to my love of Shakespeare and of this play in particular. The older I a get (I am now 50), the better I understand and sympathize with Lear, who is at first reading an irrational old coot that is hard to feel empathy for. Life beats you down, kids aren't always grateful, people you thought were true blue turn out to be snakes in the grass, and there is unexpected grace and good-hearted people to counterpoise the villains. Filial love is a powerful thing. The ...more
Click here for William Shakespeare Disclaimer

King Lear, a play by William Shakespeare, was a depiction of traitors within families. Something akin to a soap opera at times, and something that most people with a family can attest to. Lear is a king with three daughters, the youngest, Cordelia, being the only one who loves him. When Lear decides he wants to retire and divide up the kingdom, he summons his daughters to him and asks them how much they love him. He uses their answer to decide how mu
Riku Sayuj
Reading 5 different versions along with a modern language rendition simultaneously - to reconcile the Q and F controversy for myself.
خط اصلی ماجرای این نمایشنامه بارها گفته و شنیده شده و تفاوت ها فقط در موارد فرعی و پایان داستان بودن.
همون ماجرای قدیمی بی وفایی فرزندان و پادشاهی که فریب حرف های محبت آمیز رو خورد و چاپلوسی رو به محبت واقعی ترجیح داد.
وقتی نصف کتاب رو خوندم تازه یادم افتاد حیفه که نسخه ی انگلیسیش رو نمی خونم:/
Katy Kennedy

Me gustó éste libro, trata sobre la ingratitud filial y el desprecio a la vejez. Cómo todo cae ante la búsqueda del poder dañando a otros, y cómo abusan de las personas ancianas. Qué temas tan duros.

Will Shakespeare te aplaudo donde quieras que estés por representar tan bien éstos defectos de la sociedad, que aún hoy en día se ven. Tus obras perduraron en el tiempo, por muchos siglos, y eso es algo que hay que admirar.


Los personajes están bien diferenciados, quiénes

A play of unremitting horror. If you want a great representation of how evil women can be, then this is the play for you. I have never seen this performed and am quite sure I don't want to see it since it has eye gouging, murder and war. None of those gory things I find interesting.
L'amore, l'amore come trait d'union di microscopici rapporti.
Amore filiale, amore del potere, amore carnale, amore.
E la parola. Parola sibillina, parola urlata, parola scritta, parola non detta.
Quando questi due elementi prendono strade diverse dirompente si staglia la tragedia dell'uomo. Solo così comprendo il monito disperato e inascoltato di Shakespeare quando, per bocca di Edgard afferma che noi dobbiamo "dire ciò che sentiamo e non quello che conviene dire”.
From the beginning, and indeed even by reputation, Lear is rash, impulsive, desiring of flattery and used to being flattered and obeyed, so his actions and temperament are not out of character. It is surprising that he receives the love and loyalty he does from Cordelia and Kent. Even in his retirement, a retirement envisioned by him as free from care and responsibility, he is demanding and imperious, unattractive and unsympathetic. He is ever rash, choleric, and given to emotional extremes and ...more
Xime García
: Se merece un lugar en el cielo.

Me mimeticé con los personajes más de lo que cabría esperar. Edgardo sin duda fue de mis favoritos, mientras que su no tan buen medio hermano Edmundo me dejó con un gusto amargo en la boca... ¡y pobre Gloster, pobrecito! Me daban ganas de llorar cada vez que hablaba con ese tono de decepción en sus palabras. ¡Y Cordelia! ¡Y Lear...!


Estoy bien, estoy bien.

En un principio parecía que eran las mujeres quienes tenían la sartén por el mango en esta historia. Pero co
Sidharth Vardhan
Lonely Widower

The thing about Shakespeare is that if you are surprised at the behavior of any of his chanracters, you are probably not reading properly. Lear's behavior looked too strange to me in the first scene. His strange decision in the very begining forms the heart of play. Even as I read on, much of my mind was searching fot those motifs. We really have to put ourselves in his ex-royal shoes to see why he did so.

To parents, children are their world. Tradationally parents live with their s
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William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been tr ...more
More about William Shakespeare...
Romeo and Juliet Hamlet Macbeth A Midsummer Night's Dream Othello

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“When we are born, we cry that we are come to this great stage of fools.” 269 likes
“Nothing will come of nothing: speak again.” 258 likes
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