When we first meet Charlotte Anne, she is in the middle of penning a seven-page personal ad that is actually one long sentence, complete with tons of semi-colons and a few alphabetical lists thrown in for good measure. The ad itself is quite hilarious, it begins with a physical description and ends with a hilarious tribute to Owen Wilson; however, the lack of sentence structure may begin to confuse readers after about two pages. This first story is a template for much of what follows in the next 17 vignettes--witty, heartfelt and graceful sentiments are often marred by a chaotic rendering that makes it difficult to actually follow along with the protagonist.

Still, Crane makes it wrothwhile for readers who can navigate the choppy waters of her writing style. She's at her best when describing Charlotte's feelings about particular places, be it New York ("Charlotte has been trying to get out of New York for years. It's not nearly as simple as booking a one-way flight. People get drawn back. Places seem inferior."), L.A. ("there's nothing but Fat Burgers and short pink buildings and more freeways on the freeway..."), or the imaginary Midwestern town she hopes to live in during her next life ("...I sit on the stoop and smoke my one (stale) cigarette of the week from my gold vinyl cigarette case under the almost dark five o'clock sky...").

If we're lucky, perhaps next time Crane will make these stirring moments of clarity easier for us to find. --Gisele Toueg