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Luce virtuale (Bridge #1)

3.84  ·  Rating Details ·  18,332 Ratings  ·  427 Reviews
San Francisco anno 2005: una lotta spietata per arrivare al segreto della luce che non esiste. Sembrano semplici occhiali ma nascondono un segreto rivoluzionario. Chevette Washington, corriere informatico, per quel segreto è pronta a rischiare la vita. Ma quella città è troppo brutale per una donna. L.V. è la sigla di "Luce Virtuale" il procedimento che permette di vedere ...more
Mass Market Paperback, Urania Libreria #1, 300 pages
Published June 9th 1996 by Mondadori (first published 1993)
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Graeme Rodaughan
Not Gibson's best work, but still thoughtful. The whole cyberpunk genre is a valuable exploration of ideas about our near future. A future within reach of many who are alive today.
Dec 29, 2008 Hobie rated it liked it  ·  review of another edition
I felt like Gibson created a cool world for the story to take place in, but then just never wrote the story. A messenger nabs some VR glasses and gets the help of some ex-cop blah... who cares? He just never got me to care about the characters or their conflicts.

I wanted to hear more about the dystopian California-states and the fancy VR itself, but then all Gibson wanted to talk about Berry and Chevette.

3 stars purely because of the world Gibson dreamed up, but if you're looking for a good stor
Dec 30, 2009 Brooke rated it it was ok  ·  review of another edition
Shelves: science-fiction, 2010
Was rather disappointed by this one, and I'm starting to get the feeling that Gibson's been writing the same book over and over. While the technology mattered in Gibson's Sprawl trilogy, Virtual Light seemed more like a on-the-run-from-bad-guys thriller set in a vagueishly sci-fi setting. The tech that was stolen could have just as well been a candy bar. I wanted to find out more about the plan on the tech (to rebuild San Fran after an earthquake), the Bay Bridge community, and all the other int ...more
I'm re-reading the early Gibson because I remember liking them and I can't keep the books straight. Virtual Light stands as high-quality, maybe one of his more underrated titles, at least to me, upon a second reading, because except for a somewhat abrupt ending, the novel is excellent. The book's true star is the bridge, and if Gibson ever releases a "greatest hits" of passages from his work, his initial description of the bridge deserves a place of honor. You can see him extending Ballard's inf ...more
Jul 25, 2007 Sean rated it it was ok  ·  review of another edition
Read "Snow Crash" by Neal Stephenson instead.
Ben Babcock
Last week Kevin Mitnick was on The Colbert Report to promote his new book, Ghost in the Wires and talk about hacking. For those of us who grew up with the Web as a fact of life and absorbed "hacker culture" through Hollywood, Mitnick's experiences seem somewhat alien. Hacking started long before the Web, of course, and even today hacking is nothing like what one sees on the movies. However, it's just in this decade that we, as a society, are beginning to understand and react to the effects of ...more
Jul 05, 2012 Mike rated it really liked it  ·  review of another edition
The last time I read this book was in the mid-90s. It came out in 1993, nine years after Gibson's Neuromancer, the novel that coined the phrase "cyberspace" and posited a world where we'd all be interconnected through an information network. He was wrong about the virtual reality stuff, but right about almost everything else. If Neuromancer was somewhat predictive of the future, Virtual Light reads like someone had gone to the future of 2005 and sent a postcard back to us.
Reading it now and rea
Sean Wilson
Aug 26, 2015 Sean Wilson rated it really liked it  ·  review of another edition
Shelves: science-fiction
Great sociological science fiction with a cool vibe and, in my opinion, a vast improvement over Gibson's previous Sprawl trilogy. Some scary observations on 90's culture and crackling prose with a cool kind of dialogue for Gibson's characters. A brilliant piece of cyberpunk literature.
Mar 23, 2017 Jason rated it really liked it  ·  review of another edition
Shelves: read-in-2017
If Haruki Murakami and Philip K Dick had ever written a book together this would have been it (they didn't have no baby or anything though). To me it felt like Philip's story but in the voice of Murakami.

My first William Gibson novel and I've enjoyed it, he has created an interesting future, things are only slightly more advanced than they are now which makes it easier to get into. There are a fair number of characters, all having little bit parts, I only really had an issue with one of then, Y
Jul 23, 2014 J.I. rated it liked it  ·  review of another edition
Shelves: read-2014
Okay, here's the thing: this book is FUN. Essentially you have a good cop accidentally getting railroaded, a good poor person who makes one mistake and pays the price, and then some evil corporation stuff and then it's just a fun little chase. Light, slight, well-written and fun. You get to hear about the near future Gibson imagined, which is interesting, you get to see some really interesting main protagonists, who are more fully fleshed out and intriguing than usually happens with these things ...more
Παρόλες τις εξαιρετικές περιγραφές δε βρήκα καποια εξισου ισχυρή αφήγηση ιστορίας. ηταν σαν να ξετυλιγες πολλά κουβάρια και στο τέλος τα έβρισκες άσχημα μπλεγμενα.

ο συγγραφέας ξεκινά με το στησιμο του κοσμου του ο οποιος ειναι αρκετα παρων καθ' όλη την αναγνωση. υστερα αρχίζει να διαγραφεται αχνα μια ιστορια η οποια ωστόσο δεν εχει αρκετή συνοχή ή ένταση οσο ο ιδιος χωρος. επειτα αλλαζει η ροη αφήγησης αναλογα με την οπτικη καθε προσωπου. το αποτελεσμα ειναι καπως χλιαρό, όπως οταν βλέπεις μια
Max Ostrovsky
Oct 16, 2007 Max Ostrovsky rated it it was ok  ·  review of another edition
Shelves: sci-fi, fiction
As a teenager, I remember I loved William Gibson. I loved Neuromancer. Now, after reading this book, I'm no longer sure. His writing skills are sound, but just couldn't get interested in a story about some lost VR glasses. I think that Gibson spent too much time creating a world for this story, in this very short book, that he left out what would make it an interesting story.

Eh, that's okay. A friend told me that Neuromancer was the only decent thing he wrote anyway.
Apr 06, 2010 Audrey rated it it was amazing  ·  review of another edition
Shelves: sci-punk-fi
Rydell picked up Monica's copy of People and found a picture of Gudrun Weaver and the Reverend Wayne Fallon. Gudrun Weaver looked like an actress in her forties. Fallon looked like a possum with hair-implants and a ten-thousand-dollar tuxedo.

Synopsis: In post-apocalyptic California, two people's lives collide. Rydell, a rent-a-cop who attracts trouble like *ahem* honey attracts flies, and Chevette, just a girl in the wrong place at the wrong time, unaware that she's stepped in it, bigtime, on an
Apr 08, 2012 Richard rated it it was ok  ·  review of another edition
A cyberpunk book—by cyberpunk's inventor—that plays, fairly effectively, on the uneasiness and fears that increasing numbers of people may have about issues such as computer hacking, erosion of privacy in the information age, and societal decay or disruption. For all its dark and depressing atmosphere, evoking a rather nasty and brutal near-future, the story and writing feels rather inconsequential (I'm not even sure if there was a proper plot), and provides no useful clues about how to live in ...more
May 16, 2011 Tfitoby rated it liked it  ·  review of another edition
Shelves: sci-fi
Reading something like this after something like Snow Crash can only really leave you feeling one thing. There's no real comparison. This is basically Snow Crash Lite.

William Gibson wrote an occasionally entertaining novel of an interesting possible future with some very good observations about humanity BUT it's characters and story structure are so similar to Neal Stephenson's masterpiece of the genre that you can't help but compare. Virtual Light will always lose, not least because Berry Rydel
Mina Villalobos
Jan 20, 2009 Mina Villalobos rated it really liked it  ·  review of another edition
Shelves: cyberpunk, sci-fi
Probably the least engaging book of Gibson I have read so far, this one is a very competent story with great storytelling that somehow fails to deliver on the plot-plot. I mean, it was fun and fast paced and interesting and an interpretation of our social future, and it had lots of interesting background choices of historical events and crazy urban tribes and religions created for the universe, along with Gibson's trademark shifting POVs and archetypal characters. It was good, it was fun, it was ...more
Aug 17, 2007 Burt rated it really liked it  ·  review of another edition
Recommends it for: Gibson Fans, Cyberpunk Enthusiasts
While many others tout the Neuromancer based books (Count Zero, Mona Lisa Overdrive), I must admit this novel is a strong beginning for his next trilogy (though better followups with Idoru and All Tomorrow's Parties could have been better). The story is solid though the ending comes quickly and resolves on a flat note. However, the range of characters and the concepts presented make up for this to a large degree, from Barry, a down on his luck rent-a-cop, to his hypochondriac, hyper-allergenic p ...more
Aug 24, 2011 Doug rated it it was ok  ·  review of another edition
Gibson's world-building is characteristically strong. The plot, pacing and development of characters seemed off a step.

A middling effort, but I finished it. I'm not one to finish a book just for the sake of finishing it - something needs to keep me going and this novel did. Luckily it's short length aided in reading one of Gibson's lessor works. Even a lessor work of Gibson's is better than most. Every writer is allowed books that don't quite hit the mark, especially if they, like Gibson, have p
Nov 24, 2016 J-Man rated it liked it  ·  review of another edition
Utisak nije baš bio najpovoljniji tokom većeg dela romana, delovalo je kao da je ovo možda najslabija Gibsonova knjiga ali onda je odjednom sve došlo na mesto, uključujući čak i otrcane žanrovske trope. Kuriozitet je da ovde imamo ne jednog nego čak dva srpska lika, i obojica su relevantni za zaplet, iako u pozadini istog. Jedan je zavisnik od virtuelnog seksa kojem zdipe Mekgafin naočare a drugi je imigrant i stanodavac jednog od glavnih likova. Ime Voli, prezime Divac. :-D
Feb 17, 2017 Rob rated it it was amazing  ·  review of another edition
This is excellent! I liked it much more than all three novels in the Neuromancer trilogy (not that I didn't like those a lot). The idea of the repurposed Golden Gate Bridge is ingenious and inspirational. The two main characters are both likable and easy to root for.

Of course, this IS a dystopian novel, and there is much in it that is chilling and sometimes uncomfortably prescient.
Rita Monticelli
Sep 06, 2013 Rita Monticelli rated it did not like it
Shelves: sci-fi, urania, pessimi
Scroll down for the English version.

Il padre del cyberpunk non mi ha convinto

Questo romanzo mi ha lasciato perplessa sin dalle sue prime righe. Ammetto di aver riletto la prima pagina un paio di volte, poiché non mi era chiaro di chi stesse parlando, dove si trovasse e soprattutto cosa stesse facendo. Mai mi era capitato di imbattermi in un incipit così incomprensibile, che a mio parere avrebbe scoraggiato i più.
Ma io sono caparbia e sono andata avanti.
Nel procedere, l'ambientazione, i pers
Cyndy Aleo
May 21, 2011 Cyndy Aleo rated it did not like it  ·  review of another edition
Shelves: sci-fi
A huge William Gibson fan, I honest have to say I had never read anything of his, from short stories to novels, that I ever truly hated. When Virtual Light was released back in 1993, I was there within the week to pay full retail for the hardcover and devour it with my usual relish. By the third paragraph, I realized I wasn't reading the usual Gibson novel, and by the time I was halfway through, I was pretty darn sure that I would never re-read the book. Well, never say never, because I've been ...more
May 12, 2015 Luke rated it really liked it  ·  review of another edition
So I'm continuing the Gibson jag I'm on. This one's the first in the Bridge trilogy, another set of novels set in a future dystopia. This time, though, he's more tuned into portraiture than hardware.

What's interesting is that the tech which is so much a part of the fabric of the earlier Sprawl trilogy is here relegated to the background. The virtual light of the title ends up playing a role similar to that of Marcellus Wallace's briefcase in Pulp Fiction, or the statue in The Maltese Falcon. Th
Max Renn
Sep 16, 2010 Max Renn rated it it was amazing  ·  review of another edition
Part two of the William Gibson re-read project. Following quickly on the heels of the Blue Ant trilogy, and not having read the Bridge Trilogy for some time, I am struck by the vigorous naturalism of this book.

It will sound strange, particularly since this book is designed by Harakawa Sisco in what was im sure at the time a very hip but destined to date badly 'cyber' style, but this might actually be the grittiest, most organic of the three Gibson trilogies.

If the Blue Ant trilogy feels more lik
James MacDonald
Jul 19, 2012 James MacDonald rated it really liked it  ·  review of another edition
The only reason I can't five-star this one is because I can't help coming up against Gibson's later prose, which I find a bit more polished than in Virtual Light. Having said that, it's astonishing to read this in 2012. Everything from private security armies to Google Glasses to Anonymous features in here - a book written nearly two decades ago. Plus it's a great story with zippy characters.
Jun 13, 2015 Tim rated it really liked it  ·  review of another edition
Unsurprisingly, Gibson's "Virtual Light" holds up in its prescience...its technologic view of an accelerated future with its big, rusty hooks firmly in the present (the present of 1993 as well as the present of 2015). With its well-thought out characters and immeasurably rich setting, this is one of the better noir stories I've read (not to mention best "cyber punk" stories).
Jul 11, 2012 Aaron rated it really liked it  ·  review of another edition
Of the three Gibson trilogies, I'm pretty sure this one is my favorite. Still future-sci-fi, but more bladerunner/star wars than star trek. So much fun.

And of course all the description of bikes and off-grid living in an urban environment sounds more and more prescient.
Oct 01, 2007 Randy rated it it was amazing  ·  review of another edition
THIS is where to start reading William Gibson. The Sprawl trilogy is interesting, but this is where everything starts coming together.

A word of advice: let Mr. Gibson tell the story. Don't fight with him.
Florin Pitea
Mar 09, 2010 Florin Pitea rated it really liked it  ·  review of another edition
An interesting novel, quite funny in places. The first one in the Bridge Trilogy. For a detailed review, please visit my blog:
Apr 09, 2008 Pamela rated it really liked it  ·  review of another edition
Recommends it for: cyberpunk fans, science fiction fans
Review forthcoming, after I finish writing these bleepin' papers. Short review: I liked it. ;)
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Goodreads Librari...: Virtual Light 2 12 Sep 17, 2015 03:13PM  
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Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information.

William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies wor
More about William Gibson...

Other Books in the Series

Bridge (3 books)
  • Idoru (Bridge #2)
  • All Tomorrow's Parties (Bridge, #3)

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“Well,' Rydell said, trying to pick up his end, 'I was watching this one old movie last night-'

Sublett perked up. 'Which one?'

Dunno,' Rydell said. 'This guy's in L.A. and he's just met this girl. Then he picks up a pay phone, 'cause it's ringing. Late at night. It's some guy in a missile silo somewhere who knows they've just launched theirs at the Russians. He's trying to phone his dad, or his brother, or something. Says the world's gonna end in short order. Then the guy who answered the phone hears these soldiers come in and shoot the guy. The guy on the phone, I mean.'

Suhlett closed his eyes, scanning his inner trivia-banks. 'Yeah? How's it end?'

Dunno,' Rydell said. 'I went to sleep.”
“Berry,” Pursley said, “you’re in trouble, son. A cop. And an honest one. In trouble. In deep, spectacular, and, please, I have to say this, clearly heroic shit.” 1 likes
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