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  <title><![CDATA[High-Pop: Making Culture into Popular Entertainment]]></title>
  <isbn><![CDATA[0631222111]]></isbn>
  <isbn13><![CDATA[9780631222118]]></isbn13>
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  <default_description>One of the most significant developments in the popular culture of the past decade has been the popularization of elite tastes for mass audiences. Blockbuster museum shows, high-concept literary adaptations, widespread interest in interior design, and superstar opera singers all suggest that the relationship between high art and popular culture is undergoing a profound transformation. But what does this marriage of good taste and popular culture really mean?High-Pop is a collection of newly commissioned essays that explores this cultural formation across disciplines and media - from film, television, and interior design/material culture to publishing, music, and museum exhibition. Drawing on contemporary instances of a global phenomenon, nine leading thinkers explore a number of important issues central to cultural criticism: the increasingly unsettled relationship between the public and private spheres; the blurring distinction between consumer culture and aesthetic value; the impact of high-pop on our cultural identity; and the nature and the future of popular culture itself.An edited collection with a genuinely polemical agenda, High-Pop does nothing less than issue a challenge to the project of cultural studies to focus on all but ignored forms of mainstream culture.</default_description>
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  <original_publication_day type="integer">25</original_publication_day>
  <original_publication_month type="integer">2</original_publication_month>
  <original_publication_year type="integer">2002</original_publication_year>
  <original_title>High-Pop: Making Culture into Popular Entertainment</original_title>
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      <name><![CDATA[Jim Collins]]></name>
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    <body><![CDATA[I love talkin' about media culture and how monstrous it is... right before I plop onto the couch to watch &quot;What Not to Wear.&quot;]]></body>
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