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3.51 of 5 stars 3.51  ·  rating details  ·  2,644 ratings  ·  521 reviews
Recently evacuated to the British countryside and with World War Two raging around her, one young girl is struggling to make sense of her life. Then she is given a book of ancient Norse legends and her inner and outer worlds are transformed. Intensely autobigraphical and linguistically stunning, this book is a landmark work of fiction from one of Britain's truly great writ ...more
Kindle Edition, 193 pages
Published August 6th 2011
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Riku Sayuj

Ragnarok: The End of The Gods – A Re-view
Ragnarok: The Twilight of the Reader

While the others in the Cannongate series re-imagined the stories, Byatt reread it. And then told the tale of reading it. Underwhelming? To an extent, yes. But, the Norse myths are magnificent enough to come alive of themselves even when the author decides to color them distant.

Byatt gives her reasoning for this approach in the end - saying that she believes myths should not be humanized and the experience of imbibin

5 "Byatt speaks to me like nobody else" stars.

Quite simply...Byatt is the reason I read.

She has written the unbelievable novel "Possession" who along with Tolstoy's "Anna Karenina" are my two favorite novels and I have read each of them several times throughout my life and I feel nostalgic, like I've come home after being exiled and I can sit and commune with the wonderful characters and plots that lie therein.

Ragnarok was the only Byatt I had left to read. I was trepidatious as the novel was a
Richard Reviles Censorship Always in All Ways
Rating: 1* of five (p41)

"...Airmen were the Wild Hunt. They were dangerous. If any hunter dismounted, he crumbled to dust, the child read. It was a good story, a story with meaning, fear and danger were in it, and things out of control."

I have Byatted for the last time. I love the Norse myths, and this precious twitzy-twee retelling of them through "the child"'s horrible little beady eyes made me want to Dickens up all over the place.

I tried. I really tried. I read some of Possession. It was lik
Aug 15, 2012 Terence rated it 4 of 5 stars  ·  review of another edition
Recommended to Terence by: LRB advert
Update (8/15/12): A week or so ago I listened to the Audio CD and was impressed - again - with just how good this book is. The reader (whose name I've forgotten) does an excellent job, and I gained a better understanding of what I had read from listening to it.

Update (6/6/12): I found the short story I mentioned in my review below. It's from an anthology titled Starlight 3 and called "Wolves Till the World Goes Down," by Greg Van Eekhout. (view spoiler)
This is a remarkably good book, that I somehow failed to enjoy as much as I wanted or expected, but I think the failing is mine, rather than Byatt's, and reading my notes below, I'm puzzled that I liked, rather than loved it.

"The thin child in wartime" (Byatt herself) is given a book of Norse legends, that she treasures. Those stories are retold through her eyes and thoughts, interspersed with snippets about her own life, told in a similar epic, mythical, Silmarillionish style, weaving occasiona
This book would probably be more interesting to those who know nothing, or not much, of Nordic mythology. Since I, as Byatt, read stories from this mythology as a child, I found myself looking for more, perhaps a retelling or an allegory (or more of the story of the 'thin child,' which is Byatt herself), which is exactly what Byatt says in her "Thoughts on Myths" (at the end) she didn't want to write.

More than anything else, this novella is Byatt's love-letter to Asgard and the Gods, and shows h
Diamond Cowboy
A. S. Byaat is an awesome linguist. The words of this book captivate you and you just can't put it down.
It is a book about a young thin girl, in war time Great Brittan. She finds a book about the Norse fables of the Gods and giants and allows her to escape her own very scarey reality. I recommend this book to all ages.
Enjoy and Be Blessed.
I found this book uninteresting in the beginning. It took at least 20 pages or so to spark my imagination. Byatt is a writer I love though so I persisted and it paid off. The nominal narrator is referred to as the thin girl. She loves to read the old Norse tales from her mother’s many books. She’s reading them in the country where she and her mom have gone to escape the London Blitz. Her dad has been away for many years bombing the enemy’s towns. She knows he won’t come back. She reads late into ...more
Arun Divakar
I cannot put a finger on what is the one factor that attracts me to Nordic mythology. When I tend to give it some thought, I feel it is the character of Odin that I find to be the most noteworthy. There is to me a certain enigma associated with this characterization of ultimate power. Wandering the world as a one eyed old man in a long & billowing cloak with a hat pulled down covering most of his face is this king of gods. I draw parallels with the hindu god Shiva here for he is shown as an ...more
I have been waiting years for this book, ever since I got my first book in the Canongate series.

There is something about a well loved book. Not only can you remmeber the plot, but you can also, quite easily, remember the first time you read the book. The train, the room, the seat, the feeling. It's not every book, but those well loved books. For me they number books such as The Hero and the Crown, Wyrd Sisters, and Duncton Tales.

Of course Possession is one those books.

This book by Byatt starts s
I was given this book as an impromptu present (the best sort really) and hence I dislike being churlish about it, but... this is not a real story in the sense that I was expecting anyway. It's a re-telling of the Norse Myths - Odin, Thor, Loki etc. loosely set within the confines of the 'thin' girl's reflections on her own experience of the second world war. It's a very loose narrative setting at that and much of this comes from AS Byatt's own childhood I think. I have enjoyed her books previous ...more
I was hoping, when I read this Canongate retelling, for something more along the lines of a reinterpretation. A.S. Byatt's retelling is a fairly straight one, drawing together various different strands of the myth, through the eyes of a child during the war reading the myths and relating them to her life.

I've read the myths myself -- studied them -- so reading about a child reading about them didn't really work as a way to experience them for myself. There is some beautiful language here, but th
The Norse tales have always seemed to me the most powerful of the old mythologies that have come down to us in anything approaching a coherent body of work. Unlike the Graeco-Roman corpus, we have not been overexposed to them through Hollywood and cliche (with the exception of Thor, who is relatively uninteresting). The figure of Odin seems to me particularly compelling, the wandering riddler and seeker of wisdom; the Voluspo, the ancient poem in which he resurrects and questions a dead witch ab ...more
Dee at EditorialEyes
For this review and others, visit the EditorialEyes Blog.
5 out of 5

This is not exactly a novel. Not exactly fiction, not exactly autobiography, not exactly allegory. Ragnarök: The End of the Gods, A.S. Byatt’s reweaving of the Norse cycle of myths is, for such a short book, epic. Ragnarök is part of the Canongate Myth Series, which since 1999 has published retellings of famous myths by accomplished authors the world over (you might recognize Margaret Atwood’s The Penelopiad or Philip Pull
Audra (Unabridged Chick)
This skinny book is really a novella, closed with a brief essay. And in that way Byatt does so well, this small book on Norse mythology also tells a story of marriage and motherhood, war, loss, escapism, violence. Insidious, along the edges of the larger story, what seems to be a straight-forward retelling of some aspects of Norse mythology actually tells us a story of World War II, Byatt-as-a-child, and the way a good story can help us escape our reality.

Unlike some of the other Canongate Myth
I love myths and legends and one of my favourite books is Edith Hamilton's Mythology. I was therefore thrilled when I learned that AS Byatt had written a book based on Norse saga on Ragnarok, the end of the world. But Ragnarok isn't quite your usual collection of myths. As Byatt explains in the epilogue, Canongate had invited her to write a myth and Byatt immediately knew it had to be Ragnarok. She writes that she tried once or twice to write the myth in the traditional way, of "telling the myth ...more
May 14, 2013 Charly rated it 3 of 5 stars  ·  review of another edition
Recommends it for: Anyone.
My first read of anything by Byatt and I was impressed by the telling of the story using her child-self as a foil for reviewing the rise and eventual fall of the gods. Her discussion of myth was also very interesting.

The gods in this book are vengeful, some nasty, and bring about their own demise. Not exactly fairy tale, which is a point she makes. that in some cultures the myths of the gods have been brought down to fairy tale level to make the hard lessons and actions more palatable, such is
It's no secret that A.S. Byatt is one of my favourite authors. Her writing takes my breath away and Ragnarok is no exception. Part of the Canongate Myth's series, Byatt takes the ancient Norse legend about the end of the world and makes it current.

It's no surprise that Byatt would be part of this project. Almost all Byatt's novels are infused with myths and history. In fact in her most famous novel, Possession, Byatt's fictional poet, Randolph Henry Ash writes a poem titled "Ragnarok".

Another i
I’ve always felt that the majority of people tend to gravitate towards classical mythology as there stories of choice. The place of the classical epics has been firmly cemented in our educational system for so long now that this shouldn’t really surpise anyone. While I certainly have respected and enjoyed stories grounded in classical myth my heart has always been more firmly entrenched in the cold, harsh world of Norse myth. Where the threat of annihilation weighs heavy on the hearts of the god ...more
This small book is a retelling of the Armageddon of the Norse myths, Ragnarok, as framed by the mind of the ‘thin child’. This thin child- pretty obviously Byatt herself- has been evacuated with her mother and sister from London to the English countryside. She picks up a book of Norse myth, and finds herself swept up in it, finding it the perfect reading for how she feels about her own life- she does not expect to see her father come back from the war alive, she is aware that her parents feel as ...more
Nesa Sivagnanam
Evacuated at the age of five to the "ordinary paradise of the English countryside", the "thin child" finds herself walking two miles to school every morning, "across meadows covered with cowslips".

She quickly learns to read. One of her favourite books is "a solid volume, bound in green", with a picture of the Wild Hunt myth on the cover; inside she finds the gods waiting for her, in the world they have carved out of their dead precursor's head.

Meanwhile she dreams that the Germans are planning
I received a digital ARC of this book from the publisher through Netgalley.

When I saw this title, I immediately requested it because it combines two of my favorite things: Norse mythology and A.S. Byatt. After doing a little research, I discovered that this is part of Canongate's series of retold world myths by famous novelists. I'm glad I had that little bit of guidance, because I don't know that I would've known what Byatt was trying to do, otherwise.

Don't get me wrong. This novella is full of
Rebecca Huston
A dark, poetic novel that combines Norse mythology and World War II that is very effective. AS Byatt doesn't waste a word in this rather short novel (it was less than a hundred pages on my Nook). I found this one very enjoyable, and while it is dark, it's also effective. Five stars overall.

For the longer review, please go here:
Jenny (Reading Envy)
Mar 12, 2012 Jenny (Reading Envy) rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Joell
Recommended to Jenny (Reading Envy) by: Arun Divakar
Shelves: read2012
A retelling of Scandinavian literature, set into a context of an English girl whose life is greatly twinged by war. The language helps the reader completely immerse in the worlds of the myths as the student struggles to understand them as well as her own life.
In theory I love the idea of retelling myths, because I love old myths and because I'm too lazy to wade through all the versions and information currently available. Anyone who has spent time trying to read all that there is to know about the Norse mythology – or Greek or Roman for that matter – knows that there are a lot discrepancies between different versions and interpretations, so why not let someone else do all the work for me and just read one book with one myth and have it all somehow ma ...more
Patricia Bracewell
I’ve quite enjoyed reading the other reviews here of Byatt’s RAGNAROK, some of them so eloquent and thoughtful that I’m abashed at my own audacity to even attempt one. Nevertheless…

The Norse gods and myths have always been just a little bit outside of my realm of knowledge and understanding. I’ve been far more concerned with early 11th century Danish history than with the Norse beliefs prior to Christian conversion, and the books that I’ve explored about that northern mythology have been academi
Kathleen Vella
A. S. Byatt's 'Ragnarok' though not classified as a novel, is a rich fabric of a text of metafictional self-reflexive thinking and narrative with interesting shifting points of deixis woven into Nordic mythologies related to the Twilight of the gods and the regeneration that follows annihilation and the crumbling of all meta narratives. The protagonist is a young girl who attempts to allay her every day fears and horrors of World War II that she is living through and who finds meaning, solace an ...more
As a novel, I’d give the work a 1. As a readable version of Norse mythology, a 4. I loved the author’s concluding chapter, that provided a summary explanations of Norse mythology and the rationale behind the work. Comments based on advanced reader’s copy.
I originally bought this book to read with my book group - for one reason or another I didn't actually read it at the time, but I'm having a bit of a Viking moment so I picked it up again.
It is part of the Canongate Myths series, in which well-known writers were invited to reinterpret the great myths for new readers.
AS Byatt approaches this task inventively, returning to her own childhood as an evacuee, a passionate reader and imaginer, free to roam in 'the ordinary paradise of the English count
Hugh Greene
I like the Norse myths, but couldn't see the point of the interweaved story of a young girl reading about them. If this was semi autobiographical then this device felt somewhat self-indulgent.

The re-telling was not enhanced by the incorporation of long lists of flora and fauna nor by the perseverative use of the word 'ineluctable' - I counted this at least four times in the text. Ineluctable is an unusual word and used once the word would have been appropriate. In what is after all only a short
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A.S. Byatt (Antonia Susan Byatt) is internationally known for her novels and short stories. Her novels include the Booker Prize winner Possession, The Biographer’s Tale and the quartet, The Virgin in the Garden, Still Life, Babel Tower and A Whistling Woman, and her highly acclaimed collections of short stories include Sugar and Other Stories, The Matisse Stories, The Djinn in the Nightingale’s Ey ...more
More about A.S. Byatt...
Possession The Children's Book Angels and Insects The Djinn in the Nightingale's Eye The Virgin in the Garden

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“He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster.” 24 likes
“The reading eye must do the work to make them live, and so it did, again and again, never the same life twice, as the artist had intended.” 7 likes
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