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Teatru (2 from 2)

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4.30  ·  Rating Details  ·  117 Ratings  ·  3 Reviews
Ucigaș fără simbrie
Rinocerii
Delir în doi, în trei...în cîți vrei
Regele Moare
Setea și foamea
Lacuna
With Tueur sans gages translated as The Killer (1959; his second full-length play, the first being Amédée, ou Comment s'en débarrasser in 1954), Ionesco began to explore more sustained dramatic situations featuring more humanized characters. Notably this includes Bérenger, a ce
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Hardcover, First Romanian , 1965 pages
Published 1970 by Editura Minerva, București (first published 1958)
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Valentin Chirosca
Aug 02, 2011 Valentin Chirosca rated it liked it
Shelves: romanian
De la opinia simplificării la maxim, până la banalitatea aproape aliterară or umflată de sensuri și semnificații până la a o face să explodeze într-o totală confuzie dramaturgia ionesciană e poate mai actuală acum decât în epoca ei .
Valentin Chirosca
Puncte de reper: insinuarea și dezvoltarea absurdului, criza incomunicabilității limbajului, prezența alienantă a morții, degradarea relațiilor umane. Acum aproape un secol. La fel de acut și azi.
lanalang
Jul 11, 2012 lanalang rated it it was amazing  ·  review of another edition
Shelves: teatro
Giù il cappello di fronte a tanta genialità.
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Eugène Ionesco, born Eugen Ionescu, was a Romanian and French playwright and dramatist; one of the foremost playwrights of the Theatre of the Absurd. Beyond ridiculing the most banal situations, Ionesco's plays depict in a tangible way the solitude and insignificance of human existence.

Excerpted from Wikipedia.
More about Eugène Ionesco...

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