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Le con d'Irène

3.7 of 5 stars 3.70  ·  rating details  ·  137 ratings  ·  17 reviews
«Qui pouvait lire vraiment Le Con d'Irène jusqu'à une époque récente ? Qui aurait osé penser que Sade serait un jour imprimé sur papier bible ? Il n'y a plus de livre sous le manteau, plus d'Enfer. Aragon, dans les années 20 du vingtième siècle, brûle ses vaisseaux. Pas de retour possible en bourgeoisie, pas de compréhension de la part de ses amis surréalistes. Il va rentr ...more
Paperback, Le petit Mercure, 92 pages
Published May 23rd 2000 by Mercure de France (first published 1928)
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θα μπορούσα να διαβάζω αραγκόν αιώνια ακόμα κι αν δεν είχε γράψει ούτε μία λέξη.
Milton Cubicle
its such a moving story about irene and her best friend, her c**t. Biten by a radioactive spider her c**t comes to life in this hillarious and tragic holocaust black comedy romantic drama.
For years I tried to find out who this incredible writer was. My copy is under the name Albert de Routtisie, same translation.

Camus called it "The finest of all works touching on eroticism" but it's even more than that.

Some other reviewers gave the basics, a paraplegic man is used as captive audience by his wife and daughter who engage in a range of perversions with farm hands.

The real story is his increasing enjoyment of these supposed 'tortures', his growing sense that he holds the reigns of
D / wayward cloud
Escrito como los dioses, con una furia y un ritmo de poesía que se lleva todo puesto. Te obliga a leer cada vez más rápido, y a detenerte en cada metáfora. No hay ni una página que no sea sublime. No exagero:

Cortina, suspiras como un seno.
Se diría la proximidad del amor. Cuando una inminente tormenta hace rodar ya en el oscuro escenario de las nubes sus poderosos hombros de luchador, cuando una tormenta pesa sobre una región oprimida donde el malestar se despereza en las casas aisladas que pre
Angela Meyer
Beautiful and strange. Eroticism, obsession, imagination and the abyss. True to surrealism in its dream-states (it begins, 'Don't wake me, for God's sake...') and its depictions of flesh, from poetic admiration to the grotesque. And outside-inside, inside-out. In one part, an invalid's sex life lives only (but vividly and even gleefully) inside his head. Camus liked it. I did too.
This came up as a recommendation from my ‘naughty classics’ list, written in 1928. It is a rather short novella by an early surrealist founder Louis Aragon (a once friend of Andre Breton). It is a strange mix of surrealism, art, autobiography and rather sexually explicit with little developed story – Albert Camus apparently liked the novella.

It appears to be a reflection of Aragon’s relationship with Nancy Cunard, a roaring Twenties English femme fatale. It is basically a foul mouthed but reada
Don't remember this at all. No doubt I read it b/c it was porn written by a Surrealist. The back cover tells me that it's about a paralyzed old man who gets his sexual experience by watching other people have sex thru peepholes. The real translation of the original French title wd be "Irene's Cunt" but Grove probably cdn't get away w/ that at the time.
The French have a way with things we won't even talk about.
Sesho Maru
Really the most shocking thing about this book was its title but the actual novel itself was pretty sedate. There's nothing in here much worse than Henry Miller and even though it's labeled as "Surrealist Erotica" on the back I didn't feel it was "surreal" at all. But maybe I'm looking at it through a 21st century POV instead of 1928, when this was published. Aragon was one of the founding members of Surrealism but that doesn't make this book surrealist. It was a decent short read, but pretty mu ...more
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Pedro Ferreira
Este é daqueles títulos que li porque um amigo me recomendou, porque o título me cativou e porque há muito sentia curiosidade pelos movimentos surrealistas. Na minha opinião o livro começa bastante bem, vai-se tornando confuso e engraçado pelo meio, mas perde toda a piada quando o autor se começa a perder com descrições absurdas, confusas e bastante chatas.
Rihab Kiidmel
Un texte immense qui aurait été épuré par le temps. Tout ce qui est superflue, maladroit, redondant, agressif a été érodé, gommé. Seul l’essentiel demeure. J’aime les associations, insolites, inattendues, décalées..L'absence de verbes donne des idées, ouvre une porte. On se sent à la ligne de partage des eaux, on ne sait si le flot va s'orienter vers la mer mediterrannée ou vers l'atlantique. Il y a une certaine pleinitude dans le désespoir.. J'ai tout simplement adoré !
Nick Ramsey
I read this book, first, because it was really short and a nice diversion during the run-up to finals week and, second, because William T. Vollmann cited it as a major influence to his not-so-short book The Royal Family. Vollmann mentioned in an interview that he thought the book had some "pretty sentences." I think that is about all that can or should be said about it.
Leonardo Rodríguez
Hasta en los momentos menos aventurados, "Le con d'Irène" me asombra. A la segunda vuelta y en versión original (con una little help del diccionario), se ferocidad poética me ha gustado todavía más. Bella y económica edición de Mercure de France. Sugestivo el breve prólogo de Sollers.
dear mr. aragon,

forgive me to write you a few lines.
paris peasant was so much fun.
and irene's c**t just wasn't.
to state it bluntly.

the french are famous for oh la la.
and you spoiled it.
why? if a girl let you down,
don't be angry! it's a game

so give it an other try.
No conozco nada tan hermoso nada que me procure hasta ese extremo una sensacin de fuerza, como la vulva cuando se la alcanza por detrs. ...more
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rate 1 4 Apr 29, 2014 04:11AM  
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Poet, novelist, and essayist, a founder of Surrealism with Paul Éluard, André Breton, Luis Buñuel, and others. Aragon's work reflects the principal trends of thought of the 20th century – he was also a political activist and spokesman for communism. His influence on the theory of the novel and on poetic theory was considerable.
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“And when she’s alone again, as truly alone in the world as she’s always felt herself to be, she looks at herself in a bamboo-framed mirror. Beautiful face, aglow with the taste of carnal pleasure, disdainful and avid … and above all an indefinable look in which can be sensed unspecified danger, sensuality triumphant and a sort of intoxicating vulgarity. She likes what she sees … around her drifts a great brunette fragrance, scent of happy brunette, in which the idea of others dissolves.” 8 likes
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