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The Hours

3.89 of 5 stars 3.89  ·  rating details  ·  89,305 ratings  ·  3,422 reviews
The Hours tells the story of three women: Virginia Woolf, beginning to write Mrs. Dalloway as she recuperates in a London suburb with her husband in 1923; Clarissa Vaughan, beloved friend of an acclaimed poet dying from AIDS, who in modern-day New York is planning a party in his honor; and Laura Brown, in a 1949 Los Angeles suburb, who slowly begins to feel the constraints ...more
Paperback, 226 pages
Published November 9th 2002 by Picador (first published 1998)
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Jennifer Ochoa I had not read Mrs. Dalloway when I first read The Hours and it was instantly one of the best novels I've ever read. It might enhance your…moreI had not read Mrs. Dalloway when I first read The Hours and it was instantly one of the best novels I've ever read. It might enhance your appreciation to recognize the parallels, but the novel stands alone so well that even knowing Mrs. Dalloway exists would not be necessary. I too loved the film version because it captured the feel of the novel well. Go, go read it now! :-D(less)
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Jeffrey Keeten
”We throw our parties; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep--it’s as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we’ve very fortunate, by time itself.”

It’s about the hours right? Those few precious hours
Richard Reviles Censorship Always in All Ways
Book Circle Reads 20

Rating: 4.75* of five

The Book Report: Three women mirror the facets of the life of Clarissa Dalloway, heroine of the novel Mrs. Dalloway by Virginia Woolf. One life is Mrs. Woolf herself, shown in the depths of despair as she convalesces from one of her crippling bouts with depression in the suburban aridity of Richmond while pining for life in London's Bloomsbury, writing her novel of the exquisite nature of the quotidian. Another is the life of Mrs. Laura Brown, dying a mil
Okay, let's be honest, the only reason this book isn't getting a D is because the language was very beautiful... most of the time. It was beautiful when it wasn't beating me over the head with the whole, "Look how eloquently I can write and use big words and sound smart! Don't you feel smart just reading it? Oh, wait... you just feel stupid, huh?" Which, honestly, wasn't that much, but it was enough to annoy me.

The problem I had with the whole story was that I could not find sympathy in any of t
I'm a little ashamed to admit that I read this book because Oprah told me to.

Actually Oprah, Meryl Streep, Julianne Moore and Nicole Kidman told me to.

It must have been a Thursday or Friday afternoon because those were the days off the last time I had a job for which I worked weekends.

The episode with these three ladies was a little unconventional for Oprah. Rather than conducting an interview from her usual studio, she met them for tea in a fancy hotel. And it didn't so much seem like an interv
helen the bookowl
There is no doubt that with this book, Michael Cunningham has done a beautiful job at interweaving the lives of Virginia Wolff, the author, and Clarissa Dalloway, one of his most famous fictional characters. I was constantly surprised when reading through the 180 pages because I kept finding relations and connections that I hadn't seen before. Even though I have watched the movie starring three of my favourite actresses, I think that the books gives you SO much more of an insight into these hidd ...more
K.D. Absolutely
Jun 08, 2013 K.D. Absolutely rated it 3 of 5 stars  ·  review of another edition
Recommended to K.D. by: 1001 Books You Must Read Before You Die (2006-2012)
I saw the movie. I read Virginia Woolf's Mrs. Dalloway (2 stars) and finally read this book.

This is an easier read than Mrs. Dalloway because this uses contemporary English. Well, that thin book by Woolf was one of the first few classics that I had read upon joining Goodreads and I knew I must have missed somethings that was why I just found it okay (2 stars). I should read it again someday.

The movie stayed true to this book so it was not hard to imagine the scenes described in here even if I sa
"Non credo che due persone avrebbero potuto essere più felici di quanto siamo stati noi"

Scrivere una recensione, o anche uno straccio soltanto di commento su questo piccolo capolavoro è impresa quanto mai ardua ed impossibile. Potrei provarci e riprovarci: rimmarebbe sempre la sensazione di non aver reso per nulla la grandezza e la perfezione di questo gioiello della letteratura contemporanea. Allora potrei anche dire solo questo. Vi basti questo: qualunque recensione non può nemmeno lontanament
BRILLIANT! BRILLIANT! BRILLIANT! I loved loved LOVED this book! Every word, every page…. Fantastic writing, intricate structure, amazing insights. I have LOADS of passages earmarked. This is definitely a must-read-again (and again and again and again!). I *never* cry when I read books – this time I cried.

FAVOURITE QUOTE: “It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later, to realize that it was happiness; that the entire experien
Alice Poon

Our lives are made up of years, of days, of hours. What happens around us on one particular day can make us take a blind, or even desperate, leap forward, or it can force us to look at life with patient gratitude. Each one of us would make different choices, according to our own personal system of values and beliefs, our sense of reasoning, our temperament and most importantly, our state of mind at the final hours of that particular day.

With lyrical prose, the author knits and weaves the events

The Hours curiously begins with an ending. Yet, before that ending, one the first leaflet one can note a quote from Jorge Luis Borges poem 'The Other Tiger.' It is fascinating that Michael Cunningham chose to use such a quote, considering Borges' fascination with labyrinths and metalanguage. For Cunningham has, in essence, created a convoluted labyrinth purely out of metalanguage. A labyrinth that ends precisely where it begins as it weaves a path through history. Yet this labyrinth is also in s
I gave the novel one star simply because Goodreads wouldn't let me give it zero! The book is about three self-absorbed, whiny and spoiled women, all from different eras, complaining and whining about their lives, even though, they essentially have it all (wealth, love, family, friends, etc). The book is vile. The characters are repulsive and the plot is tiresome. I keep asking myself how on earth did this novel win a Pulitzer Prize? There's a huge red sticker on the front of the cover, of the no ...more
This book made me want to weep and to sing with joy.
Jan 18, 2015 Chrissie rated it 3 of 5 stars
Recommended to Chrissie by: dely
What has happened to me? I started this book extremely annoyed and ended up liking it. Why? Why? Why? I don't quite know. I have to think........

By the book's end I know the central characters. Who are they? Let me start here. The book follows three women. First there is Virginia Woolf. She is recovering from headaches, terrible headaches. She is and was manic-depressive. The date of this thread is 1923 and Virginia is cared for, watched over or you might say even repressively ordered around by
Feb 10, 2009 Peter added it
Shelves: tutoring
When you read a book like The Hours, you have to decide whether you want to see it as a work in its own right or as an illumination of something else. In this case, The Hours can either be seen as a standalone novel telling the parallel stories of three women in three time periods or as a complementary text to Virginia Woolf’s Mrs. Dalloway.

I struggled with The Hours. (Full disclosure: I struggled with it mostly because I heard Michael Cunningham speak at a screening, and he was an arrogant, po
I really enjoyed this book. I enjoyed that it was beautifully written, even if sometimes 'too' beautiful - the kind of writing that makes you stop reading and think about it. Anyway, I'm always pleased at words that sound good togther, that look nice together, and I think the author's consistently good at it.

Plot wise, I had seen the film before I read it, and although I didnt really remember much details, I think that helped me not getting confused about the characters, names, relationships, et
Tea Jovanović
Prevod je nažalost ispao najveća bruka NK, ali nisam imala uticaja na izbor prevodioca... Preporuka: čitajte je isključivo u originalu dok se ne pojavi neki nov prevod na srpski... ili čitajte hrvatski prevod
David Lentz
The opening of this book is one of stunning and vivid artistry -- it's a most visually arresting first chapter. Like Moliere, Cunningham has a real talent for choosing the right words. Each word was carefully selected for its contribution to the work.The author obviously labored at this short novel. Cunningham properly gives credit to Jonathan Galassi as a "secular saint" who scores another popular, literary victory after "Charming Billy." But we almost expect work of this literary quality from ...more
Saman Kashi

چند نفر از پنجره بیرون میپرند، یا خود را غرق میکنند، یا قرص میخورند؛ عدهی بیشتری بر اثر تصادف میمیرند؛ و اکثریت ما را رفته رفته یکی از دهها بیماری، یا اگر بخت یاری کند، خود زمان میبلعد. فقط این تسلای خاطر ناچیز هست: (ساعتی) اینجا و آنجا که زندگی ما ظاهراً، به رغم همهی غرابتها و آرزوها، به رویمان آغوش میگشاید و هر آنچه را که تصور کردهایم به ما میدهد، هر چند همه، جز کودکان ـ و شاید آنها نیز ـ میدانند که به ناگزیر (ساعات) دیگری در پی این (ساعات) است، (ساعاتی) تاریکتر و پیچیدهتر. با این حال شهر را و
Jul 27, 2008 Martine rated it 4 of 5 stars  ·  review of another edition
Recommends it for: those who love an intense look at life
Several years ago I had the fortune of watching the film adaptation of The Hours, which quite blew me away. I'm not sure why it then took me so long to read the book on which the film was based, but I'm glad I did, as it's just beautiful.

The Hours is both a tribute to and an update of Virginia Woolf's 1920s classic Mrs Dalloway, in which Pulitzer-winning author Michael Cunningham tries to answer the question of how Woolf's characters would interact in a present-day setting. Short on action but
First I saw the movie; then I read Mrs Dalloway; and finally I read the book. With this unusual order, I really liked it. But given that a lot of other reviewers seem dismissive, it's possible that Cunningham is getting a free ride from Virginia Woolf, Julianne Moore, Meryl Streep and Nicole Kidman.

Whatever the truth of the matter, and despite the fact that I did it more or less by accident, I recommend the recipe!

Here's what heterosexual sex is like:
She thinks sometimes, can't help thinking, of those cans of peanuts sold in novelty shops, the ones with the paper snakes waiting to pop out when the lids are opened. There will be no reading tonight.
There will be no heterosexual sex in this novel, in which all the main characters will at least consider suicide and also make out with other girls. At one point Virginia Woolf makes out with her sister, which I'm not sure that really happened.

There are three th
ثلاث نســـــــــاء
ثلاث أرواح معذبـــــات

هل سبق أن قرأت رواية عن سبق إصرار وترصد؟!؟

هذه هي الرواية الوحيدة التي ترصدتها طويلاً .. بحثتُ عنها طويلاً .. وفي النهاية حصلتُ عليها كنسخة الكترونية وقررت قراءتها فورا لكن كان لا بد من قراءة للسيدة
دلاوي لتكتمل المتعة

كلاريســـــــا فوجــــــــــان.... لـــــــــــورا بــــــــــراون ....فيرجينيـــــــــــا وولـــــــــف

ثلاث سيدات لا يعرفن بعضهن البعض .. يعشن في أزمنة وأمكنة مختلفة .. لايربطهن سوى شخصية روائية .. الأولى تكتبها .. الثانية ت
Moira Russell
I've read this book at least twice, judging from dog-ears and annotations, and still have no real clear memory of it. And I don't think my memory's _that_ bad. Cunningham brings new meaning to the words "riding on coat-tails," as well as unhappily eliding one of Woolf's most joyously creative periods -- her composition of the novel he pallidly imitates -- with the dark helplessness just before her suicide. Cunningham winds up rather nastily perpetuating the myth of the Frail Suicidal Lady Genius ...more
When I first read this book, I loved it. But as I spent time thinking about it, I found myself liking the novel less and less. Finally I went back and re-read it, and on the second reading I truly disliked it. Partly, things that had seemed profound or beautiful looked much more flimsy on second glance...even trite, sometimes. Like a facade of depth, if that makes any sense. Which is not to say that Cunningham isn't completely sincere and genuine in his approach to his subject. Just that I'm not ...more
Oh, hello there! I'm Michael Cunningham.

It turns out that if you simply name-check and extensively quote a legitimate masterwork of English literature-- and one written by a woman in the 1920's, who is therefore oppressed and far more sympathetic to the modern reader (and, more importantly to my eyes, critic for a major current-affairs magazine) than, say, T.S. Eliot or James Joyce-- people will think you're a genius too!

It's really quite simple. If you call your acts of craven near-plagiarism "
i kind of wonder what would have happened if this hadn't been my first cunningham. i didn't like any of his other books anywhere near as much (i full on hated Specimen Days). but this, somehow, i think it has to do with the way he manages to write virginia in a way that seems pretty true, that won me over. also, the modern-day "mrs. dalloway" breaks my heart every time i read the damn thing.

i think i liked it so much because it was so ambitious, and i thought he pulled it off. i mean, to write
Un'opera letteraria può essere pensata, scritta, letta, amata e addirittura vissuta.
E può divenire, travalicando i confini dello spazio e del tempo, una sorta di collegamento tra persone molto dissimili tra loro, eppure unite da analoghe sensazioni ed emozioni.
È quanto attesta questo bellissimo romanzo che, a partire dal titolo, costituisce un tributo al capolavoro di Virginia Woolf, "Mrs. Dalloway" - originariamente destinato nelle intenzioni dell'autrice ad avere come titolo proprio "The Hou
Emanuel Moreira
Perdi a conta às vezes que vi a adaptação cinematográfica desta obra. Ao longo da leitura foi-me difícil alcançar a distância necessária para não estar a elaborar comparações.
No fundo é uma bonita homenagem à complexa plasticidade da emoção humana, à mulher, e a Virginia em particular. Escrita acessível e bela. Além das bases já existentes onde "As Horas" se alicerça, pouco mais me ofereceu que um distanciamento profundo, que no ecrã, até pelos simples silêncios, me devolve a aura de Virginia.
Well at first I made it to "sluttish widow" and then I threw the book down. I picked it up again and made it the part about a woman agreeing to be harmless so her husband will provide for her and then I just decided to skip Clarissa's entire first chapter and move on to the next chapter on Woolf. Thus far I am wondering why this book won the Pulitzer Prize . . . So I have been reading the Woolf and Brown chapters and skimming the Clarissa chapters (I absolutely loathe these; the author is so cra ...more
Giovanni Faga
Apro a caso:

"Qui, in questa cucina, piatti bianchi sono impilati come se fossero nuovi, come arredi sacri, dietro le porte a vetri delle credenze. Una fila di vecchie pentole in terracotta, verniciate in varie tonalità di giallo cavillato, è disposta sul ripiano di granito. Clarissa riconosce queste cose, ma rimane separata da esse. Sente la presenza del suo stesso fantasma: la parte di lei più indistruttibilmente viva e meno distinta; la parte che non possiede nulla, che osserva con meraviglia
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2015 Reading Chal...: The Hours by Michael Cunningham 6 16 Jan 16, 2015 05:44AM  
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Michael Cunningham is the author of the novels A Home at the End of the World, Flesh and Blood, The Hours (winner of the Pen/Faulkner Award & Pulitzer Prize), Specimen Days, and By Nightfall, as well as the non-fiction book, Land's End: A Walk in Provincetown. His new novel, The Snow Queen, will be published in May of 2014. He lives in New York, and teaches at Yale University.
More about Michael Cunningham...
A Home at the End of the World By Nightfall Specimen Days Flesh And Blood The Snow Queen

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“We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so...” 308 likes
“Dear Leonard. To look life in the face. Always to look life in the face and to know it for what it is. At last to know it. To love it for what it is, and then, to put it away. Leonard. Always the years between us. Always the years. Always the love. Always the hours.” 301 likes
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