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Distrust That Particular Flavor

3.73 of 5 stars 3.73 · rating details · 1,108 ratings · 212 reviews

William Gibson is known primarily as a novelist, with his work ranging from his groundbreaking first novel, Neuromancer, to his more recent contemporary bestsellers Pattern Recognition, Spook Country, and Zero History. During those nearly thirty years, though, Gibson has been sought out by widely varying publications for his insights into contemporary culture. Wired magazi...more

272 pages

Published January 3rd 2012 by Putnam Adult

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Feb 05, 2013 Fred Warren rated it 4 of 5 stars

Shelves: nonfiction, science-fiction, anthology

William Gibson thinks a lot about the future, not so much in a predictive sense, but in terms of the impact of technological change—on culture in general and on individual human beings in particular. He sees patterns emerging everywhere, and many of his stories revolve around characters struggling to negotiate the leading-edge of some impending paradigm shift that nobody else sees coming. He’s one of the godfathers of cyberpunk, and one of my favorite science-fiction writers—he’s the mind behind...more William Gibson thinks a lot about the future, not so much in a predictive sense, but in terms of the impact of technological change—on culture in general and on individual human beings in particular. He sees patterns emerging everywhere, and many of his stories revolve around characters struggling to negotiate the leading-edge of some impending paradigm shift that nobody else sees coming. He’s one of the godfathers of cyberpunk, and one of my favorite science-fiction writers—he’s the mind behind bestsellers like Neuromancer and Mona Lisa Overdrive, and films such as Johnny Mnemonic, New Rose Hotel, and even a few episodes of The X Files.

If you’d like to spend a little time inside the head of one of our most notable futurists, Distrust That Particular Flavor is a good way to do it. This collection of mostly nonfiction essays and lectures span Gibson’s life experience from boyhood to the present day. He listens to voices from the other side of the world through the earphone of a rocket-shaped crystal radio clipped to a barbed-wire-fence antenna. He wanders the nighttime streets of Shinjuku with costumed teens who communicate at the speed of light, and hears tales of others who spend years in the electronic wombs of tiny apartments without seeing another human face. He ponders the inherent contradictions of an increasingly interconnected, information-based, global society in which dead men sing while the living craft an immense prosthetic memory to fulfill a human urge so ancient it was first expressed in cave paintings. Gibson travels from America to the Far East and back again, with stops in Vancouver, Toronto, London, Singapore, Hong Kong, and Tokyo. Along the way, he traces his journey to bestselling author from his first tentative struggle to forge a single, perfect sentence.

You’ll discover why he thinks science fiction is sometimes good at predicting change but always lousy at forecasting what change will do to us, why the speculative world of cyborg-ed transhumanism is not merely imminent but already upon us, why we can only perceive the meaning of technology in retrospect, why the driving force behind innovation lives on the street rather than in the laboratory, and why the Japanese are better prepared than the rest of us to cope with change at its most rapid and intense.

It’s an invigorating, thoughtful read, especially for somebody like myself who dabbles in spec-fic now and then. Gibson has a good handle on the opportunities and limitations of both technology and speculative fiction, and it’s fun to read the musings of an articulate observer who clearly spends many hours watching his environment and thinking deeply about what it all means. The essays are eclectic, with many related themes that connect them but no overarching thread or agenda, and since they weren’t originally conceived as a single volume, some ideas are repeated several times—though in a variety of contexts and across different times. Gibson also offers a bit of interpretive afterword for each piece.(less)

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Dec 09, 2012 Tom Marcinko rated it 3 of 5 stars

Someday I hope Gibson writes a more substantial nonfiction work. Meanwhile, this selection of magazine items is pretty good and will have to do. His insights are always worth listening to, IMO.

Some quotes:

But I’m not sure I really enjoy the music any more than I did before, on certifiably low-fi junk. The music, when it’s really there, is just there. You can hear it coming out of the dented speaker grille of a Datsun B210 with holes in the floor. Sometimes that’s the best way to hear it.
I knew...more

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Nov 21, 2012 Shonna Froebel rated it 4 of 5 stars · review of another edition

Shelves: canadian

Gibson is widely known for his novels (which I haven't read!) but also has written a variety of pieces on different aspects of contemporary culture. He was born in the southern United States and moved to Canada as a young man. Having met and married a Canadian woman, he stayed and now lives in Vancouver. This comes up only briefly in the writings contained here.
This is a collection of articles, speeches, book reviews, and essays on culture, technology, urban life, and the relationships between o...more

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Jun 30, 2012 Mark rated it 5 of 5 stars

A collection of Gibson's nonfiction pieces, products of an attempt at a form with which he professes discomfort, as if he is just pretending to do nonfiction. Some of them are more trenchant than others, and many are slight at best, but all of them exhibit a deep love of language and fascination for the telling detail, which are the qualities that make his fiction so hypnotic. We have here travel pieces, commentary on tech, several on Asia (the one on Singapore is particularly unnerving), and a...more

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May 30, 2012 Benjamin added it

Shelves: bedside-reading

William Gibson is one of my default answers for "favorite living novelist" questions, and this collection of non-fiction shows about 50% of why that's so--all it's missing is a plot and some characters.

The pieces in this book are an eclectic mix of articles (both newspaper and magazine), introductions to books, speeches, and a blog post; the pieces not written for the book range from 1989 to 2010, but there's a definite focus to the book: the 1989 piece is an article for Rolling Stone about the...more William Gibson is one of my default answers for "favorite living novelist" questions, and this collection of non-fiction shows about 50% of why that's so--all it's missing is a plot and some characters.

The pieces in this book are an eclectic mix of articles (both newspaper and magazine), introductions to books, speeches, and a blog post; the pieces not written for the book range from 1989 to 2010, but there's a definite focus to the book: the 1989 piece is an article for Rolling Stone about the experience of "the Net" and new technology, while the 2010 piece is a talk at Book Expo about the increasing encroachment of the Future on the Now. This is pretty standard Gibson territory: not so much predicting technology, but talking about our disjunctive and joyful relationship with the future, which is now. (Then again, that focus may be a result of what sort of topics Gibson is asked to cover for these magazines and other outlets.)

One reason why I like William Gibson's work is his attention to the stuff our dreams are made of, and vice versa--the dreams our stuff has made possible. And a lot of these pieces deliver both that attention and that dreaminess as Gibson talks about various media platforms and the digital cut-up/re-mix culture, with promises of Johnny's future entertainment system, that extrudes an action figure that Johnny has composed: "It is a woman, posed balletically, as if in flight on John Wu wires. It is Meryl Streep, as she appears in The Hours. She has the head of a Chihuahua." ("Up the Line" (2003))

So this collection might be of interest if you're thinking about media, about future stuff, about the transformation of lived experience when confronted with unadulterated Newness, which soon becomes quite adulterated. Gibson: “My first impulse when presented with any spanking-new piece of computer hardware, is to imagine how it will look in ten years’ time, gathering dust under a card table in a thrift shop.” ("My Obsession" (1999)) This is what makes Gibson so electrically interesting to me: he's neither a techno-fetishist like some of the techier punks nor a techno-dystopian like many literary writers. If Gibson occasionally sounds like Videodrome's Brian O'Blivion when he talks about how the internet is part of our nervous system now, that might seem triumphalist to some, but it just sounds descriptive to me.

It's also obviously (perhaps too obviously) of interest to people who like Gibson's fiction, since here he often takes out for a test drive images or characters that soon find their way into his work (e.g., the Garage Kubrick, the MacGuffin of Pattern Recognition); or gives some behind the scene post-mortem on the experience of making this work ("The Baddest Dude on Earth" (2002) is basically a well-deserved love-letter to Takeshi Kitano, who was in the movie Johnny Mnemonic). A lot of these works have a personal slant; so, for instance, Gibson failed to write an intro to a H. G. Wells novel because what he produced was more about him than about Wells, which is part of the charm, I think. His essay on his eBay obsession--mechanical watches from the 1940s and 50s--makes me salivate over the objects he's describing, but it makes me feel even sharper Gibson's own feeling of adoration.

This personal slant occasionally keeps the pieces feeling very chatty, as when he writes about a new Steely Dan album, “I’m not a reviewer: I just want to say I like this record a lot, O.K.?” ("Any 'Mount of World" (2000)) This is part of Gibson's charm but also his problem as a non-fiction writer: as he notes in the intro, he's really not a non-fiction writer in any sense that we know of. He's not a critic or a reviewer or even an essayist in anything but the original, Montaignean meaning (some of these pieces do feel like essays, that is, attempts, tries to describe some issue). There's no front-to-back argument in this book, no reason to read these pieces in the order given (which is not-at-all chronological). I really enjoyed these essays, and I can see myself dipping in to read a few again in the future, but that's probably the correct way to approach this book: not reading for the book, but dipping for the thoughts.(less)

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Mar 29, 2012 Woowott rated it 3 of 5 stars

William Gibson's new book, which is basically a collection of articles from various magazines, anthology introductions, that kind of thing. Some are incredibly brief, a page or two at most; others are much longer. Appending each selection is a brief blurb about how Mr Gibson considers the article now, or some note about how or why it happened, or some pertinent anecdote. The end blurbs are all a bit interesting, just to see how he feels about things now, which is sometimes different, sometimes n...more

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Feb 23, 2012 Ryan I rated it 4 of 5 stars

Even if he wasn't a real-deal writer of the fictions, William Gibson's non-fiction stuff would be still be must-read. Most of the essays in "Distrust..." have the feel of being a behind-the-scenes look at how he forms the ideas that go into his books, but they still hold up on their own (which is good, because many originally ran in Rolling Stone, Wired, etc.)

But a constant theme of emerges in his writing, that's twinned with his fiction writing; it's Gibson wrapping his wild brain around how d...more

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Feb 16, 2012 Matt Comstock rated it 3 of 5 stars

I like William Gibson's books. This was a series of nonfiction pieces where he waxed poetic on society, technology, other people's books, cities, Japan, etc. Had some interesting lines.

...But Sinclair's faux lovcraftian subtexts...finally lose traction in the way that all conspiracy theories do: the description of an underlying, literally occulted order is invariably less complex than the surface reality it supposedly informs. Conspiracy theories and the occult comfort us because they present mo...more

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Jan 23, 2012 Jenelle rated it 4 of 5 stars Recommends it for: emotional nerds, boys I crush on

Shelves: sci-fi, semiotics-essays-theory

I haven't had such an immediate, pressing desire to read a book in a long time, but from that NY Times Review, I knew this book nestled perfectly into my life-as-sci-fi imagination, esp. travel-as-time-travel. This is a collection of Gibson's published "nonfiction" essays, although he admits early he's uncomfortable relating anything as pure nonfiction, and each essay is footnoted by his present-day critique. Somehow I haven't read a single thing by Gibson before, and I wonder if I had this woul...more

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Jan 07, 2012 Andrew Jacobson rated it 4 of 5 stars

Distrust That Particular Flavor by William Gibson (New York: G.P. Putnam’s Sons, 2012. 259pp)

Born in 1948, William Gibson is an American-Canadian science fiction writer. His debut Novel, Neuromancer (1984) effectively predicted the internet. He has also written for TIME, Wired, Rolling Stone, and The New York Times. He has been awarded the Hugo, Nebula, Philip K. Dick, Ditmar, Seiun, and Prix Aurora awards.

Science Fiction: A Future Truth

The future is always something that has amazed me. What’s c...more

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Oct 18, 2011 Roy Kenagy marked it as to-read

http://avc.lu/nLyrGJ

AVC: Your first collection of non-fiction, Distrust That Particular Flavor, comes out in January. Have you always wanted to write non-fiction?

WG: I’m a reluctant writer of non-fiction, in part because I don’t really feel qualified. I have the toolkit of a novelist, and no training as a journalist or science writer. But I’ve been surprised to realize how much of my fiction over the years has been steered by getting non-fiction assignments and agreeing to go meet someone or loo...more

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Jul 20, 2012 Dianna rated it 3 of 5 stars · review of another edition

With Necromancer William Gibson predicted the Internet and invented the term 'cyberspace' and for a long time he's had this mythical status as a technophobe author capable of technology prognostication. It must get very wearing. Gibson comes across as a genuine, intelligent and polite man, but one who is leery of making any wild claims or getting too caught up in predicting what 'connectedness' will eventually mean. I wished, at times, he'd taken more risks in his writing.

Much in this collectio

...more

Much in this collection felt like missed opportunities. Gibson, honest from the outset (or, intent on priming the reader for disappointment), modestly points out that he is not an accomplished non-fiction writer. All his understand and skill, according to Gibson, is developed through writing fiction, and he doesn't know anything about this other stuff. Magazine editors and event organisers regularly dangle these amazing opportunity carrots which he can't leave hanging, even though he doesn't really feel at the end that he's delivered a completely successful product.

So I am left feeling that Gibson's thinking is far better expressed through his fiction. He would often seem to be on the approach to something profound, or something interesting, and then he would simply slide away or loop back into another thought and I'd be left wondering if he ever meant to make any point at all. His strongest work is, I think, is in his piece on his eBay obsession with mechanical watches, and when he talks about shopping for a sink plug in Tokyu Hands. He's equally good in what he captures about Singapore and London and Tokyo, in evoking a sense of time and place and culture that has such a feeling of difference. He can see and describe objects and places in uncommon ways.

Unfortunately, it's all strong in parts, but there is no whole here, nothing that will leave any deep impression. It's unsatisfying. However, it's difficult to be too critical of Gibson because even if he's not giving me a great deal of content, what he is giving is effortless and amazing prose.

(less)

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Jan 29, 2012 Artur Coelho rated it 4 of 5 stars

William Gibson é uma curiosa escolha para guru cultural. Influente escritor de Ficção Científica, é conhecido do grande público por ter cunhado o termo ciberespaço no romance Neuromancer, seminal para o género cyberpunk. Sendo um daqueles escritores que tem o dedo no pulso da época contemporânea, evoluiu estilisticamente para reflectir na sua obra os aspectos menos visíveis e potencialmente arrepiantes do admirável mundo novo acelerado pelo digital que tanto nos deslumbra. É esta a faceta que mo...more

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Jan 13, 2012 John rated it 5 of 5 stars

Shelves: books-i-own, essay-collection, general-nonfiction

William Gibson has said more than once that science fiction possesses a unique toolkit for dealing with our science fictional present. He said that again when I asked why mainstream writers are turning increasingly to science fiction during a question and answer session held during his New York City literary event for this very book. He could have offered similar advice to journalists with respect to their narrative nonfiction and journalistic reporting; “Distrust That Particular Flavor” makes a...more William Gibson has said more than once that science fiction possesses a unique toolkit for dealing with our science fictional present. He said that again when I asked why mainstream writers are turning increasingly to science fiction during a question and answer session held during his New York City literary event for this very book. He could have offered similar advice to journalists with respect to their narrative nonfiction and journalistic reporting; “Distrust That Particular Flavor” makes a most powerful case for that, in vivid, often concise, prose that will remind his most ardent fans of his early “Sprawl” stories and others collected in “Burning Chrome” and the novels “Neuormancer” and “Count Zero”, and one that also evokes “Idoru”, and other, later novels like “Zero History” , in its relentless attention to detail. Any new book written by William Gibson should give readers ample cause for celebration, but this, his first foray into nonfiction, is not only a most distinguished collection of essays, but one that will be admired for years.

There is undoubtedly a strong cyberpunk-like beat in much of Gibson’s narrative nonfiction. His poignant remembrance of his favorite SoHo (New York, NY) antiques store written within days of the 9/11 terrorist attacks (“Mr. Buk’s Window”) could have easily been part of one of his early “Sprawl” stories (Not surprisingly, he admits in a concise afterword that that antiques store would inspire him to finish writing the novel he had just started; “Pattern Recognition”.). He has written a most concise tribute to “Steely Dan” (“Any ‘Mount of World”) that not only pays tribute to the songwriting duo of Walter Becker and Donald Fagen, but does so in such a way that anyone reading it will think that it is really a free verse poem instead of a most insightful piece of criticism. He finally explains his interest in Japanese culture in several compelling essays that explain why he thinks Japan represents our future. When he writes about his visits to Japan and Singapore, he does so in narratives that are so eerily reminiscent of his densely layered prose in novels like “Neuromancer”, “Idoru”, and even his most recent ones like “Pattern Recognition”, and especially, “Zero History”. Readers will be pleasantly surprised reading how he finally succumbed to the ample charms and distractions of the Web via eBay in his essay “The Net is a Waste of Time”. And of course, he also discusses his longstanding admiration for writers as diverse as H. G. Wells, George Orwell, J. G. Ballard and Samuel Delany. In short, Gibson has given readers a concise introduction into his thought and an introductory trek that is one well worth taking.(less)

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Apr 29, 2012 Peter rated it 4 of 5 stars

Shelves: non-fic-tech

William Gibson is a sort of reluctant futurist. He wishes to write fiction, yet so much of it has, presumably against his wishes, turned out to be reality, or at lease a semblance of reality. He "creates" cyberspace on the page and shortly it exists, of a sort. Unlike many science fiction writers who attempt to predict the future, he seems to be a sort of future historian, seeing shadows of possibilities through a broken lens. Never an exact projection, but frighteningly close.

Reading this colle...more

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Nov 07, 2012 David Tejera rated it 4 of 5 stars

Grande, aunque no deja de ser una recopilación de artículos que han ido apareciendo en todo tipo de publicaciones a lo largo de las dos últimas décadas.

Siempre me ha gustado la forma de pensar que tiene Gibson, ya me encandiló hace un par de años cuando vi por primera vez "No Maps for These Territories". La manera que tiene de desgranar el presente y el futuro más próximo es algo que no he visto en otros. No es académico de nada, y lo sabe, ni siquiera se puede decir que sea un tío demasiado af...more

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Feb 16, 2013 Ludo rated it 4 of 5 stars

Shelves: sociology, philosophy, science-fiction

There is simply no way to describe what William Gibson is trying to achieve with his books. What is he trying to say? Slowly meaning trickles in through osmosis...His voice is unique and mesmerising. This book is a collection of essays and other non-fiction work he has written over the years and it tantalisingly sheds some light on this enigma. The prose here is again wonderful, using unfamiliar or unexpected concepts to shed light on other concepts in a completely new way. Rather than trying to...more

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Jan 07, 2013 Amber rated it 3 of 5 stars

Shelves: contemporary, essay

This is a book of William Gibson essays of varying interest to me, mostly involving his thoughts on technology but also some discussion of films, the idea of cyborgs, the internet as a "collective prosthetic memory", and a little bit about his life, how he came into science fiction and science fiction as it relates to science and society. He brings up some thought-provoking ideas and more than a few turns of phrase that either made me smile, smirk, or laugh aloud. The way he has in his fiction o...more

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Feb 22, 2012 William Thomas rated it 4 of 5 stars

Shelves: non-fiction, retrospective, future-history

William Gibson thinks very highly of himself, Angela told me as we listened to this audiobook on a drive in the suburbs. I think what she actually said was, "this guy is super into himself".

You can definitely get that impression from this collection, although the conclusion would be unjustified. The articles are more or less supposed to be about him- his experiences, his thoughts, his vision. So to make a judgment as such seems unwarranted when the non-fiction you are reading is supposed to be...more

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Feb 22, 2012 David rated it 2 of 5 stars

Shelves: disappointing, structurally-flawed, read-in-2012

I think very highly of William Gibson. I've been vastly entertained by three of his novels and can't wait to get my hands on more of his fiction. But this collection of non-fiction pieces, written over a span of several decades, is a disappointment, likely to be of interest only to diehard Gibson fans.

Don't get me wrong. There's nothing here to change my impression that Gibson is smart, and a fundamentally nice guy. But pieces like the 1993 essay about his impressions of Singapore for "Wired", o...more

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Jan 18, 2012 Alfredo rated it 5 of 5 stars

I was amazingly entertained by theses boo, despite picking it up after a collarbone operation. The day I came home I was reading some other book trying to sleep and I was nor getting to sleep, neither getting distracted from the pain and discomfort. I decided to switch to this book, I haven't done it earlier, because I know how the author feels about nonfiction, and I was pretty sure I had read most of the essays. But I was immersed in a lovely world of details and transpositions, that got me th...more

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Aug 05, 2012 Mike rated it 3 of 5 stars

I waffled for a long time on this one (between 2 and 3 stars). I had read Disneyland With The Death Penalty (Gibson's travel piece about Singapore) a while back, so when I heard there was a collection of his nonfiction out, I picked it up.

Unfortunately, a lot of it feels really same-y: there are two pieces about Japan/Tokyo that feel really similar, and two about film/radio/the Internet that feel really similar as well. There are a few album reviews that he did (cool!), and a few introductions t...more

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Feb 14, 2012 Rose rated it 4 of 5 stars

I initially conceived of my enjoyment of these essays as an extended exercise in reading from my father's point of view. The subject matter of the book could be generally described as "the future," though it's retrospective nature means that it is a lot about the past as well. Although I think my dad will love this book when I give him the audio recording for a birthday gift, by the end, I was really excited by the ways the book was making me think about my own big ideas. My dad taught me to lov...more

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Jan 15, 2012 Mark rated it 5 of 5 stars

Shelves: read-2012, essays, nonfiction

I like to say that I will read anything that William Gibson writes, but that's not exactly true as I've long overlooked The Difference Engine, co-written with Bruce Sterling (marking it down for this year). That said, this collection of Gibson's talks, essays, articles, and reviews is a fast but fun read for William Gibson fans. The best pieces in here are the long ones, specifically the two wired articles.

The first is "Disneyland with the Death Penalty," a 1993 piece about Singapore in which G...more

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Sep 30, 2012 Andrewcharles420 rated it 4 of 5 stars

A nice collection of essays and non-fiction writing from William Gibson, whose fiction I've particularly liked in the past (at least most of the time). Likewise this book has some real winners and only a few misses. I found it to be a good book to pick up on occasion, for a chapter at a time or so. I really enjoyed the title-inspiring essay, "Time Machine Cuba", (available here: http://www.infinitematrix.net/faq/ess...). In it he criticizes a pretension of some science fiction writers to underes...more

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Aug 18, 2012 Ian rated it 2 of 5 stars

Picked this one up because of the essay on Singapore titled 'Disneyland with the Death Penalty'. A by now typical but slightly dated western characterization of the country as clean, efficient and dreadfully boring. The article was written in the 90s, which for Singapore might as well be another era given the rapid change since then - the easing of censorship and control being acknowledged by the author in a postscript. Looking back, I'm not sure that opening the floodgates to foreign media, ide...more

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Feb 20, 2012 Everitt rated it 4 of 5 stars Recommends it for: Japanophiles, Anglophiles, Gibson's Fans

Shelves: non-fiction, essay, japanese, language, science-fiction

I'm giving this a 3.5/5. Ordinarily I would have given it a strong 4/5 but most of the essays are available for free online, so unless you want the convenience of a single collection you would do well to just search the archives of Wired Magazine, The Observer, Time, Forbes ASAP or Gibson's website.

I haven't read a lot of Gibson but what I have read is very good and he is one of those authors I always mean to read more of, but there always seems to be some other book I'm obliged to read in the w...more

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Jan 31, 2012 Ian rated it 4 of 5 stars

Surprisingly hard to put down. I read this in the span of a day. In retrospect, it's actually kind of hard for me to remember too many individual characters from Gibson's novels, and this collection does a great job of highlighting why that is. He has a knack for describing cities, technologies, and cultural movements in a very convincing and interesting way (the characters are often just sort of there for the ride). His point about us not being more freaked out about the fact that we can view a...more

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Feb 11, 2012 Nick rated it 3 of 5 stars

Gibson has a tendency to repeat himself quite a bit in this collection of short nonfiction work spanning the period 1993-2011 (the drinking game for this book would have you take a shot every time he describes something as 'Borgesian'), but since we probably won't see a new novel for a few years, this isn't a bad way to tide over. Gibson's main thesis is that cultural change is ultimately driven by the advance of technology, and through that he tackles subjects such as the future of film making...more

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Feb 05, 2012 RandomAnthony rated it 3 of 5 stars

William Gibson's Distrust That Particular Flavor utilizes, ahem, prodigious white/grey space. While the pages number 254, approximately 75 of these are white/gray dividers between articles/speeches/book introductions. So assume the text runs maybe 150 small pages. Does that mean Mr. Gibson and Co. are trying to pull a fast one on completist readers? I don't think so. While Distrust That Particular Flavor is short and far from cohesive, the gathering of the author's best non-fiction in one compac...more

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About William Gibson

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William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies wor...more

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“My first impulse, when presented with any spanking-new piece of computer hardware, is to imagine how it will look in ten years’ time, gathering dust under a card table in a thrift shop.” — 3 people liked it

“Bugis Street, once famous for its transvestite prostitutes - the sort of place where one could have imagined Noel Coward, ripped on opium, cocaine and the local tailoring, just off his rickshaw for a night of high buggery - had, when it proved difficult to suppress, a subway station dropped on top of it.” — 1 person liked it

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