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  <id>1188127</id>
  <title><![CDATA[The Goshawk]]></title>
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  <description><![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]></description>
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        <name><![CDATA[T.H. White]]></name>
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  <title>
    <![CDATA[The Goshawk]]>
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  <average_rating>3.58</average_rating>
  <ratings_count>40</ratings_count>
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    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
  </description>
  <published>1951</published>
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    <rating>5</rating>
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  <read_at>Fri Oct 01 00:00:00 -0700 1971</read_at>
  <date_added>Fri Nov 13 06:26:40 -0800 2009</date_added>
  <date_updated>Fri Nov 13 06:35:22 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was one of the books that I had to read for O-Level English literature, and it was the only really interesting one out of the set. (These were the UK school exams for 16 year-olds back in the early '70s).<br/><br/>This is a role model for those who would practice the craft of writing great li...<a href="http://www.goodreads.com/review/show/77637154">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77637154]]></url>
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      <review>
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    <name><![CDATA[Dan]]></name>
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  <title>
    <![CDATA[The Goshawk]]>
  </title>
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  <average_rating>3.58</average_rating>
  <ratings_count>40</ratings_count>
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    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
  </description>
  <published>1951</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu May 01 00:00:00 -0700 2008</read_at>
  <date_added>Thu May 15 19:31:53 -0700 2008</date_added>
  <date_updated>Tue May 27 19:47:48 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I love T. H. White, and the reason why I love his writing shines through in punctuated brilliance in this brief book.  Be aware that the descriptions on the back cover are misleading: This is NOT a book about good falconry.  This is a book about terrible falconry performed with zeal fired by the bes...<a href="http://www.goodreads.com/review/show/22340147">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22340147]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22340147]]></link>
</review>
      <review>
  <id>44745473</id>
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    <id>133448</id>
    <name><![CDATA[Kelly]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[The Goshawk]]>
  </title>
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  <average_rating>3.58</average_rating>
  <ratings_count>40</ratings_count>
  <description>
    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
  </description>
  <published>1951</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jul 13 00:00:00 -0700 2009</read_at>
  <date_added>Thu Jan 29 07:38:51 -0800 2009</date_added>
  <date_updated>Mon Jul 13 20:10:20 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a beautiful book, and one that I would recommend to anyone who is beginning at something new.  T.H. White is best known for the Sword in the Stone books, I think, but his writing is totally different here because, without taking any of the introspective or analytical detours that can so quic...<a href="http://www.goodreads.com/review/show/44745473">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/44745473]]></url>
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</review>
      <review>
  <id>33951341</id>
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    <name><![CDATA[martin]]></name>
    <location><![CDATA[10300, Thailand]]></location>
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  <title>
    <![CDATA[The Goshawk]]>
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  <average_rating>3.58</average_rating>
  <ratings_count>40</ratings_count>
  <description>
    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
  </description>
  <published>1951</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 1974</read_at>
  <date_added>Fri Sep 26 23:56:05 -0700 2008</date_added>
  <date_updated>Fri Sep 26 23:56:05 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I come from a family of twitchers all obsessed by birds. Most of them love this book but I was never able to get into it. Perhaps because reading books at school tends to be like a dissection experiment and only great stories can survive that process intact. This book is by its very nature detailed ...<a href="http://www.goodreads.com/review/show/33951341">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33951341]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33951341]]></link>
</review>
      <review>
  <id>37783239</id>
    <user>
    <id>133249</id>
    <name><![CDATA[Bob]]></name>
    <location><![CDATA[Saudi Arabia]]></location>
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  <title>
    <![CDATA[The Goshawk]]>
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  <average_rating>3.58</average_rating>
  <ratings_count>40</ratings_count>
  <description>
    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
  </description>
  <published>1951</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <read_at>Sat Nov 01 00:00:00 -0700 2008</read_at>
  <date_added>Sat Nov 15 06:36:14 -0800 2008</date_added>
  <date_updated>Thu Nov 20 05:55:45 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[fantastic. you learn a lot of obscure and esoteric stuff in this book. but useful.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/37783239]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/37783239]]></link>
</review>
      <review>
  <id>73719453</id>
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    <name><![CDATA[Karen]]></name>
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  <title>
    <![CDATA[The Goshawk]]>
  </title>
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  <average_rating>3.58</average_rating>
  <ratings_count>40</ratings_count>
  <description>
    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
  </description>
  <published>1951</published>
</book>

    <rating>0</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Sheepngoat1]]></recommended_by>
  <read_at>Mon Nov 09 04:21:09 -0800 2009</read_at>
  <date_added>Wed Oct 07 04:45:35 -0700 2009</date_added>
  <date_updated>Mon Nov 09 04:21:09 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Just starting this as something to distract from class-related reading.  A friend handed this to me about a week ago and I cracked the cover last night.  From reading the introduction, I know it'll be something I'll like.  Thanks John, you know me well. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73719453]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/73719453]]></link>
</review>
      <review>
  <id>16288233</id>
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    <name><![CDATA[Carl]]></name>
    <location><![CDATA[Salem, MA]]></location>
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  <title>
    <![CDATA[The Goshawk]]>
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    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
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    <body><![CDATA[a true account of a patient man's endearing attempt at befriending a free-spirited hawk.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/16288233]]></url>
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    <![CDATA[The Goshawk]]>
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    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
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    <body><![CDATA[White's written some good books.  This one is a complete vacuum.  Skip it.   ]]></body>
    
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    <![CDATA[The Goshawk]]>
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    <body><![CDATA[This is wonderful, perfect book by a learned, lonely man.]]></body>
    
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    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
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    <![CDATA[What is it that binds human beings to other animals? T. H. White, the author of <em>The Once and Future King</em> and <em>Mistress Masham’s Repose</em>, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.<br/><br/>White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became <em>The Goshawk</em>, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.]]>
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