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None to Accompany Me

3.76 of 5 stars 3.76  ·  rating details  ·  469 ratings  ·  43 reviews
In an extraordinary period immediately before the first non-racial election and the beginning of majority rule in South Africa, Vera Stark, the protagonist of Nadine Gordimer's passionate new novel, weaves a ruthless interpretation of her own past into her participation in the present as a lawyer representing blacks in the struggle to reclaim the land. The return of exiles ...more
Hardcover, 324 pages
Published September 1st 1994 by Farrar Straus Giroux (first published 1994)
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What a striking opening - the first sentence (“And who was that?”), the first two pages - immediately drawing the reader into the narrative. Writing in questions and sentence fragments, Gordimer succinctly and masterfully presents a plethora of details that outline a situation, a conundrum, that propels the action and the curiosity of the reader rapidly forward.

The narrative is fascinating, intense in a way that drives the reader to take frequent breaks in order to settle before resuming the sto
Gordimer is an incredible writer. She makes ingrown hairs sound poetic. I found the whole solitude of the self theme to be particularly captivating and upsetting. I think perhaps one of the things I loved so much about this book, aside from the writing itself, was the multidimensionality of the characters, to the extent that I could never make up my mind if I even liked any of them.
This book devastated me in way that no book has for a quite some time.

Gordimer expertly twines together narratives of lies and secrecy in both relational and political domains-- the double lives forced on the characters by their work in opposition to Apartheid bleeds into the duplicity of their intimate relationships. It's a brilliant exploration of the limits of intimacy, and while its themes are grandiose, its style is direct and engaging-- the best of both worlds, a truly readable but still t
Somehow the author managed to create a vibrant and beautiful character-driven novel set in an action-driven time: a revolution, constant unrest and ceaseless violence. She lets nothing take center stage but the characters she so artfully creates. Not a small accomplishment. A Nobel Prize winning author and a white South African woman, the author is new to me. I will be reading more of her.

Favorite quote: "Everyone ends up moving alone towards the self.'
None to Accompany Me is about Vera Stark, a white woman lawyer, whom has given her life to helping blacks regain some of their ancestral land in post apartheid South Africa. She is not the most likable character you will ever encounter, but she is brave and fiercely honest. She has chosen to give her life to the cause at the expense of her family and friends. She served on the committee that worked on drafting the new constitution which gives insight into the responsibility of creating such a do ...more
I started this several years ago and gave up because the subject matter become too minutely political – details of the South African political system just before the ANC took over. But I’m glad I finished it. It’s written with such a taut, elegant style that it is worth reading for that pleasure alone.
nadine too good. the frankness and the complex sentence structure astonishes. my favorite of her book excepting Sport of Nature
Brilliant. This is a book that lingers in the mind long after you've read the final pages.
This seems like a good book, but I just couldn't get into her style, so I gave up.
This really prepared me for a tougher read later on this year, the Nelson Mandela's Conversations With MyselfConversations with Myself. It helped me immerse into a world torn apart by the radical changes happening in the early 90s. I am equiped now to better understand South Africa.

Analyzing various aspects of the nove, I will start up with the premise. This revolves on the couple relation and on human sexuality, mainly from the main character perspective, which I assume is largely based on auth
A rich introspective of a singular personality, firmly rooted in the unique political landscape of post-apartheid South Africa. I found it to be a compelling interplay of philosophy, politics, and - overriding all else - personal desire; the question Annie asks of Vera - "What is it you want?". At times the writing clumps in tightly tangled sentences; at other times it unfolds hospitably into metaphor - the "incinerated setting sun" becomes a "blazing forest fire" behind the silhouette of trees. ...more
Kathleen Hagen
None to Accompany Me, by Nadine Gordimer, Narrated by Susan Ericksen, produced by Brilliance Audio, downloaded from

Vera Stark is the protagonist of this novel. Gordimer’s novels, dealing with the South African Apartheid and the ongoing movements of Blacks supported by some liberal Whites, like Mrs. Stark, are now moving on to the precursor of Africans taking over. This leads to verbal and physical violence both by whites, trying to keep the land which Africans will now want to recla
"Neste romance, Nadine Gordimer introduz-nos na vida de dois casais, um negro e outro branco, e na forma como o seu relacionamento evolui e se relacionam com a sociedade durante o período que antecedeu as primeiras eleições livres na África do Sul. Nos últimos dias do antigo regime, activistas contra o apartheid são libertados da prisão ou regressam a casa após vários anos no exílio. Vera Stark, uma advogada branca dos direitos civis que representa a comunidade negra e a pretensão desta às terra ...more
None to Accompany Me by the late Nobel laureate in literature Nadine Gordimer is a snap-shot of the early 1990s in South Africa, the years of the democratic and peaceful end of the Apartheid system. The great impact those years of transition had on the private lives of South Africans is shown by the example of two couples, a white and a black one, whose personal fates are interweaved with events and atmosphere. Even their marriages and relations to their children and grand-children are affecte ...more
This is a very personal, at times difficult, but ultimately satisfying portrait of people working through the transition to post-apartheid South Africa. I was on the fence for a while, but after realizing the additional layers at work in her writing, I bumped from 3 to 4 stars. The characters are flawed, and not entirely likable, but are ultimately very honest. I am not sure that I really like her writing, but I do respect it.
Brian Davis
I had never read Gordimer before this. Never even heard of her, in fact, but I'm really glad I picked this one up. Her style is very dynamic, like she's a film director constantly switching lenses. Her language is plain, but the sentence structure is ornate and farsighted. The narrator's voice is precise, matter-of-fact, and superlatively intelligent without a trace of show-offy-ness. She flies through different points of view, not in a gimmicky way at all, but rather in a highly technical way w ...more
I really enjoyed this book, but I also struggled with it.

Oftentimes I found the prose to be overdone and confused; and I found the way in which she sketched out the novel's heroine to be problematizing. Too much of Vera, for my tastes, was built around her career and her sexual identity. I suppose that careerism and sexual liberty are strong markers of resolute, progressive femininity, sure... but for them to be the axis of personal identity? It's a little shallow.

I really, really loved every on
There is no one like Nadine Gordimer to delve into the grey areas of the black and white conflict of apartheid and post-apartheid South Africa. My favorite of hers is still The Conservationist and Burger's Daughter, but this one had many merits. Her writing is so smooth, so fluid, so beautiful and charged with emotion and nuance. For example, the book contains three sections...Baggage, Transit and Arrival...each one highlighting where the main character, Vera, is in her life. First, she takes a ...more
This is one of the better books I didn't like. I struggled my way through it in book group, and was glad I did, even though I didn't particularly enjoy it. It is an amazingly nuanced look at a society in the midst of a radical transition (South Africa in the mid 90s), and I don't think I've ever read a work of fiction that captured the complex racial and political dynamics in such a powerful way. But Gordimer employs an awkward style for her dialogue, which made it hard to tell who was saying wh ...more
Nadine Gordimer is still a genius. She really might be one of our best living authors. It would be silly to call someone who has won the Booker and the Nobel Prizes underrated, but her work does seem to be less read and discussed in my network, as compared to some other (male) postcolonial authors. Certainly this is true of the Goodreads network.

This novel chronicles South Africa's transition to truly democratic governance, and the reintegration of exiled anti-Apartheid activists into society.
It brings up interesting questions: Are solitude and (to a certain degree) secrets necessary in defining one's identity? Why do we compulsively hop from relationship to relationship with people, knowing our lovers can't give us everything we need? Is it a fact to be lamented, that most of us won't ever find complete satisfaction in another? Or does this restlessness drive us toward a jubilant self sufficiency and intimate knowledge of ourselves?

. . .

Upon finishing the book:
I found that question
Gayle Mccoy
I believe I need to re-read this so I can get a grip on truly what it's about. It's based around one woman's life in South Africa and she has some sort of active role advocating for Apartheid displaced Black people; her counterpart is also a Black woman advocating for the same groups....I think.
A very interesting look at South AFrica as it transformed from apartheid to majority rule. Yet, too much about Vera's sex life and not enough from the other characters (namely, the Black ones) and their experience during this incredible time. I can see why many like the author's writing style but for me it was a little too slow. I found myself drifting off often and needing to re-read a page or 2. Kind of interesting picture of independent, professional women with husbands who were less recogniz ...more
Kelly Ann
Subtly complex, but more accessible than some of Gordimer's other novels.
I was really into this book all the way til the end. It weaves personal stories into the political landscape in the first post-Apartheid years in South Africa, and the race and land politics of that time are played out on personal, national and symbolic scales. Then it ends. I was expecting an assassination or something else that brought things to a more dramatic close. I guess I'm missing something.
"A logic can be made of anything; it lies not in the truth or falsity of an idea, but in the means of its practical application."
Really a 4.5. Nadine Gordimer is a wonderful writer and this novel is as good as any of her others that I've read (Burgher's Daughter, July's People, The Pick-Up, and one other I can' think of right now.) The narrative concerns a mixture of politics both personal and public in the heady days around Nelson Mandela's release from prison.
I read this book for the book club I'm in.

The most interesting aspect is something I'm having trouble articulating. There was an reoccurring motif: touch. The author focused on different moments in the characters lives when touch communicated very different messages; from sexual advances to camaraderie.
I am not interested in finishing this book right now. It has sat by my bed for way too long. It is definitely well written but I am not enjoying it.
Την αγαπώ σταθερά. Αυτή τη φορά δυσκολεύτηκα στην αρχή να με συνεπάρει, ίσως να φταίει κάπως η μετάφραση. Κατά τ' άλλα, οι μυστηριώδεις προσωπικές συμπτώσεις που παθαίνω με τα βιβλία της καλά κρατούν.
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Nadine Gordimer was a South African writer, political activist and recipient of the 1991 Nobel Prize in Literature. She was recognized as a woman "who through her magnificent epic writing has – in the words of Alfred Nobel – been of very great benefit to humanity".

Gordimer's writing dealt with moral and racial issues, particularly apartheid in South Africa. Under that regime, works such as Burger'
More about Nadine Gordimer...
July's People The Pickup The Conservationist Burger's Daughter My Son's Story

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“In every encounter between human beings there is a pace set that belongs to them, and that will be taken up in its own rhythm whenever they are together.” 1 likes
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