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The New Republic

2.93 of 5 stars 2.93  ·  rating details  ·  1,059 ratings  ·  212 reviews
Ostracized as a kid, Edgar Kellogg has always yearned to be popular. A disgruntled New York corporate lawyer, he's more than ready to leave his lucrative career for the excitement and uncertainty of journalism. When he's offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared lar ...more
Hardcover, 377 pages
Published March 27th 2012 by Harper (first published January 1st 2012)
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Jennifer D
Dear Lionel Shriver,


That sort of hurt my head a bit, Lionel. It started out interesting and zippy - full of potential. But then there was some really, really, really horrible writing:
Such a piercing whistle sang through window cracks that Edgar's headache was immediate. As the hump-fendered sedan galumphed down the road, it swayed in and out of lane, though the driver wrestled manfully with the wheel. Now and again a thud sounded against the doors as if a linebacker had assaulted the cab w
I've read everything Shriver has written and until 'We Need To Talk About Kevin' she was a very ordinary author at best. WNTTAK was brilliant and Post-Birthday World even better. Here was an incredibly talented author, a great intellect and a master prose stylist. Her book following Birthday World, "So Much For That" was a big disappointment, and not just because I expected more from Shriver - it simply had nothing to recommend it - plot, ideas, prose. So when "The New Republic" came out in 2012 ...more
B the BookAddict
Sep 06, 2014 B the BookAddict rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Everyone
Recommended to B the BookAddict by: moi!
Shelves: fiction

Published in 2012, The New Republic was completed in 1998 between Shriver's Double Fault and We Need to Talk About Kevin. While it does deal with a weighty issue, terrorism, it is probably the most comedic and witty of her novels. She is very respectful of the terrorism issue but she has a lot of fun with her characters. Set in an perversely quixotic country with a curious storyline, Shriver presents characters who are larger than life with brilliantly satirical dialogue.

Edgar has gone through
In progress and generally enjoying despite being offended during an insomnia bout by a former prep school superstar saying "So I tossed it. I didn't apply to Yale or Harvard, but Haverford."
Updated: Like many, I came to "meet" Shriver in We Need to Talk About Kevin. Enjoyed is an odd word for such a dark novel, but I found it very well-done. As such, I jumped on the Shriver pick when it became available as an advance read from my lovely Harper pals. I wish I hadn't.

This is a novel about repo
Jeanette  "Astute Crabbist"
What happens when a clutch of journalists is left in a remote posting with nothing to report? Might some of them be tempted to fabricate news or massage the truth to keep the paychecks coming and avoid being called home?

The New Republic is set on a fictional peninsula called Barba that is trying to gain independence from Portugal. Terrorist attacks all over the world have been claimed by the Soldiers of Barba, or "SOB." Barba residents are angry at the tide of Muslim immigrants flooding their t
T. Edmund
My review of this book could be easily summarised by the beginning author's note, revealing this novel was written two decades ago but remained unpublished until this point. Of course this is due to the theme being 'poisonous' at the time, and the 2012 audience, becoming more recpetive. Nothing to do with Shriver becoming an international bestseller in the meantime.

I hate to do this negative review because I loved ..Kevin and enjoyed So Much for That, but I suspect this novel wasn't published ea
As she explains in her author's note, Lionel Shriver wrote this comic novel about terrorism in 1998, but was unable to sell it because of American lack of interest in terrorism. So now it's a novel set in an alternate past. I found it quite funny.

The main character Edgar is an unpleasant, chauvinistic guy who feels he's always second best. He's always jealously hero-worshiping someone else. Even though the character was a jerk and kept making poor decisions, I felt sympathetic to him and I was
I won't say that I loved this book, but I will say that I found it fascinating. I was completely enthralled by it. Ostensibly about pseudo-journalist turned pseudo-terrorist Edgar Kellogg, who is sent to a political backwater known for it's pungent fruit and gale force winds. His assignment is to cover the local terrorist group who has been making waves, while investigating the mysterious disappearance of his charismatic predecessor.

Originally written in the late 1990's and shelved for a decade
Silly me, thinking We Need to Talk About Kevin would come out with another fantastic book, especially considering that her books have been increasingly bad since WNTTAK. This one fit into her recent need for political diatribes and was coupled with the worst of her writing - heavy dialogue, overt analysis interwoven into people's daily observations, lines that seem to be poised in front of a waiting audience. But worst of all is the leading man, or loser, Kellogg, who in his late thirties just w ...more
Rod Raglin
As a journalist, I’ve been one of those who lived in anticipation of covering “a big story”, and when it happened; be it a natural disaster, horrific accident or multiple murder, almost gleefully sought out the gory details since the more casualties, the more dramatic the story, and the more likely my byline would appear on the front page.

Lionel Shriver, a journalist herself, knows this rush and how being in the right place at the right time can make a career, just as poor timing and bad luck (f
Alex Templeton
This was one of the more frustrating novels I've read in a long time. I love Shriver's work generally, but this one...just...dragged. For a long time it was one of those dreaded books that sucks the joy out of reading for awhile, simply because you don't look forward to going back to it. Anyway. The first two-thirds of the book follow new journalist Edgar Kellogg as he lands an assignment in the (imaginary) backwater land of Barba, which is struggling from independence from Portugal. He casts ab ...more
Mary Schumann
this book had a limited check-out time from the library and I tried hard to make it through. I got onto Lionel Shriver as most did with We Need to Talk about Kevin - I read that book in 12 hours and could not stop thinking about it (still can't!) this one I'm 2 weeks into and I just can't make it. I'm even having trouble sleeping because the plot enters my dreams and I feel as if she can't possibly be so obvious, and there must be some fabulous surprise ending that I will adore but at this point ...more
I chose this book because I so enjoyed the last two of hers I read: "So Much for That" and "We need to Talk About Kevin". But this one stinks. Notably, it was written before the other two and withheld from publication by the author till recently. She should have withheld it longer. I was her biggest fan, raving about the afore-mentioned.

But this one is a tedious tale of a bunch of unlikeable journalists posted in a small fictional country waiting for a continuation of terrorist activities to re
I saw some reviews of this implying it wasn't a very good Shriver book - I have to disagree, this was a well written book with excellent characterisation and Lionel Shriver's highly readable prose.
As we have come to expect from Shriver, the topic is slightly unexpected and original, something I really value - not another predictable love/war story, or unreadable over-arty literati offering.
In this book a lawyer-turned-journalist, Edgar Kellogg, takes up his first posting in a far flung corner of
Stephen Gallup
This novel is an earlier effort than Shriver's masterful We Need to Talk About Kevin , and to me her handling of the material felt just a little heavy-handed. But I didn't mind that. Her basic theme here--the interaction between larger-than-life people who have some kind of natural magnetism and their clingy sidekicks--deserves lots of serious attention.

All of his life, Edgar has been in the shadow of one or another figure that he (and others) have viewed as a Great Character. He has resented a
Nov 29, 2014 Nancy rated it 2 of 5 stars
Shelves: 2014
It's pure satire but it didn't make me laugh. Not because the absurd plot was about terrorism, but because I couldn't sympathize with any of the characters and got tired of the same bitter, knowing voice coming out of all of their mouths. Shriver's books are almost always at least thought-provoking, but I didn't get much out of this one.
A difficult book, but not "difficult" in a good way. The prose is so slick that it comes close to obnoxiousness, and at times I had to concentrate and reread a passage to get any meaning out of it. Everyone talks in an irritatingly blase, faux-cynical tone filled with clever metaphors that nobody would ever actually use in speech. The text is peppered with the sort of offhand, cynically "got-it-all-figured-out" observations ("What matters in journalism isn't the truth! It's what matches up with ...more
"Edgar had been born a fan."
Satire is difficult to sustain over the span of a novel, particularly when Lionel Shriver goes out of her way, in novel after novel, to invent unsympathetic or flat characters. Graham Greene’s “Our Man in Havana” works better as a satire of the intelligence world because at least two of the characters matter to readers, and the novel is gently amusing. Mark Twain’s “A Connecticut Yankee in the Court of King Arthur” is, in the end, sufficiently ambiguous in its commitm
My third? fourth? Lionel Shriver.

Got a little tiring towards the end, but here are my favourite parts:

"He thought they fell for a decoy. After all, when you love someone, what do you love? What's he good at? If a woman only loved your writing or your aptitude as a solicitor, you'd be disappointed. I think you could even make a distinction between a person and a personality. Barrington's retinue trotted after what he had. Not who he was."

"Edgar learned to scuba dive; he got bored with it. He lear
Actually to say I read this book is a lie. I read part of it and got so bored with it I stopped.

The characters were so annoying.

The plot never materialized (by page 120).

I didn't even get any sense of time or place and since the author had created the place, I think she could have put a bit more effort into helping readers picture it.

But mostly it was plain boring.
Estela Anders
3 and not 2 stars because I enjoy the author's other works and most importantly because it was a fast and easy to read book. It promised more than it delivered unfortunately. Terrorism is now part of our lives (I guess it has always been but being connected to so many sources all day long makes it even more present). A middle aged corporate lawyer, Edgar Kellogg, has always been a follower. He decides to change careers and become a journalist. He is sent to Barba, a "province" fighting for indep ...more
Amanda Roberts
I love Lionel Shriver - So Much for That is one of my favourite books of all time. This one isn't quite in the same league. It's difficult to review without spoilers. Our hero is Edgar Kellogg. Not surprisingly for Lionel Shriver he isn't your regular, likeable hero. I found him quite weak and often petulant. Definitely unable to compete with the anti-hero of this book, the mighty Barrington Saddler. This is a satirical novel. Our hero gives up his job as a lawyer and decides to try his hand at ...more
Thank God it's over! Starting ok enough but really became pretty ridiculous and insufferable
Julie Robichaux
If I didn't know Lionel Shriver had written this years ago, before the other books of hers that I loved, I'd have been terribly disappointed. As it was, I was...well, terribly disappointed. I like dark comedy and I enjoy Shriver's misanthropic bent, both of which should by rights animate The New Republic, but unfortunately the whole thing just feels dull, ponderous, and flat. The characters, particularly the Barba hack pack, are caricatures, without any dimension to make them interesting instead ...more
Christina (A Reader of Fictions)
Lionel Shriver's The Post-Birthday World is a very clever book. I read it a couple of years ago, and, although there were things I did not like about it, the good things definitely outweighed the bad. After I read that one, Shriver got put on my list of authors to watch, which is why I requested this one, despite the disgusting cover (note: I hate smoking).

Immediately, I was once again impressed by Shriver's incredibly writing talent. I love the way she writes; there were so many stellar quotes.
Robert E.  Kennedy Library
I enjoyed her 2010 novel So Much for That, so looked forward to reading this one.Shriver’s humor is pitch black, and this one is no exception: imagine someone writing an at least partially comic novel about a group of terrorists who periodically blow things up, causing collateral damage in the way of dead innocent bystanders. Now try to imagine getting this published after 9/11. In an Author’s Note, Shriver tells us that the novel was completed in 1998, but she had no luck selling it till now. F ...more
Lori L (She Treads Softly)
In The New Republic by Lionel Shriver novice journalist/ex-lawyer Edgar Kellogg is offered the temporary post of foreign correspondent for the National Record. His post is in Barba, a fictional part of Portugal, where his assignment is two fold: report on the terrorist activities of the SOB (Os Soldados Ousados de Barba) and find out what happened to enigmatic, charismatic, and missing reporter Barrington Saddler.

When he arrives in Barba, it is apparent that Barrington is exactly the kind of man
Amy Meyer
Lionel Shriver has been on my list of authors who I’ve wanted to read for far too long. So, as is often the case, when TLC Book Tours provided me the opportunity to review Shriver’s most recent novel, The New Republic, I happily signed up. I didn’t enjoy The New Republic but I thought it was an interesting and well-written book. It’s about a few things: journalists and the lengths they’ll go to for a front-page story; terrorism and how it pervades every continent and country; politics and the me ...more
Paul Lunger
Lionel Shriver admits in the opener to this book that it had to be delayed over a decade due to the events of 9/11. After reading "The New Republic", it's easy to see why. The book deals with Edgar Kellogg a down on his luck reporter who is sent to the fictional Portuguese province of Barba to replace missing reporter Barrington Saddler & also to report on a group known as SOBs (a terrorist organization in this province). When he arrives things aren't quite as they seem & a discovery in ...more
This is one of Lionel Shriver's early novels, written back in the 90s when nobody was paying much attention to her. The tone is that of a good magazine article, with scenes and dialogue and some cogent but not striking analysis of the main character's inner workings. Edgar Kellog is a formerly fat ex-lawyer who gets himself assigned as a stringer for a news magazine to the fictional Iberian republlic of Barba, which is beset by a rabidlly anti-immigrant terrorist group, one that has committed he ...more
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Lionel Shriver's novels include the New York Times bestseller The Post-Birthday World and the international bestseller We Need to Talk About Kevin, which won the 2005 Orange Prize and has now sold over a million copies worldwide. Earlier books include Double Fault, A Perfectly Good Family, and Checker and the Derailleurs. Her novels have been translated into twenty-five languages. Her journalism h ...more
More about Lionel Shriver...
We Need to Talk About Kevin The Post-Birthday World Big Brother So Much for That Double Fault

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“Couples stray,” said Edgar. “Part of the breaking-in process.”

“Not breaking in, breaking.” Nicola differed sharply. “You can glue people together again. But then your relationship’s like any other repaired object, with cracks, blobs of epoxy, a little askew. It’s never the same. I can see you haven’t a notion what I’m on about, so you’ll have to take my word for it.”

“Christ, you’re a babe in the woods.” Edgar stopped slicing tomatoes. “You got it ass-backward. A marriage perched like porcelain on the mantelpiece is doomed. Sooner or later grown-ups treat each other like shit. You gotta be able to kick the thing around, less like china than an old shoe—bam, under the bed, or walk it through some puddles. No love’s gonna last it if can’t take abuse.”
“Frankly, the reason why lawyers were compensated so lavishly was that they were paid to attend to the most stultifying aspects of modern life.” 1 likes
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