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Lost in the City
"Original and arresting....[Jones's] stories will touch chords of empathy and recognition in all readers."--Washington Post
"These 14 stories of African-American life...affirm humanity as only good literature can." --Los Angeles Times
A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the...more
"These 14 stories of African-American life...affirm humanity as only good literature can." --Los Angeles Times
A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the...more
Paperback, 268 pages
Published
November 30th 2004
by Amistad
(first published 1992)
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Pulitzer-and-numerous-other-literary-prize winner Edward P. Jones’ “Lost in the City” was one of the books that had been chilling on my bookcase for a while before I cracked it open, and I’m glad I had the opportunity to grow a bit before digging into it. I got the first nudge from Junot Diaz at the National Book Festival, when he listed Jones as one of his influences. I’d read “The Known World” back when it came out, but I don’t think I’d developed the teeth necessary to really chew on and dige...more
As someone who was born and raised in Washington, DC, I could not get enough of this book. It reminded me so much of my life living on East Capital street in N.E., DC. The DC Stadium, Anacostia, H.D. Woodson, and Spingard high schools. The DGS grocery store where I would walk to and buy every day items for my grandmother and me. My first bus trip with my grandmother, who got up real early, took a long bath, sprayed “Secret” deodorant and baby power all over her then get me ready by making me scr...more
I remember buying this book thinking, great, something new because I had never heard of this author before. The first story was just simply good that I closed the book and savored the story for a minute. I'm not all about the story when I read a book, I'm all about the way that story is told, what feelings it invokes in me if any. And this book made me feel all kinds of good!! I immediately did my homework to find out what else this man had written and when I read his other two works, I was not...more
UGH! Is there some rule that says that all sort stories must: 1) have some kind of plot twist or surprise, and 2) the surprise must be depressing?
I mean, really? This collection opens with a story about a girl who raises pigeons. It ends with all the pigeons except two being killed by rats (sort of poetically ironic, considering that pigeons are flying rats). The two remaining pigeons escape and stare at the girl from across the way, refusing to come home since they are their compatriots were b...more
I mean, really? This collection opens with a story about a girl who raises pigeons. It ends with all the pigeons except two being killed by rats (sort of poetically ironic, considering that pigeons are flying rats). The two remaining pigeons escape and stare at the girl from across the way, refusing to come home since they are their compatriots were b...more
No polished review, just really enjoying this book of short stories by Edward P. Jones. This is the first book by him that I have read, so this is my introduction to his style of writing. Apparently he writes his stories completely in his head before ever putting them on paper. This is reflected in his writing style, I think. His short stories present themselves as complete mental images. I am really looking forward to reading the rest! The story "The First Day" is my favorite so far.
If Edward P. Jones were asked to suggest an epigraph for Lost in the City, I imagine he would give serious thought to the inscription over the door to Plato’s Academy: “Let no one enter here who is ignorant of geometry.” Much is made of the streets of Washington D.C. both within these stories and within the province of conspiracy theorists. The original street layout of our national capital was designed by Pierre Charles L’Enfant, a Freemason like many of the founding fathers, and the briefest g...more
This was Edward P. Jones first book. It is an amazing collection of stories centered around ordinary black people in DC. showing that ordinary people can be the stuff of extraordinary writing. These are not stories with a suprise ending or a message. Rather they are a slice of life with people who you might be sitting next to on the bus. Jones is not judgmental. They are all gods creatures, they are in one way or another lost in the city.
I know Edward if only slightly and he is an unassuming guy...more
I know Edward if only slightly and he is an unassuming guy...more
Lost in the city is an apt and appropriate title for these 14 short stories. All take place in the African-American sections of Washington DC and all of the characters are black.
The first story, The Girl Who Raised Pigeons, demonstrates that the characters are real and that they have the same feelings of love and self that whites have. Betsy Ann is eight when she first sees pigeons being raised by a barber friend of her father. It is love at first sight. Over the years she bothers her father for...more
The first story, The Girl Who Raised Pigeons, demonstrates that the characters are real and that they have the same feelings of love and self that whites have. Betsy Ann is eight when she first sees pigeons being raised by a barber friend of her father. It is love at first sight. Over the years she bothers her father for...more
Edward P. Jones’ first book Lost in the City is a collection of short stories that take place in settings around the Washington D.C. area, Jones’ hometown. The depth to which he explores his characters is the force of the collection. Through the use of simple language, Jones’ captivating style holds readers attention as he explores topics that are disturbing, sad, and raw, but also compassionate. The stories note loss, crime, and wrongdoing, but they do not judge. A dominating theme comes throug...more
I first encountered Edward P. Jones' fiction in a class. His short stories have a way of feeling like novels in terms of how the information and backstory of each of his characters is carefully eked out, not always in ways that seem immediately relevant to the primary plot of each story.
It quickly becomes apparent after reading a few of these stories in one sitting that Edward P. Jones is kind of a master of tragedy. He is selective with the details but each detail is so carefully chosen in orde...more
It quickly becomes apparent after reading a few of these stories in one sitting that Edward P. Jones is kind of a master of tragedy. He is selective with the details but each detail is so carefully chosen in orde...more
This is an excellent book of short stories centered on life in Washington, DC in the second half of the 20th century. Jones' diverse range of characters is his biggest strength - his stories center on men and women; children, teenagers, adults and the very old; educated government workers, drug dealers, auto mechanics; folks from the rural South and city folks who look down on them; rich people and poor people. The characters are often morally ambiguous, and are written with humanity, sensitivit...more
I love this book. I've read snippets of the stories before in class, but I really loved reading the entire book. The setting is so vivid and really grabs you, but in different ways in each story. I really liked that. It depends on the relationship that each character has with the setting. For example, in The First Day, the setting is dependent on how the mother and the daughter feel about the setting; the mother wants her daughter to go to one school because it fits her comfort level, it's famil...more
"On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and we set off down New Jersey Avenue to begin my very first day of school."
So begins The First Day, one of the fourteen character driven short stories drawn from Edward P. Jones' award winning book, "Lost in the City." It is the story of an illiterate mother who sacrifices pride and seeks help from a stranger in order to get her young daughter enrolled in school and it is also...more
I had to read this compilation of short stories for a course I took in order to teach AP classes. Quite honestly, I’m not really one to enjoy compilations of short stories—I tend to avoid them in the classroom and I rarely read them for fun because I don’t care for them. Needless to say, I really didn’t care for this book. The short stories weren’t interesting to me, and I personally found a majority of them inappropriate. Perhaps I’m old fashioned, but I don’t think that every story needs refer...more
A few people came and went about her, but the snow now covered the windows of her car and all she could make out were shadows moving about. She could hear voices, but she could not understand any of what people said, as if all sound were being filtered by the snow and turned into garble. She could not anymore read her watch, but she continued to tell herself that in the next minute she would start up the car and go home to Ralph. In the end, it grew cold in the car, and colder still, and at firs...more
I'm not generally a short stories reader, but this is a fantastic collection, especially if you're a native or resident of DC. All 14 stories take place in historically African American neighborhoods of the District in the second half of the 20th century. They are all stories of struggle, told through patient and poignant vignettes of a whole cast of characters and the communities they are a part of.
While all worth reading, my favorites are:
The Girl Who Raised Pigeons
The Night Rhonda Ferguson W...more
While all worth reading, my favorites are:
The Girl Who Raised Pigeons
The Night Rhonda Ferguson W...more
This is one of the most realistic books I think I've ever read. I think some people might find it disappointing because we, as readers, have certain expectations when we pick up a book. If two people meet on a subway, such as the story "An Orange Line Train to Ballston," we really want them to talk to each other. If a woman meets her father for the first time after he is released from jail after killing her mother, such as the story "The Sunday Following Mother's Day," we want her to ask why he...more
These stories are just about as good as contemporary short fiction gets. Jones loves and explores his displaced tragic characters with an unparalleled depth of feeling. It's a breath of fresh air to read a narrative that doesn't completely detach itself from its characters like much of today's postmodern literature. His plots keep you thoroughly engaged because he never interrupts them with thematic heavy-handedness. His stories by themselves speak about the human condition in ways that, if you...more
I loved these stories. They were beautiful, little slices of life. Each sliver was richly described with characters you could really feel for. There is no pretty little bow at the end of these stories, but I liked that too -- the story ended, but you knew that wasn't the end (though it doesn't leave you unsatisfied in any way). In a couple of cases, you see recurring characters and it's a sweet surprise to know how those lives turned out. There's a lot of heartbreak and a lot of strength. But su...more
While many American cultural treasures rest on walls, under glass, or in archives in stodgy institutions in the nation's capital, Washington, D.C. is rarely thought of as a place that inspires and brings life to original works of art that speak of the District as a "real" city where "real" people live. It is certainly not, for instance, New York, San Francisco, or Los Angeles, as a beacon of American culture.
When a work comes along, however, that brings something uniquely "of the District" to li...more
When a work comes along, however, that brings something uniquely "of the District" to li...more
Her mother dies from a brain tumor, and, years later, rats infiltrate the rooftop coop, in which the girl keeps her pigeons, and maim and kill them. A woman tells the story of a family's instant death by lightning. A teenage girl runs away; her father spends the rest of his years going door-to-door, looking for her. A young crook, Caesar, convinces his girlfriend, Carol, to help him swindle the savings of a retarded woman. A lawyer hires a cab driver to "get us lost in the city" (148) a few hour...more
This man is a genius! While reading "The Known World" I grew rather impressed with his style and development of each character but reading this novel has shown me how far his genius goes. If a reader does not pay close attention they will miss the connections that he makes during the short stories and now I understand why a previous reader did not like this book. You really should not put it down once reading unless you can remember the smallest detail which become important. *On page 180 of 249...more
The stories were very well written and touching, to say the least. The only reason I couldn't give it 4/5 stars is because the stories were consistently sad ending. Not that I'm only in the fairy tales and happy endings. But in a book of short stories, after about 7 stories, all ending with no positive outlook, I find myself not so excited to read the book again. But Mr Jones is a beautiful writer and I am excited to move on to The Known World very soon.
This is Jones's first book, and in it you can glimpse the careful, direct manner of character development and fully realized world (in this case, Washington D.C.) that were put to such masterful use in "The Known World." These are all wonderful stories; some of them surprise you with their shifts (Jones deftly avoids any judgement), while others don't gain as much traction. Nothing negative to say--I just think that his later stories are more hard-hitting, and I'm so blown away by the novel (see...more
Jones, Edward P. LOST IN THE CITY. (1992). *****. This author burst on the scene with this, his first collection of short stories. The book won the PEN/Hemingway Award and was nominated for the National Book Award. Jones, a native of Washington, D.C. and a current resident of Arlington, VA, writes his stories set in D.C. that explore the lives of a variety of black residents. These are some of the best stories you will ever read – full of compassion and wit – but as down-to-earth as you can get....more
Let me say, first of all, that I didn't finish this book. This is a collection of short stories set in Washington, D.C., which is what drew me to the book in the beginning (I live in the suburbs and like to play in D.C.) The writing is very good, however, every story left me wanting more. I think each one could have been the start of a great novel. Obviously, I get frustrated with the short story format so it's best I stick to novels when reading fiction. I have read his novel, The Known World,...more
I resisted this collection for a long time, partly because I didn't particularly enjoy The Known World and its plodding, deliberate prose style, which I mistook for something much more simplistic than it actually was. Since then I've become a much more patient reader, more capable of giving a writer like Jones my full attention. Which is good, considering that beneath Jones' rather plainspoken approach are narrative structures every bit as knotty as Alice Munro's. Jones' sentences span lifetimes...more
Many wonderful stories in this short story collection. I picked this book up after being so impressed by the author's novel The Unknown World (which I also highly recommend). I was not disappointed. Though many of the stories are dark, the writing is terrific. All stories occur in Washington DC; most of the characters have difficult lives and find themselves in difficult circumstances. A number of them are unforgettable. Good read for sure.
WOW! This is a selection of stories voiced by members of D.C.'s black population, sprawling across the last 50 years. Mr. Jones is ferociously talented. Unusually for me, I actually LOVED when he used a female voice. I think anyone who read Sapphire's PUSH should try this out to get that little piece of their heart back.
(Not that they are telling the same story, because they aren't)
Thanks to Moyo and Goodreads for the heads up.
(Not that they are telling the same story, because they aren't)
Thanks to Moyo and Goodreads for the heads up.
A surprisingly uneven collection, with stunning stories like "A New Man," "The Store," and "Gospel" counterpoised against others that feel oddly jumbled, somehow malformed.
Perhaps this perception of misshapen-ness on my part comes from the careful emotional restraint with which Jones delivers these stories. At his best, Jones can be Chekhovian, writing with a balanced, almost judicial empathy for each and every character in a piece, a kind of cool broad-heartedness that lends its own pathos to...more
Perhaps this perception of misshapen-ness on my part comes from the careful emotional restraint with which Jones delivers these stories. At his best, Jones can be Chekhovian, writing with a balanced, almost judicial empathy for each and every character in a piece, a kind of cool broad-heartedness that lends its own pathos to...more
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Edward P. Jones has won the Pulitzer Prize, the National Book Critics Circle Award, the International IMPAC Dublin Literary Award, and the Lannan Literary Award for The Known World. He received a MacArthur Fellowship in 2004, and his first collection of short stories, Lost in the City, won the PEN/Hemingway Award and was short-listed for the National Book Award. His most recent collection, All Aun...more
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