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Podróż Autora. Struktury Mityczne dla Scenarzystów i Pisarzy
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Podróż Autora. Struktury Mityczne dla Scenarzystów i Pisarzy

4.11 of 5 stars 4.11  ·  rating details  ·  3,287 ratings  ·  285 reviews
Christopher Vogler odkrywa niezwykle istotny związek pomiędzy mitologią i narracją w swoim przejrzystym, treściwym stylu, który sprawia, że lektura tej książki jest niezbędna dla producentów, scenarzystów, autorów sztuk, pisarzy, nauczycieli i wykładowców oraz fanów kultury popularnej na całym świecie. Odkryj zestaw zainspirowanych mitami paradygmatów, takich jak "Podróż b ...more
Paperback, 454 pages
Published 2010 by Wydawnictwo Wojciech Marzec (first published 1992)
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Nicholas Karpuk
The most effective movie moment on writing I've ever seen came in "Wonder Boys" when Rip Torn very dramatically intones, " A WRITER!" It's said without any trace of irony. This is a common feature in writers both amateur and professional. No empathy, no sense of irony.

If you've seen a lecture about story structure, you've probably been listening to someone regurgitate this same set of values.

It's doubly funny because from what I can tell, Vogler essentially rewrote Joseph Campbell while
Mark Vandervinne
My father was an English Lit and Humanities teacher. He gave me a deep appreciation for the story. I've loved Joseph Campbell ever since I saw him on PBS with Bill Moyer. I went back and have read several of his books. Unfortunately, he seems to have written them for academia, instead for the layman, and sometimes I feel they are difficult to get through. Also, he doesn't always help tell how to use the myths and folklore.

This book is a godsend for me. While I have read other books dealing with
Pam (E.P. Scott)
This is an excellent reference/learning/instructional book. It moves through a template of sorts for writing what is called the "heroes journey"

It is broken down into two sections:

First: Mapping the Journey which covers a practical guide/approach to writing the journey and an explanation of the archetypes. As I read through these and applied them to my own writing, I could definitely see these characteristics in each of my characters (or multiple archetypes in some of my characters). The author
Saundra Goldman
Jan 27, 2009 Saundra Goldman is currently reading it  ·  review of another edition
Shelves: writing
When I first heard about this book, I resisted it as it sounded like a formula for success in Hollywood (Vogler was an advisor at Disney). I was at the beginning of my writing journey and wanted to give myself freedom to write in whatever direction I wanted. Also, I had just finished a Ph.D. program, and I wanted to write without rules for awhile. That was ten years ago, however, and lately I've become interested in mythic structure and archetype Since Vogler translates Campbell's ideas about my ...more
بثينة العيسى
Reading this book wasn't a lot of fun!

Few years ago I read " The Hero with a Thousand Faces " By Joseph Campbell ( and I loved it! ), and I also read about 4 books for C.G. Jung ( I loved 'em either!) ..

This book is primarily based on the great work, effort, sweat, and research of these two Godfathers of mythology, and it annoys me to see the richness and depth of their work converted into a "recipe" for "ready-meal microwave writers!".

I Love Mythology, I think we all crave it in a way, and it
Christine Locke
A few years ago, I did comb through The Hero with a Thousand Faces and create my own guide for my storytelling. It was hard. It took a long time--time that I could have spent writing. If you are, like me, more a storyteller than a scholar, you need to dive right into this one.
If you are already a Jungian or a Joseph Campbell scholar, this book is not for you. Anyone else, writer or not, should give Vogler's work a try. If he challenges and inspires you to find out more about Campbell and Jung, h
Michael Burnam-fink
This is basically The Hero With a Thousand Faces turned into a self-help guide for aspiring screenwriters. Vogler is deeply experienced in how Hollywood makes stories, having worked as a professional narrative-smith for several major studios including Disney and Fox, and the advice is pragmatic, flexible, and surprisingly robust. Each chapter is concluded by a set of questions that a keen professor might ask of a story. Vogler would be the first to admit that the Hero's Journey is not a prescrip ...more
I learned a new way of looking at stories and movies from this book. They say it is one of the fundamental texts for hollywood script writers and I believe the archetypes and journey stages are strong models to refer to for the fiction writer. One might best explain this book in applying one of its models - the journey stages - to a film many of us are familiar with. I tried it with Forrest Gump:

1) Ordinary World: Begins life as a cripple, with odds stacked against him

2) His quest becomes Jenny
One of the books they made us read in film school way back when was Christopher Vogler's book THE WRITER'S JOURNEY: MYTHIC STRUCTURE FOR WRITERS. Vogler has come out with a third edition, so I thought I'd take a read.

Vogler is coming at story structure out of the Joseph Campbell HERO WITH A THOUSAND FACES tradition. Campbell theorized that hero stories have a similar structure across all human cultures, and that there are archetypes that we always see in them: the refusal of the call, the mentor
I bought this book as set reading for a writing course I'm currently studying. Having recently finished, I can say without doubt it's the most useful book on writing I've ever read - and I've read a fair few of them.

The great thing about this book is its simplicity. The main concept - that all stories and narratives follow a set path, or journey, involving archetypal characters - is a strong one that's easy to grasp. The rest of the book then elaborates on the theme, exploring diverse avenues li
When I first browsed tried to read this book 10 years ago I didn't get passed the first 50 pages. My main problem with these kind of books is that they are so packed with information that it is hard for me to apply their lessons later. I might retain the gist of what they preach, but I end up forgetting most of the specifics, and so it feels like a waste of time to read them from cover to cover.

These last few weeks I have indeed read it cover to cover, but this time I had a concrete goal in min
Jun 19, 2014 CaliGirlRae rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Novelists, short fiction writers and screenwriters
My creative writing mentor in high school passed this on to me to help make my stories more coherent. Various writing rules change all the time but the one thing is constant. A character's goals, the obstacles they face to get to said goal, and the character's decision to face them or turn away. This book is an excellent structure for both new writers looking to hone their structure and veterans who want to revisit and compare their story structure with this classic model. It follows the hero's ...more
Gregory Mose
This is an extremely useful tool when trying to plot out a novel. It has to be taken with a grain of salt, but the author himself points out repeatedly that the idea is not to slavishly follow his outline of the standard mythic patterns made famous by Joseph Campbell, but to use them as a guide and inspiration. His examples rely heavily on movie scripts, but his observations apply very well to novel writing.
If you want to truly understand the power of story this is a must read. What Vogler has done is taken A Hero of a Thousand Faces and made it simple to understand. Instead of using myths that no one knows he uses movies to show how stories are shaped by an ancient pattern. Powerful book.
Lynne Handy
This book rates ten stars.

Christopher Vogler is a story consultant for major Hollywood filmmakers and writers. In "The Writer's Journey," he gives credit to the work of Joseph Campbell ("The Hero with a Thousand Faces,") which posits that elements of mythology are universal human truths. Vogler uses heroic characters in films to illustrate components of the mythic journey: in particular, "Red River," "Star Wars," "The Wizard of Oz," and "Pulp Fiction."

I've belonged to several writers groups and
Kevin Xu
Just a copy of Campbell's The Hero with a Thousand Face, but for modern readers.
Not only is this an excellent book for writers of fiction, I'd recommend it very strongly to anyone who reads or watches films with a critical eye. Vogler relies on Joseph Campbell's explorations into myths and why humans need them to build a classic story telling formula that works. How do we know it works? He's got example after example, and honestly, it's hard to argue with the success of The Wizard of Oz, Titanic, the Indiana Jones' franchise, etc as successful story telling. Certainly, book ...more
Robert Cherny
A writer friend loaned me her copy of Christopher Vogler’s “The Writer’s Journey” in order to help me with my writing. This book belongs on every fiction writer’s bookshelf. Whether you write short stories or multi-volume epic sagas, this book has valuable information that will help you organize and structure your work. Building on the work of Joseph Campbell, this book is easy to read and understand where Joseph Campbell’s book is scholarly and dependent on a higher level of educational backgro ...more
I'll start out with the negatives:
-Vogler is overly arrogant about his own accomplishments. The entire introduction of the book is essentially a narrative testimony of how famous and well-traveled he is.
-Most of the contents of this book are concepts I learned long ago in theatre classes. Readers who have a background in storytelling of any sort may find most of the author's advice self-evident.
-The analysis is useful, but not revelatory

These things aside, this book is a good resource to have at
Gry Ranfelt
I wish I could give it 4,5 stars. This book is amazingly well structured and will help you to get your structure working. There are so many great tools presented in easily digistible ways. I also love how flexible Christopher Vogler is, saying that all stories can use the Hero's Journey as they need. There's no recepe, just a bunch of helpful observations.
Of course, if you want to follow a recepe, this book will let you do that as well. The book goes through something called The Hero's Journey w
A fantastic read about story structure and its basis in myth. It's essentially a re-purposing of Joseph Campbell's Hero with a Thousand Faces for screenwriters, but it's a useful distillation for anyone who writes popular media. It goes into satisfying depth about why we care more when our heroes act certain ways, and the purpose of all those act two punches in the gut they have to endure. Strongly recommend to all writers. For an easy-to-follow example of the principles in this book, watch Elmo ...more
A great book that talks about Joseph Campbell's Hero with a Thousand Faces and relates the concepts of the archetypal hero to how to structure a story. Interesting examples given on how this structure was used in many famous movies (Star Wars anyone?) and how writers can use the techniques to craft a story that follows this formula. Even if one hates formulaic stories, this is good reading to help understand the flow of stories and even help to write oneself out of a corner if the plot/story doe ...more
Joy Weese Moll
The Writer’s Journey by Christopher Vogler sets up the concepts of Joseph Campbell’s “The Hero’s Journey” as a toolkit for developing stories. The first part describes the archetypal roles that characters can take in the story. The second part describes stories in a grand mythological way by tracing the journey of the hero in everything from Homer’s Odyssey to this week’s blockbuster movies. Mapped onto Aristotle’s Three Act structure, the hero’s journey can aid the writer in creating a plot tha ...more
I didn't have any of the grumbles with this book that many seem to have. Yes Jung and Campbell crop up, in ideology and structure at least, but it's not disguised as something original.

What I grabbed this book for was the brilliantly concise tidbits that I could utilise in my coursework assignments. I loved the vein of this book and it was particularly useful since I was dealing with my own 'mythical hero' on a journey (to be fair, my 'hero' had made his journey and was now marooned...).

I no ac
This book goes well with a cup of hot tea and Bill Moyer's video.

The title was poorly chosen in my opinion because it limits readership to those who see themselves as writers. How sad. This book is for anyone--anyone who knows or doesn't know that they are the hero of their own story. Which is pretty much everyone, since the definition of hero includes, "central character", "he who grows the most throughout the story", and so on.

So aside from bringing more clarity and enjoyment to the movies you
Shannon Mayer
Great book in the beginning and middle (Mapping and Stages of the Journey) drags near the end as Vogler starts to ponitificate a bit. He likes to write and it shows in that the point is always made but not before many, many pages of buildup. I found this left me skimmmng and not reading so much near the end.

I'm sure I will re-read sections of this book again in order to get more from it. Seems to me it is that kind of book and I do believe that it is a read neccessary for all authors at all leve
A massive, rambling book that seriously needed editing, but it was interesting, and worth reading. At times I almost laughed out loud, because it was ridiculous. The hero is defined as 'the protagonist' and then we were told this amazing coincidence that all stories have one (male or female). Well, duh! Everything is stretched like this, to the point of the ridiculous, but there are genuine insights as well. Most useful for writers is the knowledge that Hollywood works to this model, and our wor ...more
Martina Frammartino

Si rifà esplicitamente all’Eroe dai mille volti di Joseph Campbell Il viaggio dell’eroe di Christopher Vogler. Parte da lui, dalla sua analisi critica del mito da un punto di vista storico, filosofico, sociologico e antropologico e dalla sua teorizzazione psicoanalitica, per approdare a quello che viene presentato come un manuale pratico a uso di scrittori di narrativa e di cinema.

Del manuale ha la struttura con un modo di trattare la materia per ampi schemi di argomenti successivamente ripropos
Eric M. Witchey
Oct 20, 2008 Eric M. Witchey rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Aspiring writers
Shelves: writing
Excellent distillation of Joeseph Campbell's work. This book delivers examples and guidance about how to use the mythic archetypes described by Campbell in his works. The book is for writers of fiction who hope to capture the power of the Heroic Journey described in The Hero of a Thousand Faces. However, this book is no substitute for reading Campbell's work, which is much broader and richer, as Vogler points out.
Sean Ward
The chapter on the Threshold Guardian is particularly poignant. I like that the guardian can be literal - like an army of flying monkeys (how literal is that?), or one's own anxiety.

"These guardians may represent the ordinary obstacles we all face in the world around us: bad weather, bad luck, prejudice, oppression, or hostile people like the waitress who refuses to grant Jack Nicholson's simple request in Five Easy Pieces. But on a deeper psychological level they stand for our internal demons:
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Yes, I'm still reading this. 5 29 Oct 20, 2014 01:00AM  
ROBUST: Archetype starts on the Hero’s Journey 1 4 Oct 03, 2013 02:01AM  
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“I realized that the good stories were affecting the organs of my body in various ways, and the really good ones were stimulating more than one organ. An effective story grabs your gut, tightens your throat, makes your heart race and your lungs pump, brings tears to your eyes or an explosion of laughter to your lips.” 16 likes
“The young, in their innocence, are often wise and capable of teaching the old.” 5 likes
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