In Pharaoh's Army: Memories of the Lost War

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In Pharaoh's Army: Memories of the Lost War

by Tobias Wolff, Luann Walther (Editor)

4.09 · rating details · 738 ratings · 80 reviews

Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.

Paperback, 240 pages

Published September 1st 2010 by Vintage (first published 1994)

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Jun 19, 2009

Angie rated it

Shelves: 2007, university, non-fiction

War stories are really my brother's forte, but I thoroughly enjoyed this book. It's a memoir of Vietnam, and because I read it for a Creative Non-Fiction class, I'm left wondering whether a few things actually happened. Is truth crazier than fiction?

I also really loved the interjections of writerly advice within the narrative, and wish Wolff would have given us more. A young man overseas, always with a novel in the back of his head. In many ways, I related. In many ways, I found trut...more

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Sep 21, 2011

Patrick McCoy rated it

Shelves: biography-autobiography

In Pharaoh’s Army is the follow-up to Tobias Wolff’s excellent memoir A Boy’s Life about growing up in Concrete, Washington in the 60s. Essentially, he conned himself into an elite boarding school as a teenager and then flunked out and joined the army in order to gain life experiences for the writing career he dreamed about. This well-written memoir is mostly about his experiences as an officer in Vietnam. The book is divided into several vignettes, rather than being written in a straightforward...more

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Aug 05, 2010

Simon rated it

I read it in a day. It has great flow and Wolff is remarkably assured in his lean and simple style. His writing, despite being occasionally bombastic, is really something to treasure. He has a great sense of craft, and understands the art of cutting away at a story, until it stands firm and without anything superfluous, all the while never losing it's lively, thoughtful momentum. There is this double-edged perspective, where the mature Wolff ponders and emphatically criticises, and the young Wol...more

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Jan 13, 2011

Lisa rated it

I've only read 2 of Tobias Wolff's works -- both memoirs: This Boy's Life and now In Pharoah's Army. These two works have left me with an impression of him as a writer that strikes me as similar to my impression of writers like Jack London, John Steinbeck, and Ernest Hemingway. Similar, but not the same. In ways, he has that "man's man" thing about his writing that they have. In other ways, he is much more gut-wrenchingly honest and allows himself a vulnerability that I can't imagine s...more

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Feb 23, 2011

Kip Arney rated it

I was very surprised that I liked “In Pharaoh’s Army” by Tobias Wolff. A memoir of sorts that if I didn’t know better, would believe it was a work of fiction. I’m not a big fan, or a fan at all, of reading about wars or battles, fiction or non. But Wolff does an excellent job of picking moments of his life, mainly from his time in Vietnam, and lets the readers see what he sees. The most “real” portion of the book was immediately following his discharge after four years of service and him not kno...more

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Mar 23, 2009

Jesse rated it

This review has been hidden because it contains spoilers. To view it, click here. Written with the all of the concision and clarity that he brings to his fiction, "In Pharaoh's Army" ascertains Wolff's ability to turn life experiences into dynamic storytelling. Wolff's first memoir - and his most famous book - "This Boy's Life" recounts Wolff's childhood with his itinerate mother and doltishly abusive step-father. And "In Pharaoh's Army" reads as a continuation of "This Boy's Life"; Wolff's feelings of inadequecy and fraudulence appear ...moreWritten with the all of the concision and clarity that he brings to his fiction, "In Pharaoh's Army" ascertains Wolff's ability to turn life experiences into dynamic storytelling. Wolff's first memoir - and his most famous book - "This Boy's Life" recounts Wolff's childhood with his itinerate mother and doltishly abusive step-father. And "In Pharaoh's Army" reads as a continuation of "This Boy's Life"; Wolff's feelings of inadequecy and fraudulence appear in their grownup forms in this story as Wolff struggles with the Vietnam war as well as the people he encounters while there.
The memoir picks up where Wolff's novel "Old School" leaves off; and while "Old School" is fiction and thus does not recount Wolff's experiences in prep school with complete accuracy, the themes and characters share an affinity and the story really could be read as one long bildungsroman: starting with "This Boy's Life" continuing with "Old School" and ending with "In Pharaoh's Army". At the end of "Old School" the unnamed narrator enlists in the Army after being expelled for plagiarism, yet "In Pharaoh's Army" begins in Vietnam as Wolff and Sergeant Benet are trying to barter for a color TV for Thanksgiving. However, this is part of the structure of "IPA" which is not chronological, but rather reads like a collection of short stories revolving around one character concerning his experience in the Vietnam War. It reminds one of "The Things They Carried" by Tim O'Brien, another brilliantly heartbreaking collection of stories about Vietnam. Wolff's memoir is not as dark or as painful as O'Brien's, but this might be because O'Brien was in the field more. This isn't to say that Wolff's memoir doesn't contain the horrific stories that seem par for the course when it comes to Vietnam books -especially his descrption of the Tet Offensive - but it seems O'Brien was scarred much more by the memory of the war.
Eventually Wolff does get to the beginning of the story: telling of his experience at the U.S. Army Airborne School: training to be a paratrooper (this section includes the best writing I have ever read about parachuting), graduating 49th out of 49 in Officer Candidate School, and finally attending language school in Washington D.C.: learning Vietnamese. This section offered some levity as we meet Vera and her family, Russian aristocrats with some rather comical peculiarities. Wolff and Vera fight constantly, testing each other's love - pushing the limits. However, the inevitable happens and Wolff is sent to Vietnam assigned to South Vietnam as a U.S. Army consultant to the South Vietnamese Army. Here, Wolff is constantly feeling his ineptitude, failing to believe he is really an officer of the U.S. Army. He also feels the constant fear of death, as most of the time he is the only white person in sight - tall and pale - a perfect target. He relates a few close calls, which in Vietnam means extremely close calls, i.e., shit in your pants kinda close calls (which Wolff actually does, and tells us about it).
This memoir doesn't shed any new light on the already well-lit theme of the Vietnam War, yet as a coming-of-age story (another well-lit theme) it manages to add something. And this really tells of the strength of this book; these themes could easily slide into melodrama, or the alienated cynicism of a young soldier; yet Wolff is a good enough writer, and an honest enough human being to avoid those traps. After returning from the war, Wolff bums around a much-changed San Francisco for a few weeks: drinking and trying to get his bearings back - adjusting to civilian life. He eventually moves in with his father. Oddly, this part of the novel is the most moving (much like the last story in "The Nick Adams' Stories"). As readers of "This Boy's Life" will no doubt remember, Wolff's father is something of a con man. When Wolff arrives, his dad is on parole and has just come down with a cold. Wolff relishes the chance to not only care for his father (who never really cared for him) but also to have a concrete purpose: his first sense of meaning since returning from the war. After his father's convalescence, they begin to hang out, forming a sort of friendly bond - nothing even close to a filial one - drinking and listening to music together arguing about literature. And this seems to suit them best, as it allows them to avoid any sort of responsibility toward the other. Wolff even considers enrolling in school and staying near his father; however, he thinks better of the idea, knowing nothing could come of it except disappointment. But before he leaves, his father reads him the novel "Wind in the Willows" and Wolff immediately recognizes his father in the remorseless protagonist who refuses to live by society's rules, and lies, cheats, and steals to obtain the finer things in life. Wolff allows his father to finish the novel, but leaves soon after.
During another aborted attempt at a relationship with the neurotic Vera, Wolff decides to dedicate himself completely to literature, disciplining himself and learning the sheer dedication needed to become an author. And while Vera doesn't last, his dedication to life as an author does. Through stubborn determination - and a bit of luck - Wolff finds himself attending Oxford in England, where his feelings of inadequacy, that had plagued him since his childhood in "This Boy's Life" surfaces one more time. Yet this time Wolff conquers his fears, beginning with a sense of gratitude, using this as a bose upon which to build a life.
Wolff's writing is not flashy, it's not even difficult, yet to tell this story with this much truth and grace is a feat of near impossibility. The words he uses are not long, and obscure, however, the way he puts them together speaks of a compassion for the human experience. In many ways, Vietnam shaped Wolff; while many soldiers came home scarred and bitter, Wolff found his calling in literature and allowed himself the confidence that came with his gratitude and thanks for the luck he had in surviving such a horrific war. Wolff ends the novel with a last shot: his memories of Hugh Pierce, his irrepressible friend from Jump School. Hugh died in the war, and Wolff knows that in many ways he was given a gift by surviving the war, and that all that he has, and will, experience are things that Hugh was never given a chance to. In this Wolff finally realizes all that he has. And while his childhood was rough and he always yearned to be something bigger and better, he now was okay with just being Tobias Wolff and being alive. So while the Vietnam War took so much from so many - extinguishing lives, crushing dreams - in this case it gave back to one soldier; showing him the true worth of human life, and giving him this rock upon which to build his own.(less)

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Aug 30, 2009

Nicole rated it

Shelves: stranger-than-fiction

If I had to pick one word to describe this book, I think it would be “insightful.” Wolff’s prose is a great combination of snappy-smart and lovely and his pacing pulls us along comfortably. Rather than give us an entirely linear account, he does this thing that works well for him where he hands us a story, then talks about something else for a while, then comes back to that story from a different angle or telling a different part of it, and the seemingly unrelated stuff sandwiched in the middle ...moreIf I had to pick one word to describe this book, I think it would be “insightful.” Wolff’s prose is a great combination of snappy-smart and lovely and his pacing pulls us along comfortably. Rather than give us an entirely linear account, he does this thing that works well for him where he hands us a story, then talks about something else for a while, then comes back to that story from a different angle or telling a different part of it, and the seemingly unrelated stuff sandwiched in the middle allows us to look at that story in a different way.

Which leads me back to the insightful thing. There are moments where he nicks at something that feels big and true in a way that makes me hold my breath and re-read and underline things, even in a library copy (albeit in pencil). Here’s the first one I marked:
“How far was it to Dong Tam? Hard to say, all these years later. But it would have been hard to say then too, because distance had become a psychological condition rather than a measurable issue of meters and kilometers. A journey down these roads was endless until you arrived at the end. No ‘seems’ about it: it was endless until it was over. That was the truth of distance.”

Another, this one from the bus shipping him out to Vietnam:
“Until now nothing had seemed irrevocable. I had persisted in the unconscious faith that no matter what I did, no matter how many steps I took, I would be excused from taking this last step. Something would happen—I didn’t know what….Up to now men had been going over in one long unbroken line, but I hadn’t been one of them. My position in the line guaranteeed that something would happen to make it stop.”
Last one, because it’s impossible to have too much of a good thing:
“My job was to call in American gunships and medevacs if any were needed. I could even get F-14 Phantom jets if we ran into serious trouble, or trouble that I might consider serious, which would be any kind of trouble at all.”

See? Smart, true, and nowhere close to the easy clichés he could have used to describe these moments.

The other thing I noted while reading this book was that the stories in it were told with a sometimes surprising lack of emotion. Wolff’s relationship with his father, his role in the war, Hugh’s death, his volatile relationship with Vera, the emotional aspects of these aren’t dwelt on and sometimes barely even acknowledged. I expected this to bother me more than it actually did, although it did make it a little easier to view Hugh’s death as something less traumatic than it was. Overall, though, it granted the stories Wolff tells us a clarity that they likely wouldn’t have had with too many emotions in there to muddle them up.

Strong prose, excellent storytelling, very good read.(less)

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Nov 16, 2011

Tommy rated it

Shelves: 12th-grade-1st-quarter

(This book counts as 2 books)

if you want to read a good war book, this is a book right up your alley. it talks about the battle aspect and the mind state of war. the before, during and the after.

the Vietnam war was a very, very, very bad war. the landscape and the minds. it was not a war fit for American troops. all the vet could think about was his traumatizing experiences from war. the noise of exploitations, landmines and claymores still ring in his mind and still scare...more

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Mar 20, 2010

Caitlin rated it

Shelves: 2010

I loved This Boy's Life by Tobias Wolff so reading his memoir of his time in Vietnam was a no-brainer. It is well-written and tells of Vietnam in a succinct almost detached fashion that maximizes the available horror. In particular, Wolff's description of the impact of the Tet Offensive will haunt me to my grave in the way that Michael Herr's description of Hue has.

Wolff is less the soldier and more the writer throughout the book and you wonder how he got himself there. In many wa...more

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Oct 27, 2010

Eric rated it

The Vietnam War memoir is kind of a tired category, and it was tired even in 1994, when In Pharaoh's Army was published. Which is one of the things that makes it amazing rather than just really good. Wolff does an excellent job of trying to tell the truth--not the truth as he wished it were, but as it was. He is rarely a hero in any of the anecdotes that make up this book. In fact, his project is all about being conscious of his self-consciousness, conscious of his motives, conscious of how he w...more

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Nov 23, 2011

Lily Bart rated it

A Gentleman Goes To War.

THIS BOY'S LIFE by Tobias Wolff is a classic. In that book he does a brilliant job capturing the ugliness of class prejudice in America, and the twisted strategems people use to rise in class.

Unfortunately, this book is not so much about Vietnam as it is about Wolff's presence in Vietnam -- in other words, what's really on display is not his courage or patriotism but his, shall we say, genteel powers of detachment. He's always saying, "look,...more

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Aug 21, 2009

Eric_W rated it

Shelves: biography-memoir, history-historiography

In this extraordinary memoir of Wolff’s Vietnam experience, there is a haunting scene that reveals the major cultural differences between the American soldiers and Vietnamese culture. Wolff was a first lieutenant (he was a special forces member) assigned as an adviser to a South Vietnamese unit. He had spent a year at language school in the United States and was fluent in Vietnamese. He and some ARVN (Army of the Republic of Vietnam) soldiers are hanging out when two of the ARVN find ...moreIn this extraordinary memoir of Wolff’s Vietnam experience, there is a haunting scene that reveals the major cultural differences between the American soldiers and Vietnamese culture. Wolff was a first lieutenant (he was a special forces member) assigned as an adviser to a South Vietnamese unit. He had spent a year at language school in the United States and was fluent in Vietnamese. He and some ARVN (Army of the Republic of Vietnam) soldiers are hanging out when two of the ARVN find a small puppy wandering around. Wolff watches, annoyed, as one of the soldiers swings the puppy by a leg around his head and then ties it to a tree. Wolff wanders over and asks what they intend to name the dog. The Vietnamese laugh bemusedly at this remark, but when Wolff persists, they laugh maliciously and reply, “dog stew.” The sergeant grabs the dog and, knowing it will drive Wolff nuts, swings the puppy slowly over the fire. Wolff tries to get them to stop, knowing they are playing with his mind, but the cultural reality and his whiteness prevent his interference.

Racial issues pervade the story. Wolff was attacked by a group of Vietnamese outside a bar. He keeps yelling he must be the “wrong man,” but they continue until another American steps out of the bar and the attackers realize they have the wrong person. Wolff realizes that to them all white people look the same. When he tries to explain it to his black sergeant, the sergeant understands him immediately and simply says, “You nigger.” The analogy to his experience in the United States is unmistakable.

Wolff's analysis of the Tet offensive is striking. "As a military project Tet failed; as a lesson it succeeded. The VC came into My Tho and all the other towns knowing what would happen. They knew that once they were among the people we would abandon our pretense of distinguishing between them. We would kill them all to get at one. [Iraq come to mind, anyone?:] In this way they taught the people that we did not love them and would not protect them; that for all our talk of partnership and brotherhood we disliked and mistrusted them, and that we would kill every last one of them to save our own skins. . . .They taught that lesson to the people, and also to us. At least to me." (less)

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Feb 06, 2009

David rated it

The most succinct, and possibly the best, memoir I've read of Vietnam. Each chapter is a gem, directly to the point, not a word wasted. Wolff seems to be one of those rare memoir writers, at least one of those rare contemporary memoir writers, who has actually digested the experience he's writing about. A beautiful book.

Besides, you have to like an author who can write an insult like "Captain Kale owned records of people playing accordions, and could tell the difference betwe...more

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Jun 13, 2009

Nic rated it

Like everything Wolff writes, this memoir is equisite. I breezed through the essays quickly and came away with a powerful sense of the confusion and frustration of his time in and around wartime Vietnam. The narratives are told with honestly and a complete lack of sentimentality or bravado, and in an unconventional order which seems to be a hallmark of his best work - an ability to reorder events for maximum engagement of the reader. Lovely and true and sad.

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Mar 12, 2008

John Maberry rated it

Recommends it for: No one, except for contrast or comparison

Shelves: vietnam-and-other-wars

This not among the best of the Vietnam books out there, in my opinion--despite what the critics say, who genuflect before Wolff. There is something about Wolff that puts me off. I couldn't empathize with him in reading This Boys Life. I could understand how critics would think well of it--it does READ well. But as a person, I didn't like him. He carries this unlikablity (not as bad as Dubya, mind you) into In Pharoah's Army. I didn't like how he managed to become an officer in the Army. Somehow ...more

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Feb 05, 2009

Tom rated it

Wolff's memoir of his time in Vietnam as a Special Forces adviser to the South Vietnam army. Short on bloody combat scenes, as he didn't really see much. The book deals with what all vets experience in a combat zone: loneliness, boredom, terror, exasperation with the military and gov't system, and the realization that life doesn't stop at home even if you wish it would (read: cheating women etc).

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May 26, 2009

Tamsin Barlow rated it

Shelves: biography, history

I was too self-absorbed during the 70's to pay attention to Vietnam so I was glad that Tobias Wolff wrote his recollections of his time spent there. He's a truly lovely writer and his account gives you a great feel for the life of the common soldier. The overall details aren't as important as the effect on the individuals in this book. Written with humor, starkness and horror.

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Apr 29, 2011

Douglas Tiegs rated it

Shelves: reviewed

This is a fantastic book about the Vietnam War. This is a semi-memoir, but it is obviously changed a bit to create for a better novel. This is not a violent book so people who dont want to read about graphic things should not be afraid of this novel. Tobias Wolff was interesting to read about, because of his lack of motivation in the face of anything except chasing girls. It was such an interesting thing that these people would go through life like this it really is interesting. My favorite part...more

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Nov 19, 2010

James rated it

An excellent memoir, told in stand-alone, story-like chapters, In Pharaoh's Army is reminiscent of The Things They Carried not only thematically but in terms of episodic structure and amused/bemused ironic voice, as well. I don't mean that as a criticism. I think most of the reading I've done about Vietnam has had this absurdist quality.

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Oct 17, 2009

Nita rated it

Shelves: mfa-books, memoir

I studied this book for his use of time and the structure of his chapters. I could really see how he interspersed the top story with riffs of backstory and riffs of expansion - how he slowed down and sped up to give the story texture and rhythm as well as meaning. See my notes on "Thanksgiving Special," the first chapter.

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Oct 23, 2009

Dain rated it

If you liked Tim O'Brien's "The Things They Carried," you will like this collection of essays. This is creative nonfiction at its best, it is a continuation of his previous memoir "This Boy's Life." Tobias Wolff is a regular contributor to the New Yorker and his stories are rich and haunting.

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Oct 30, 2011

Gregory Frye rated it

Insightful, revealing essays about one man's experience surrounding Vietnam. This collection is full of confessions and existential pondering that prove for a rewarding read. Wolff knows how to draw the reader in, and he knows how to teach you something.

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Aug 10, 2011

Sergio rated it

Wildf's recollection if his time in South East Asia. Not pretentious, just like his style. I liked his character and enjoyed following him around at home first, then on the west coast, then Vietnam, of course and back again. i didn't enjoy this as much as other collections of his, such as 'The night in question' probably because I missed a bit of originality, but then again, he was limited by the subject. A good read nonetheless.

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Apr 25, 2009

Lisa rated it

Wolff brought a lot of humanity into his war experience. The memories are appropriate for the age in which he lived them...didn't feel like a grown man writing about his past, but from the viewpoint of the young soldier.

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Apr 21, 2010

Tiffany rated it

Spare, gripping recollections of a confessed self-doubter's tour in Vietnam. While the author doesn't shy away from introspection, he largely spares us the tedium of navel gazing. A fast read, well done.

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May 10, 2009

Alan rated it

Shelves: non-fiction

Tobias Wolff's memoirs of his time in the Army during and in Vietnam. The writing was amazing, but more compelling was just how surreal that time was and how it was told in such a matter-of-fact way.

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Feb 06, 2009

Stephanie Marshall rated it

A unique point of view on the war in Vietnam: apathy. Wolff never cared if the war was won or lost, he wasn't a hippie and he wasn't a patriot. His story is about saving his own ass.

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Sep 25, 2008

Angela rated it

Shelves: 2008, vietnam, war, nonfiction, auto-biography, history

This book really picked up toward the end, with snatches of very, very dry, very, very self-deprecating, and very, very sardonic humor mixed in with Wolff's extremely spare, Hemingway-esque writing. Although the subject matter (the Vietnam War) is pretty heavy, it reads like a very light memoir with deep moments artfully woven in here and there. Mostly this is because Wolff got a cushy post as an adviser, far from the "frontline" fighting, and is a self-admitted coward and, come to th...more

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Oct 24, 2009

Graham Oliver rated it

Shelves: school

More real and close to home than the few other war novels I've read. Like the reviews said - it's a coming of age story that could've happened anywhere, but it happened in Vietnam.

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Aug 29, 2008

scott added it

I'm a great fan of Wolff's short stories and was looking for his second memoir for a while. For some reason, his books are hard to find in Canada; the Chapters monopoly carries only his most recent book (tangent). Nonetheless - the chapters in the memoir read like his stories: they seem to be meandering and meditative until all the threads come together at just the best moment. And each chapter does work on its own as well. They deal with Wolff's time in Vietnam, but the text is as intereste...more

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About Tobias Wolff

Tobias Jonathan Ansell Wolff is a writer of fiction and nonfiction.

He is best known for his short stories and his memoirs, although he has written two novels.

Wolff is the Ward W. and Priscilla B. Woods Professor in the School of Humanities and Sciences at Stanford University, where he has taught classes in English and creative writing since 1997. He also served as the direc...more

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“In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.” — 4 people liked it

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