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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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    <body><![CDATA[I listened to this book on tape (from Audible) and parts of it were hard going. Either the narrator or the writing has a flat, relentless quality to it, hard to tell which The book grew on me though. By the end I thought the tone was actually appropriate to the tragic, relentless aspects of Checkov'...<a href="http://www.goodreads.com/review/show/45813382">more...</a>]]></body>
    
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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    <body><![CDATA[Audiobook.<br/><br/>Not sure I'd give it a full four &quot;I really liked it&quot; but still.  I listened to it for almost 29 hours, so it gets the benefit of the doubt.  Benefits from an influx of correspondence never before seen, so there's a lot in this biography that couldn't have been in the ...<a href="http://www.goodreads.com/review/show/42452570">more...</a>]]></body>
    
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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  <read_at>Mon Jan 01 00:00:00 -0800 1996</read_at>
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    <body><![CDATA[I read this ages ago but my primary memory of this book is putting it down and clasping my hands exclaiming 'I love Anton Chekhov'. What a beautiful man! ]]></body>
    
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      <review>
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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    <body><![CDATA[This is an amazing biography, well-researched, well-written, with great insight and respect for the subject. ]]></body>
    
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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    <![CDATA[A noted scholar of the art of Anton Chekhov now  turns to his life (1860-1904), with equally revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions. Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly detached, capable of capriciousness and considerable cruelty. In <em>Anton Chekhov</em>,  Rayfield does not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to Chekhov's genius as were his merits.]]>
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