The Violin Maker: A Search for the Secrets of Craftsmanship, Sound, and Stradivari
How does a simple piece of wood become the king of instruments?
The violin does something remarkable, magical, and evocative. It is capable of bringing to life the mathematical marvels of Bach, the moan of a Gypsy melody, the wounded dignity of Beethoven's Concerto in D Major. No other instrument is steeped in such a rich brew of myth and lore--and yet the making of a violi...more
The violin does something remarkable, magical, and evocative. It is capable of bringing to life the mathematical marvels of Bach, the moan of a Gypsy melody, the wounded dignity of Beethoven's Concerto in D Major. No other instrument is steeped in such a rich brew of myth and lore--and yet the making of a violi...more
Paperback, 256 pages
Published
April 1st 2008
by Harper Perennial
(first published April 1st 2007)
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I don't happen to be any sort of music expert. I listen to classical music when I work. I took piano lessons for 13 years and still have trouble sight-reading. I played the trumpet for almost as long and was just kind of okay. I took blues guitar lessons and promptly forgot everything I ever learned. But I love music nonetheless, and especially the violin. And, I love stories of quiet, passionate people making beautiful things. This is both a history of violin-making (Stradivari) and a chronicli...more
Loved the book from the start! It was engaging and easy to read. It grabbed me and I would have finished it in one day (if I didn't had to sleep and/or work ;) ). John Marchese combines historical facts about violin making and violin makers with his own observations and feelings about his journey into the violin building world and tales about/from Sam Zygmuntowicz (a renowned Brooklyn violin-maker) and Gene Drucker (violinist of the Emerson Quartet who plays a Stradivarius and who commissioned S...more
Marchese chronicles the crafting of a new instrument by renowned Brooklyn violin-maker Sam Zygmuntowicz, under commission for Emerson Quartet violinist Eugene Drucker (who plays a Stradivarius, and is extremely sensitive to the inexpressible sonic qualities of the box of wood under his chin). The author travels to Stradivari’s hometown of Cremona (where a modern revival of violin-making has emerged), spends many hours observing the increasingly detailed work at Zygmuntowicz’s studio, and attends...more
As a violinist I found this book inspiring, uplifting and informative. John Marchese gives a window into a world few, even professional performers ever see, the workshop of a world class luthier. There has been a renaissance in violn making in recent years and one of those leading the way is American luthier Samuel Zygmuntowicz.Charged with the task of creating a violin worthy of internationally acclaimed violinist Eugene Drucker, Zygmuntowicz draws upon a lifetime of study and 300 years of viol...more
Jun 13, 2008
Carissa
rated it
3 of 5 stars
·
review of another edition
Recommends it for:
Radiohead fans and classical music lovers
Recommended to Carissa by:
the library
Shelves:
finished
Having spent lots of time hanging out with my boyfriend in his attic woodworking shop, I enjoyed this reflective exploration of what it means to make a "perfect" violin from scratch. The author spends months following a Brooklyn woodworker as he fulfills a commission to make a violin for Gene Drucker of the Emerson Quartet. Always friendly and never technical, the book affectionately describes all the decisions that go into making a great violin -- selecting the perfect block of wood, aging the...more
Interesting from a 'how violins are made' perspective. Less interesting and compelling from the story telling angle. The author couldn't decide if he was telling a story or chronically history. I would have preferred the former. With all the technical details of violins and violin making I would preferred a bundle more illustrations. A map of Italy might have been nice also. Overall, though I am glad I read it.
Another of my favorite genre, obsessively niche nonfiction. It tells the story of contemporary luthier (violin maker) Sam Zygmuntowicz in an industry that so venerates the old. Marchese (a musician himself -- trumpetist) paints a vibrant picture of a maker of new violins -- one of the first to make a modern violin rivalling the old Italians. The book follows Zygmuntowicz during the intensely personal and meticulous process of designing and building a violin commissioned by a noted violinist, whi...more
As a violinist, I appreciated the journalistic approach of Marchese. While the reporting of the violin making process is a little slow at times, the author does a great job at combining historical fact with the creation of a new instrument. I would certainly recommend this book to violinists and classical music lovers.
In Rumspringa, the author mentioned how the U.S. has become an economy that doesn't make anything anymore. Instead we are economy of consumers who provide services. And I agree with that view, and it makes me sad.
Which is why I liked this book. Not only does it talk about a craftsman creating something, it talks about a craftsman putting his heart into it. And, so that you don't get bored the author puts little bits of violin history in for you. It made me almost want to put on classical music....more
Which is why I liked this book. Not only does it talk about a craftsman creating something, it talks about a craftsman putting his heart into it. And, so that you don't get bored the author puts little bits of violin history in for you. It made me almost want to put on classical music....more
Aug 13, 2007
Broche
rated it
4 of 5 stars
·
review of another edition
Recommends it for:
Shane
Shelves:
about-real-people
This book is a wonderful story about the art form of violin making. Though the writing itself often seems like it has two authors - the lyrical dreamer sometimes gets overwritten by the research historian - the story is a delightful mix of an ancient craft practiced in a modern era. If you have an ounce of musical interest, this book is a fascinating read.
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