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  <id>1133118</id>
  <title><![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]></title>
  <isbn><![CDATA[0802130704]]></isbn>
  <isbn13><![CDATA[9780802130709]]></isbn13>
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  <description><![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]></description>
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  <original_publication_year type="integer">1978</original_publication_year>
  <original_title>The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)</original_title>
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  <authors>
    <author>
    <id>41348</id>
        <name><![CDATA[Brendan Behan]]></name>
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  <title>
    <![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181253251m/1133118.jpg</image_url>
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  <average_rating>4.05</average_rating>
  <ratings_count>41</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[Vaudevillians, jokesters and Irishmen]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jul 23 00:00:00 -0700 2008</read_at>
  <date_added>Mon Jul 21 23:34:27 -0700 2008</date_added>
  <date_updated>Wed Jul 23 13:45:10 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I only read &quot;Richard's Cork Leg.&quot;<br/><br/>Various shenanigans occur in an Irish cemetary then move on to an upstanding citizen's house, then back to the cemetary.  Prostitutes, rebels, Republicans, Blueshirts, loose women and fast men quip about religion, politics, war, drink, sex and t...<a href="http://www.goodreads.com/review/show/27928032">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/27928032]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/27928032]]></link>
</review>
      <review>
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    <name><![CDATA[jordan]]></name>
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  <isbn>0802130704</isbn>
  <isbn13>9780802130709</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181253251m/1133118.jpg</image_url>
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  <average_rating>4.05</average_rating>
  <ratings_count>41</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Sep 17 14:19:06 -0700 2008</date_added>
  <date_updated>Tue Sep 23 15:58:24 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I saw a production of <em>The Hostage</em> in DC years ago (at which I had my first Guinness), which was thoroughly enjoyable (and switched out the final song for &quot;The Auld Triangle.&quot;)  Still haven't gotten around to reading the rest of the plays, though every time I notice it on my list or on my s...<a href="http://www.goodreads.com/review/show/33113931">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33113931]]></url>
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</review>
      <review>
  <id>31876314</id>
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    <name><![CDATA[Tim]]></name>
    <location><![CDATA[Philadelphia, PA]]></location>
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  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181253251m/1133118.jpg</image_url>
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  <average_rating>4.05</average_rating>
  <ratings_count>41</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

    <rating>4</rating>
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  <date_added>Tue Sep 02 20:37:49 -0700 2008</date_added>
  <date_updated>Tue Sep 02 20:38:12 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[i want to re-read this, but it was so awesome.<br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31876314]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/31876314]]></link>
</review>
      <review>
  <id>80130209</id>
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    <name><![CDATA[Joel]]></name>
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  <isbn>0802130704</isbn>
  <isbn13>9780802130709</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]>
  </title>
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  <average_rating>4.05</average_rating>
  <ratings_count>41</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Sun Dec 06 20:06:54 -0800 2009</date_added>
  <date_updated>Mon Dec 07 19:20:52 -0800 2009</date_updated>
  <read_count></read_count>
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  <url><![CDATA[http://www.goodreads.com/review/show/80130209]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/80130209]]></link>
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      <review>
  <id>74841257</id>
    <user>
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    <name><![CDATA[Paul]]></name>
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  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181253251m/1133118.jpg</image_url>
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  <average_rating>4.05</average_rating>
  <ratings_count>41</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Sat Oct 17 13:33:26 -0700 2009</date_added>
  <date_updated>Sat Oct 17 13:33:26 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74841257]]></url>
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      <review>
  <id>73645188</id>
    <user>
    <id>2812070</id>
    <name><![CDATA[Pete]]></name>
    <location><![CDATA[Madrid, 29, Spain]]></location>
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  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Complete Plays: The Hostage, The Quare Fellow, Richard's Cork Leg (Black Cat Book)]]>
  </title>
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  <average_rating>4.05</average_rating>
  <ratings_count>41</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This volume contains everything Behan wrote in dramatic form in English. First come the three famous full-length plays: The Quare Fellow, set in an Irish prison, is &quot;something very like a masterpiece&quot; (John Russell Taylor); The Hostage, set in a Dublin lodging-house of doubtful repute, &quot;shouts, sings, thunders and stamps with life . . . a masterpiece&quot; (Harold Hobson); and Richard's Cork Leg, set largely in a graveyard, is nevertheless &quot;a joyous celebration of life&quot; (Michael Billington). There follow three little-known one-act plays originally written for radio and all intensely autobiographical: Moving Out, A Garden Party and The Big House. The Introduction, by Alan Simpson, who knew Behan well and first directed his work on stage, provides the essential biographical details as well as candid insights into Behan's working methods and his political allegiances. Also included in the volume is a wide-ranging bibliography. &quot;It seems to be Ireland's function, every twenty years or so, to provide a playwright who will kick English drama from the past into the present. Brendan Behan may well fill the place vacated by Sean O'Casey.&quot;-Kenneth Tynan&lt;/div&gt;]]>
  </description>
  <published>1978</published>
</book>

    <rating>5</rating>
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  <date_added>Tue Oct 06 12:01:53 -0700 2009</date_added>
  <date_updated>Tue Oct 06 12:01:53 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73645188]]></url>
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      <review>
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    <name><![CDATA[Thom]]></name>
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