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Waiting for Robert Capa

by Susana Fortes, Adriana V. Lopez (Translator)

3.28 of 5 stars 3.28 · rating details · 106 ratings · 27 reviews

An extraordinary novel of love, war, and art, based on the turbulent real-life romance of legendary photojournalists Gerda Taro and Robert Capa

Artists, Jews, nonconformists, exiles. Gerta Pohorylle meets Andre Friedmann in Paris in 1935 and is drawn to his fierce dedication to justice, journalism, and the art of photography. Assuming new names, Gerda Taro and Robert Capa t...more

Paperback, 208 pages

Published September 27th 2011 by Harper Perennial (first published June 2009)

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Community Reviews

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Oct 03, 2011 Audra (Unabridged Chick) rated it 4 of 5 stars

Shelves: era-1930s, heroine-amazing, historical-figure-fictionalized, historicals, mood-bittersweet, place-europe, place-paris, place-spain

Shamefully, I had no idea who Robert Capa and Gerda Taro were when I started this book, but I now feel possessive and proud and affectionate toward Gerda Taro and I dare anyone to read this and not feel the same. In 1935, Jewish refugees Gerda Pohorylle and André Friedmann meet in Paris; André is a photographer who books Gerda's friend as a model for advertising images. Gerda becomes interested in the art of photography; her friend predicts a romance.

The novel is told through Gerda Pohorylle (mo...more Shamefully, I had no idea who Robert Capa and Gerda Taro were when I started this book, but I now feel possessive and proud and affectionate toward Gerda Taro and I dare anyone to read this and not feel the same. In 1935, Jewish refugees Gerda Pohorylle and André Friedmann meet in Paris; André is a photographer who books Gerda's friend as a model for advertising images. Gerda becomes interested in the art of photography; her friend predicts a romance.

The novel is told through Gerda Pohorylle (mostly; the POV does shift to André/Capa at times, usually during sex) -- who later renames herself Gerda Taro -- but the story is really about the creation of Robert Capa and André's genius, temper, and passion. Robert Capa is an assumed name, created by Gerda as a way for she and André to make more money from his (and occasionally her) photographs.

I was pretty apprehensive about this one since a number of bloggers I trust didn't like this book, but once I started, I was surprised. I was immediately sucked in by the story -- Gerda is an amazing figure, and while I don't understand the appeal of André/Capa, I liked the way Fortes unfolded their romance and Gerda's education in photography. I was quite taken with the language and turn-of-phrase (like this, from page 3: "She preferred English poetry a million times over. One poem by Eliot can free you from evil, she thought. God didn't even help me escape that Wachterstrasse prison." Or this one, from page 6: "If sound waves travel through the ether, then somewhere in the galaxy there must also be the Psalms, litanies, and prayers of men floating within the stars.") and so I was surprised by the critiques that the writing/translation was problematic.

And then, I started to notice the weird grammar/punctuation issues. I'm not spectacular with grammar, yet I found now and then some really atrocious sentences and punctuation gaffes. Perhaps the result of my reading an uncorrected proof; perhaps this is a bad translation. Maybe something else entirely. But it didn't bother me enough to leave this book unfinished, and I think there is some really gorgeous language here and a heartbreaking, moving story. This is one that will stick with me (I'm still sighing over it to friends and colleagues) and I have no doubt this will be a frequent reread for me. (less)

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Oct 17, 2011 Alison rated it 2 of 5 stars

Not what I expected.

I had trouble getting into this book, especially in the beginning. In the spirit of full disclosure, I was having a bit of Book ADD at the time I was reading this book, so my inability to become immersed in it may not have been the fault of Susana Fortes. I take much of the blame, and offer my apologies to Ms. Fortes.

That being said, the writing was not as compelling as the story itself - does that make sense? All the elements of a wonderful war-torn love affair were there -...more

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Sep 26, 2011 Diana rated it 1 of 5 stars

Waiting for Robert Capa is the story of photojournalists Andre Friedmann and Gerta Pohorylle, who later assume their more well known aliases, Robert Capa and Gerda Taro. Both are Jewish; Taro had relocated to Paris from Germany due to the Nazi regime and impending persecution of the Jews. There, she meets Capa and begins a business relationship with him that leads to a romantic companionship that extends into the Spanish Civil War until her death.

The premise of Waiting for Robert Capa captured m...more Waiting for Robert Capa is the story of photojournalists Andre Friedmann and Gerta Pohorylle, who later assume their more well known aliases, Robert Capa and Gerda Taro. Both are Jewish; Taro had relocated to Paris from Germany due to the Nazi regime and impending persecution of the Jews. There, she meets Capa and begins a business relationship with him that leads to a romantic companionship that extends into the Spanish Civil War until her death.

The premise of Waiting for Robert Capa captured my attention. I really wanted to like this book. However, at the risk of sounding like a philistine, it was pretentious, and I couldn’t get into it. While Ms Fortes’ writing is lyrical and beautiful, the story itself was dry. The book is translated from the original Spanish version, so maybe it was something lost in translation. It tries to be so many things: romance, historical nonfiction, political/social commentary, etc. I really just felt alienated by the book’s inconsistency of genre. There are plenty of books that can masterfully weave all of these different elements together. Unfortunately, Waiting for Robert Capa is not one of them.

There is a lot of name dropping, e.g. James Joyce, Hemingway, Man Ray, that really doesn’t pertain to the story. I understand that they hung out with a lot of artists and avant garde figures, but do I really need to know that they were around Ernest Hemingway having a domestic squabble with Martha Gellhorn? There is also a lot of discussion of different political factions and philosophies that are so thinly covered that it creates confusion. It seems like one must know Trotskyism and the other philosophies she lists in order to really understand the story, which, unfortunately, I don’t.

Ms Fortes also flits to and from different time periods within the length of a paragraph too much, making the reading experience less enjoyable. Also, while she creates intriguing characters of Capa and Taro, I felt very distant from them and just didn’t connect with them.

I didn’t hate it; I just struggled to get through it. The saving grace is the writing, but there is only so much pretension that I can take. Maybe it’ll make a better movie than a book

I had the privilege of reading an advanced copy from netgalley for free. There was no compensation made for my review; it is my own, unadulterated opinion

If you liked this review, check out my book blog Random Pabulum (less)

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Jul 02, 2011 Minh rated it 3 of 5 stars

**Waiting for Robert Capa will be released Oct. 1, 2011 by HarperCollins**

Overall Rating: 3.3/5
PROS: WWII; historical fiction; tragic love story; sad endings (eff, sad ending always get to me)
CONS: Is this really a fiction novel, cuz it reads like non-fiction half of the time; the last line killed my entire mood; the relationship between the two characters sort of drained me
Future Movie Prospects?: Movie has already been set to be adapted by award-winning director Michael Mann (“Ali”, “Collatera...more

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Sep 22, 2011 TC rated it 2 of 5 stars

This book looks like it will be one of those released to great critical acclaim, and translated for the big screen which I imagine will make a good film. However I found myself struggling to finish this book. For the plot please take a look at the description above.

I'm interested in photography but have to admit I hadn't heard of these photographers before so I wasn't sure how much of the book was a biography and how much was fictionalised. I read it expecting something that would be almost a h...more This book looks like it will be one of those released to great critical acclaim, and translated for the big screen which I imagine will make a good film. However I found myself struggling to finish this book. For the plot please take a look at the description above.

I'm interested in photography but have to admit I hadn't heard of these photographers before so I wasn't sure how much of the book was a biography and how much was fictionalised. I read it expecting something that would be almost a historical fiction novel, but there were so many names and facts thrown in that it interrupted the flow of the narrative. I was also hoping to learn a bit more about the Spanish Civil war, which doesn't seem to get a lot of attention in the media compared to other conflicts. However while there was some information included it almost seemed to presuppose a degree of prior knowledge which I don't have, so it didn't really enlighten me and the scenes detailing actual conflict were limited and didn't have much emotional impact.

The story jumps around both in time and location, and the narrative in places is very choppy with incomplete sentences. The style worked in some places but overall this had a combined effect of making it a bit difficult to follow at times. Some of the references back to Gerta's life before she moved to Paris seemed to set up mysteries to be resolved, such as what had happened to her previous love Georg who went to Italy, with a suggestion something had gone on that would be revealed, but it never was. Probably a good thing there were no more flashbacks to their time together as I hated the sex scenes. I seriously dislike the use of the word "member", does anyone use it in real life in an anatomical context outside of literature?

I put this book down unsure of whether it was a biography, historical fiction or a romance novel, and my overall feeling was one of relief that I'd finished it. It was okay but I'm afraid I can't be more enthusiastic. It's a shame something I saw as really promising was a bit of a damp squib.

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Aug 30, 2011 Judith Starkston rated it 3 of 5 stars

Shelves: historical-fiction, strong-women

Translation by Adriana V. Lopez

Waiting for Robert Capa is both a puzzling book and an alluring one. It contains gorgeous, vivid descriptions of life in Paris and Spain in the ‘30s. It has long philosophical musings on war and refugees and love and memory, which I found deeply compelling and thought provoking. The portrayal of the Spanish Civil War with its intellectuals and artists as well as its armies was tragic and moving. What I was never persuaded of was that this is a novel rather than a s...more Translation by Adriana V. Lopez

Waiting for Robert Capa is both a puzzling book and an alluring one. It contains gorgeous, vivid descriptions of life in Paris and Spain in the ‘30s. It has long philosophical musings on war and refugees and love and memory, which I found deeply compelling and thought provoking. The portrayal of the Spanish Civil War with its intellectuals and artists as well as its armies was tragic and moving. What I was never persuaded of was that this is a novel rather than a strange hybrid of history, biography, artistic critique, with more imagined pieces to it than any of those writing forms generally permit. This doesn’t make it a bad book, just an unusual one.

We never lose ourselves in Fortes’s imagined semi-fictional world because she tells Robert and Gerda’s story with the all-knowing voice of historical retrospective. It’s not just an omniscient point of view; it’s the voice of history and critique. The book has poetic, involving descriptions, but then there are also moments of narrative disconnect when Fortes has positioned the point of view inside Gerda’s mind and yet somehow future events are known and described. Here’s a passage when Gerda and Capa have recently arrived in Spain that demonstrates both the book’s beauty and its odd narrative voice:

“Gerda and Capa spoke little during those walks. As if each needed to react on their own while facing that land inhabited with skinny dogs and old women dressed in black, their faces chiseled by strong winds, weaving wicker baskets under the shade of a fig tree. She began to realize that perhaps the real face of the war wasn’t just the price paid for the blood and disemboweled bodies that she would soon see, but the bitter wisdom that lived in those women’s eyes, a dog’s solitude as it wandered through the fields limping, a hind leg broken by a bullet.”

Sometimes Fortes’s writing seems more a critique or homage to these two photographers than a novel. For example:

“She was training her photographer’s eye, and little by little, she was developing an extraordinary talent for observation. Curious, she lifted the tip of the cloth with caution and discovered the dead body of a few-months-old baby dressed in a white shirt with lace trimming, whose parents were planning to bury their child that very afternoon. She kept quiet, but went out walking by herself until she reached the edge of an embankment and sat down. Resting her head on her knees, she began to cry, hard and long, with tears that dripped onto her pants, unable to control herself, without really knowing why she was crying, completely alone, staring out into that horizon of yellow countryside. She had just learned her first important lesson as a journalist. No scenery could ever be as devastating as a human story. This would be her photography’s signature. The snapshots she captured with her camera those days were not the images of war that militant magazines such as Vu or Regards awaited. But those slightly inclined frames transmitted a greater sense of sadness and loneliness than the war itself.”

In this passage Fortes starts with a scene, although even here her narrative voice creates a kind of distance between the reader and the character/experience depicted in the scene. But after starting in-scene, she shifts to a description of her journalism—the narrative camera moves outward away from the fictional world into the art critic’s academic voice. Both Capa and Gerda were talented and fascinating photographers. Learning about them was one of the pleasures of this book, and perhaps there was no way to accomplish that without leaving pure story-telling behind, but generally speaking, I prefer historical fiction to pull me more directly into another world and let me forget the academic structures of history and analysis while I’m there.

One other mildly distressing aspect of this book—and it may have come about in the process of translation—is the constant use of sentence fragments, whole paragraphs of them at times. The feeling of an incomplete idea, an unexpressed point begins to creep up on my consciousness as I read these bits and pieces of phrases with no grammatical or logical completion. It’s a stylistic choice, I think, but it may be one tinged with some intellectual laziness. The writer needs to think the idea all the way through and push the heart and mind to the end. It’s painful, but that’s what writing is. Others may feel she’s captured an appropriate mood or flood of emotions with this choice, and I’m just being a stodgy old English teacher, with which I won’t quarrel.

The relationship Fortes describes between Capa and Gerda is complex and multi-faceted. She gives us a weighty, layered portrayal of their lives. The horrors of the civil war are vividly depicted. She gives us the warmth and depth of the many friendships Capa and Gerda had with other photographers, journalists, doctors, and refugees.

There are many reasons to read Waiting For Capa, but don’t expect to get lost in a rich fictional world. The rich world is there and so is the fiction, but the author is at your side commenting throughout. You will not get lost and that might be a loss.

[Please note that I was reading an unedited electronic advance reader copy and there may be errors in the passages I have quoted that will be corrected before publication.]
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Feb 28, 2012 CD rated it 4 of 5 stars

Shelves: historical-fiction, photography, war, poetry, politics

A lyrical, poetic prose homage to the first female war photo-journalist. Gerda Taro as she renamed herself, was the first women to die pursuing this role. Robert Capa was a name also invented by Gerda for business reasons and has become iconic. Their relationship is the primary story line set during the turbulent era that culminates in this book during the Spanish Civil war between the Republicans and Franco's Fascists.

I read the first third of this book in one sitting. It is captivating for a...more

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Sep 27, 2011 Jennie rated it 2 of 5 stars

Shelves: historical-fiction, i-own, to-review, read-in-september, read-in-2011

I’m not sure if I was just not in the right mood for this book or if it just wasn’t the type of book for me in general, but I could not get attached to the characters, nor the plot. This is surprising given that I am a hobbyist photographer and have an interest in war stories. The descriptions of Paris and Spain didn’t even ring deep for me. The romance between Gerta and Andre was a roller coaster ride but the novel left out enough detail that I had a hard time following along. It felt like chun...more

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Feb 26, 2013 Rachael rated it 4 of 5 stars

I’m not a lover of love stories, and this was no different in the sense that at times I was ready to skip ahead, notably at the sex scenes (I have no problem with them if they add something, but while some of these had a reason for being there, I don’t feel many of them did) and some of the descriptions of how they felt.

That said, the descriptions in general in the book are wonderful, and so well suited to a book about photographs, which we cannot see but must imagine, and a time period/places b...more I’m not a lover of love stories, and this was no different in the sense that at times I was ready to skip ahead, notably at the sex scenes (I have no problem with them if they add something, but while some of these had a reason for being there, I don’t feel many of them did) and some of the descriptions of how they felt.

That said, the descriptions in general in the book are wonderful, and so well suited to a book about photographs, which we cannot see but must imagine, and a time period/places both so vibrant and busy and so empty and tragic. The author’s description of the various settings and her recreation of scenes from a time of chaos, rebellion, loss, passion, grief…are all so vivid that I really felt myself there with them.

However, this also meant that this book took some real reading. I enjoyed it, but it was draining at times and hard to read at others. It was a book of short, sharp bursts. I had to read a few pages then mull it over, leave it to one side, do something else for a while before picking it up again. It was definitely not a book for the metro.

What interested me most, from the romantic aspect of the book, was the struggle between independence and co-dependence, and the fact that it was (for once, and interestingly for the time period) the man who showed how much he ‘needed’ the woman rather than viceversa. Indeed, Greta/Gerta is a very strong character, although it is clear how much she too wants Capa and I like that we see hints of her inner doubt and vulnerability, making her more likeable and more real.

This is, above all, a true story - the characters are real, the events are true, making some of them very hard to read about, but also making me think about the nature of this sort of photography, the danger of it and the drive behind it. The passion for taking the best shot, capturing things exactly as they are really comes across, and is highlighted so well by the scene of Capa in Guernica.

Overall, I really liked this book. It was a tough read, but one I'd like to go back and read again at some point, as I feel there is a lot to take in in one go. (less)

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Feb 22, 2012 Stephen rated it 3 of 5 stars

Gerda Taro was a pearl with no oyster in which to enfold herself.

She's the one "Waiting for Robert Capa," a Hungarian photographer named Andre who she coddled, loved, and turned into an international artistic product.

Taro herself was one of those strong and independent women in a time when her gender was allowed no such prerogative and those who chose to exercise it were left on the vine to dry and die.

"Waiting for Robert Capa," is the story of their brief, youthful, and productive love affair....more

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Apr 08, 2013 José Luis Calvillo rated it 1 of 5 stars

Es excepcional que me decida por la lectura de autores todavía escasamente conocidos de novela histórica, no porque el subgénero literario no me atraiga sino porque habitualmente termino con el regusto de que no ha merecido la pena. Frecuentemente, al final, lo leído no acaba de ser una novela, tampoco una narración histórica y todo queda en un híbrido: “un quiero y no puedo”. Se promete la recreación de personajes de otro tiempo y se ofrece solo la epidermis descriptiva de unos hechos histórico...more Es excepcional que me decida por la lectura de autores todavía escasamente conocidos de novela histórica, no porque el subgénero literario no me atraiga sino porque habitualmente termino con el regusto de que no ha merecido la pena. Frecuentemente, al final, lo leído no acaba de ser una novela, tampoco una narración histórica y todo queda en un híbrido: “un quiero y no puedo”. Se promete la recreación de personajes de otro tiempo y se ofrece solo la epidermis descriptiva de unos hechos históricos.

Escribir novela histórica es una tarea ardua y compleja cuando se tiene el objetivo de realizar un ejercicio de ficción tan dificultoso como penetrar en toda la complejidad en unos personajes reales a los que el autor se aproxima desde el mero conocimiento de unas fuentes históricas. Son muchos los usos “de hacer novela” histórica, muchos los enfoques posibles… Es fácil recordar algunas obras que, aun siendo distintas en el planteamiento, logran este objetivo de modo soberbio.

Escribir novela histórica también puede ser muy sencillo: puede convertirse en una simplona relación de hechos como, por ejemplo, las personas que se sentaban en una mesa de un café de París o los reporteros que se encontraban en mitad de cualquier refriega en una Guerra Civil. Nada tienen que ver estas pretendidas “novelas históricas” con aquellas otras.

“Esperando a Frank Capa” entra de lleno, y hasta las trancas, en ese grupo de novelas históricas que se convierten en una simplona relación de acontecimientos conocidos. El texto acaba, página a página, por definirse como un intento escasamente elaborado de crear ficción literaria en base a unos personajes y un momento histórico del máximo interés. Nada más. Ese es el gancho que arrastra un nulo contenido, un intento frustrado en la recreación narrativa de unos personajes de los que tanto “jugo” podría extraerse. Una retahíla de momentos históricos conocidos que se describen con frialdad y desapego narrativo. En ningún momento he percibido la complicidad necesaria entre el personaje novelado, el autor y el lector.

El texto se me ha hecho costoso de leer, no se lee fácil. Las frases se suceden sin relación entre ellas y se exige el esfuerzo permanente de seguir un relato que se muestra frecuentemente fragmentado, tejido a base de líneas inconexas. La escritora tiene más de historiadora que de novelista y se nota, ¡vaya que si se nota!

Una novela prescindible, incluso evitable. Una novela histórica más, de estas que últimamente aparecen como setas, realizada por una persona con formación histórica que se aviene a literato y que realmente se mete en jardines donde quizá no debiera haberse metido puesto que, al menos en este caso, nada aporta.

http://www.joseluiscalvillo.es (less)

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Jan 16, 2013 Zuzana rated it 2 of 5 stars · review of another edition

Trocha historie nikoho nezabije. Tentokrát se jedná o historii trochu okrajovější - válečná fotografie, španělská občanská válka. Od krátkého příběhu nelze očekávat hluboký historický exkurz, ale úplným laikům to trochu otevře další obzory a znalci se setkají s hvězdou oboru z trochu jiného pohledu, než jaký přinášejí encyklopedie a oficiální životopisy.
Kdybych byla fanoušek novinářské fotografie, tak dám těch hvězdiček určitě víc. Spisovatelsky to žádnou velkou hodnotu nemá, příběh jako takový...more

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Feb 03, 2012 Spyder rated it 5 of 5 stars

Shelves: 2011

I bought this at Dymocks in Sydney and read it in one day. Robert Capa is one of my favorite photographers and biographical characters. Having read his auto-biography and the biography BLOOD & CHAMPAGNE this was a fantastic fictional telling of the love of Robert and Gerta and the part of history that brought them together and tore them apart. I read it in one flight from Sydney to Perth.

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Dec 31, 2011 Kate rated it 1 of 5 stars

Recommended to Kate by: the library bookshelf

The writing was not so good; the story was not so developed; the pages took forever to get through; but the real life folks that she was writing about were unknown to me before this book and interesting enough to wikipedia and then google and then look for other books about them. So, if they were able to shine through these pages, they must be fascinating.

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Jan 13, 2013 Kerry rated it 3 of 5 stars · review of another edition

I great insight into the Spanish Civil War from a human perspective. Showing what it's like to be a member of the press in a war zone. Told with an underlying love story which brings home the cost of loss & suffering that war brings. Some of the technical information about cameras & war zones was unnecessary for my liking but a good read despite that.

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Apr 13, 2012 Sharlane rated it 2 of 5 stars

Tries too hard to be cool. This should have been an exciting, thrilling and frightening adventure and an extraordinary decent into the madness of love in war. Instead it is droll and ho hum. Giving most of the story away before it happens. I like to read, I want to love the story but this is making me struggle.

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Sep 28, 2011 Michelle Vasquez rated it 4 of 5 stars

Waiting For Robert Capa by Susana Fortes is a beautiful story that blends historical fact and fiction to tell the story of photojournalists Robert Capa and Gerda Taro.

Read my full review here:

http://lifeinreviewblog.wordpress.com...

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Jan 04, 2012 Bridge rated it 4 of 5 stars

I enjoyed this. Actually I have just the last part to go but can't finish as well if you know her story it doesn't end well! But it was easy for me to read. I love this period and the book gives a romantic tale of what was an extraordinary time.

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Mar 23, 2012 Jennifer Franz rated it 3 of 5 stars

I liked this book OK. It was very romantic and tragic, which I liked, even though it's based on a true story. But it was also very wordy and a lot went on that I didn't understand, like the battles of the Spanish Civil War.

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Jul 25, 2012 Elizabeth rated it 4 of 5 stars

ecrit par une femme....ca m'a un peu fatiguee de lire les passages semiporno des relations sexuelles de la photographe Taro et de Robert Capa. Interessant autrement pour ce reportage de la guerre espagnole dont je ne sais malheureusement pas grand chose. Je me suis forcee a le finir car je me suis dit que la BO choisit toujours des livres qui en valent le coup. Je ne suis toujours pas convaincue que ce livre soit le meilleur de leur selection

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May 13, 2013 Marta rated it 5 of 5 stars

Shelves: books-in-2013, spanish-literature

Esperando a Robert Capa, Susana Fortes

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Jun 02, 2012 Bob rated it 5 of 5 stars

Shelves: own

A beautiful fictional account of the relationship based,on available historical data, between Greda Taro and Robert Capa from her prespective. It is well researched and the descritions of the Spanish Civil War are very moving.

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Jul 17, 2012 Marta rated it 3 of 5 stars · review of another edition

Interesante, me ha gustado bastante. Aunque algunas partes se repiten un poco. Recomendable para fotógrafos y no tanto.

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Mar 16, 2012 Viccy rated it 4 of 5 stars

Shelves: 2012-lariat-books

This was a beautiful book, wonderfully written and very sad. It was the story of a great love between two talented people: Gerda Taro and Robert Capa (born Endre Friedmann). They meet in Paris in 1935 and become the first couple to photograph the Spanish Civil War. Gerda was killed after the Battle of Brunete in Julyl 1937. For a few brief years, they were a golden couple. Capa went on to become a celebrated war photographer and captured the horrors of battlefields across Europe. The writing is...more

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Jul 30, 2011 Jennifer rated it 5 of 5 stars

Shelves: read-in-2011

Ohhhh....beautifully and refreshingly true, raw, haunting. As Fortes wrote in her Author's Note, "there is a part of me that will forever remain in those violent war years of bombarded dreams in which Gerda Taro awoke tender and in pajamas." Perfectly gorgeous writing that never drops you from its spell. Yes.

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May 18, 2013 Faz is currently reading it

So far, so riveting.

"...everything that lives fits into a thousandth of a flash across the firmament, because time does not exist."

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Dec 29, 2012 Collin rated it 5 of 5 stars

The greatest love story ever told. The fiction of life, the work of art, and the immortality of influence. While Orwell fought and Hemmingway drank, Andre and Gerta opened the eyes of humanity.

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May 19, 2013 András Hegyle added it

Shelves: my-books

May 15, 2013 Michele added it

May 12, 2013 Heiki marked it as to-read

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About Susana Fortes

Susana Fortes (Pontevedra, Spain, 1959) graduated in Geography and History at the Universidad de Santiago de Compostela, and in American History from the Universidad de Barcelona. She has recently spent time in the USA, combining teaching Spanish in Louisiana and participating in university conferences at the Universidad Interestatal de San Francisco. She currently teaches at a secondary school in...more

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BBCode	[url=http://gr-assets.com/book/show/11201303-waiting-for-robert-capa?utm_medium=api&utm_source=blog_book][img]http://d.gr-assets.com/books/1347331433l/11201303.jpg[/img][/url] [url=http://gr-assets.com/book/show/11201303-waiting-for-robert-capa?utm_medium=api&utm_source=blog_book]Waiting for Robert Capa by Susana Fortes[/url]

Waiting for Robert Capa

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