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  <id>1119872</id>
  <title><![CDATA[Enola Gay (New California Poetry, 2)]]></title>
  <isbn><![CDATA[0520222601]]></isbn>
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  <description><![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]></description>
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  <original_title>Enola Gay (New California Poetry, 2)</original_title>
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        <name><![CDATA[Mark Levine]]></name>
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  <title>
    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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  <average_rating>3.81</average_rating>
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    <![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]>
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  <date_added>Tue Aug 14 07:30:23 -0700 2007</date_added>
  <date_updated>Thu Dec 17 05:08:20 -0800 2009</date_updated>
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    <body><![CDATA[To read these poems, one might have to think on a logarithmic scale-- during each rhetorical pass at the page, moments proceed with such a fine degree of presence &amp; attention that adhering to them as they move is exhausting. These poems move so tightly, are so alive to their own precise and powerful...<a href="http://www.goodreads.com/review/show/4525947">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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  <average_rating>3.81</average_rating>
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    <![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]>
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  <published>2000</published>
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    <rating>4</rating>
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  <read_at>Thu May 01 00:00:00 -0700 2008</read_at>
  <date_added>Mon May 12 05:02:30 -0700 2008</date_added>
  <date_updated>Mon May 12 05:08:23 -0700 2008</date_updated>
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    <body><![CDATA[I guess I wanted it as sharp and sensory as <em>Debt</em>. And even though these poems have a mild gravity to them, and the social interactions people have with each other elaborates a scene I am typically interested in watching play out, there are some of the poems that I don't feel involved with.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22062060]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22062060]]></link>
</review>
      <review>
  <id>20847297</id>
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    <name><![CDATA[Stef]]></name>
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  <title>
    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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  <average_rating>3.81</average_rating>
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    <![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]>
  </description>
  <published>2000</published>
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    <rating>4</rating>
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  <read_at>Fri May 29 00:00:00 -0700 2009</read_at>
  <date_added>Wed Apr 23 20:52:10 -0700 2008</date_added>
  <date_updated>Fri May 29 11:55:22 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I really, really liked this book. And I really, really wanted to give it 5 stars, but the rhyming poems held me back. They just didn't feel as strong as the rest of the pieces.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20847297]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20847297]]></link>
</review>
      <review>
  <id>9591817</id>
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    <id>578156</id>
    <name><![CDATA[Jamey]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>
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  <title>
    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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  <average_rating>3.81</average_rating>
  <ratings_count>47</ratings_count>
  <description>
    <![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]>
  </description>
  <published>2000</published>
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    <rating>2</rating>
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  <read_at></read_at>
  <date_added>Tue Nov 27 00:43:06 -0800 2007</date_added>
  <date_updated>Tue Nov 27 00:44:01 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Another wildly over-rated, over-blurbed, over-funded postmodern poet who makes no sense.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/9591817]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/9591817]]></link>
</review>
      <review>
  <id>5012918</id>
    <user>
    <id>294754</id>
    <name><![CDATA[Anna]]></name>
    <location><![CDATA[Tucson, AZ]]></location>
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  <title>
    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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  <average_rating>3.81</average_rating>
  <ratings_count>47</ratings_count>
  <description>
    <![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]>
  </description>
  <published>2000</published>
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    <rating>4</rating>
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  <date_added>Thu Aug 23 11:33:11 -0700 2007</date_added>
  <date_updated>Thu Aug 23 11:33:41 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Everybody else likes Enola Gay the best, but I think The Wilds is better.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/5012918]]></url>
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</review>
      <review>
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    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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  <average_rating>3.81</average_rating>
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    <![CDATA[Some devastation has struck the soul and the Earth alike, and in <em>Enola Gay</em>, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's <em>The Angel of</em> <em>History</em> as a stark meditation on Blanchot's sense of writing as the &quot;desired, undesired torment which endures everything.&quot; <br/> Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. <em>Enola Gay'</em>s &quot;mission&quot; can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. <br/> Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.]]>
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  <read_at>Mon Nov 16 16:51:03 -0800 2009</read_at>
  <date_added>Sat Oct 31 18:33:30 -0700 2009</date_added>
  <date_updated>Sat Oct 31 18:33:39 -0700 2009</date_updated>
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    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/76334883]]></url>
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    <![CDATA[Enola Gay (New California Poetry, 2)]]>
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