11th out of 11 books — 25 voters
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I think genius is an overused adjective, but I'd use it qualifiedly to describe Southern's range, voice and freakish imagination. The stories assembled in this marvelous collection are so diverse that it would be hard to describe a theme, except to say that Southern has the eyes of an eagle when it comes to picking a target and understanding how to get the details and dialogue for it *just* right. Pitch perfect throughout, whether he's telling a story about a melon farmer who does epic battle wi ...more
Southern is difficult to pin down. On the one hand, he wrote the abysmal novel Candy and the screenplay for Easy Rider, arguably one of the worst, most over-rated films of all time. On the other hand, he wrote this decent collection of short stories and the screenplay for Dr. Strangelove, a work of cinematic genius. Tread with caution through all of his work...
Un excelente recopilatorio de cuentos. La mayoría hilarantes y demasiado críticos. Otros inolvidables(como los ambientados en México, y el ya clásico "La sangre de una peluca). Terry Southern, pionero del nuevo periodismo, hace hablar a su sociedad desde los silenciados. Su risa estremece, y retuerce los valores del ya dilatado "sueño americano":
Excellent collection of short stories depicting slices-of-life post WWII. The first two involve the friendship between a white boy of about 12 and a black farmhand who works for his father...as well as teaching the son a thing or two about farming pot. From there Southern explores the worlds of jazz musicians, scenester-wannabes, hoodlums, housewives, Cuban counter-revolutionaries, male nurses, veterans, writers...and in a few more humorous vignettes, imagined encounters between Franz Kafka and ...more
Collection of essays and short stories. Not clear how much is fiction. Some clearly is. Others- like Twirling at Ole Miss are not- I think. Anyway- some if the stuff is really out there- like The Blood of a Wig- a story that winds up with the main character (written in the first person) shooting Red-Split or the blood of the wig which is blood taken from a schizophrenic. And it builds from there. Check out the second and third paragraphs on page 244 to see what I mean.
The grade's a bit misleading, since there's a lot of five-star material in this book: The title story, its sequel, You're Too Hip, Baby, and Twirling At Ole Miss, a biting new journalism look at the segregated South. But it's weighed down by some half-hearted efforts that suggest Southern might have done better if he'd given himself a bit clearer of a focus. Highly recommended, but only in parts.
Red-Dirt Marijuana and Other Tastes by Terry Southern (The New American Library 1967)(3569.08R43) is a collection of short-stories with no common theme that I could discern. The title story, "Red-Dirt Marijuana," is the earliest reference to home-grown southern marijuana that I can remember running across. My rating: 2/10 (out of respect for his other writing), finished 3/15/11.
Some of these stories are genius, some are really funny, a couple are cool and a couple of very odd. I wanted some of the stories to keep going, its frustrating reading short stories when that happens. However a couple of the stories are peculiar and I didn't mind moving on. Terry is an excellent writer and loves his narcotics. If you like the beat writers read this one.
Uneven collection of Southern's short stories and nonfiction. I enjoyed his nonfiction work more and could see why some (Tom Wolfe) consider Southern to be the founder of New Journalism with his piece "Twirling at Old Miss." Also worth reading was the title story and "Knife Fight," concerning the rural south, and his stories that dealt with the jazz and drug scenes of the 50s.
In response to other reviews: yes the subject matter is sporadic, and yes there are a few stories of varying quality in this collection, but when the high points of a book are as good as this one's, I think those minor faults become irrelevant. I give five stars without hesitation to Red Dirt Marijuana and Other Tastes, one of the invaluable books in my library.
From this book, which I read my first year in college, I learned that suddenly, brutally, and senselessly killing the main character of a story is a great way to end it. Terry Southern wrote the screenplays for two movies that deployed the same technique: "Easy Rider" and "Dr. Strangelove".
Terry Southern was a highly influential American short story writer, novelist, essayist, screenwriter and university lecturer noted for his distinctive satirical style. He was part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village; he was at the center of Swinging London in the sixties and helped to change the style and substance of Hollywood ...moreMore about Terry Southern...