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  <title><![CDATA[Hullabaloo in the Guava Orchard]]></title>
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  <description><![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]></description>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
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    <body><![CDATA[Kiran Desai has now written a serious book that shows off her deep thinking and writing skills - the inheritance of loss.<br/><br/>whatever. she had me at Hullabaloo.<br/><br/>this book is funny. Hands down funny.  And the mother in the book, reminds me of my mother on her more insane days.  <br/>...<a href="http://www.goodreads.com/review/show/8875663">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
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    <body><![CDATA[I'm not sure this really counts as a book I've read since I only made it half way through.  It was that silly and slow that I just couldn't make it to the end.  Set it India, it would make a great bollywood film and probably be quite funny and entertaining to watch.  It's about a young man's quest t...<a href="http://www.goodreads.com/review/show/7390765">more...</a>]]></body>
    
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
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    <body><![CDATA[Hullabaloo in the Guava Orchard was lying in my office library and on a slow work day I decided to give it a read. Written by Kiran Desai, who even jointly won the Betty Trask award for it, Hullabaloo is everything that a book should never be.<br/><br/>It is pretentious, written in a direct vernac...<a href="http://www.goodreads.com/review/show/50376758">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
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    <rating>4</rating>
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  <read_at>Sun Nov 23 00:00:00 -0800 2008</read_at>
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  <date_updated>Mon Nov 24 11:29:42 -0800 2008</date_updated>
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    <body><![CDATA[The author wrote the story in a funny way. How ridiculous that people treat a unintelligent 20 year-old boy as a kind of living god! Even more ridiculous is that people are reciting what he said as mortal. Also, in the end, everything was ruined by a group of alcoholic monkeys.<br/><br/>Given that...<a href="http://www.goodreads.com/review/show/38246663">more...</a>]]></body>
    
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  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
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  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
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  <date_updated>Sun Jul 26 06:58:34 -0700 2009</date_updated>
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    <body><![CDATA[Everything I want in a book: engaging characters, a bit of a plot, a little fun, a tiny bit of underlying seriousness. Sampath Chawla has grown up to become quite a disappointment to his family. He works in a post office where he spends most of his time reading the mail that comes through the office...<a href="http://www.goodreads.com/review/show/64992537">more...</a>]]></body>
    
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    <![CDATA[Hullabaloo in the Guava Orchard: A Novel]]>
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    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Winner of the 2006 Man Booker Prize and the National Book Critics Circle Award for Fiction for her second novel <em>The Inheritance of Loss</em>, Kiran Desai is one of the most talented writers of her generation. Now available for the first time as a Grove Press paperback, <em>Hullabaloo in the Guava Orchard</em>—Desai’s dazzling debut novel—is a wryly hilarious and poignant story that simultaneously captures the vivid culture of the Indian subcontinent and the universal intricacies of human experience. Sampath Chawla was born in a time of drought into a family not quite like other families, in a town not quite like other towns. After years of failure at school, failure at work, of spending his days dreaming in tea stalls, it does not seem as if Sampath is going to amount to much—until one day he climbs a guava tree in search of peaceful contemplation and becomes unexpectedly famous as a holy man, sending his tiny town into turmoil. A syndicate of larcenous, alcoholic monkeys terrorize the pilgrims who cluster around Sampath’s tree, spies and profiteers descend on the town, and none of Desai’s outrageous characters goes unaffected as events spin increasingly out of control.&lt;/DIV&gt;]]>
  </description>
  <published>1998</published>
</book>

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    <body><![CDATA[Everyone should read this absolutely delightful and very interesting novel that pulls you right in from the first chapter. Here's a little taste:<br/><br/>But Ammaji, who had just been handed a nice chocolate cone by the Hungry Hop boy, ran with the cone--not that this mattered, for he monkey igno...<a href="http://www.goodreads.com/review/show/80366609">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
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  <recommended_for><![CDATA[monkey lovers, those who desire solitude and free time]]></recommended_for>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Mon Nov 26 12:57:27 -0800 2007</date_added>
  <date_updated>Fri Jan 04 13:03:07 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[what a delightful novel!  the book is light-hearted, slightly satirical, and funny.  monkeys play a big role in the book, so the book gets major bonus points.  i even had a monkey bookmark that Michelle gave me for xmas to mark my pages with.<br/><br/>the book is short and a quick read.  i don't t...<a href="http://www.goodreads.com/review/show/9565446">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

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  <read_at>Thu Oct 15 00:00:00 -0700 2009</read_at>
  <date_added>Wed Oct 07 00:57:21 -0700 2009</date_added>
  <date_updated>Thu Oct 15 10:56:26 -0700 2009</date_updated>
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    <body><![CDATA[funny little story of a little family from a little town in India. child within laughed out loud several time :P:) several funny names:<br/><br/>~ Unt Delicios Deosebit de Untos||Utterly Butterly Delicious Butter Factory<br/>~ domnisoara Budinca si Tort &amp; baiatul Hungry Hop<br/>~ Produse de Lenj...<a href="http://www.goodreads.com/review/show/73713915">more...</a>]]></body>
    
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

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  <date_updated>Fri Jan 16 14:06:07 -0800 2009</date_updated>
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    <body><![CDATA[I chose to read this book mainly because I had read Kiran Desai's second novel &quot;The Inheritance of Loss&quot;. I found this book very entertaining book and liked the fun it pokes at self-proclaimed &quot;holy&quot; men. It has lots of unruly monkeys in it and a great ending!<br/><br/>It is se...<a href="http://www.goodreads.com/review/show/43269750">more...</a>]]></body>
    
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[Indians, Indophiles, People who I think have a good sense of humor]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jul 01 00:00:00 -0700 2002</read_at>
  <date_added>Wed Jul 18 10:27:01 -0700 2007</date_added>
  <date_updated>Wed Jul 18 10:33:27 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Kiran Desai used to be my cousin's roommate.  So one time while visiting my cousin, I crashed in her bed (Kiran wasn't there at the time, I'm not besmirching her good name, just thanking her for letting me crash in her bed.)<br/><br/>So then I heard she wrote a good book, but I was busy and young,...<a href="http://www.goodreads.com/review/show/3223097">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3223097]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/3223097]]></link>
</review>
      <review>
  <id>74908134</id>
    <user>
    <id>2154065</id>
    <name><![CDATA[Naomi]]></name>
    <location><![CDATA[Wiltshire, P8, The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2154065-naomi-griffiths]]></link>
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  <isbn>0385493703</isbn>
  <isbn13>9780385493703</isbn13>
  <text_reviews_count type="integer">98</text_reviews_count>
  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
  </title>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Oct 04 00:00:00 -0700 2009</read_at>
  <date_added>Sun Oct 18 07:30:22 -0700 2009</date_added>
  <date_updated>Sun Oct 18 07:33:59 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[this isn't the type of book I'd normally look out for but it sounded and looked interesting and I actually really enjoyed it, beautiful descriptions of India and lovely funny and affectionate characterisations of the villagers - amusing story, felt there was more to this on a deeper level but didn't...<a href="http://www.goodreads.com/review/show/74908134">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74908134]]></url>
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</review>
      <review>
  <id>75626784</id>
    <user>
    <id>1427136</id>
    <name><![CDATA[Sue]]></name>
    <location><![CDATA[Apalachin, NY]]></location>
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  <title>
    <![CDATA[Hullabaloo in the Guava Orchard: A Novel]]>
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  <average_rating>3.41</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;Winner of the 2006 Man Booker Prize and the National Book Critics Circle Award for Fiction for her second novel <em>The Inheritance of Loss</em>, Kiran Desai is one of the most talented writers of her generation. Now available for the first time as a Grove Press paperback, <em>Hullabaloo in the Guava Orchard</em>—Desai’s dazzling debut novel—is a wryly hilarious and poignant story that simultaneously captures the vivid culture of the Indian subcontinent and the universal intricacies of human experience. Sampath Chawla was born in a time of drought into a family not quite like other families, in a town not quite like other towns. After years of failure at school, failure at work, of spending his days dreaming in tea stalls, it does not seem as if Sampath is going to amount to much—until one day he climbs a guava tree in search of peaceful contemplation and becomes unexpectedly famous as a holy man, sending his tiny town into turmoil. A syndicate of larcenous, alcoholic monkeys terrorize the pilgrims who cluster around Sampath’s tree, spies and profiteers descend on the town, and none of Desai’s outrageous characters goes unaffected as events spin increasingly out of control.&lt;/DIV&gt;]]>
  </description>
  <published>1998</published>
</book>

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  <read_at>Sun Jun 01 00:00:00 -0700 2008</read_at>
  <date_added>Sat Oct 24 18:37:10 -0700 2009</date_added>
  <date_updated>Sat Oct 24 18:56:13 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[ Arranged marriage is always a hoot in context of this realistic mix of family, modern conventions and human forces in society. A holy man reaches out to complexities of family and friends after realizing that the only source of comfort is the escape from reality.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/75626784]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/75626784]]></link>
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      <review>
  <id>67090138</id>
    <user>
    <id>2368274</id>
    <name><![CDATA[Frank]]></name>
    <location><![CDATA[Bucharest, 10, Romania]]></location>
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  <isbn>0385493703</isbn>
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  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Sat Aug 15 00:00:00 -0700 2009</read_at>
  <date_added>Wed Aug 12 10:08:54 -0700 2009</date_added>
  <date_updated>Sat Aug 15 01:28:45 -0700 2009</date_updated>
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    <body><![CDATA[Fine comic touch. Great structure - it begins slow and languid, focusing on one character, then builds in pace to the end. Time is compacted with subtle grace. The ending is a little disappointing - more of a deus ex machina than anything - but the sub plots tie up nicely.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/67090138]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/67090138]]></link>
</review>
      <review>
  <id>40021332</id>
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    <id>1770362</id>
    <name><![CDATA[Heather]]></name>
    <location><![CDATA[The United States]]></location>
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  <isbn13>9780385493703</isbn13>
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  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>2</rating>
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  <read_at>Sat Dec 27 00:00:00 -0800 2008</read_at>
  <date_added>Sat Dec 13 11:37:48 -0800 2008</date_added>
  <date_updated>Tue Dec 30 20:25:04 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I had a hard time getting into this book.<br/>I love books about India. I love being transported back to the beautiful, colorful, crazy country. <br/>This book is about a young man searching for a place he can be himself. For the majority of the book, he is in his make-shift home in a guava tree. ...<a href="http://www.goodreads.com/review/show/40021332">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40021332]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/40021332]]></link>
</review>
      <review>
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    <name><![CDATA[Claire]]></name>
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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  <ratings_count>560</ratings_count>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
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  <read_at>Mon Jun 01 00:00:00 -0700 2009</read_at>
  <date_added>Fri Jun 05 07:54:15 -0700 2009</date_added>
  <date_updated>Tue Jun 09 13:22:19 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[It was entertaining - a nice little escape into the world of India....but I think it read more like a really long short story rather than a novel...a quick read, but not nearly enough going on - either in terms of plot or characters - for the number of pages...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/58530683]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/58530683]]></link>
</review>
      <review>
  <id>79641229</id>
    <user>
    <id>568271</id>
    <name><![CDATA[Kristina]]></name>
    <location><![CDATA[The United States]]></location>
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  <isbn>0385493703</isbn>
  <isbn13>9780385493703</isbn13>
  <text_reviews_count type="integer">98</text_reviews_count>
  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
  </title>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Nov 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed Dec 02 08:48:26 -0800 2009</date_added>
  <date_updated>Wed Dec 02 08:50:51 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Maybe I just expected it to be better.  I just started reading the inheritance of loss, which is more descriptive and realistic, and I like it much more.  The story is middling and the ending, just too contrived.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/79641229]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/79641229]]></link>
</review>
      <review>
  <id>63596923</id>
    <user>
    <id>129831</id>
    <name><![CDATA[nogaboga]]></name>
    <location><![CDATA[Iowa City, IA]]></location>
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  <isbn>0385493703</isbn>
  <isbn13>9780385493703</isbn13>
  <text_reviews_count type="integer">98</text_reviews_count>
  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
  </title>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Sat Aug 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 15 10:15:02 -0700 2009</date_added>
  <date_updated>Sat Aug 08 17:47:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Not sure what to say about this one. Cute? Nice? Clearly I'm not overly excited about it. Didn't put it down either (I almost did before the boss's wedding scene, but luckily it arrived early enough in the book and convinced me to give it another chance). The second half of the book goes very fast a...<a href="http://www.goodreads.com/review/show/63596923">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/63596923]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/63596923]]></link>
</review>
      <review>
  <id>40496632</id>
    <user>
    <id>740188</id>
    <name><![CDATA[Stephanie]]></name>
    <location><![CDATA[Fiji]]></location>
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  <id type="integer">916893</id>
  <isbn>0871137119</isbn>
  <isbn13>9780871137111</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
  </title>
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  <average_rating>3.36</average_rating>
  <ratings_count>14</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
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  <read_at>Thu Dec 18 00:00:00 -0800 2008</read_at>
  <date_added>Fri Dec 19 18:28:42 -0800 2008</date_added>
  <date_updated>Fri Dec 19 18:32:27 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Unusual story written in beautiful language. Talks about life in India, probably in the 1960s, and a young man's attempt to escape from his everyday boring crowded existence.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40496632]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/40496632]]></link>
</review>
      <review>
  <id>56580015</id>
    <user>
    <id>593817</id>
    <name><![CDATA[Lara]]></name>
    <location><![CDATA[Berkeley, CA]]></location>
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  <isbn>0385493703</isbn>
  <isbn13>9780385493703</isbn13>
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  <title>
    <![CDATA[Hullabaloo in the Guava Orchard]]>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
  <description>
    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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          </shelves>
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  <read_at>Sat May 16 00:00:00 -0700 2009</read_at>
  <date_added>Mon May 18 23:33:38 -0700 2009</date_added>
  <date_updated>Mon May 18 23:33:38 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Although they have the same rating, I liked this one more than The Inheritance of Loss - funny and interesting story.  Not sure how I feel about the ending though.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56580015]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56580015]]></link>
</review>
      <review>
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    <![CDATA[Hullabaloo in the Guava Orchard]]>
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  <average_rating>3.41</average_rating>
  <ratings_count>560</ratings_count>
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    <![CDATA[Pity the poor Chawla family of Shahkot, India--their son, Sampath causes all kinds of trouble for his family, culminating in a <em>Hullabaloo in the Guava Orchard</em>, but in a village like Shakhot, hullabaloo is a way of life. Indian writer Kiran Desai begins her first novel with Sampath's birth at the tail-end of a terrible drought. His mother, Kulfi, half-maddened by heat and hunger, can think of nothing but food: &quot;Her stomach grew larger.  Her dreams of eating more extravagant. The house seemed to shrink. All about her the summer stretched white-hot into an infinite distance.  Finally, in desperation for another landscape, she found a box of old crayons in the back of a cupboard and ... began to draw.... As her husband and mother-in-law retreated in horror, not daring to upset her or the baby still inside her, she drew a parade of cooks beheading goats.&quot; Sampath's father, Mr. Chawla is a man for whom &quot;oddness, like aches and pains, fits of tears and lethargy&quot; is a source of discomfort; he fears &quot;these uncontrollable, messy puddles of life, the sticky humanness of things.&quot; This distaste for sticky humanness will prove problematic for Mr. Chawla later in life when his son grows up to become a young man possessed of a great deal of feeling and very little common sense or ambition.  <p>  Mr. Chawla's frustration comes to a head when Sampath loses his menial job at the post office after performing an impromptu cross-dressing strip-tease at his boss's daughter's wedding. Confined to the house in disgrace, Sampath runs away from home and takes refuge in the branches of a guava tree in an abandoned orchard outside of town. At first family and townsfolk think he's mad, but in an inspired moment of self-preservation Sampath, who had spent his time in the post office reading other people's mail, reveals some choice secrets about his persecutors and convinces them that he is, in fact, clairvoyant. It isn't long before Mr. Chawla sees the commercial possibilities of having a holy man in the family, and pretty soon the guava orchard has become the latest stop along the spiritual tourism trail.  <p>  Take one holy man in a guava tree, add a venal father, a food-obsessed mother and a younger sister in love with the Hungry Hop Kwality Ice Cream boy and you've got a recipe for delicious comedy. Mix in a rioting band of alcoholic monkeys, a journalist determined to expose Sampath as a fraud, an unholy trio of hypochondriac district medical officer, army general and university professor, all determined to solve the monkey problem, and you've got a real hullabaloo. Kiran Desai's delirious tale of love, faith, and family relationships is funny, smartly written, and reminiscent of other works by Indian authors writing in English such as Salman Rushdie's <em>The Moor's Last Sigh</em>, Banerjee Divakaruni's <em>The Mistress of Spices</em> and Shashi Tharoor's <em>Show Business</em>. <em>--Alix Wilber</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
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  <date_added>Thu Mar 26 02:50:00 -0700 2009</date_added>
  <date_updated>Thu Mar 26 02:50:09 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[It is one of Kiran Desai's nicer books. I enjoyed the book. It was fascinating to see how people go with the tide at times. An interesting book indeed!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50491526]]></url>
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