Briarpatch

Mar 31, 2012 Andrew rated it 3 of 5 stars

“Oh, hell,” Arturo said softly. “This is all new to you? I thought you were, you know, a seasoned traveller, that you just stumbled onto the wrong path. But, what, today, this is your first time in the briarpatch?”

“The briarpatch,” Darrin repeated. “You said that before.”

Arturo nodded. “It’s what some people call, ah, the place, or the whole combination of places, the paths and roads and bridges some people can reach from this world. I dunno what it really is. I’ve heard some people say it’s God...more “Oh, hell,” Arturo said softly. “This is all new to you? I thought you were, you know, a seasoned traveller, that you just stumbled onto the wrong path. But, what, today, this is your first time in the briarpatch?”

“The briarpatch,” Darrin repeated. “You said that before.”

Arturo nodded. “It’s what some people call, ah, the place, or the whole combination of places, the paths and roads and bridges some people can reach from this world. I dunno what it really is. I’ve heard some people say it’s God’s maintenance tunnels, or worlds that got half-built and then abandoned, or worlds that might have happened, if things had been a little bit different.” He glanced at the bartender. “Or, you know, a lot different. Some places in the briarpatch don’t last long, and those are the weirdest places, the ones that aren’t very plausible at all, and I’ve seen some demented shit, lemme tell you, but lots of paths are stable. You can use them to get from one place to another in this world, there are some great shortcuts, but that’s not all. The briarpatch… there are secrets in there, if you can get in deep enough to find them. Wonderful stuff. Dangerous stuff. But, shit, it’s big, and hard to navigate.” Arturo went silent, tipping his half-empty pint glass from side to side, watching the beer move around inside. Long speeches didn’t seem to suit him.

***

Ismael Plenty, the Jim Jones/David Koresh stand-in for Tim Pratt’s Briarpatch, is as charismatic and effortlessly convincing as any would-be saviour with a God complex. Two items, however, separate our future poison-spiked Kool-Aid dispenser from his thankfully deceased contemporaries: Ismael actually is immortal, and in no way does he believe suicide will open the door to your salvation. His salvation, yes. Maybe yours, if you’re lucky, but when all is said and done, that is of little concern to Ismael.

As a child of the briarpatch—an indefinable, surreal desert hidden between the lines of our world, the real world—Ismael has seen and suffered enough to want to shake the bonds of his immortal life and travel to the light of paradise that lies beyond. But he cannot make his escape without help, without being guided to the bridge that will take him to the light and whatever is or isn’t on the other side. To this end, he needs the faithful and despondent, those primed for suicide, to help him find his way.

As the primary antagonist of Briarpatch, Ismael is a compellingly selfish son of a bitch whose desire to abandon an immortal life trumps the lives of all those he hurts along the way—including our hero, Darrin, and his girlfriend-of-a-time, Bridget. Always seeking new and exciting experiences, Bridget is won over by Ismael’s promises of salvation. Upon showing her the briarpatch, the mystical realm that runs beneath the surface of the real world, he convinces Bridget to take her own life, to remove all ties to her current reality in an attempt to cross over into the great fuzzy white light of happiness. Through several chance encounters that follow Bridget’s demise, Darrin is pulled deeper and deeper into a darkness he can’t escape as he seeks to discover the nature of his former love’s suicidal actions, and to confront Ismael in the process.

Briarpatch’s take on urban fantasy is refreshing, and succeeds more often than not. With the suicide-as-salvation concept at its heart, the narrative is darker than most, but not overwhelmingly so. The character of Ismael, while interesting in his mannerisms, is somewhat smothered in the end by his overall ambition, which, when boiled down to its essentials, is little more than that of a disgruntled zealot with a death wish of his own. Fortunately, the remaining cast—Darrin, Bridget, Orville, Arturo, the delightfully psychopathic Echo, the conniving, spineless Nicholas, and the silent but continuously intriguing Wendigo (a sentient beast of a car)—makes up for Ismael’s surprising simplicity.

The briarpatch itself is an interesting concept, though at times feels a little closely cribbed from the city-as-God of Clive Barker’s Imajica. With this concept at the core of the story, it’s unfortunate that the novel itself—barely 250 pages—is so bereft of detail. Ismael and Darrin’s conflict is fairly straightforward, but the briarpatch and everything that surrounds it is less than cohesive. Feeling more like a string of concepts thrown together than a living, breathing idea of a world with a pulse of its own, Briarpatch’s tallest hurdles come with its seemingly random nature and abundance of coincidences. Nowhere is this more prominent than a late-in-the-book meeting in which two characters remark on how utterly and unrealistically coincidental their meeting is. It’s as if Obi-Wan turned to Luke one day and said, “Wow, it’s pretty incredible that we have this entire galaxy in which everyone seems to somehow run into everyone else. I mean did you know Boba Fett was even involved in the Clone Wars? Dude was a kid, but still, he was there. Oh, and your dad built C-3P0. Wild, right?” It’s difficult not to see where the book was unfortunately cut short—where months will pass over pages, sacrificing so much world building that I wish had taken place in lieu of simple passages that round up what was covered in the same span of time. It’s as if we’re being given a set of Cliff Notes to catch us up on the world’s history before steamrolling into the final conflict.

I don’t wish to be too negative, however, because problems with the book’s final third aside, I still powered through to the end and enjoyed myself thoroughly. Had certain things been expanded upon—like the Wendigo and the nature of the briarpatch itself—this book might have been something truly special. As it stands, Briarpatch is urban fantasy-light that, through the strength of its core ideas, adds up to being a bit more than the sum of its parts. Given another stab at this universe, I’d love to see what Pratt could come up with. Briarpatch is potentially an interesting blueprint, though a great deal of detail and fleshing out is still needed.
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Aug 24, 2011 Branwen rated it 4 of 5 stars

Shelves: fantasy-science-fiction

I recieved this book from NetGalley in exchange for my honest review. The Briarpatch is a network of worlds parallel to our own. It is a glimpse of an alleyway out of the corner of your eye that is gone when you turn to look at it. It is the sight of a moonlight colored bridge floating in the sky. It is a pack of wild bears running around that once were people. It is beautiful. It is harrowing. It is the Briarpatch. And for the handful of characters in this story, it's something that will change...more

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Aug 27, 2011 Steven Klotz rated it 5 of 5 stars

Shelves: review-copy, ebook, favorites, fantasy, multiple-dimensions

longer review on mentatjack.com, but this is the meat:

The titular briar patch offers us views of very unlikely worlds. Time and presumably other aspects of physics behave differently. Mermaids and Giants and vampires and more that would become central to a more run of the mill novel become part of the scenery. This meta world next door to ours is introduced as a convenient, if dangerous and somewhat eccentric, method for avoiding rush hour traffic. It’s more than that and the scenery makes a poi...more longer review on mentatjack.com, but this is the meat:

The titular briar patch offers us views of very unlikely worlds. Time and presumably other aspects of physics behave differently. Mermaids and Giants and vampires and more that would become central to a more run of the mill novel become part of the scenery. This meta world next door to ours is introduced as a convenient, if dangerous and somewhat eccentric, method for avoiding rush hour traffic. It’s more than that and the scenery makes a point of not staying flatly in the background.

The characters include a ghost, a magic car and its driver, a depressed and jaded immortal, a sociopath, a doppelganger and an explorer. Fitting each of the characters into the above mentioned pigeon holes, is a fun exercise for the reader. There’s also the central character of Darrin and his college buddy Nicholas. All the characters are actively seeking something. They manipulate and are manipulated. They find shortcuts in the briarpatch. Relationships solidify and crumble. Darrin is seeking to understand why his girlfriend left him and then, a few months later, committed suicide by jumping off of the Golden Gate Bridge. This central mystery introduces him to the larger cast of characters. Once everyone’s role is understood, the briar patch gives everything a good shake and we get to see exactly who gets what they’re seeking.

Suicide and Cult are both mentioned on the back cover of Briarpatch. Death is a big issue wrestled with in the novel and more than one character are stuck like a broken record in the denial stage of grieving. Their lives are defined by those that they’ve lost. The implications of immortality are explored and fit nicely into the structure of the narrative. What does someone who can’t die fear? Just as the briarpatch lies outside of our consensus reality, each character, whether obsessed with life or obsessed with death, offers us something to think about what lies beyond our current existence. These are weighty issues, offering much for contemplation, but there’s plenty of action and exploration (and sex and food and photography) along the way.

The first 1/2 of the novel involves most of the characters confused and disconnected and the narrative structure mirrors this confusion. The story is presented non-linearly and almost every character gets a point of view scene. Later as everyone has a bit more clue about what’s going on, the story settles into smaller group of point of view characters and proceeds in a more straight forward march toward the final conflicts. There’s a portion of the second half that provides a relatively short montage of months of travel in the briarpatch. It works infinitely better than just saying “X months later,” but I suspect an entire series of novels could fill that space like the real numbers between 2 integers. This is my favorite Pratt so far and I’d recommend it to anyone who likes their fantasy mixed with contemporary reality, but is searching for something more (and weirder) than the typical urban fantasy.(less)

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Oct 08, 2011 Laura rated it 2 of 5 stars

Shelves: did-not-like

I wanted to love this book. The premise sounded super exciting, the characters seemed interesting and this book seemed really different and unique for the genre.

Onto the bad news -- character development sucked. I wanted to be done with most of the main characters, and even the protagonists were only of mild interest -- could take em or leave em. In what was such a promising premise, the one dimensionality was such a letdown that the entire story really suffered. Pratt has definitely set this us...more I wanted to love this book. The premise sounded super exciting, the characters seemed interesting and this book seemed really different and unique for the genre.

Onto the bad news -- character development sucked. I wanted to be done with most of the main characters, and even the protagonists were only of mild interest -- could take em or leave em. In what was such a promising premise, the one dimensionality was such a letdown that the entire story really suffered. Pratt has definitely set this us to be a series if he wanted, and perhaps he'll redeem himself in a future novel.

The story dragged for the first half of the book, but there were just enough plot devices to keep my hooked (plus, this author seems to use sex scenes like some sort of carrot on a stick to keep you turning the page). The same conversations seemed to be happening over and over between the main antagonists -- I couldn't figure out if that was because the author really believed they bore repeating or because he didn't have enough to say about the alternate world, The Briarpatch, which the story is based around.

I found the characters relationships with one another to be well beyond plausible. (view spoiler)

When we do make it into this alternate world, much of it is spent repeating the same locations and themes with different characters taking main stage. For an alternate world that is supposed to be immense, complex, terrifying and awesome, the first half of the book made it seem small and predictable.

In the last 50 pages the story does pick up, interesting new characters are introduced and it finally feels like the story is moving forward. So there's that.

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Oct 23, 2011 Bibliotropic rated it 4 of 5 stars

Shelves: netgalley

The concept of the briarpatch is an interesting one. A parallel world, or series of parallel worlds, that contain the improbable and implausible, tenuously holding to an existence that few can see unaided. Pratt takes the 'alternate world' concept and runs with it in a direction that I don't see done that often. It's noteworthy that he not only did this in a way that is believable, following its own rules and reasons, but also in such a way that still even the experts on the briarpatch don't rea...more The concept of the briarpatch is an interesting one. A parallel world, or series of parallel worlds, that contain the improbable and implausible, tenuously holding to an existence that few can see unaided. Pratt takes the 'alternate world' concept and runs with it in a direction that I don't see done that often. It's noteworthy that he not only did this in a way that is believable, following its own rules and reasons, but also in such a way that still even the experts on the briarpatch don't really know what it is, can only guess at its true nature. While I like understanding the weirder aspects of speculative fiction, I can definitely appreciate it when large-scale things don't get boiled down to something simple. Reality is a hard thing to understand, even reality as we know it. Why should an alternate reality be less so?

While the characters were not particularly deep as far as development goes, they were still realistically done, so I can't complain too loudly about them. They were more than just archetypes, but there were times that they felt flat, as though their whole lives were about the things going on between the pages at that time. It kept the reader very centred on current events, however, so this isn't entirely a bad thing. Still, as characters can really make or break a book, a little more development might not have gone amiss.

Though oddly, it was the characters of Ismael and Echo that were the most developed. Ismael I can see, because he's a very major player in the plot, trying to reach the light of a better world by exploiting people he himself sends to their deaths. He's a complex man who has lived for centuries, full of obsessions and quirks and a rich sense of what I can only describe as "completeness." Echo, too, was one of the more fleshed-out characters, though she existed mostly as Ismael's tool. She didn't allow herself to remain a tool, however, and was a powerful opportunist. While I can't say that I liked her as a person, she was quite an interesting power, and she had a bit of an ethical turnaround while still staying true to her nature.

For all Pratt's demonstrated creativity in coming up with the details of the briarpatch and alternate realities and how they work, he did commit one of the major writer no-no's by telling rather than showing. Characters sitting down and telling somebody their backstory, or taking a chapter to explain how they met so-and-so, got so frequent that I couldn't help but roll my eyes a time or two. Once or twice might be excusable. But there were times where a few sentences could have done just as well as an entire chapter, and the interludes took away from the tension of the rest of the story.

Still, I can't deny that this was a novel that, for all it felt at times like it moved a little slowly, still kept me engaged enough to keep turning pages, wanting to know what happened next, or what new surprises lay in wait for the characters. The book didn't need to be action-packed to be entertaining, or even to provide a sense of tension, and Pratt showed a good amount of creativity to string the readers along. This might not have been a book I would have gone out and bought sight unseen, but I'm certainly glad that I did take the time to read it, and I can say with certainty that it's a book that at some point I will probably read again.(less)

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Jan 31, 2012 Lawrence Kapture rated it 5 of 5 stars

Shelves: fantasy-urban

Briarpatch is about Darrin, who witnesses his girlfriend jumping off a bridge months after she left him with no explanation. He knows she left him for a mysterious man named Ismael Plenty. Unconvinced that his girlfriend would kill herself, he uncovers a bizarre consipiracy, engineered by Ismael Plenty, and centering around himself.

Darrin and Ismael are Briarpatch babies, though Darrin is unaware of this. Of uncertain origin, the Briarpatch babies have the ability to step into a series of interc...more Briarpatch is about Darrin, who witnesses his girlfriend jumping off a bridge months after she left him with no explanation. He knows she left him for a mysterious man named Ismael Plenty. Unconvinced that his girlfriend would kill herself, he uncovers a bizarre consipiracy, engineered by Ismael Plenty, and centering around himself.

Darrin and Ismael are Briarpatch babies, though Darrin is unaware of this. Of uncertain origin, the Briarpatch babies have the ability to step into a series of interconnected worlds of varying degrees of probablility: some with hospitals that include machines that heal you by taking better bodies from alternate versions of yourself, some where you might be attacked by werebears. Ismael wants to find the perfect world, the one where the light itself causes you to forget all need and be perfectly satisfied. Because, you see, Briarpatch babies are immortal. And immortals get bored, and despair, and want to move on to the afterlife. At least Ismael does.

To learn to see the Briarpatch, you generally need some sort of shock. Ismael has decided to drive Darrin to despair. He convinced Darrin's ex-girlfriend to kill herself (to get to the light of another world - a way denied to Immortals). He convinced Darrin's BFF to get Darrin fired. Then he staged an affair between Darrin's BFF and his new girlfriend. Nothing quite works out the way Ismael wants to, though. Darrin is made of sterner stuff.

Briarpatch is a really low key, personality driven fantasy. I liked it because of the themes. It contrasts delight in life with a yearning for transcendence to create what is essentially an anti-dualist fable. There may be something wonderful in the next world, but this is the one you have to kick around in until you get there. Darrin and some of the cohort he picks up on the way, including an ex-suicide haunted by Darrin's ex-girlfriend, and a man driving an automobile from an alternate detroit around the Briarpatch in order to find a version of his wife so that he can ask her if she commited suicide, or just sat too long in an enclosed garage, all have engaging voices. They are driven but not anxious, despairing but still curious about the world. They all are dealing with the question of why we continue to exist in the face of disapointment in small but pragmatic ways. It may turn out to be the great question of secular life, once we are free of disease and war. Darrin is not a passive man, but the loss of the love of his life has made him so, and learning to love his life gives him freedom again.

I also liked it because it's it pretty, surrealist book. The touristy trips into the Briarpatch are filled with glossy snapshots of irreality: vampire bars where you tip the bartender in blood, the Pontiac Wendigo itself, and city ruled by bees will feed the heads of people who like some Dali with their Drama.

It is very low key fantasy. It's got some sex and booze and poker in it. You can't advertise for life without the elements that make it fun. If you need swords with your sorcery, this may not be for you. If you're not up for a read with a little bit of meditation, save it for later. But if you want something pretty and meditative and earthy, this would be a good next for your reading list.(less)

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Sep 05, 2012 Christina Vasilevski rated it 3 of 5 stars · review of another edition

Shelves: 2012, fantasy

Review originally posted on www.christinavasilevski.com

Darrin's life has taken an awful turn: Within the space of one month, he lost his job, his car, and his girlfriend, Bridget, who walked out of his life with no explanation. Six months later while wandering aimlessly around San Francisco, he encounters Bridget for the first time since she left him - only to see her jump to her death off the Golden Gate bridge.

In his search to find out why Bridget killed herself, he gets caught up in the web o...more Review originally posted on www.christinavasilevski.com

Darrin's life has taken an awful turn: Within the space of one month, he lost his job, his car, and his girlfriend, Bridget, who walked out of his life with no explanation. Six months later while wandering aimlessly around San Francisco, he encounters Bridget for the first time since she left him - only to see her jump to her death off the Golden Gate bridge.

In his search to find out why Bridget killed herself, he gets caught up in the web of connections surrounding the briarpatch, an interdimensional labyrinth that connects all worlds probable and improbable. And it turns out that among the the people who help or hinder his quest - his own traitorous best friend, an immortal man who wields the power of despair, a man with no sense of taste or smell, an earthy psychopath with a taste for chrome shotguns, and a man who drives the world's most unusual car - Darrin may be most improbable visitor to the briarpatch yet.

(view spoiler)[

The best thing about Briarpatch is the worldbuilding. Imagine a bar that serves vampires, or a world of sentient bees that cooperate with beekeepers to produce hallucinogenic honey. That's the kind of imagery that this book delivers with regularity. There are bridges of moonlight that could lead to paradise, and there are supernatural creatures in the shape of cars that show up just where they need to be. There are immortal people who involuntarily teleport in order to prevent themselves from being killed, and there are insane humans who shape-shift into bears.

The way the briarpatch and its effects on people are described, the more I want to visit it myself. There are moments of love and joy and despair, like the immortal man who wanted to be on the moonlit bridge so much that he nearly starved to death basking in its reflected glory - only to have his body become desperate enough to teleport him away to a riverbed so that he could avoid dying of dehydration.

However, in many cases, the plot has serious problems with exposition. The scheme of the main antagonist, Ismael Plenty, is byzantine at best: Ismael is immortal and wants to die, and feels that the only way he can do so is to enter a distant, hard-to-reach part of the briarpatch that shimmers with the light of Heaven. He is convinced that only Darrin can lead the way, because Darrin - like Ismael - is a pure, spontaneous manifestation of the briarpatch itself. Yet he's also convinced that the only way Darrin can enter the briarpatch is to feel intense despair - which is why Ismael has orchestrated the collapse of his life. When Darrin reaches the brink of despair, Ismael plans to swoop in and offer entry to the briarpatch as the solution to his problems.

However, this plan flies in the face of Ismael's interactions with other characters: Before he meets Darrin, he introduces not one, not two, but three of his friends to it, and they all agree, either knowingly or unknowingly, to be part of Ismael's despair-inducing plan. If it's so easy for him to convince Darrin's friends about the importance of the briarpatch, why not approach Darrin himself honestly? I just don't get it.

On top of that, there was one scene that stopped the action in its tracks, where several of the main characters met up and explained everything they knew to each other. In turn, they described in detail their interactions with Ismael and Darrin, and what Ismael promised each of them for their involvement. I understand that this scene needed to happen, but its placement in the book is disorienting: It's in the middle, and a similar all-is-revealed scene happens right near the end. Having a climactic scene like that repeated alters the flow of the book and reduces the impact of the second version near the end.

Finally, while several of the characters are relatable or interesting to read about - Bridget, who is always yearning for new experiences; Orville, the aforementioned man without taste or smell; Arturo, who drives a supernatural being in the shape of a car with trance-inducing headlights - Darrin himself is not very memorable. He's a reasonable, friendly every-man who likes to tool around San Fran taking unusual photographs. Yet he seems too bland and normal - not other-worldly enough - to be taken seriously as an avatar of such a surreal place as the briarpatch. (hide spoiler)]

I liked Briarpatch, but I don't think it's as enjoyable as other stories of Pratt's that I've encountered, like The Ghost of Christmas Possible or Cup and Table.(less)

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May 13, 2013 Jamie Pierson rated it 4 of 5 stars

Shelves: great-slipstream-fiction, library

Tim Pratt is like Neil Gaiman's less British little brother. Some key words for this book: shotgun, manipulation, bears, world between worlds, Wendigo, young adults, hummus. One of my favorite parts, when whatshisname regains (in a way) his sense of taste and smell and starts enjoying food again. Just a nice detail to pay attention to. I leave off the fifth star because I think it could have had more heft to it, more richness. But otherwise, I quite enjoyed it.

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Jan 22, 2012 Danielle rated it 5 of 5 stars

If you like Charles Delint, you'll like Briarpatch. Pratt takes his readers into other worlds along with his characters. Darrin sees his ex-girlfriend jump off the Golden Gate Bridge, and sets out to discover why. In the process, he learns more about himself and not only the world most people inhabit, but also the various other "plausible" worlds that exist in, next to, and near our own.

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Sep 09, 2012 Literate Reader rated it 5 of 5 stars

Fascinating read. There was one character in particular that I just hated, thinking she was one-dimensional and unrealistic, but she stayed with me long after reading the book, so I guess in a way that makes her more interesting than I initially gave her credit for being. Anyway, the concept of the book is fascinating, and Pratt is a wonderful writer.

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Jan 30, 2012 Sarah Menezes rated it 3 of 5 stars

I really wish this book was written as well as the last 1/4 of it, because it might have been a 5. It's nice, fun, not too dense or anything, but I just didn't really care about the story until the end, so it was kind of hard to stick with. But over all, i did enjoy it. It has some really fantastic elements to it, and I like the characters.

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Apr 11, 2012 Amy rated it 3 of 5 stars · review of another edition

Shelves: fantasy

Briarpatch is weird and grotesque and cerebral, but not in any of the ways you're thinking right now. I'm not certain what else to say about it, honestly, except that everyone gets what they deserve in highly satisfying manners, and the Alice in Wonderland girl inside me wants to see more of the Briarpatch.

Also, there are bears.

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Jul 30, 2012 Jade Newton rated it 5 of 5 stars

My favourite part of this book were the themes surrounding the protagonist's girlfriend and the antagonist; their quest for meaning to their lives gave me interesting food for thought. As a whole I really enjoyed everything this book had to offer.

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Nov 20, 2012 Joel rated it 2 of 5 stars · review of another edition

Shelves: 2012, audiobooks

I keep taking a chance on all these low-profile, high concept genre books and I keep coming away disappointed. Shelve this one next to 14 and The World House in the trilogy of books about weird parallel dimensions intersecting with our world, populated by character's whose blandness is matched only by their unlikeability. Populating the books I mean. Not the parallel dimensions. Which are populated nothing as interesting as the jacket copy might lead you to believe.

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Dec 05, 2011 Josiah rated it 2 of 5 stars

Shelves: 2011

Somewhere between a two and a three for me. I liked the mood and some of the fey quirkiness, but couldn't get into the characters, finding some outright distasteful.

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Jun 12, 2012 Christopher Munroe rated it 5 of 5 stars

Pratt creates a fascinating world just behind our own, then populates it with profoundly damaged characters with contradictory agendas and lets them collide with one another until they're destroyed. A fascinating, compelling read, highly recommended.

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May 13, 2013 Liam rated it 3 of 5 stars · review of another edition

Shelves: 2013, fantasy, library-finds

An interesting read. I had literally no idea what the book was about when I picked it up (for some reason I had this preconception that it was post-apocalyptic? I have no idea), but it turned out to be a sort of neat modern fantasy about parallel worlds/universes/thematrix.

Some good characterisation and some neat concepts, not bad for a quick read.

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Apr 01, 2013 Janice rated it 3 of 5 stars

Shelves: 2013

I thought this book had a really interesting concept (the briarpatch) in service to a fairly ordinary plot. Maybe it's the intro to a series?

Perhaps we'll see more of Darrin and the others in another volume. Not sure I'll make another trip with them, tho.

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Jan 27, 2012 Jon rated it 4 of 5 stars · review of another edition

The best thing about Tim's books is that you can reliably expect a satisfying level of weirdness. This one is no exception. A good read.

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Oct 28, 2012 Erik rated it 4 of 5 stars

A slow, plodding first half, but saved by an excellent, tightly-paced second half.

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Sep 03, 2012 Ace rated it 1 of 5 stars

Intriguing premise, awful execution.

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May 23, 2013 Lauren is currently reading it

May 21, 2013 Brooke marked it as to-read

Shelves: uni-lib-ebook

May 10, 2013 Cameron McLeod marked it as to-read

Shelves: weird-fiction

May 05, 2013 Ed Chapman rated it 4 of 5 stars

May 02, 2013 Amadeus marked it as to-read

Apr 17, 2013 Tammy marked it as to-read

May 04, 2013 Evan Jensen rated it 4 of 5 stars

Apr 13, 2013 Jack marked it as to-read

Apr 08, 2013 Sita marked it as to-read

Shelves: ds

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