38th out of 100 books
—
143 voters
Pulphead
In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now.
In his native Ken...more
In his native Ken...more
Paperback, 365 pages
Published
October 25th 2011
by FSG Originals
(first published October 2011)
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Dec 23, 2012
Kinga
rated it
5 of 5 stars
·
review of another edition
Shelves:
special-place-in-my-heart
There is this strange thing with the US and its culture. We all know all about them and they know not a thing about us. If two people from different countries or even continents meet up, the conversation often gyrates around American (usually pop) culture. It’s the common ground. When I moved to America for a year when I was 18, I didn’t suffer a severe cultural shock (although I was a little frightened by the size of hamburgers). I knew the TV shows those kids watched, the music they listened t...more
Wildly uneven. There are 14 essays in the book. By my count, there are five excellent essays (including one bonafide genius essay), three good essays, and six essays that did nothing for me, including one essay that, after I'd finished the book and was looking back over the table of contents, I couldn't for the life of me remember reading. That genius essay I mentioned is "Violence of the Lambs," which is principally about the increase in unexplainable animal attacks in recent years. Stingrays h...more
Weeks ago I came across a NY Times article on a book fresh off the press that is - supposedly - the best collection of essays since David Foster Wallace's A Supposedly Fun Thing I'll Never Do Again. I put the book 'on hold' at the local Public Library; received a notification of its availability last weekend; read through each essay this past week. Dulce et utile.
The book: "Pulphead: Essays." The author: John Jeremiah Sullivan. Another formidable tri-nomial writer, this time harking from the Sou...more
The book: "Pulphead: Essays." The author: John Jeremiah Sullivan. Another formidable tri-nomial writer, this time harking from the Sou...more
I wanted to give this guy five stars, but the two stories in the middle were snoozers and a few of the endings were rushed and, accordingly, awful. Of the latter, the ending to the essay about Axl Rose—such a good essay—was so disappointingly bad that I almost didn't like the essay.
What I like most about this guy is that he isn't a sarcastic, cynical prick. After having just read a few stories by George Saunders, I appreciate this fact and Sullivan even more.
Three things:
(From the first essay...more
What I like most about this guy is that he isn't a sarcastic, cynical prick. After having just read a few stories by George Saunders, I appreciate this fact and Sullivan even more.
Three things:
(From the first essay...more
My ranking for the essays:
Violence of the Lambs (On the possibility of a terrifying monkey/bear army. It is awesome.)
Peyton's Place (filming location for One Tree Hill)
Upon this Rock (Christian music festival)
Getting Down to What is Really Real (Real World)
Feet in Smoke (electrocuted brother)
Back in the Day (Michael Jackson)
American Grotesque (Tea party)
Unnamed Caves
The Final Comeback of Axl Rose
The Last Wailer
At s Shelter (After Katrina)
Unknown Bards
Mister Lytle
Lahwineski Career of an Eccenti...more
Violence of the Lambs (On the possibility of a terrifying monkey/bear army. It is awesome.)
Peyton's Place (filming location for One Tree Hill)
Upon this Rock (Christian music festival)
Getting Down to What is Really Real (Real World)
Feet in Smoke (electrocuted brother)
Back in the Day (Michael Jackson)
American Grotesque (Tea party)
Unnamed Caves
The Final Comeback of Axl Rose
The Last Wailer
At s Shelter (After Katrina)
Unknown Bards
Mister Lytle
Lahwineski Career of an Eccenti...more
Pulphead should be a textbook for any intro-jounralism/feature-writing course.
Sullivan's reporting shines through no matter what he's writing about -- and even when he's making up sources. Personal without ever being show-offy, and displaying versatility in his style to match his subject.
His profiles of icons, like Axel Rose and Michael Jackson, add new dimension to guys that have previously been seen tired/ all-but-degraded to cartoons. The range of essays collected here is really impressive,...more
Sullivan's reporting shines through no matter what he's writing about -- and even when he's making up sources. Personal without ever being show-offy, and displaying versatility in his style to match his subject.
His profiles of icons, like Axel Rose and Michael Jackson, add new dimension to guys that have previously been seen tired/ all-but-degraded to cartoons. The range of essays collected here is really impressive,...more
He'll never tell you this himself, but John Jeremiah Sullivan has been an excellent companion to me over the past month. He is humble, you see.
The essay (like the book review) is a form that lends itself to absolutes and preachifying. Along with humility, it takes an open mind and deft prosecraft to give space to evidence from both sides of the story. Sullivan deals with this by writing his essays as first person narrations of his own experience of working on the assignment, just like Jon Ronso...more
The essay (like the book review) is a form that lends itself to absolutes and preachifying. Along with humility, it takes an open mind and deft prosecraft to give space to evidence from both sides of the story. Sullivan deals with this by writing his essays as first person narrations of his own experience of working on the assignment, just like Jon Ronso...more
I might be the last person in the world to make it to John Jeremiah Sullivan's 'Pulphead'. (I mis-skim-read a blurb on the back of the book and thought one of the endorsers was referring to Sullivan, in a chummy way, as 'Skip'. I loved that. John Jeremiah, familiarly known as Skip. Unfortunately, the writer was talking about the subject of one of Sullivan's essays. There should be a word for the lingering sadness you can derive from a fleeting misunderstanding, a glimpse of possibility that is c...more
It’s always a good sign when you’re reading a piece of non-fiction to find yourself adding titles that the writer mentions to your Amazon wish-list. Or when you realise that there’s a whole subject area that you could just do with reading around more in general (in my case, Disney and – bizarrely – the Blues).
This is a rich, thoughtful immersion in a choice spread of subjects including pop culture, history, politics, environment and music. Oh, and one sort of (very promising) semi-SF riff. I’m...more
Das wunderbare Buch von John Jeremiah Sullivan ist kürzlich auch in deutscher Sprache erschienen.
Es ist ein hervorragendes Werk, das einem Ausländer wie mir einen wunderbaren Einblick gibt, in die Amerikanische Welt des Irrsinns der dortigen Gegenwart und Kultur. Der Autor schreibt perfekt über diejenigen Details, die nicht in den umfangreichen Werken und Zeitungsartikeln des, von mir einfach mal so genannten "Mainstream-Journalismus" zu finden sind.
Der Autor schreibt sehr abwechslungsreich, kl...more
Es ist ein hervorragendes Werk, das einem Ausländer wie mir einen wunderbaren Einblick gibt, in die Amerikanische Welt des Irrsinns der dortigen Gegenwart und Kultur. Der Autor schreibt perfekt über diejenigen Details, die nicht in den umfangreichen Werken und Zeitungsartikeln des, von mir einfach mal so genannten "Mainstream-Journalismus" zu finden sind.
Der Autor schreibt sehr abwechslungsreich, kl...more
Most of these essays are pretty terrific (standouts: the Axl Rose profile, the one about the mentorship gone awry, the brother's death experience.) But I was most delighted to find the following quote in the (also very good) story about animal attacks. I had clipped this quote out of one of Sullivan's GQ features and taped it to my desk a few years ago, but I lost it when I pushed the desk down a flight of stairs one crisp November evening. Rediscovering it in this book felt like the best possib...more
I had dreams about these essays, several times, actually, during the week or so I spent with Pulphead. They were those vivid kind of dreams in which you relive an event in your life--a party, an intimate encounter, a vacation--but, you know, in a more crazy, dreamy sort of way. So I'd wake up and be like, wait, when did I hang out with Axl Rose...?? Or: why was I in those caves...?? Anyway, the point is that John Jeremiah Sullivan is an wonderfully immersive writer, with a pinpoint eye for the t...more
No need to add much of a review, since Goodreaders have already done such a fine job of articulating the same thoughts I had while reading "Pulphead": There IS an uneven-ness here. There IS a desire to reach for a red pen and help John Jeremiah's prose find a quicker way to get at what John Jeremiah is trying to say. (I wonder: Does he really go by John Jeremiah? Do friends leave phone messages for "John Jeremiah"? Do baristas call out "John Jeremiah" when his coffee is ready?) And, most notably...more
This collection contains essays of varying quality. There is at least one 5-star work in here, many 4-star, more still of the 3-star variety, and unfortunately a couple that were worse than that, so consider the rating an average across the board. It's hard not to compare any young, intelligent, funny, contemporary essayist to David Foster Wallace, and in the case of Sullivan this comparison is even more difficult to avoid (which is unfortunate as he is a very good writer standing in the shadow...more
I like humorist essays and the first essay in the book did not disappoint. It was about a Christian revival campout and was called, Upon This Rock. I also liked Unnamed Caves, and would recommend it to anyone who lives in the south. I didn't know about all the petroglyphs and pottery, and other relics in Tennessee and other southern states that date back 8-12,000 years. I want to know more about them. "a mysterious writing tablet that surfaced in an Indian mound, covered in Hebrew or Phoenicain...more
Anthology of magazine articles. I would have liked it if the book included at least the date that the pieces were originally published.
I first encountered Sullivan (at least to my knowledge) last year when I read a piece that he wrote for the NY Times Magazine about going to Disney World with his young daughter and some friends (read it at http://www.nytimes.com/2011/06/12/mag...). It is a very funny piece. Also, after hearing about this book, I checked him out further and found a review he wro...more
I first encountered Sullivan (at least to my knowledge) last year when I read a piece that he wrote for the NY Times Magazine about going to Disney World with his young daughter and some friends (read it at http://www.nytimes.com/2011/06/12/mag...). It is a very funny piece. Also, after hearing about this book, I checked him out further and found a review he wro...more
nice new voice of essays dealing mostly with the weirdness of low class usa. christian rock festivel ; big brother's near death experience ; author apprenticing himself to andrew lytle (sewanee review) ; driving around after katrina ; 'real life/road rules" aftermarket business ; tea party marches, and on and on. things to like about jjs: smart, includes interesting details in his narrative (rafinesque became really fat after getting a job at transylvania university) ; looks in to interesting ph...more
I shouldn't go into books with such high expectations.
I read this book because Crimes in Southern Indiana: Stories was so great, and at the time, you couldn't read about either book without hearing about the other.
I almost quit part way through.
Long-form journalistic non-fiction is what I love to read. Especially when its topics I don't know that well - which is to say John McPhee knocks my socks off.
But there were some real losers in here.
There were pieces I skipped, and pieces that made it har...more
I read this book because Crimes in Southern Indiana: Stories was so great, and at the time, you couldn't read about either book without hearing about the other.
I almost quit part way through.
Long-form journalistic non-fiction is what I love to read. Especially when its topics I don't know that well - which is to say John McPhee knocks my socks off.
But there were some real losers in here.
There were pieces I skipped, and pieces that made it har...more
Thematic strength isn’t what you usually find in a book of journalistic essays, but apparently Sullivan is drawn to strangeness wherever it rears its head. And in this world, strangeness is de rigueur. These essays wander from a Christian rock festival to a brother of Sullivan, who exhibits all sorts of odd behavior after a near-electrocution. Then there’s a near-encounter with Guns n’ Roses’ Axl Rose, a fey old gay man, then America’s ancient cave dwellers and those who find and sell their arti...more
Pulphead is more of a 3.5-3.75 star book than a 4 star, but the rating system will not allow me to award partial stars so I'm rounding up.
I found Pulphead on the Guardian's "Best Books of 2011" list and I was itching for something new to read. The review pimped it out as being analogous to David Foster Wallace's "A Supposedly Fun Thing I Will Never Do Again." To be fair, this pushed my expectations a little high because almost nothing except, perhaps, Hunter Thompson's "The Great Shark Hunt" com...more
I found Pulphead on the Guardian's "Best Books of 2011" list and I was itching for something new to read. The review pimped it out as being analogous to David Foster Wallace's "A Supposedly Fun Thing I Will Never Do Again." To be fair, this pushed my expectations a little high because almost nothing except, perhaps, Hunter Thompson's "The Great Shark Hunt" com...more
Never heard of this guy before, but I bought the book on the strength of several positive reviews and to test out my new Kindle Touch.
One of the greatest pleasures in life, aside from the obvious corporeal ones, is reading really smart people writing when they are really angry. Mr. Sullivan is calm and not angry. But he's really really smart, so it turned out okay.
This book is a bunch of magazine articles and essays that he wrote, covering a bunch of different topics. The best ones were about pr...more
One of the greatest pleasures in life, aside from the obvious corporeal ones, is reading really smart people writing when they are really angry. Mr. Sullivan is calm and not angry. But he's really really smart, so it turned out okay.
This book is a bunch of magazine articles and essays that he wrote, covering a bunch of different topics. The best ones were about pr...more
Reading these stories brought to mind the image of Chuck Klosterman kidnapped, stuck in a hotel room, pumped full of Ambien, and forced to write less about music pop culture. That's not as much of a criticism as it sounds, I suppose, because Klosterman is frequently eager to the point of breathlessness in his essays and I find myself wishing he'd slow down and take his time. Well, I mean I used to think that until I got my hands on this book that approximates the results of said experiment and f...more
A "pulphead" derogates one who reads too many magazines and newspapers, and situates John Jeremiah Sullivan geologically against a contour view of his reader's cultural experience. The modesty of the self-identifying title characterizes the wry stoicism crucial to Sullivan's charm; this polymath has got chops, with range to spare, but he would have us believe that he knows very well that he's collected magazine pieces.* Just so, what's remarkable about this group of fourteen essays is that few o...more
About half the essays here are great. The ones I'm calling not-great are not-great only because I suppose I'm less interested in odd historical ephemera than odd pop-cultural ephemera, which anyway is where I feel Sullivan excels. Unfortunately(?), the strongest essay here is the first, so I began the collection downright giddy, and slowly realized as I moved on that things would never be the same again. Still, impressive for its variety; Sullivan is hilarious in that first essay (about a Christ...more
Oddly, I've already read two of the journalistic essays reprinted in this book, specifically one where the author attends a Christian rock festival and another where he tries his best to interview a very fickle Bunny Wailer.
Although I can't easily describe his writing style, Sullivan has a unique and highly intelligent voice. He mixes traditional reporting with personal reflection.
This book is critically acclaimed for good reason.
Although I can't easily describe his writing style, Sullivan has a unique and highly intelligent voice. He mixes traditional reporting with personal reflection.
This book is critically acclaimed for good reason.
Pulphead: Essays by John Jeremiah Sullivan (New York: Farrar, Straus, & Giroux, 2011. 365pp) Also posted at wherepenmeetspaper.blogspot.com - check it out for more reviews!
John Jeremiah Sullivan is a contributing writer to The New York Times Magazine, a contributing editor of Harper’s Magazine, and editor of The Paris Review. He is the author of two books: Blood Horses and Pulphead.
“Greatest Hits”
I recently picked up a couple books containing essays by reputable journalists. The first being...more
John Jeremiah Sullivan is a contributing writer to The New York Times Magazine, a contributing editor of Harper’s Magazine, and editor of The Paris Review. He is the author of two books: Blood Horses and Pulphead.
“Greatest Hits”
I recently picked up a couple books containing essays by reputable journalists. The first being...more
This winter I've been reading a lot of nonfiction collections, hitting a lot of "big names" along the way - Updike, Hitchens, Schama, Didion. John Jeremiah Sullivan was someone I had never heard of until I stumbled across this collection in the bookstore, but I'm happy to report that his writing has an idiosyncratic charm that puts him right up there with the big guys.
As with any collection of essays, there are a few duds in this collection. Sullivan's pieces on Axl Rose and on Michael Jackson s...more
As with any collection of essays, there are a few duds in this collection. Sullivan's pieces on Axl Rose and on Michael Jackson s...more
And so, armed with a head full of both pulp and nutrients, Sullivan encounters a world of Tea Partiers, infatuated naturalists, Christian-rock fans, Katrina survivors, and the wife of the guy who "does pyro" for Bon Jovi. The deep background here is that he has more in common with these people than you'd think. In his Axl Rose profile he describes Indiana as "the most nowhere part of America," and before you start calling Sullivan a snob, know that Axl Rose isn't the only one from Indiana: despi...more
After seeing Flavorwire’s List of 10 Contemporary American Essayists You Should Be Reading Right Now, I added “Pulphead” to my ever growing list of things to read.
The opening essay, and my personal favourite, entitled “Upon This Rock,” chronicles Sullivan’s assignment to report on a Christian music festival. He ends up attending Creation Fest, the largest Christian music festival in the US, which is held in Pennsylvania. Sullivan is given a rental RV, a massive hulking vehicle which nearly tips...more
The opening essay, and my personal favourite, entitled “Upon This Rock,” chronicles Sullivan’s assignment to report on a Christian music festival. He ends up attending Creation Fest, the largest Christian music festival in the US, which is held in Pennsylvania. Sullivan is given a rental RV, a massive hulking vehicle which nearly tips...more
Let this be a case-study of hype and the near-inevitable disappointment. Before I bought/read it, it seemed like all mentions of Pulphead or JJS I saw were overwhelmingly positive. Then I read the first essay, "Upon This Rock," loved it, believed that the hype must be true, and bought the book. As it turns out, "Upon This Rock" is the best essay in the collection. Many are just okay. Some are duds. One is straight-up bad ("Violence of the Lambs"). I did like the essays on Michael Jackson and Mr....more
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John Jeremiah Sullivan is an American writer and editor. He is a contributing writer to The New York Times Magazine, a contributing editor of Harper's Magazine, and southern editor of The Paris Review.
Sullivan's first book, Blood Horses: Notes of a Sportswriter's Son, was published in 2004. It is part personal reminiscence, part elegy for his father, and part investigation into the history and cul...more
More about John Jeremiah Sullivan...
Sullivan's first book, Blood Horses: Notes of a Sportswriter's Son, was published in 2004. It is part personal reminiscence, part elegy for his father, and part investigation into the history and cul...more
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“People hate these shows, but their hatred smacks of denial. It's all there, all the old American grotesques, the test-tube babies of Whitman and Poe, a great gauntlet of doubtless eyes, big mouths spewing fantastic catchphrase fountains of impenetrable self-justification, muttering dark prayers, calling on God to strike down those who would fuck with their money, their cash, and always knowing, always preaching. Using weird phrases that nobody uses, except everybody uses them now. Constantly talking about 'goals.' Throwing carbonic acid on our castmates because they used our special cup annd then calling our mom to say, in a baby voice, 'People don't get me here.' Walking around half-naked with a butcher knife behind our backs. Telling it like it is, y'all (what-what). And never passive-aggressive, no. Saying it straight to your face. But crying...My God, there have been more tears shed on reality TV than by all the war widows of the world. Are we so raw? It must be so. There are simply too many of them-too many shows and too many people on the shows-for them not to be revealing something endemic. This is us, a people of savage sentimentality, weeping and lifting weights.”
—
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“The justification for rap rock seems to be that if you take really bad rock and put really bad rap over it, the result is somehow good, provided the raps are barked by an overweight white guy with cropped hair and forearm tattoos.”
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